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El interior
Las columnas de la nave central.
Detalle de la bóveda.
Gaudí evolucionó de un primer proyecto gótico hacia un estilo personal, orgánico, inspirado en las formas de la naturaleza: para librarse de los contrafuertes góticos, ideó el uso de columnas en forma de tronco de árbol, que permiten descargar el peso de las cubiertas directamente en el suelo, solución práctica a la vez que estética, ya que convierte el interior de las naves del templo en un espacio orgánico que semeja un bosque. En 1987 se inició la cimentación de las naves; para 1997 se completaron las bóvedas laterales y se empezó la central.
El templo tiene planta de cruz latina, con cinco naves de 90 metros de longitud, y crucero de tres naves de 60 metros; la nave central tiene un ancho de 15 metros, y 7,5 las laterales, haciendo un total de 45 metros; ancho del crucero, 30 metros. La altura es de 45 metros en las bóvedas de la nave central y 30 en las laterales, mientras que las del cimborio central llegarán a los 60 metros. Las naves laterales contendrán las cantorías para los coros. El ábside es lobulado, con deambulatorio entorno del presbiterio. El templo contará con un total de 36 columnas, que oscilarán entre 11,10 y 22,20 metros de altura, con bases de polígonos estrellados de varios lados según su ubicación: 6 (naves laterales), 8 (nave central), 10 (torres de los Evangelistas), 12 (torre de Jesús). Los materiales de construcción varían de la piedra de Montjuïc al granito, basalto o pórfido.
Las bóvedas son hiperbólicas, construidas con baldosas de mosaico veneciano. Gaudí utilizó la técnica de la bóveda catalana o bóveda tabicada, que consistía en la superposición de varias capas de ladrillos con argamasa. Las cubiertas son de forma piramidal, coronadas por una linterna y un farol. Los ventanales están pensados para distribuir una iluminación suave y armónica, creando un efecto de recogimiento, y tienen forma geométrica abstracta; las vidrieras de colores son obra de Joan Vila i Grau. Gaudí realizó profundos estudios acústicos y lumínicos para conseguir una perfecta sonoridad e iluminación en el interior del templo.
The church plan is that of a Latin cross with five aisles. The central nave vaults reach 45 meters while the side nave vaults reach 30 meters. The transept has 3 aisles. The columns are on a 7.5 meter grid however the columns of the apse, resting on del Villar's foundation, do not adhere to the grid, requiring a section of columns of the ambulatory to transition to the grid thus creating a horseshoe pattern to the layout of those columns. The crossing rests on the four central columns of porphyry supporting a great hyperboloid surrounded by two rings of 12 hyperboloids (currently under construction). The central vault reaches 60 meters. The apse will be capped by a hyperboloid vault reaching 75 meters. Gaudi intended that a visitor standing at the main entrance be able to see the vaults of the nave, crossing, and apse, thus the graduated increase in vault loftiness.
The columns of the interior are a unique Gaudi design. Besides branching to support their load, their ever-changing surfaces are the result of the intersection of various geometric forms. The simplest example is that of a square base evolving into an octagon as the column rises, then a 16-sided form, and eventually to a circle. This effect is the result of a three-dimensional intersection of helicoidal columns (for example a square cross-section column twisting clockwise and a similar one twisting counter-clockwise).
(Wikipedia)
Metroline DEM1354 (LK62DHD) exits The Walk in Potters Bar on the Potters bar town Route PB1 service Rushfield, Oakmere, Town Centre and Rail Station.
This service which is a Hertfordshire County Council contracted route is allocated a DES-type vehicle due to the narrow residential roads served. It was a surprising to see a TfL DEM-type bus substituting on the route instead!
This large owl butterfly was photographed at dawn when it was still quite dark. This shot, as all of my shots, is hand held and taken without flash.
Forewing size 2.25 inches (5.7 centimeters)
Family Nymphalidae; sub-family Satyrinae
La Torre Agbar, amb els seus 4.000 leds multicolors, és tot un espectacle en la nit barcelonina. Com podeu veure. a més, les finestres son el major homenatge al joc del Tetris.
Sobretot mireu-la en gran.
ca.wikipedia.org/wiki/Torre_Agbar
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The Torre AgBar, in Barcelona, has 4.000 LED lights that can change in colour to produce evolving patterns. It even served as clock for the last seconds of the New Year:
As you can see, the windows are also arranged like a giant Tretris game.
www.youtube.com/watch?v=yE0D3EO0whg&feature=related
Port Vell - Barcelona (Spain).
Today is the Saint's Day of Eulalia, or commonly Laia in Catalonia. My daughter's name is Laia. :-)
Hoy es el Santo de las Eulalias (al menos las de Barcelona), comumnente Laies en Catalunya (Laia en singular). Mi hija se llama Laia. :-)
ENGLISH
In January 1918, a schooner sporting three masts and named Carmen Flores was launched at the beach of Torrevieja. The vessel was active for almost 80 years, during which time it underwent various modifications and changes of name. Between 1928 and 1975 it was a motor sailer and went by the names of the Puerto de Palma and the Cala San Vicenç. As of 1975, by which time it was called the Sayremar Uno, it operated as an auxiliary ship for underwater work. The vessel continued to work in that capacity until 1997, the year in which the Museu Marítim de Barcelona acquired it through an auction. Now the schooner is renamed Santa Eulàlia in honour of one of Barcelona’s patron saints.
More info: www.museumaritimbarcelona.com/default.asp?idApartado=109
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Saint Eulàlia (Aulaire, Aulazia, Ollala, Eulària) (ca. 290-12 February 303), co-patron saint of Barcelona, was a thirteen-year-old Roman Christian virgin who suffered martyrdom in Barcelona during the persecution of Christians in the reign of emperor Diocletian. There is some dispute as to whether she is the same person as Saint Eulalia of Mérida, whose story is similar.
For refusing to recant her Christianity, the Romans subjected her to thirteen tortures; including:
- Putting her into a barrel with knives (or glass) stuck into it and rolling it down a street (according to tradition, the one now called Baixada de Santa Eulalia "Saint Eulalia's descent").
- Cutting off her breasts.
- Crucifixion on an X-shaped cross. She is depicted with this cross, the instrument of her martyrdom.
- Finally, decapitation.
A dove flew from her neck after decapitation. This is one point of similarity with the story of Eulalia of Mérida, in which a dove flew from the girl's mouth at the moment of her death. In addition, Eulalia of Mérida's tortures are sometimes enumerated among the Barcelona martyr's, and the two were similar in age and year of death.
Eulalia is commemorated with statues and street names throughout Barcelona. Her body was originally interred in the church of Santa Maria de les Arenes (St. Mary of the Sands; now Santa Maria del Mar, St. Mary of the Sea). It was hidden in 713 during the Moorish invasion, and only recovered in 878. In 1339, it was relocated to an alabaster sarcophagus in the crypt of the newly-built Cathedral of Santa Eulalia. The festival of Saint Eulalia is held in Barcelona for a week around her feast day on February 12.
Source: en.wikipedia.org/wiki/Saint_Eulalia_of_Barcelona
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CASTELLANO
En enero de 1919 se botó en la playa de Torrevieja un pailebote de tres palos que fue bautizado con el nombre de Carmen Flores. Durante los casi ochenta años en los que el barco estuvo en activo sufrió diferentes transformaciones y cambios de nombre. Entre 1928 y 1975 fue motovelero con los nombres de Puerto de Palma y Cala San Vicenç. A partir de 1975, con el nombre de Sayremar Uno, fue barco auxiliar para trabajos submarinos, actividad que realizaba cuando el Museo Marítimo de Barcelona lo adquirió en subasta en 1997. Actualmente recibe el nombre de Santa Eulàlia en honor de la compatrona de la ciudad.
Más info: www.museumaritimbarcelona.com/default.asp?idApartado=109&...
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Eulalia de Barcelona (llamada también Ollala o Eulària) (h. 290 - 12 de febrero de 303), mártir cristiana.
Según la tradición cristiana, Eulalia de Barcelona vivió cerca de Barcina, Hispania (actual Barcelona, España) en los tiempos del emperador Diocleciano (284-305) durante el siglo III o IV, siendo papa Marcelino.
Durante la persecución de los cristianos en la región, Eulalia, una muchacha de entre 13 y 15 años escapó de una casa de campo donde sus padres la habían encerrado para que no se entregase a las autoridades, abiertamente confesó su fe y fue entregada al martirio.
Fue víctima de diferentes tormentos y murió en la cruz, si bien hay serias dudas sobre la historicidad de la narración de su martirio.
De acuerdo con la tradición, uno de estos tormentos consistió en lanzarla rodando dentro de un tonel lleno de vidrios rotos por la calle (actualmente llamada Baixada de Santa Eulàlia -Bajada de Santa Eulalia-), donde hay una imagen de la santa en una pequeña capilla.
Dice la leyenda que fue clavada desnuda en una cruz de forma de 'X' (forma conocida como cruz de Santa Eulalia). En aquel momento para preservar su intimidad le crecieron los cabellos y comenzó a nevar.
Al final de su oración de que el Señor la tomara a Su Reino, la gente vio volar hacia el cielo de su boca una paloma blanca.
Fue canonizada y se considera santa tanto por la Iglesia Católica Romana, como por la Ortodoxa.
Sus despojos fueron localizados en 878 por el obispo Frodoi y trasladados solemnemente a la catedral.
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Captured this with three RAW shots at -2..0..+2 EV. Digital blending in Photoshop CS6. I increased the overall saturation with Hue/Saturation in Photoshop. Curve adjustment to increase the overall contrast. 1 layer mask in soft light mode at 50% gray, using brush tool to lighten and darken some areas of the image, to bring out details. Topaz DeNoise to reduce noise. Topaz Clarity for boost in color and contrast.
Ponytails Falls in Columbia River Gorge National Scenic Area. Have a great weekend everyone!
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An inch-wide garnet crystal from Wrangell Alaska. Forms nice crystals but not gemmy. Site once mined for industrial abrasive, specimens now sold to cruiseship tourists by local Boy Scout troop.
Medium-sized woodpecker with unique face pattern: red crown, pale yellowish forehead and throat, and pale eye. Otherwise glossy-black with streaky underparts. In flight, look for blazing white rump and wing patches. Typically fairly common from western North America to Colombia, especially in mixed oak forests and other open woodlands. Social and conspicuous. Occurs in family groups that breed cooperatively. Well-known for stashing large numbers of acorns in telephone poles and tree trunks. Listen for nasal “waka-waka” calls and chatters.
Santa Maria de Dota, San Jose, Costa Rica
I am guessing the sizes. The 75 ft schooner has a modern sail rig with a staysail furled between the 2 masts. The 20 ft double-ender with tanbark sails is rigged as a yawl with a Gunter mainsail ( a variation on a gaff-rig where the gaff is puled up tight to the mast). Such crafts are also know as canoe yawls although this hull is rather heavy for a canoe. The 10 ft rowboat is has a spritsail which uses a sprit boom to hold up the top corner of the sail; the lower end of the sprit boom attaches to the mast with a rope called a snotter. Spritsails fold down to a small size and are often stowed in lifeboats. The wind was delightfully brisk that day. The photo was taken from Adventuress Schooner at 2008 Port Townsend: Wooden Boat Festival woodenboat.org/plan-your-visit
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