Sinar
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Sinar F 4x5 camera
Schneider 150mm F5.6
Shanghai GP3 ISO 100
Blazinal 1+25 20C 10mins
Fix 5mins.
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Sinar F
Schneider-Kreuznach 150mm F5.6
Shanghai GP3 100
Kodak HC110 1+31 19C 8:17mins
Epson Scan V800
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Sinar F 4x5 large Format Camer
with 120 film back with 35mm kits
Schneider 150mm F5.6
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 40C hot water
60 secs shaking +60 secs soak water
Develop：Kodak C41 40C 3:40Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
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Sinar F
Schneider-Kreuznach 150mm F5.6
Shanghai GP3 100
Kodak HC110 1+31 19C 8:17mins
Epson Scan V800
© All Rights Reserved
Sinar F ;
Schneider 150mm F5.6
4x5 Film
Film: ***HP4*** 4x5 400ASA
Short at ISO25
1/2" F8
Develop：Robinal 1+50; ***11mins***
Fix: 8mins
Scan：Epson E800
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Sinar F
Schneider-Kreuznach 150mm F5.6
Shanghai GP3 100
Kodak HC110 1+31 19C 8:17mins
Epson Scan V800
© All Rights Reserved
Sinar F 4x5 large Format Camer
with 120 film back with 35mm kits
Schneider 150mm F5.6
Film: Kodak Motion Picture 5207
Remjet Remove: Baking Soda + 1000ml 40C hot water
60 secs shaking +60 secs soak water
Develop：Kodak C41 40C 3:40Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
Sinar F
Schneider-Kreuznach 150mm F5.6
Shanghai GP3 100
Kodak HC110 1+31 19C 8:17mins
Epson Scan V800
© All Rights Reserved
Sinar F
Schneider-Kreuznach 150mm F5.6
Shanghai GP3 100
Kodak HC110 1+31 19C 8:17mins
Epson Scan V800
© All Rights Reserved
Sinar F , 150mm F5.6
Kodak EPP 100
CineStill D9 First Developer Bath 1+1 9mins 15 Sec)
Rinse 6 Lifes or 6 Inversion Cycles
Color&Reversal Bath 7mins
Rinse Fill and Empty Tank 6 times
Bleaches & Fixer Bath 8mins
Wash fill and Empty 10 times
Stabilizer: 1min
Scan：Epson V800
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Sinar F 4x5 camera
Schneider 150mm F5.6
F11 1/125
Film: Kodak Ektar 100ASA
Develop：Arista C41 39C 4:00 mins
Blix: 6:30mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson E800
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Sinar F
Schneider-Kreuznach 150mm F5.6
Shanghai GP3 100
Kodak HC110 1+31 19C 8:17mins
Epson Scan V800
© All Rights Reserved
Sinar F
Schneider 150mm F5.6
Shanghai GP3 100
Kodak HC110 1+31 19C 8:17mins
Epson Scan V800
© All Rights Reserved
Sinar F 4x5 camera
Schneider 150mm F5.6
Adapter to middle format using Film Kodak Tmax 100 (very bad quality)
Develop - Rodinal (1+50) 15:30min （20C）
16.25min （17.5C）
Fix 1:4 10 mins !!!!
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Sinar F 4x5 camera
Schneider 150mm F5.6
Adapter to middle format using Film Kodak Tmax 100 (very bad quality)
Develop - Rodinal (1+50) 15:30min （20C）
16.25min （17.5C）
Fix 1:4 10 mins !!!!
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Cambo Wide : Sinar 6x12 rollfilm back : 65mm Schneider Kreuznach Super Angulon f/5.6 : Ilford HP5 Plus : PMK Pyro
Sinar F 4x5 camera
Schneider 150mm F5.6
Adapter to middle format using Film Kodak Tmax 100 (very bad quality)
Develop - Rodinal (1+50) 15:30min （20C）
16.25min （17.5C）
Fix 1:4 10 mins !!!!
© All Rights Reserved
Sinar F, Fujinon 135mm f5.6, Kodak Tmax 100, orange filter.
This church, like many of the places I am drawn to, has lived a past life filled with people who have died, or moved on. It is starting to more rapidly break down in the absence of life - no paint protects the board any longer, and microbes, bacteria, and freeze-thaw are removing its flesh - I called this one 'Ribcage' because it is reminiscent of carcasses that you see all too often on the sides of the road up here - usually deer or coyote - fur still mostly there, but an eye socket or ribcage is often visible - poking out. I think this one has less than 5 years left.
Sinar F 4x5 camera
Schneider 150mm F5.6
Fomapan ISO 100 , 4x5 format
Develop - Kodak HC110 (1+79) 12min （20C）
Fix 1:4 8 mins
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Sinar F 4x5 camera
Schneider 150mm F5.6
Fomapan ISO 100 , 4x5 format
Develop - Kodak HC110 (1+79) 12min （20C）
Fix 1:4 8 mins
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Sinar F
Schneider 150mm F5.6
Shanghai GP3 100
Kodak HC110 1+31 19C 8:17mins
Epson Scan V800
© All Rights Reserved
Sinar F 4x5 camera
Schneider 150mm F5.6
Fomapan ISO 100 , 4x5 format
Develop - Kodak HC110 (1+79) 12min （20C）
Fix 1:4 8 mins
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Sinar F, Fujinon 135mm f5.6, Kodak Tmax 100 4x5, circular polarizer.
Sunrise photo of a house that is fading quickly, but one that I have found compelling for quite awhile. It's behind a gate to a gravel quarry, but is not posted. So went out early on Saturday and grabbed a few shots. Interesting construction. Internal walls are horizontal lumber on the ground floor, not plaster and lath. Might have something to do with why it's still standing. Beautiful old place.
Developed in Tmax developer for 5 minutes, RODI stop for 1 minute, and 5 minutes in fix.
Sinar F 4x5 camera
Schneider 150mm F5.6
Adapter to middle format using Film Kodak Tmax 100 (very bad quality)
Develop - Rodinal (1+50) 15:30min （20C）
16.25min （17.5C）
Fix 1:4 10 mins !!!!
© All Rights Reserved
Sinar F, Fujinon 135mm f5.6, Kodak E100 cross-processed in C-41.
I have been waiting for the leaves on the cottonwoods here to have a nice overall yellow, and this past weekend, they did. I refer to this house as 'the piano house' because there is an old upright piano in the living room that has long since tipped over and sort of exploded. The floors are caving in and the inside is a wreck, but the shell from this side still has a nice intactness to it. It was a lovely sunrise, and the colors on this came out pretty good.
I shot 4 sheets at this spot on this day - 2x2460 Aerocolor and 2xKodak Ektachrome 100. I wanted to see the differences between E6, C41, and E100 cross-processed in C41.
This sheet is Ektachrome cross-processed in C41. 5 minute pre-wash, 3:15 developer, 1 minute wash in RODI, 4 minute blix, and 6 minute wash. Came out nice and saturated, though the color cast was definitely on the yellow side - color corrected in Lightroom.
Sinar F, Fujinon 135mm f5.6, ND grad filter.
This is the massive spillway for Lake Sakakawea in N. Central ND. The gates themselves have only been opened a handful of times during high water. The lake level can usually be controlled by the water removed on the other side of the dam at the hydroelectric power plant inflow structure. This dam is huge - this is just the overflow spillway. Was a lovely morning. Could have used a few clouds in the sky though.
Sinar F, Fujinon 135mm f5.6, Kodak Tmax 100 4x5, orange filter.
Took exact same shot on Ektachrome. Will be interesting to see how that turns out. Anyone ever cross process E100 in C41?
This photo shows the head dam and start of the 74 mile-long McClusky canal. The canal leaves the east side of Lake Audubon - an artificial lake fed from Lake Sakakawea (itself created by impounding the Missouri River at the Garrison Dam). The canal feed a series of lakes and supplies water for agricultural irrigation and for municipal drinking water supplies. Eventually, the plan is to extend all the way to the east side of the state to get water to Fargo and Grand Forks.
I didn't know this thing was even here until doing some Google Earth research for abandoned structures. There is a maintained road on each side of the canal and I drove the canal for maybe 10 miles.
Neat structure.
5 minute water prewash, 5 minutes in Tmax developer, 1 minute stop in DI water, 5 minute fix - all at room temp (68F).
Sinar F 4x5 camera
Schneider 150mm F5.6
Adapter to middle format using Film Kodak Tmax 100 (very bad quality)
Develop - Rodinal (1+50) 15:30min （20C）
16.25min （17.5C）
Fix 1:4 10 mins !!!!
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Smoke from Washington state fires leaves haze over BC Canada
West Vancouver, Canada
Sinar F
Schneider-Kreuznach 150mm F5.6
Fomapan 100
F45, 1/8
HC-100,1+31, 6m30"
Fix:12mins
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Sinar F ;
Schneider 150mm F5.6
4x5 Film
Film: ***HP4*** 4x5 400ASA
Develop：HC110 1+31; ***20mins***
Fix: 10mins
Scan：Epson E800
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Sinar F, Fujinon 135mm f5.6, Chroma 6x17 back, Ilford XP2+.
This is some sort of weir control structure near the backside of Roosevelt Park in Minot, ND.
This thing must have been built in the 60's or 70's as it totally has the mid century modern vibe. First ever shot on the new Chroma 6x17 back on the Sinar F. I might need a slightly wider lens with this back - couldn't back up far enough to get the scene as I wanted it in the camera - still, I think this came out great - was playing with shallow depth of field on this one - just f11.
Ilford XP2+ pulled two stops to ISO 100. C41 processed 2:45 minutes at 101F.
Sinar F 4x5 camera
Schneider 150mm F5.6
Adapter to middle format using Film Kodak Tmax 100 (very bad quality)
Develop - Rodinal (1+50) 15:30min （20C）
16.25min （17.5C）
Fix 1:4 10 mins !!!!
© All Rights Reserved
Sinar F, Fujionon 135mm f5.6, Kodak Aerocolor 2460.
Same location as the cross-processed E100 shot, a very slightly wider angle, but this shot was taken within 5 minutes of the first so as to minimize light or color differences from the rising sun.
This image is definitely less saturated than the cross-processed E100, but it still definitely has punch. The sky definitely is more similar to the true colors that day. The blue of the sky was a bit washed out in the E100 - I wonder if blues suffer with E100 when cross processing - the oranges certainly did not!
I will be sending off my E100 sheets to The Darkroom this weekend, so it will be a while before I can do the third leg of this comparison. Interesting results so far though - I feel like cross processing E100 is a thing I may be doing more of.
Sinar F
Schneider-Kreuznach F5.6/150mm
Film: Shanghai GP3 ISO100
Shot: F32, 1/15" ISO50 Red Filter
Dev. HC110 1+31. 20c 8mins
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Sinar F, Fujinon 135mm f5.6, Kodak Aerocolor 2460, 4x5.
This image marks several first for me. This is my very first exposure on 4x5 large format, my very first sheet loaded in a film holder, and the first time developing C-41 at home. Phew. I had 2 sheets come out pretty well, and two that are super dense - my own fault for mis-exposures.
This is an old trolley line near one of my favorite spots to take pictures some 25 years ago near a an abandoned (and now completely gone) amusement park, Only the concrete infrastructure of this old trolley line remains here, now overgrown with forest.
A lot of folks don't seem to care for the color cast this Aerocolor 2460 film (aka Santacolor) has - but I kind of dig it. Cool with magenta-leaning shadows. Got the super-shaded deep, dark tones of these woods quite nice I think. It's a look, for sure.
Sinar F
Schneider 150mm F5.6
Shanghai GP3 100
Shot at ISO5 F11 5"
Turning Negatives film into Positives.
Process:
1. Develop #1 Ilford Multigrade 1+5 plus Hypo 3.6g/300ml 15mins
2. Wash
3. Bleach: Potassium Dichromate 3g/300ml + Sodium bisulfate 22.5g/300ml = 600ml 6mins
4. Wash
5. Cleaning: Sodium Sulfite -12g/600ml. 2mins
6. Wash
7. Exposure: sunny day 2mins
8. Develop #2 Ilford Multigrade 1+5 6mins
9.Wash
10. Fix 1+4 5 mins
11. wash
Scaner：Epson V800
iso5 5” f11
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Sinar F, Fujinon 135mm f5.6, Kodak Aerocolor 2460 100 ISO in 4x5, circular polarizer.
This is a second shot from a location I visited earlier this year. There is a weird color fringe around the edges of the frame that is magenta-ey. I think there must have been a light leak in that film holder. Still, I like the colors in this one. Sun wasn't quite reaching this spot quite yet when the shutter was opened.