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The day will come

When the day won't come

- Virilio (Open Sky, 1997)

The day will come

When the day won't come

- Virilio (Open Sky, 1997)

commodore 64

bowling game

 

it's a game called beer tapper

3:11 AM

 

it's a bartender game!

3:12 AM

3 Feb: 16:00 – 17:30 I will moderate: in/compatible aesthetics symposium: Uncorporated Subversion: Tactics, Glitches, Archeologies | panel with Jussi Parikka, jon.satrom, Michael Dieter, Julio d'Escrivan.

Students of EECS Professor Alfred Hero's EECS 452: Digital Signal Processing Design Laboratory course partake in final presentations of projects they have been working on all semester in the Lee Iacocca Room in GG Brown on North Campus in Ann Arbor, MI on December 11, 2012.

 

Photo: Joseph Xu, Michigan Engineering Communications & Marketing

 

www.engin.umich.edu

3 Feb: 16:00 – 17:30 I will moderate: in/compatible aesthetics symposium: Uncorporated Subversion: Tactics, Glitches, Archeologies | panel with Jussi Parikka, jon.satrom, Michael Dieter, Julio d'Escrivan.

Students of EECS Professor Alfred Hero's EECS 452: Digital Signal Processing Design Laboratory course partake in final presentations of projects they have been working on all semester in the Lee Iacocca Room in GG Brown on North Campus in Ann Arbor, MI on December 11, 2012.

 

Photo: Joseph Xu, Michigan Engineering Communications & Marketing

 

www.engin.umich.edu

Students of EECS Professor Alfred Hero's EECS 452: Digital Signal Processing Design Laboratory course partake in final presentations of projects they have been working on all semester in the Lee Iacocca Room in GG Brown on North Campus in Ann Arbor, MI on December 11, 2012.

 

Photo: Joseph Xu, Michigan Engineering Communications & Marketing

 

www.engin.umich.edu

The day will come

When the day won't come

- Virilio (Open Sky, 1997)

Students of EECS Professor Alfred Hero's EECS 452: Digital Signal Processing Design Laboratory course partake in final presentations of projects they have been working on all semester in the Lee Iacocca Room in GG Brown on North Campus in Ann Arbor, MI on December 11, 2012.

 

Photo: Joseph Xu, Michigan Engineering Communications & Marketing

 

www.engin.umich.edu

my appearance is your canvas

your quirks are your brush

you drag it

imperfections caused through decay

 

all your wildness does not need to be tamed

no need for acceptance

the positive feedback

there are no norms anymore

 

Accidents between us

communication flaws and frictions

I did not mean to speak another language

I did not mean to burn

 

there is no acceptance

there is nothing present

only incineration i must face

 

How to understand your devastation

How to make paths through something I still not recognize

...I can only follow tides of madness

 

I travel along, no more defined by time

No more now or before

I am on the spot, transforming within the real

 

what were once possibilities is now faded

gravitational radiation

a new orbit has started

Every once and a while, I am deeply moved by a photo that I've taken.

 

This is one of those.

 

I saw the image in front of me, worked to get it right, and mostly did. Enough that, when I saw it pop up in Lightroom during my post processing, that I busted out in a wide grin and shouted "Woo Hoo!"

 

What makes it special?

 

Two things make this stand out. One is the look and reflected light on Greg, the station engineer for public radio station WUIS. Second is the captured reflection of Jessica Jo Jolly in the studio glass that separates the control room from the performance space. If, I could have had both Greg & Jessica in focus, that would have been perfection.

 

This was part of a photo session to document the renovated studios at the station. They've been nearly completely redone, moving from analogue to digital technology. The control room serves two purposes, one as an "On Air" studio, capable of hosting several people, each with their own microphone, and feeding into the live broadcast or recorded for later broadcast. The second purpose comes from being attached to the renovated performance studio, which can host musical performances for a small audience as well as for live broadcast or recorded for later presentation. Greg set it up so from one spot both functions of recording & monitoring the performance area, and broadcast control can be accomplished from one spot, just by swiveling around.

 

I love the intensity that shows on Greg's face, and that it seems that he is looking right at the reflection of Jessica.

 

Sometimes, it all works out like I see in my mind's eye.

 

mattpenning.com

The new harddrive makes very scary clunky sounds and friezes for very very small seconds, especially when i watch a movie. But of course.. I lost the receipt. And no more money so no change for me.. The glitches run smooth though, that is a good thing (hehe they move clunky anyway, so who would notice). I made a backup today.

the prince of happy data destruction has his birthday today! Hoera!

smorgasscake treat and singing. Unfortunately I cant be there to celebrate but I hope this will bring some vibe for födelsedag

 

For the ST Lars Computer People Compo...

 

on the ZX81 - with slightly glitched keyboard (which made coding a lot more complicated / was also known as the dutch coffeeZX)

 

Rosa (Lady Lazer) and Walder (Droid) presents

Glitch my Dutch ZX

"clet■|| mu ■utch■ZT"

 

Code (as I can recall):

 

5 print "Glitch my Dutch ZX"

55 for I=0 to 255

56 print chr$(i);

66 print "Rosa and Walder presents"

77 Print "Calculating rasta bars"

89 For h=0 to 155

Next H

555 save "hh"

556 goto

 

Just before the compo started the power supply got disconnected and since the sound out didnt work properly, we coudnt save it and thus our live demo died there. Ephemeral media rule. I did make a recording of the rasta bars, you can find it on i! here !i

And so the Rasta bars will live on.

 

And yes, we lost, our code was just to complicated ;) ;)

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