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Computer Aided Creativity: Practical Experience and Theoretical Concerns
Robert Pepperell
I acted as "an agent of both randomness and order by causing the system to change in ways it would not otherwise do and by creating novel formal combinations.
The result was a system operating in the region of complexity between stasis and chaos."
3 Feb: 16:00 – 17:30 I will moderate: in/compatible aesthetics symposium: Uncorporated Subversion: Tactics, Glitches, Archeologies | panel with Jussi Parikka, jon.satrom, Michael Dieter, Julio d'Escrivan.
Students of EECS Professor Alfred Hero's EECS 452: Digital Signal Processing Design Laboratory course partake in final presentations of projects they have been working on all semester in the Lee Iacocca Room in GG Brown on North Campus in Ann Arbor, MI on December 11, 2012.
Photo: Joseph Xu, Michigan Engineering Communications & Marketing
As collage replaces oil paint, the cathode ray tube will replace the canvas.
blog.internet2008.se/2008/08/goto80-goa-brudbilder-2.html
Some new tunes by Goto80 and pictures (by me) can be found on blog.internet2008.se/search/label/britneyspears
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From the Rafael Rozendaal remixes I made during our residency in Rio de Janeiro.
original: 12kb, scalable, interactive and endless, now: 1.7mb, linear, scalability limited, and looped.
Took this while studying for a test (digital filter design for DSP). Did not touch it with photoshop or anything, the lighting came out weird like this naturally because of a desklamp and longer exposure.
Slutsålt på Stockholm stadion när Adrian Lux, Chromeo' s Winter, Dada Life, Eric Prydz, Avicii och David Guetta intog scenen för en dag. LEDtec levererade 2st 12m² P12 för att visa videoproduktionen.
DLP projectors utilizing a mechanical spinning color wheel may exhibit an anomaly known as the “rainbow effect.” This is best described as brief flashes of perceived red, blue, and green "shadows" observed most often when the projected content features high contrast areas of moving bright/white objects on a mostly dark/black background. The scrolling end credits of many movies are a common example, and also in animations where moving objects are surrounded by a thick black outline. Brief visible separation of the colours can also be apparent when the viewer moves their eyes quickly across the projected image. Some people perceive these rainbow artifacts frequently, while others may never see them at all.
en.wikipedia.org/wiki/Rainbow_effect#The_color_wheel_.22r...
From the Rafaël Rozendaal remixes I made during our residency in Rio de Janeiro.
original: 16kb, scalable and endless, now: 1.9mb, linear, scalability limited, and looped.
Destroying the bitmap, deconstructing the pixel.
If you would follow Stallio, who has written a great and way more elaborate tutorial on this kind of image bending, then this effect would have to be called the TextEdit Effect (because my method followed the rules of his Wordpad effect). But apart from that TextEdit Effect doesnt really sound nice, (or does it?) I think this kind of naming of an effect/bend may not be sufficient, because the effect is not (just) dependent on the sotware but also (maybe more importantly) on specific changes in the code. Although it is a more general name, I think 'image bending' might work better.
How its done: open a BMP file in TextEdit, move some code from here to there and then save it.
From the Rafael Rozendaal remixes I made during our residency in Rio de Janeiro.
original: 74kb, scalable and endless, now: 1.6mb, linear, scalability limited, and looped.
One of the ways that I contribute to my local National Public Radio station, WUIS, is to do pro bono photography for them. This is a setup shot that I took today in preparation for documenting their transformation of most of their studio space to a fully digital system.
This is the server room of the radio station. There's more racks and equipment that's not shown in this view, but Greg, the engineer, didn't want it included as it contained the oldest of the equipment.
Brightly lit with two banks of florescent tubes in the ceiling, it wasn't the lighting I wanted. So I decided to make my own. I had one strobe on radio remote on a high shelf angled down with a blue gel on it, to give the "control room" look and feel. The other was snooted (a tube that directs a spot of light) and pointed at me, so as to minimize the spill of unfiltered light onto the equipment.
Of course, I had to do some checking to see whether the setup was to my liking. It turned out well, in my view.
If you look closely, the monitor I'm pointing at has a graphic on it from the television series Star Trek: The Next Generation. Greg must be a fan.
Greg, the station engineer, has amazing skills. It really shows in the refurbishing that has transformed the station from it's analogue roots to the present day full IP digital based technology that connects every corner of the place. The work is really worth way more than the materials used, due to the amount of work that Greg has put in by doing many steps in the renovation himself, without having to bring in specialists.
At the last part of the day, I had the opportunity to do some concert photography of a band. One of the studios is a performance space. One of the station's staff has a band. Her group came and performed so that I could get some shots of the space being used for a recording session. That was a hoot! More on that later. I'm bushed.
I enjoy giving back to WUIS this way. I've received many countless hours of listening entertainment and information through their hard work. It's nice to be able to return the favor.