View allAll Photos Tagged sigmafp

Sigma fp; Leica Summicron ASPH 35mm 2.0

Sigma fp; Leica Summilux SL 50mm 1.4

Sigma fp; Leica Summilux-M 50mm 1.4

SIGMA fp

MINOLTA M-ROKKOR 40mm f2

Sigma fp; Leica Summilux-M 50mm 1.4

Sigma fp; Leica Summicron ASPH 35mm 2.0

Sigma fp; Leica Summicron ASPH 35mm 2.0

Dallmeyer De Luxe 178mm f5.6@5.6

Sigma fp - RAW

Handheld

Sigma fp; Leica Summicron ASPH 35mm 2.0

SIGMA fp

SIGMA 18-300mm F3.5-6.3 DC Macro OS HSM | C

SIGMA MC-21 Mount Converter

Sigma fp; Leica Summilux-M 50mm 1.4

Sigma fp; Zeiss Biogon ZM 25mm 2.8

Sigma fp; Leica Summilux SL 50mm 1.4

Sigma fp; Leica Summilux SL 50mm 1.4

Sigma fp; Leica Summilux SL 50mm 1.4

Sigma fp; Leica Summicron ASPH 35mm 2.0

(Donate to UNHCR’s Ukraine emergency program for displaced families: giving.unhcr.org/en/ukraine/)

Sigma fp; Leica Summicron ASPH 35mm 2.0

Tokina Macro AT-X 90mm f2.5@2.5

Sigma fp - RAW

Handheld

Sigma fp; Leica Summilux SL 50mm 1.4

october leaves

Sigma fp/Petzval 85/2.2

Sigma fp; Leica Summaron 28mm 5.6

Today we set off for a drive with absolutely no idea where we were going. In the event we ended up driving up to Leadhills, passing Wanlockhead and on down the Mennock Pass to the main road to Dumfries. After Dumfries we headed along the River Nith, past Glencaple and then on towards the A75, back to Dumfries, then home.

 

This is Mousewald Parish Church. Quite an impressive building but it's a shame it's only been half painted. The local stone is Red Sandstone which can be seen in the church tower and many of the large gravestones.

San Po Kong 2023

SIGMA fp

Voigtlander NOKTON 75mm F1.5 VM

silence

Sigma fp/Sigma 70/2.8 Art L_Mount

SIGMA fp

MINOLTA M-ROKKOR 40mm F2

Sigma fp; Leica Summilux SL 50mm 1.4

Belgrade streets are tough to shoot at night, there are differently colored lights (probably mostly LEDs) next to each other and if you balance for e.g. the warm ones then blue-greens will be absolutely unreasonable (and vice-versa).

 

So I try to find a middle ground while making the most use P3 spectrum. It would’ve been less possible with more human skin in the frame, especially in the warmer areas—our eyes compensate for how weird it looks in orange light, but conveying that in a capture would require special local adjustments just for human subjects.

 

(Outside of photography I do like orange street lighting, especially non-LEDs, and it’s environmentally friendlier than cooler spectrum.)

SIGMA fp

Voigtlander NOKTON 75mm F1.5 VM

Sigma fp; Leica Summilux-M 50mm 1.4

calendula

Sigma fp/Sigma 70/2.8 Art L_Mount

Sigma fp; Leica Summilux-M 50mm 1.4

barberry

Sigma fp/Petzval 85/2.2

SIGMA fp+ 8-16mm F4.5-5.6 DC HSM

1 2 3 4 6 ••• 79 80