Hipstamatic Kodot XGrizzled
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Played around with the .9 ND filter and the shutter speed to shoot one of the fountains in the neighborhood.
Bradenton, FL
Happy Bench Monday!
It took a couple of days of waiting in the rain to get this. I'd previously seen a few individuals making jumps in the forest and wanted to get the fiery autumn colours of the larch trees behind the action. This little ninja made me quite happy when he provided.
#fujiwalkaalborg2020 - From a photo walk on a pleasant day with members of two Danish Facebook groups - February 01, 2020.
Aiming for a topseat on a branch ;) …
ColorEfex Pro digital filter applied.
View Large in Lightbox.
You can find the Original image here.
Bruine Kiekendief, Circus aeruginosus, Marshharrier, Rohrweihe, Busard des roseaux
Pentax K7
Sigma APO 50-500mm F4.5-6.3 DG OS HSM Pentax *AF
Shutterspeed 1/800
Exposure Correction 0
Diapraghm f6.3
Focalpoint 500mm
Iso 400
*AF=Autofocus
A 30-second exposure created a nice swirl of the floating leaves at the base of the Factory Falls at George W Childs Park. I tried a longer exposure of 2-minutes and 4-minutes and the leaves blurred so much that the swirl disappeared. The feedback from digital is a great tool to find the sweet spot of shutter speed.
#fujiwalkaalborg2020 - From a photo walk on a pleasant day with members of two Danish Facebook groups - February 01, 2020.
There's something magic about night photography around a race track.
This was one of the few times I've been able to try it and this is one of the images I liked.
Given the low shutter speed, everything seems to be moving, yet some parts remain sharp. The glowing brakes under braking give it a little extra.
Porsche 911 during the night qualifying of the 24hr of Zolder race in 2006.
This place almost looked like a painting of the traditional Dutch masters, with sunlight shining through the canopy of the woods. Samyang 12/2.0 NCS CS @ f/16, polarizer and graduated ND-filter.
Our last night in Venice and I made my way to the public pier/jetty on the waterfront. Santa Maria della Salute was nicely lit with a nice sky behind it so I thought I'd try some long exposures again. About 5 seconds I think. Originally I got some without any gondoliers but as it got later, more were coming back into the little mooring area in front of me so were often moving through my shot.
I didn't think much of the shots until I got back and looked at them on my laptop on a proper screen. Sometimes it's hard to judge looking at them on a camera's LCD. But this shot for me, I think, was one of the best I took of the holiday. A couple of ferries are moving in front of the Basilica while in the foreground a ghostly gondolier goes past complete with a light trail from his lantern. And the water and the pontoons are a blur in the twilight.
Still not doing much photography this year, compared to last year. Today I went to Blaise, the usual place, where I live in Bristol, England. 23/107/10
Tomorrow Sat 24/07/10: A local photography competition, the same one I entered this time last year, with "Tea Spplash B&W" won, (see www.flickr.com/lukeas09/ for 2009 Photostream.)
August 1-3rd: A few days in London, where hopefully I get loads of photos, enough to make a set for this stream, "London 2010".
Thanks for the comments, views and favs, etc. on this photostream.
:)
Esperé el fin de semana para salir a hacer mi tarea, pero a última hora me volví un ocho con el ISO y siento que aunque logré capturar las burbujitas, la foto tiene mucho ruido.
I was attracted by one of the historic workshops at Kaap Skil on Texel. This old reconstructed shipyard had a photographic challenge for me. Ambient light coming in through the window. Artificial light indoors from a couple of lightbulbs. Altogether not much light to work with and no tripod to put the camera on. How to balance that?
Solution: I cranked up the ISO so I could use a shutterspeed I can work with (1/15th of a second is do-able handheld) and shoot a couple of bracketed shots. right after another. In post-processing I used 3 exposures: one for the widow with the ambient light, one for the far end of the place + the inside of the boat and one for the rest of the image. In Photoshop I created different layers from each exposure and merged each individual part in the base layer. I like this technique better than plain HDR. It takes a lot more time and effort, but the final result has a more natural look and lacks the typical HDR-problems like halo's.