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The Joshua Twins Star Trails (5477)
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This is a star trails photo, showing the movement of the stars as created by the rotation of the earth over 30 minutes. I love how a single image can show movement over such a long time! I set my tripod-mounted camera to a long exposure, keeping the shutter open for a long time, which makes the camera much more sensitive to light than our eyes on this already bright evening. I illuminated the foreground with a hand-held ProtoMachines LED2 flashlight to bring out more depth. While I frequently hike into Joshua Tree NP for as much as a mile or more during the night, some of the most beautiful views are just off the side of the road.
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I took this photo in Joshua Tree National Park, CA, hanging out with Dave Dasinger while doing so. JTNP is my spiritual home for night photography, and it felt utterly fantastic to return here to photograph here at night and hike during the day.
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Nikon D610/14-24mm f/2.8 lens @ 30 minutes total (stacked); each individual photo was 3 minutes each at f/8 ISO 800. Begun at 2017-02-13 21:11.
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Lo Gas Eat
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Signs at an abandoned highway stop, Halloran Springs, CA, backlit by a bright moon. Vintage signs that some might still notice when driving between Los Angeles and Las Vegas. One person proposed beneath this sign. I love happy stories. She said yes. He purchased this print for their anniversary! This photo also appears in my first book "Abandoned Southern California: The Slowing of Time", a book of history and night photography. Illuminated by a handheld ProtoMachines LED2 light and a full moon while the camera shutter was open.
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Photos, books and more: www.kenleephotography.com
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(Plate 4759) Nikon D610/14-24mm f/2.8. 94 seconds f/8 ISO 200 Oct 2016.
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I Am Puffin, Hear Me Roar (2016-06-14 23:34)
This was my first attempt at photographing wild birds with any sort of seriousness. I was inspired by the cuteness and vibrant colors of the puffins, and spent quite some time laying on my stomach photographing these birds near the cliffs.
Puffins are insanely cute, so insanely cute. And if you go to Iceland, it's imperative that you see the Látrabjarg Bird Cliffs, easily one of the most spectacular sea-bird cliffs in the world, and where millions of puffins in the warmer months go to, uh, do puffin things. I went with a group of photographers, and many of us were surprised at how fearless the cute little puffins were, and how close we could get to them. But not too close, or one could plummet off the side of the sheer-sided cliff.
And now, I will entertain you with some fun facts:
- Puffins only have their Technicolor bill part of the time, during mating season.
- They are nicknamed "sea parrots", or sometimes "clowns of the sea".
- Puffins are amazing swimmers, and can dive 60m underwater. So, like, that'd be almost 200 feet under the surface.
- The Látrabjarg Bird Cliffs are the westernmost part of Europe.
- Puffins can be found on menus of some restaurants around Reykjavik.
- I think this is the first time I ever seriously tried to photograph wild birds.
- I did not use any Photoshop Cartoon Function to make this fine bird look like Toucan Sam.
Nikon D610/Nikkor 28-300mm 1/640s f/5.6 ISO 1000. Special thanks to Tyler Heibeck for giving me a few tips on photographing birds, as I have never photographed wildlife birds before.
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A night photo of an abandoned building with chicken and face graffiti, Halloran Springs, CA. Illuminated by a ProtoMachines LED2 flashlight and a full moon. This is not a post-processing creation. No pixels were harmed during the creation of this photo. :D
This is a real photo. This evening, everything was illuminated by a big bright moon, an almost full moon, almost bright enough to read a book. And setting the camera to a long exposure made the camera much more sensitive to light than our eyes on this already bright evening. This is why this photo seems brighter than what we might see at night. It is not due to post-processing.The moon, which reflects light from the sun, also makes the sky bluer, and when the photo is a long exposure photo, the sky will appear brighter, making the blue more apparent. I also illuminated parts of this scene with an LED flashlight while the camera shutter was open. This is not a post-processing creation. No pixels were harmed during the creation of this photo. :D
The streaks in the sky are stars, showing the movement across the sky while the camera shutter was open and registering the photo. The movement of the stars are, of course, created by the rotation of the earth, and the long exposure photo shows these movements over time. I am fascinated with how a single long exposure photo can show movements and the cumulative effects of light in a single image. Thank you for reading this and looking at the image.
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Ken Lee Photography
Nikon D610/14-24mm f/2.8, 168s f/8 ISO 200 Oct 2016
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Mirror, Mirror (2016-06-18 00:42)
The fjord in Djupavik, Iceland. We hung out, photographing the beautiful sunset across the fjord, during one of Iceland's gorgeous, hours-long sunset. One of the photographers, Suzanne, noted that the colors were finally started to fade. However, just ten minutes later, to our surprise, the colors began growing more intense again, and we quickly realized that we were now watching a very slow sunrise.
Nikon D610/28mm PC shift lens I borrowed from Lance. 242s f/8 ISO 100.
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Four Eyes Lift Off (4833)
Pearsonville Auto Salvage Yard, Mojave Desert, California. I used a handheld LED flashlight to illuminate the car, and then used it with a homemade snoot to hit thehead lights with a yellow light to make them glow a bit more. We had these amazing clouds most of the evening, creating fantastic shapes with or without long exposures.
This is a real photo taken at night. Everything was illuminated by a big bright moon, an almost full moon, almost bright enough to read a book. And setting my tripod-mounted camera to a long exposure made the camera much more sensitive to light than our eyes on this already bright evening. This is why this photo seems brighter than what we might see at night. It is not due to post-processing. The moon, which reflects light from the sun, also makes the sky bluer, and when the photo is a long exposure photo, the sky will appear brighter, making the blue more apparent. I also illuminated the junkyard car with a handheld ProtoMachines LED2 flashlight while the camera shutter was open. This is not a post-processing creation. No pixels were harmed during the creation of this photo. :D
I am fascinated with how a single long exposure photo can show movements and the cumulative effects of light in a single image. Thank you for reading this and looking at the image. -Ken
Nikon D610/14-24mm f/2.8, 188 seconds @ f/8 ISO 200. Oct 2016. I photographed this with Tim Little, Steve McIntyre, and Troy Paiva near a full moon. Troy is an enormous pioneer in light painting night photography.
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In The Glow Of The Long Setting Sun (2016-06-22 21:36)
Route 1, or Ring Road, has many scenes with fantastic beauty. When I saw how the sun was illuminating this mountain and the beautiful meadow of lupines, I immediately pulled over and set up my camera. The beautiful lighting went away, but I thought I would remain there, hopeful that the clouds would part and this would be cast in a beautiful, buttery glow again. The golden hour. And thankfully, that happened. Most of the time I was in Iceland, it was overcast. But at this moment, magic occurred. And when these moments occur, I want to give it a big giant hug and a kiss and savor it.
Throughout Iceland, there were many beautiful fields of lupine, whether here in the south part of Iceland or in the Westfjords. Being from California, this made me feel quite at home. Nikon D610/Nikkor 28-300mm. 1s f/8 ISO 100.
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Pearsonville Auto Salvage Yard, Mojave Desert, California. I used a handheld LED flashlight to illuminate the Edsel, and then used it with a homemade snoot to hit the red taillights with red light to make them glow a bit more. We had these amazing clouds most of the evening, creating fantastic shapes with or without long exposures.
This is a real photo taken at night. Everything was illuminated by a big bright moon, an almost full moon, almost bright enough to read a book. And setting my tripod-mounted camera to a long exposure made the camera much more sensitive to light than our eyes on this already bright evening. This is why this photo seems brighter than what we might see at night. It is not due to post-processing. The moon, which reflects light from the sun, also makes the sky bluer, and when the photo is a long exposure photo, the sky will appear brighter, making the blue more apparent. I also illuminated the junkyard car with a handheld ProtoMachines LED2 flashlight while the camera shutter was open and also illuminated the interior with a blue light. This is not a post-processing creation. No pixels were harmed during the creation of this photo. :D
I am fascinated with how a single long exposure photo can show movements and the cumulative effects of light in a single image. Thank you for reading this and looking at the image. -Ken
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Nikon D610/14-24mm f/2.8, 231s total @ f/8 ISO 200. Oct 2016. I photographed this with Tim Little, Steve McIntyre, and Troy Paiva near a full moon. Troy is an enormous pioneer in light painting night photography.
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Svartifoss 1 (2016-06-23 11:01)
Svartifoss is probably my favorite waterfall in Iceland so far. And on an island where it seems like there are more waterfalls than people, that's really saying something. Svartifoss (Black Falls) is a waterfall in Skaftafell in Vatnajökull National Park in Iceland, and is one of the most popular sights in the park. It is a breathtaking waterfall, 12 meters high, with black columnar basalt formations which beautifully frame the waterfall and give it its name, Black Fall. Nikon D610/Nikkor 28-300mm. 2.5s f//8 ISO 100.
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The Bringer Of Clouds (5355)
This is a real photo taken at night during a full moon, although here it's covered by storm clouds in this surreal landscape. I set my tripod-mounted camera to a long exposure, keeping the shutter open for a long time, which makes the camera much more sensitive to light than our eyes on this already bright evening. I illuminated the foreground with a hand-held ProtoMachines LED2 flashlight to bring out more depth. This is not a post-processing creation. No pixels were harmed during the creation of this photo. :D I used a Pinout remote controller/app to set and trigger the camera.
I took this photo in Joshua Tree National Park, CA, hanging out with Dave Dasinger while doing so. JTNP is my spiritual home for night photography, and it felt utterly fantastic to return here to photograph here at night and hike during the day.
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Nikon D610/14-24mm f/2.8 lens @ 25 seconds f/8 ISO 1250 on 2017-02-12 21:54.
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The Joshua Twins Star Trails (5477)
This is a star trails photo, showing the movement of the stars as created by the rotation of the earth over 30 minutes. I love how a single image can show movement over such a long time! This is a real photo taken at night during a full moon. I set my tripod-mounted camera to a long exposure, keeping the shutter open for a long time, which makes the camera much more sensitive to light than our eyes on this already bright evening. I illuminated the foreground with a hand-held ProtoMachines LED2 flashlight to bring out more depth. I used a Pinout remote controller/app to set and trigger the camera.
I took this photo in Joshua Tree National Park, CA, hanging out with Dave Dasinger while doing so. JTNP is my spiritual home for night photography, and it felt utterly fantastic to return here to photograph here at night and hike during the day.
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Abandoned movie lot, Mojave Desert. Everything here was very consistently Roman or Greek looking, and the old set location was littered with columns, some standing, some fallen, as well as busts, statues, reliefs, and stands as well as plaster molds. I illuminated the columns while the camera shutter was open with a hand-held Protomachines LED2 flashlight. Thank you to David Dasinger for taking me here. Nikon D610/14-24mm f/2.8. 233s exposure. The white streaks in the sky are stars, as the long exposure of the photo shows the movement of the stars due to the earth's rotation over a long period of time.
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Star Trails at the OK Corral (4330)
Cowboy up! Pioneertown, California began as a Wild West motion picture set in the 1940s, with Roy Rogers, Gene Autry and others among the original developers and investors. The set was designed for the actors to live while using their homes in the movie. The Cisco Kid and many other Westerns were filmed here. Saloons, jails, banks, all the good stuff you need for a Western town. I illuminated the scene while the camera shutter was open with a hand-held Protomachines LED2 flashlight. The circular star trails were created by the very long total exposure, created by the rotation of the earth. Nikon D610/14-24mm f/2.8. 2016-07-19 02:47. Each individual photo was 30s f/8 ISO 1000 and were stacked to reduce noise and create the 29 minute overall exposure.
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Dinosaurs Need Chiropractors Too (4118):
These concrete dinosaurs were the beginning of a miniature golf course in the Mojave Desert. Begun in the early '70s by Lonnie Coffman with the help of Air Force serviceman Gregory Wicker, the project was abandoned. But the concrete dinosaurs remain. My friend Dave Dasinger and I came here on a warm summer night.
I illuminated the dinosaurs with a hand-held ProtoMachines LED flashlight, working slightly quicker than usual to keep the sky dark to create extra contrast between that and the dinos. All color light work was done while the camera shutter was open, and is not a post-processing creation. You are encouraged to "share" on FB if you are wish. Thanks!
Geek stuff: Nikon D610/14-24mm f/2.8 lens. 2016-07-17 147s f/8 ISO 200.
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Late Night at the Jack Cass Saloon (4315)
Cowboy up! Pioneertown, California began as a Wild West motion picture set in the 1940s, with Roy Rogers, Gene Autry and others among the original developers and investors. The set was designed for the actors to live while using their homes in the movie. The Cisco Kid and many other Westerns were filmed here. Saloons, jails, banks, all the good stuff you need for a Western town.
This is a real photo taken at night. This evening, everything was illuminated by a big bright moon, an almost full moon, almost bright enough to read a book. And setting my tripod-mounted camera to a long exposure made the camera much more sensitive to light than our eyes on this already bright evening. This is why this photo seems brighter than what we might see at night. It is not due to post-processing. The moon, which reflects light from the sun, also makes the sky bluer, and when the photo is a long exposure photo, the sky will appear brighter, making the blue more apparent. I illuminated the building with a handheld ProtoMachines LED2 flashlight while the camera shutter was open. This is not a post-processing creation. No pixels were harmed during the creation of this photo. :D
I am fascinated with how a single long exposure photo can show movements and the cumulative effects of light in a single image, and fascinated with the stories and history that these locations hold. Thank you for reading this and looking at the image. -Ken
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Pandora's Trunk (4829)
This evening, the sky was filled with unusual, beautiful cloud formations. I decided to make this composition look as if the clouds and stars were streaming from the open trunk of the car, almost as if spirits or the very stars were being unleashed. Pearsonville Auto Salvage Yard, Mojave Desert, California. I used a handheld LED flashlight to illuminate the interior/exterior of the truck. We had these amazing clouds most of the evening, creating fantastic shapes with or without long exposures.
This is a real photo taken at night. Everything was illuminated by a big bright moon, an almost full moon, almost bright enough to read a book. And setting my tripod-mounted camera to a long exposure made the camera much more sensitive to light than our eyes on this already bright evening. This is why this photo seems brighter than what we might see at night. It is not due to post-processing. The moon, which reflects light from the sun, also makes the sky bluer, and when the photo is a long exposure photo, the sky will appear brighter, making the blue more apparent. I also illuminated the junkyard car with a handheld ProtoMachines LED2 flashlight while the camera shutter was open. This is not a post-processing creation. No pixels were harmed during the creation of this photo. :D
I am fascinated with how a single long exposure photo can show movements and the cumulative effects of light in a single image. Thank you for reading this and looking at the image. -Ken
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Nikon D610/14-24mm f/2.8, 160s total @ f/8 ISO 200. Oct 2016. I photographed this with Tim Little, Steve McIntyre, and Troy Paiva near a full moon. Troy is an enormous pioneer in light painting night photography.
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Rainbow Filling Station (4735)
Abandoned gas station with graffiti, Barstow, CA. llluminated very colorfully by a ProtoMachines LED2 flashlight and a full moon. Nikon D610/14-24mm f/2.8, 127s @ f/8 ISO 200 Oct 2016.
This is a real photo taken at night. This evening, everything was illuminated by a big bright moon, an almost full moon, almost bright enough to read a book. And setting my tripod-mounted camera to a long exposure made the camera much more sensitive to light than our eyes on this already bright evening. This is why this photo seems brighter than what we might see at night. It is not due to post-processing. The moon, which reflects light from the sun, also makes the sky bluer, and when the photo is a long exposure photo, the sky will appear brighter, making the blue more apparent. I also illuminated the interior in a very colorful manner with a handheld LED flashlight while the camera shutter was open, grazing light off the walls, ceiling, and floor. This is not a post-processing creation. No pixels were harmed during the creation of this photo. :D
I am fascinated with how a single long exposure photo can show movements and the cumulative effects of light in a single image, and how it can show beauty in abandoned places. Thank you for reading this and looking at the image. -Ken
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Islenski Hesturinn (2016-06-18 17:51)
The eye of the horse, the rugged Icelandic horse of the wind-swept hills in the Northwestern Region of Iceland. I saw several horses to the side of a remote road. They looked magnificent, their wild manes flowing in the feisty wind. I hung out with the horse at first, just simply standing and admiring it and making eye contact. Eventually, the horse came over, and I petted its nose for several minutes. After that, I began taking photos of the horse close up. It maintained eye contact with me while I was doing this, and its mane would sometimes obscure its eye. Here, though, the mane parted beautifully, and I have this photo of the horse gazing right at us.
Nikon D610/Nikkor 28-300mm. 1/320s f/8 ISO 800.
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Arch from an abandoned mineral spa in Salton Sea, CA. The ruins made us feel like we were in a building that was bombed in Aleppo in Syria.
Night photo with star trails showing the movement of the stars for 50 minutes, caused by the rotation of the earth. Illuminated by a ProtoMachines LED2 flashlight and a full moon. This is not a post-processing creation. No pixels were harmed during the creation of this photo. :D
~~~
Un arco de un balneario mineral abandonado. Las ruinas nos hizo sentir como si estuviéramos en un edificio que fue bombardeado en Alepo en Siria.
Foto tomada en la noche. Esteles de estrellas son causadas por la rotación de la tierra durante la larga exposición por 50 minutos. Iluminado por una linterna LED 2 ProtoMachines y una luna llena. No es una creación de post-procesamiento. No hay pÃxeles fueron perjudicados en la creación de esta foto. :D
Ken Lee Photography
Nikon D610/14-24mm f/2.8, 50 minutos total, cada/each 30s f/8 ISO 200 Oct 2016
Salton Sea, CA, U.S.A./EE.UU.
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