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Pioneer Womens Memorial.
Kings Park, Perth
Western Australia.
The fountain goes through a sequence of water flows.
3of 4 photos.
photos by morgen schuler
Smooch Benefit for Seattle Children's Hospital
The Helio Sequence @
Showbox at the Market
12/14/13
Reface [Portrait Sequencer] (2007: Golan Levin and Zachary Lieberman) is a surreal video mash-up that composes endless combinations of its visitors' faces. Based on the Victorian "Exquisite Corpse" parlor game, the Reface installation records and dynamically remixes brief video slices of its viewers' mouths, eyes and brows.
Helio Sequence playing at the Nectar Lounge for a Red Bull Sound Select show on May 21, 2014.
Rachel Cotton (c) 2014
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Kahu/Swamp Harrier sequences;
I had the privilege to photograph the local Kahu that cruise the skies above our cottages. Although there are usually 2-3 local birds- they circle the cottages several times a day- at one stage I counted eight birds hoping to drop in for a feed.
The dead rabbit was on the road outside & a couple of hawks were in danger of being hit by passing cars so I transferred it over the fence & then set up the tripod, camera & remote to take photos as they came & went.
Many of the birds were mantling; trying to hide their prey or protect it from the hawks circling above or protect it from incoming birds trying to steal it.
Some did it better than others.
Females are larger than the males (and usually steal the food), and darker coloured birds are youngsters, hawks lighten up as they age.
Often the fighting was out of frame, it was a bit hit & miss as I had my camera focused right on the rabbit. Several times I missed the action but all in all I managed to get a few good shots.
- Twizel, Mackenzie Country
My work is an investigation into the limits of visual perception as a measure of external reality, and explores notions of time, duration, history, memory and surface.
Video, photographic and sculptural works blur the boundaries between still and moving imagery. Temporality and the space between the visual and mental encounter is investigated by focusing the viewers gaze on very specific pieces of visual information.
MMVI symbolically deconstructs the authority of television as a medium, by literally deconstructing the sanctity of the TV set itself as an object.
MMVI exists as a sequential series of 35 photographs which document the switching off sequence of a now obsolete technology - a cathode ray tubed television set.
Static was deliberately chosen so as not to influence the viewer, and to reference the fact that TV static was a visual manifestation of background radiation which was created after the 'Big Bang' which scientists believe created the universe.
MMVI documents a monitor that is in the process of constantly switching itself off.
A sequence that only lasts for a fraction of a second and was so ubiquitous it was probably never noticed by millions of viewers.
I find beauty and poignancy in sequences such as these.
MMVI also exists as a single or four channel video deconstruction which progressively slows this switching off sequence, stretching the length of the off sequence from its fraction of a second duration second toward a virtual stasis.
MMVI explores collective/mass experience and individual isolation.
MMVI explores the viewers relationship with an everyday object.
MMVI explores the viewers relationship to/with the screen and its imagery and sound.