View allAll Photos Tagged self-reflection
I took two people I had never really hung out with before and went on a trip with them. It's a great way to get to know people. My picture is on the left, Dan Prior's is in the middle, and Jayna Holehouse's is on the right.
I saw this great reflection on the chrome work of a classic truck. Took two images and realised that I was part of the reflection. So being the smart guy I am..... Stepped to the side and took this great shot.
Perfect!
Till I got home and saw the image on the screen. Twelve bloody reflections of myself, and a shadow for all to see.
Nocturnal Encounters is a short photo essay exploring interpersonal sexual relationships as experienced through dreams. While the series is displayed sequence the traditional concept of beginning, middle and end are up for interpretation.
This is the house where we stayed in Reykjavik during the photo marathon reflected in the window of the nursery opposite. So if any fellow marathoners are viewing this, there are four of you in this image see if you can spot yourself. And especially for you Anna, a double self!
This picture is sentimental to me because I felt very empowered after climbing the dome. I was not familiar with the dome before I came to Florence and it was still such a striking structure. To me this photo represents me reflecting on my first impressions here in Italy. I feel happy and I feel inspired to create.
Model - Me.
Post Processing - Me.
Assistant/Helper - Susan Galloway.
Direction And Lightning - Corey Bellwood And Karlis Blums.
Photography - Karlis Blums.
I've been thinking about a lot of things this week (other than what I need to get on track of right now). I believe I've finally figured out who I am, well at this point in time. I'm not what many people perceive me as. MISTAKES DO NOT DEFINE PEOPLE.
An inspirational quote for your computer desktop or slideshow. Get more free wallpapers at www.spiritualsubliminals.com.
I got rid of most of my hair, and there is a patch of shorter hair, so I'm gonna have to wear this ol' toque for a while.
“Because I didn’t know where else to get in contact with my ancestry, I decided to use mystical experiences. There was a need to experience a spiritual path that led me to unexpected responses, and made me aware that our ancestors dwell in us. A search that resulted in a very emotional closeness to my father, who already had a 20-year relationship with the doctrine of Santo Daime.” Religare by Rafael Adorján (@radorjan) (2/5)
When the night falls the image of the city changes. Daylight is replaced by islands of artificial light. Brightly lit shop windows and facades, illuminated signs, headlights of passing cars and traffic lights are perceived as signals in a background noise: the gleam of streets, squares and roads caused by public lighting. The night - the realm of fantasy and magic - in Eindhoven is the stage for GLOW 2010.
‘(Re-)Discovering Eindhoven’ puts well-known urban spaces by means of artificial light in a different perspective and illuminates unexpected locations in the city. GLOW 2010 focuses on sites that tickles the imagination of artists. Familiar situations get a new meaning and places that are invisible or ignored because of their obscure nature are revealed by light. Think of the dark corners with waste bins and the poor backsides of luxury shop exteriors, with drain pipes, air conditioners, motion detectors, security fences and emergency exits. At daytime lifeless and uninteresting, during night hours titillating, inhospitable and sometimes ominous. These sites stimulate the imagination of artists and inspire them in their quest for the visible and hidden urban identity.
‘(Re-)Discovering Eindhoven’ shows the city in other disguises. As a space for rhetoric, narration, memory, dialogue and self-reflection. GLOW 2010 allows artists to bring back magic into the innercity by adding light objects to the existing streetscape, not fearing techniques of seduction and drama. Some make their own story and use materials they find in the surrounding areas. Others start a dialogue with the urban environment by making use of existing wall surfaces that serve as giant projection screens or exploit the interior of an existing building for their personal discovery.
One thing all light objects have in common. At various locations something appears that deviates from the ordinary and offers a surprise or perhaps a small miracle. Something that attracts and helds the public attention, makes curious and cannot immediately see through. But every work of art causes individual thoughts and feelings about a place using the magical power of light.