View allAll Photos Tagged screenprinting
Went in the Drawn In Bristol print studio last week - knocked a bunch of these out.
roughly A3-sized.
Screenprint. #5
far from perfect, but I am learning.
spending my nights cutting and days printing, drying and ironing.
loving the process.
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Mondo released a limited edition 24x36 Godzilla screenprint at San Diego Comicon (SDCC) 2013 in two variations.
The "regular" edition is limited to 275, and has a dark red background with the Godzilla and rubble in grey.
Pictured above is the "variant", or "red" edition, and was limited to only 100. Mine is #72.
These limited edition screenprints shouldn't be confused with the posters available at the Godzilla Encounter exhibit that ran concurrently. They feature the same art and color scheme as the standard edition, but aren't hand-numbered or limited, and have neither the higher-end paper nor printing process; they look like any other poster.
These prints promote the 2014 Godzilla directed by Gareth Edwards and were designed by Phantom City Creative.
THIS IS NOT GRAFFITI /// ULTRA LIMITED EDITION SCREENPRINTS!
6 different Screenprint illustrations / 3 colors / oil based ink & delux varnish logos.
220gr Fabriano paper 60% Cotton.
8 prints limited edition.
GET THEM NOW!
(animated gif, check on large size!
Special three colour screen print cover for the Binary & The Brain book cover sampler.
Printed using a Gocco PG11
New two-color screenprint. One in a series I'll be working on for a few months or more likely a year.
Titled: "That Monday, no one opened the mailbox- and it was too bad- because there was a very important letter inside."
Haven't signed and numbered yet, should be an edition of 18-20, the print is gonna be around 10 x 16 inches.
Who needs a printing press? Pam is just pushing the ink to the top and flooding the screen before making a proper downwards pass to print it. Her t-shirt is underneath with a 3/4 inch thick piece of plywood inside it. For the the printing pass I held the screen down against the shirt so she could concentrate on swiping the squeegee.
Renowned type design studio Fontsmith has launched FS Emeric, a new typeface that represents the culmination of over two years’ work by Fontsmith’s type design director, Phil Garnham.
As part of the launch 11 leading design studios from around the globe were invited to create a limited edition A1 poster using one weight of FS Emeric. We were one of them.
Believe in® designed an additional campaign poster, and all 12 have been screen-printed onto 175gsm Colorplan and hand numbered by Dan Mather in London.
Participating studios included Pentagram, Build and Bibliothèque in London, Manual in San Francisco, Studio Dumbar in Rotterdam and Lundgren+Lindqvist in Gothenburg.
Our poster was inspired by the "history of the expression 'Time and tide wait for no man', we used visual references from the font to craft the iconography, creating an image that aimed to capture the combined essence of the font and the phrase."