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LENS TEST: ASAHI OPT. CO. Super-Takumar 28mm f3.5 (model 1, version 2)
Hydrangea & resting cat in the courtyard. Kansenji Temple, Suginami, Tokyo. © Michele Marcolin, 2023. K1ii + Super-Takumar 28mm f3.5 (model 1, ver. 2).
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The 28mm is one of my preferred focal ranges, and Asahi managed to give this small lens such an elegant and attractive aesthetic that it really makes you wish to handle it. It is, indeed, a little jem.
Inexpensive and abundantly available, there is plenty of reviews with specs around (mostly superficial, I have to say) and there is no need to go in depth about it. There are, however a couple of details to keep in mind, if you are interested in getting one of them, because the lens came in two models over time, with two different optical formulae and some aesthetic differences. They can be summarized as follows.
> Super-Takumar Model 1, version 1 (1962-1965): 7 elements / 6 groups, 58mm filter, fine ribs aperture ring, F2.8 ~ 22 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 348, 43480.
> Super-Takumar Model 1, version 2 (1965-1966): 7 elements / 6 groups, 58mm filter, scalopped ribs aperture ring, F2.8 ~ 16 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 43481.
> Super-Takumar Model 2, version 1 (1966-1971): 7 elements / 7 groups, 49mm filter, scalopped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43871.
> Super-Multi-Coated Takumar Model 2, version 2 (1971-1975): 7 elements / 7 groups,49mm filter, new coating, scaloped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43872.
They say that the easiest way to know which version you have is to check the product number on the back of the auto/manual diaphragm switch and see where you are with it as noted above. It usually works with most of the lenses, but the very first versions of many models, when the production had not yet been standardized, are missing them. As a matter of fact, while my lens if F16 with scalopped aperture, it has no prod. code underneath the M/A switch tab. Actually one more reliable criteria is looking at the name plate: model one bears always the writing in sharp fonts with (,) after the ‘Asahi Opt. Co.’ engraving.; model 2, is engraved in rounded letters and without (,). That easy.
It is solidly made, like all Takumars, with excellent ergonomics, very smooth movement of the helicoid, 5 aperture blades and min. distance of 0.4m. Despite not everybody agree, the resolution seems fairly good to me already at F3.5 getting quite high by F8. Borders, of course, stay a bit weaker - but that is the magic of these old tools. Quite versatile for most situations, IMO. Colors and contrast feel great and well balanced, giving the images a well rounded feeling; sharp with fine but not artificially pumped details. Bokeh is unobtrusive (many do not like it) with some bubbles capability - not at the level of Auto-Takumar 35mm f2.3. The lens tend to flare a bit in frontal light, losing contrast a bit, but I am comfortable with it: a nice retrò touch tool for your creativity.
LENS MANIA: ASAHI OPT. CO. Super-Takumar 28mm f3.5 (model 1, version 2)
During the past few weeks having been off-line most of the time due to the unexpected crush of my desktop computer, I did not have much to do photographically, so I had an hard times resisting our common enemy… the so-called GAS. And couldn’t refrain from playing & betting on one of these on on-line auction, eventually getting stuck with it! Happily, I have to say! As a matter of fact not only the 28mm is one of my preferred focal lengths, but also every time I stumbled upon an image of these, I always stopped admiring them: Asahi managed to give this small lens such an elegant and attractive aesthetic that it really made me want to handle it. And it is, indeed, a bundle of pleasure.
Inexpensive and abundantly available, there is plenty of reviews with specs around (mostly superficial, I have to say) and there is no need to go in depth about it. There are, however a couple of details to keep in mind, if you are interested in getting one of them, because the lens came in two models over time, with two different optical formulae and some aesthetic differences. They can be summarized as follows.
> Super-Takumar Model 1, version 1 (1962-1965): 7 elements / 6 groups, 58mm filter, fine ribs aperture ring, F2.8 ~ 22 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 348, 43480.
> Super-Takumar Model 1, version 2 (1965-1966): 7 elements / 6 groups, 58mm filter, scalopped ribs aperture ring, F2.8 ~ 16 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 43481.
> Super-Takumar Model 2, version 1 (1966-1971): 7 elements / 7 groups, 49mm filter, scalopped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43871.
> Super-Multi-Coated Takumar Model 2, version 2 (1971-1975): 7 elements / 7 groups,49mm filter, new coating, scaloped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43872.
They say that the easiest way to know which version you have is to check the product number on the back of the auto/manual diaphragm switch and see where you are with it as noted above. It usually works with most of the lenses, but the very first versions of many models, when the production had not yet been standardized, are missing them. As a matter of fact, while my lens if F16 with scalopped aperture, it has no prod. code underneath the M/A switch tab. Actually one more reliable criteria is looking at the name plate: model one bears always the writing in sharp fonts with (,) after the ‘Asahi Opt. Co.’ engraving.; model 2, is engraved in rounded letters and without (,). That easy.
It is solidly made, like all Takumars, with excellent ergonomics, very smooth movement of the helicoid, 5 aperture blades and min. distance of 0.4m. Despite not everybody agree, the resolution seems fairly good to me already at F3.5 getting quite high by F8. Borders, of course, stay a bit weaker - but that is the magic of these old tools. Quite versatile for most situations, IMO. Colors and contrast feel great and well balanced, giving the images a well rounded feeling; sharp with fine but not artificially pumped details. Bokeh is unobtrusive (many do not like it) with some bubbles capability - not at the level of Auto-Takumar 35mm f2.3. The lens tend to flare a bit in frontal light, losing contrast a bit, but I am comfortable with it: a nice retrò touch tool for your creativity.
LENS TEST: ASAHI OPT. CO. Super-Takumar 28mm f3.5 (model 1, version 2)
In the cemetary Kansenji Temple, Suginami, Tokyo. © Michele Marcolin, 2023. K1ii + Super-Takumar 28mm f3.5 (model 1, ver. 2).
---------------
The 28mm is one of my preferred focal ranges, and Asahi managed to give this small lens such an elegant and attractive aesthetic that it really makes you wish to handle it. It is, indeed, a little jem.
Inexpensive and abundantly available, there is plenty of reviews with specs around (mostly superficial, I have to say) and there is no need to go in depth about it. There are, however a couple of details to keep in mind, if you are interested in getting one of them, because the lens came in two models over time, with two different optical formulae and some aesthetic differences. They can be summarized as follows.
> Super-Takumar Model 1, version 1 (1962-1965): 7 elements / 6 groups, 58mm filter, fine ribs aperture ring, F2.8 ~ 22 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 348, 43480.
> Super-Takumar Model 1, version 2 (1965-1966): 7 elements / 6 groups, 58mm filter, scalopped ribs aperture ring, F2.8 ~ 16 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 43481.
> Super-Takumar Model 2, version 1 (1966-1971): 7 elements / 7 groups, 49mm filter, scalopped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43871.
> Super-Multi-Coated Takumar Model 2, version 2 (1971-1975): 7 elements / 7 groups,49mm filter, new coating, scaloped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43872.
They say that the easiest way to know which version you have is to check the product number on the back of the auto/manual diaphragm switch and see where you are with it as noted above. It usually works with most of the lenses, but the very first versions of many models, when the production had not yet been standardized, are missing them. As a matter of fact, while my lens if F16 with scalopped aperture, it has no prod. code underneath the M/A switch tab. Actually one more reliable criteria is looking at the name plate: model one bears always the writing in sharp fonts with (,) after the ‘Asahi Opt. Co.’ engraving.; model 2, is engraved in rounded letters and without (,). That easy.
It is solidly made, like all Takumars, with excellent ergonomics, very smooth movement of the helicoid, 5 aperture blades and min. distance of 0.4m. Despite not everybody agree, the resolution seems fairly good to me already at F3.5 getting quite high by F8. Borders, of course, stay a bit weaker - but that is the magic of these old tools. Quite versatile for most situations, IMO. Colors and contrast feel great and well balanced, giving the images a well rounded feeling; sharp with fine but not artificially pumped details. Bokeh is unobtrusive (many do not like it) with some bubbles capability - not at the level of Auto-Takumar 35mm f2.3. The lens tend to flare a bit in frontal light, losing contrast a bit, but I am comfortable with it: a nice retrò touch tool for your creativity.
LENS TEST: ASAHI OPT. CO. Super-Takumar 28mm f3.5 (model 1, version 2)
Detail of the main temple. Kansenji Temple, Suginami, Tokyo. © Michele Marcolin, 2023. K1ii + Super-Takumar 28mm f3.5 (model 1, ver. 2).
---------------
The 28mm is one of my preferred focal ranges, and Asahi managed to give this small lens such an elegant and attractive aesthetic that it really makes you wish to handle it. It is, indeed, a little jem.
Inexpensive and abundantly available, there is plenty of reviews with specs around (mostly superficial, I have to say) and there is no need to go in depth about it. There are, however a couple of details to keep in mind, if you are interested in getting one of them, because the lens came in two models over time, with two different optical formulae and some aesthetic differences. They can be summarized as follows.
> Super-Takumar Model 1, version 1 (1962-1965): 7 elements / 6 groups, 58mm filter, fine ribs aperture ring, F2.8 ~ 22 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 348, 43480.
> Super-Takumar Model 1, version 2 (1965-1966): 7 elements / 6 groups, 58mm filter, scalopped ribs aperture ring, F2.8 ~ 16 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 43481.
> Super-Takumar Model 2, version 1 (1966-1971): 7 elements / 7 groups, 49mm filter, scalopped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43871.
> Super-Multi-Coated Takumar Model 2, version 2 (1971-1975): 7 elements / 7 groups,49mm filter, new coating, scaloped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43872.
They say that the easiest way to know which version you have is to check the product number on the back of the auto/manual diaphragm switch and see where you are with it as noted above. It usually works with most of the lenses, but the very first versions of many models, when the production had not yet been standardized, are missing them. As a matter of fact, while my lens if F16 with scalopped aperture, it has no prod. code underneath the M/A switch tab. Actually one more reliable criteria is looking at the name plate: model one bears always the writing in sharp fonts with (,) after the ‘Asahi Opt. Co.’ engraving.; model 2, is engraved in rounded letters and without (,). That easy.
It is solidly made, like all Takumars, with excellent ergonomics, very smooth movement of the helicoid, 5 aperture blades and min. distance of 0.4m. Despite not everybody agree, the resolution seems fairly good to me already at F3.5 getting quite high by F8. Borders, of course, stay a bit weaker - but that is the magic of these old tools. Quite versatile for most situations, IMO. Colors and contrast feel great and well balanced, giving the images a well rounded feeling; sharp with fine but not artificially pumped details. Bokeh is unobtrusive (many do not like it) with some bubbles capability - not at the level of Auto-Takumar 35mm f2.3. The lens tend to flare a bit in frontal light, losing contrast a bit, but I am comfortable with it: a nice retrò touch tool for your creativity.
LENS TEST: ASAHI OPT. CO. Super-Takumar 28mm f3.5 (model 1, version 2)
Temple wall. Kansenji Temple, Suginami, Tokyo. © Michele Marcolin, 2023. K1ii + Super-Takumar 28mm f3.5 (model 1, ver. 2).
---------------
The 28mm is one of my preferred focal ranges, and Asahi managed to give this small lens such an elegant and attractive aesthetic that it really makes you wish to handle it. It is, indeed, a little jem.
Inexpensive and abundantly available, there is plenty of reviews with specs around (mostly superficial, I have to say) and there is no need to go in depth about it. There are, however a couple of details to keep in mind, if you are interested in getting one of them, because the lens came in two models over time, with two different optical formulae and some aesthetic differences. They can be summarized as follows.
> Super-Takumar Model 1, version 1 (1962-1965): 7 elements / 6 groups, 58mm filter, fine ribs aperture ring, F2.8 ~ 22 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 348, 43480.
> Super-Takumar Model 1, version 2 (1965-1966): 7 elements / 6 groups, 58mm filter, scalopped ribs aperture ring, F2.8 ~ 16 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 43481.
> Super-Takumar Model 2, version 1 (1966-1971): 7 elements / 7 groups, 49mm filter, scalopped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43871.
> Super-Multi-Coated Takumar Model 2, version 2 (1971-1975): 7 elements / 7 groups,49mm filter, new coating, scaloped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43872.
They say that the easiest way to know which version you have is to check the product number on the back of the auto/manual diaphragm switch and see where you are with it as noted above. It usually works with most of the lenses, but the very first versions of many models, when the production had not yet been standardized, are missing them. As a matter of fact, while my lens if F16 with scalopped aperture, it has no prod. code underneath the M/A switch tab. Actually one more reliable criteria is looking at the name plate: model one bears always the writing in sharp fonts with (,) after the ‘Asahi Opt. Co.’ engraving.; model 2, is engraved in rounded letters and without (,). That easy.
It is solidly made, like all Takumars, with excellent ergonomics, very smooth movement of the helicoid, 5 aperture blades and min. distance of 0.4m. Despite not everybody agree, the resolution seems fairly good to me already at F3.5 getting quite high by F8. Borders, of course, stay a bit weaker - but that is the magic of these old tools. Quite versatile for most situations, IMO. Colors and contrast feel great and well balanced, giving the images a well rounded feeling; sharp with fine but not artificially pumped details. Bokeh is unobtrusive (many do not like it) with some bubbles capability - not at the level of Auto-Takumar 35mm f2.3. The lens tend to flare a bit in frontal light, losing contrast a bit, but I am comfortable with it: a nice retrò touch tool for your creativity.
LENS MANIA: ASAHI OPT> CO> Super Multi-Coated Takumar 28mm f3.5 (model 2, ver. 2).
Rainy day? Another foundling to clean... and of course I did the laundry this morning, when it did not look like that bad yet!
Super-Multi-Coated Takumar 28mm f3.5 for 100 yen. It was being auctioned originally from 50 yen. I put another 50 but somebody overtook me immediately, so I dropped it, since in meantime I did find an earlier more interesting version. Two days ago, it turned out that - result of the give up of the late auctioneer - it came my way. It was a bit 'fungish' inside, but it cleaned up neatly and quickly.
This is the last version of the four 28/3.5: Super-Multi-Coated Takumar Model 2, version 2 (produced between 1971-1975): 7 elements / 7 groups, 49mm filter, new coating, scaloped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43872. I did not mean to, but now I ended up with the whole garden variety of the Takumar 28/3.5 lens design lenses.
It is a cute tool with all the good trademark of its name. Yet, it's compact size and the renewed look - so similar the the more recent stage of all the rest of the Takumar production, makes it resemble the 35mm and several of the smaller ones. Taking away quite a bit of the magic of the fatter model 1.
LENS TEST: ASAHI OPT. CO. Super-Takumar 28mm f3.5 (model 1, version 2)
The main gate. Kansenji Temple, Suginami, Tokyo. © Michele Marcolin, 2023. K1ii + Super-Takumar 28mm f3.5 (model 1, ver. 2).
---------------
The 28mm is one of my preferred focal ranges, and Asahi managed to give this small lens such an elegant and attractive aesthetic that it really makes you wish to handle it. It is, indeed, a little jem.
Inexpensive and abundantly available, there is plenty of reviews with specs around (mostly superficial, I have to say) and there is no need to go in depth about it. There are, however a couple of details to keep in mind, if you are interested in getting one of them, because the lens came in two models over time, with two different optical formulae and some aesthetic differences. They can be summarized as follows.
> Super-Takumar Model 1, version 1 (1962-1965): 7 elements / 6 groups, 58mm filter, fine ribs aperture ring, F2.8 ~ 22 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 348, 43480.
> Super-Takumar Model 1, version 2 (1965-1966): 7 elements / 6 groups, 58mm filter, scalopped ribs aperture ring, F2.8 ~ 16 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 43481.
> Super-Takumar Model 2, version 1 (1966-1971): 7 elements / 7 groups, 49mm filter, scalopped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43871.
> Super-Multi-Coated Takumar Model 2, version 2 (1971-1975): 7 elements / 7 groups,49mm filter, new coating, scaloped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43872.
They say that the easiest way to know which version you have is to check the product number on the back of the auto/manual diaphragm switch and see where you are with it as noted above. It usually works with most of the lenses, but the very first versions of many models, when the production had not yet been standardized, are missing them. As a matter of fact, while my lens if F16 with scalopped aperture, it has no prod. code underneath the M/A switch tab. Actually one more reliable criteria is looking at the name plate: model one bears always the writing in sharp fonts with (,) after the ‘Asahi Opt. Co.’ engraving.; model 2, is engraved in rounded letters and without (,). That easy.
It is solidly made, like all Takumars, with excellent ergonomics, very smooth movement of the helicoid, 5 aperture blades and min. distance of 0.4m. Despite not everybody agree, the resolution seems fairly good to me already at F3.5 getting quite high by F8. Borders, of course, stay a bit weaker - but that is the magic of these old tools. Quite versatile for most situations, IMO. Colors and contrast feel great and well balanced, giving the images a well rounded feeling; sharp with fine but not artificially pumped details. Bokeh is unobtrusive (many do not like it) with some bubbles capability - not at the level of Auto-Takumar 35mm f2.3. The lens tend to flare a bit in frontal light, losing contrast a bit, but I am comfortable with it: a nice retrò touch tool for your creativity.
LENS TEST: ASAHI OPT. CO. Super-Takumar 28mm f3.5 (model 1, version 2)
The approach to the main shrine. Kansenji Temple, Suginami, Tokyo. © Michele Marcolin, 2023. K1ii + Super-Takumar 28mm f3.5 (model 1, ver. 2).
---------------
The 28mm is one of my preferred focal ranges, and Asahi managed to give this small lens such an elegant and attractive aesthetic that it really makes you wish to handle it. It is, indeed, a little jem.
Inexpensive and abundantly available, there is plenty of reviews with specs around (mostly superficial, I have to say) and there is no need to go in depth about it. There are, however a couple of details to keep in mind, if you are interested in getting one of them, because the lens came in two models over time, with two different optical formulae and some aesthetic differences. They can be summarized as follows.
> Super-Takumar Model 1, version 1 (1962-1965): 7 elements / 6 groups, 58mm filter, fine ribs aperture ring, F2.8 ~ 22 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 348, 43480.
> Super-Takumar Model 1, version 2 (1965-1966): 7 elements / 6 groups, 58mm filter, scalopped ribs aperture ring, F2.8 ~ 16 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 43481.
> Super-Takumar Model 2, version 1 (1966-1971): 7 elements / 7 groups, 49mm filter, scalopped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43871.
> Super-Multi-Coated Takumar Model 2, version 2 (1971-1975): 7 elements / 7 groups,49mm filter, new coating, scaloped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43872.
They say that the easiest way to know which version you have is to check the product number on the back of the auto/manual diaphragm switch and see where you are with it as noted above. It usually works with most of the lenses, but the very first versions of many models, when the production had not yet been standardized, are missing them. As a matter of fact, while my lens if F16 with scalopped aperture, it has no prod. code underneath the M/A switch tab. Actually one more reliable criteria is looking at the name plate: model one bears always the writing in sharp fonts with (,) after the ‘Asahi Opt. Co.’ engraving.; model 2, is engraved in rounded letters and without (,). That easy.
It is solidly made, like all Takumars, with excellent ergonomics, very smooth movement of the helicoid, 5 aperture blades and min. distance of 0.4m. Despite not everybody agree, the resolution seems fairly good to me already at F3.5 getting quite high by F8. Borders, of course, stay a bit weaker - but that is the magic of these old tools. Quite versatile for most situations, IMO. Colors and contrast feel great and well balanced, giving the images a well rounded feeling; sharp with fine but not artificially pumped details. Bokeh is unobtrusive (many do not like it) with some bubbles capability - not at the level of Auto-Takumar 35mm f2.3. The lens tend to flare a bit in frontal light, losing contrast a bit, but I am comfortable with it: a nice retrò touch tool for your creativity.
LENS TEST: ASAHI OPT. CO. Super-Takumar 28mm f3.5 (model 1, version 2)
The approach to the main shrine. Kansenji Temple, Suginami, Tokyo. © Michele Marcolin, 2023. K1ii + Super-Takumar 28mm f3.5 (model 1, ver. 2).
Did not focus this one very well.
---------------
The 28mm is one of my preferred focal ranges, and Asahi managed to give this small lens such an elegant and attractive aesthetic that it really makes you wish to handle it. It is, indeed, a little jem.
Inexpensive and abundantly available, there is plenty of reviews with specs around (mostly superficial, I have to say) and there is no need to go in depth about it. There are, however a couple of details to keep in mind, if you are interested in getting one of them, because the lens came in two models over time, with two different optical formulae and some aesthetic differences. They can be summarized as follows.
> Super-Takumar Model 1, version 1 (1962-1965): 7 elements / 6 groups, 58mm filter, fine ribs aperture ring, F2.8 ~ 22 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 348, 43480.
> Super-Takumar Model 1, version 2 (1965-1966): 7 elements / 6 groups, 58mm filter, scalopped ribs aperture ring, F2.8 ~ 16 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 43481.
> Super-Takumar Model 2, version 1 (1966-1971): 7 elements / 7 groups, 49mm filter, scalopped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43871.
> Super-Multi-Coated Takumar Model 2, version 2 (1971-1975): 7 elements / 7 groups,49mm filter, new coating, scaloped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43872.
They say that the easiest way to know which version you have is to check the product number on the back of the auto/manual diaphragm switch and see where you are with it as noted above. It usually works with most of the lenses, but the very first versions of many models, when the production had not yet been standardized, are missing them. As a matter of fact, while my lens if F16 with scalopped aperture, it has no prod. code underneath the M/A switch tab. Actually one more reliable criteria is looking at the name plate: model one bears always the writing in sharp fonts with (,) after the ‘Asahi Opt. Co.’ engraving.; model 2, is engraved in rounded letters and without (,). That easy.
It is solidly made, like all Takumars, with excellent ergonomics, very smooth movement of the helicoid, 5 aperture blades and min. distance of 0.4m. Despite not everybody agree, the resolution seems fairly good to me already at F3.5 getting quite high by F8. Borders, of course, stay a bit weaker - but that is the magic of these old tools. Quite versatile for most situations, IMO. Colors and contrast feel great and well balanced, giving the images a well rounded feeling; sharp with fine but not artificially pumped details. Bokeh is unobtrusive (many do not like it) with some bubbles capability - not at the level of Auto-Takumar 35mm f2.3. The lens tend to flare a bit in frontal light, losing contrast a bit, but I am comfortable with it: a nice retrò touch tool for your creativity.
So I finally got a really dotting tool and I did these, they are no where near perfect, but I love the effect so I can see more scalloped nails in my future...
All the colors I used in this mani are from Essence, their Color and Go collection.
Colors in order, sarting from the base color: Mellow Yellow, Passion for Fashion, Ultimate Pink, Let’s get Lost and Lime Up!
LENS TEST: ASAHI OPT. CO. Super-Takumar 28mm f3.5 (model 1, version 2)
Wall and roofing detail. Kansenji Temple, Suginami, Tokyo. © Michele Marcolin, 2023. K1ii + Super-Takumar 28mm f3.5 (model 1, ver. 2).
---------------
The 28mm is one of my preferred focal ranges, and Asahi managed to give this small lens such an elegant and attractive aesthetic that it really makes you wish to handle it. It is, indeed, a little jem.
Inexpensive and abundantly available, there is plenty of reviews with specs around (mostly superficial, I have to say) and there is no need to go in depth about it. There are, however a couple of details to keep in mind, if you are interested in getting one of them, because the lens came in two models over time, with two different optical formulae and some aesthetic differences. They can be summarized as follows.
> Super-Takumar Model 1, version 1 (1962-1965): 7 elements / 6 groups, 58mm filter, fine ribs aperture ring, F2.8 ~ 22 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 348, 43480.
> Super-Takumar Model 1, version 2 (1965-1966): 7 elements / 6 groups, 58mm filter, scalopped ribs aperture ring, F2.8 ~ 16 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 43481.
> Super-Takumar Model 2, version 1 (1966-1971): 7 elements / 7 groups, 49mm filter, scalopped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43871.
> Super-Multi-Coated Takumar Model 2, version 2 (1971-1975): 7 elements / 7 groups,49mm filter, new coating, scaloped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43872.
They say that the easiest way to know which version you have is to check the product number on the back of the auto/manual diaphragm switch and see where you are with it as noted above. It usually works with most of the lenses, but the very first versions of many models, when the production had not yet been standardized, are missing them. As a matter of fact, while my lens if F16 with scalopped aperture, it has no prod. code underneath the M/A switch tab. Actually one more reliable criteria is looking at the name plate: model one bears always the writing in sharp fonts with (,) after the ‘Asahi Opt. Co.’ engraving.; model 2, is engraved in rounded letters and without (,). That easy.
It is solidly made, like all Takumars, with excellent ergonomics, very smooth movement of the helicoid, 5 aperture blades and min. distance of 0.4m. Despite not everybody agree, the resolution seems fairly good to me already at F3.5 getting quite high by F8. Borders, of course, stay a bit weaker - but that is the magic of these old tools. Quite versatile for most situations, IMO. Colors and contrast feel great and well balanced, giving the images a well rounded feeling; sharp with fine but not artificially pumped details. Bokeh is unobtrusive (many do not like it) with some bubbles capability - not at the level of Auto-Takumar 35mm f2.3. The lens tend to flare a bit in frontal light, losing contrast a bit, but I am comfortable with it: a nice retrò touch tool for your creativity.
LENS TEST: ASAHI OPT. CO. Super-Takumar 28mm f3.5 (model 1, version 2)
The entrance to the temple. Kansenji Temple, Suginami, Tokyo. © Michele Marcolin, 2023. K1ii + Super-Takumar 28mm f3.5 (model 1, ver. 2).
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The 28mm is one of my preferred focal ranges, and Asahi managed to give this small lens such an elegant and attractive aesthetic that it really makes you wish to handle it. It is, indeed, a little jem.
Inexpensive and abundantly available, there is plenty of reviews with specs around (mostly superficial, I have to say) and there is no need to go in depth about it. There are, however a couple of details to keep in mind, if you are interested in getting one of them, because the lens came in two models over time, with two different optical formulae and some aesthetic differences. They can be summarized as follows.
> Super-Takumar Model 1, version 1 (1962-1965): 7 elements / 6 groups, 58mm filter, fine ribs aperture ring, F2.8 ~ 22 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 348, 43480.
> Super-Takumar Model 1, version 2 (1965-1966): 7 elements / 6 groups, 58mm filter, scalopped ribs aperture ring, F2.8 ~ 16 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 43481.
> Super-Takumar Model 2, version 1 (1966-1971): 7 elements / 7 groups, 49mm filter, scalopped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43871.
> Super-Multi-Coated Takumar Model 2, version 2 (1971-1975): 7 elements / 7 groups,49mm filter, new coating, scaloped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43872.
They say that the easiest way to know which version you have is to check the product number on the back of the auto/manual diaphragm switch and see where you are with it as noted above. It usually works with most of the lenses, but the very first versions of many models, when the production had not yet been standardized, are missing them. As a matter of fact, while my lens if F16 with scalopped aperture, it has no prod. code underneath the M/A switch tab. Actually one more reliable criteria is looking at the name plate: model one bears always the writing in sharp fonts with (,) after the ‘Asahi Opt. Co.’ engraving.; model 2, is engraved in rounded letters and without (,). That easy.
It is solidly made, like all Takumars, with excellent ergonomics, very smooth movement of the helicoid, 5 aperture blades and min. distance of 0.4m. Despite not everybody agree, the resolution seems fairly good to me already at F3.5 getting quite high by F8. Borders, of course, stay a bit weaker - but that is the magic of these old tools. Quite versatile for most situations, IMO. Colors and contrast feel great and well balanced, giving the images a well rounded feeling; sharp with fine but not artificially pumped details. Bokeh is unobtrusive (many do not like it) with some bubbles capability - not at the level of Auto-Takumar 35mm f2.3. The lens tend to flare a bit in frontal light, losing contrast a bit, but I am comfortable with it: a nice retrò touch tool for your creativity.
LENS TEST: ASAHI OPT. CO. Super-Takumar 28mm f3.5 (model 1, version 2)
The approach to the main shrine. Kansenji Temple, Suginami, Tokyo. © Michele Marcolin, 2023. K1ii + Super-Takumar 28mm f3.5 (model 1, ver. 2).
---------------
The 28mm is one of my preferred focal ranges, and Asahi managed to give this small lens such an elegant and attractive aesthetic that it really makes you wish to handle it. It is, indeed, a little jem.
Inexpensive and abundantly available, there is plenty of reviews with specs around (mostly superficial, I have to say) and there is no need to go in depth about it. There are, however a couple of details to keep in mind, if you are interested in getting one of them, because the lens came in two models over time, with two different optical formulae and some aesthetic differences. They can be summarized as follows.
> Super-Takumar Model 1, version 1 (1962-1965): 7 elements / 6 groups, 58mm filter, fine ribs aperture ring, F2.8 ~ 22 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 348, 43480.
> Super-Takumar Model 1, version 2 (1965-1966): 7 elements / 6 groups, 58mm filter, scalopped ribs aperture ring, F2.8 ~ 16 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 43481.
> Super-Takumar Model 2, version 1 (1966-1971): 7 elements / 7 groups, 49mm filter, scalopped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43871.
> Super-Multi-Coated Takumar Model 2, version 2 (1971-1975): 7 elements / 7 groups,49mm filter, new coating, scaloped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43872.
They say that the easiest way to know which version you have is to check the product number on the back of the auto/manual diaphragm switch and see where you are with it as noted above. It usually works with most of the lenses, but the very first versions of many models, when the production had not yet been standardized, are missing them. As a matter of fact, while my lens if F16 with scalopped aperture, it has no prod. code underneath the M/A switch tab. Actually one more reliable criteria is looking at the name plate: model one bears always the writing in sharp fonts with (,) after the ‘Asahi Opt. Co.’ engraving.; model 2, is engraved in rounded letters and without (,). That easy.
It is solidly made, like all Takumars, with excellent ergonomics, very smooth movement of the helicoid, 5 aperture blades and min. distance of 0.4m. Despite not everybody agree, the resolution seems fairly good to me already at F3.5 getting quite high by F8. Borders, of course, stay a bit weaker - but that is the magic of these old tools. Quite versatile for most situations, IMO. Colors and contrast feel great and well balanced, giving the images a well rounded feeling; sharp with fine but not artificially pumped details. Bokeh is unobtrusive (many do not like it) with some bubbles capability - not at the level of Auto-Takumar 35mm f2.3. The lens tend to flare a bit in frontal light, losing contrast a bit, but I am comfortable with it: a nice retrò touch tool for your creativity.
LENS TEST: ASAHI OPT. CO. Super-Takumar 28mm f3.5 (model 1, version 2)
My firing range at the entrance of my building. Home, Tokyo. © Michele Marcolin, 2023. K1ii + Super-Takumar 28mm f3.5 (model 1, ver. 2).
---------------
The 28mm is one of my preferred focal ranges, and Asahi managed to give this small lens such an elegant and attractive aesthetic that it really makes you wish to handle it. It is, indeed, a little jem.
Inexpensive and abundantly available, there is plenty of reviews with specs around (mostly superficial, I have to say) and there is no need to go in depth about it. There are, however a couple of details to keep in mind, if you are interested in getting one of them, because the lens came in two models over time, with two different optical formulae and some aesthetic differences. They can be summarized as follows.
> Super-Takumar Model 1, version 1 (1962-1965): 7 elements / 6 groups, 58mm filter, fine ribs aperture ring, F2.8 ~ 22 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 348, 43480.
> Super-Takumar Model 1, version 2 (1965-1966): 7 elements / 6 groups, 58mm filter, scalopped ribs aperture ring, F2.8 ~ 16 (with f4 half stop marked by a dot), IR line marked between F numbers and distance; prod. code 43481.
> Super-Takumar Model 2, version 1 (1966-1971): 7 elements / 7 groups, 49mm filter, scalopped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43871.
> Super-Multi-Coated Takumar Model 2, version 2 (1971-1975): 7 elements / 7 groups,49mm filter, new coating, scaloped ribs aperture ring, F2.8 ~ 16, distances in traditional window and IR marked on its lower border; prod. code 43872.
They say that the easiest way to know which version you have is to check the product number on the back of the auto/manual diaphragm switch and see where you are with it as noted above. It usually works with most of the lenses, but the very first versions of many models, when the production had not yet been standardized, are missing them. As a matter of fact, while my lens if F16 with scalopped aperture, it has no prod. code underneath the M/A switch tab. Actually one more reliable criteria is looking at the name plate: model one bears always the writing in sharp fonts with (,) after the ‘Asahi Opt. Co.’ engraving.; model 2, is engraved in rounded letters and without (,). That easy.
It is solidly made, like all Takumars, with excellent ergonomics, very smooth movement of the helicoid, 5 aperture blades and min. distance of 0.4m. Despite not everybody agree, the resolution seems fairly good to me already at F3.5 getting quite high by F8. Borders, of course, stay a bit weaker - but that is the magic of these old tools. Quite versatile for most situations, IMO. Colors and contrast feel great and well balanced, giving the images a well rounded feeling; sharp with fine but not artificially pumped details. Bokeh is unobtrusive (many do not like it) with some bubbles capability - not at the level of Auto-Takumar 35mm f2.3. The lens tend to flare a bit in frontal light, losing contrast a bit, but I am comfortable with it: a nice retrò touch tool for your creativity.
Thrifted clothing....
Pants were $5.99 I think and shirt was $1.50 by Isaac Mizarahi. (Not ironed haha.. but I love this kind of cotton shirt with the fresh scent from being dried out on the clothes line.. my favorite scent )
The coverlet/blanket behind me is really pretty. Its very old and has a few rust marks on it but I simply love the textures on it that you cant see in the picture and the scaloped edge. Its very thick cotton and looks fantastic on the bed. Love old vintage blankets... My weakness...
Snapshot.... haha..
Made this card for the Online Card Class "His and Hers". Its the last one I made for this class. Today the gallery is closing. Used for the his and the hers card the same scalope circle: CG101
But this one is for a man and has a total different look. The sailing boat and the birds are cut with my Cricut.
This umbrela pocket is just roomy enough for a little hankie, for when the flour flies in your eyes! ...Lots of other great features like the scaloped hem, the 2 colour ties, the folky motif... lovely!
Red Narra Batangas Arm Chair
with Etchings on Arms, Back and on Scaloped Apron
H: 40 1/2” (103 cm) L: 30” (76 cm) W: 21” (53 cm)
Starting Bid : Php 25,000
Lot 365 of the Leon Gallery online auction on 20 January 2018. Please see www.leonexchange.com for more details.
First time I've been able to shoot a 747-8F. If all you could see were the raked wingtips and scaloped engine nacells, you'd instantly be able to tell this was a new-generation Boeing aircraft. This is LX-VCB, with the rather grand name 'City of Esch-sur-Alzette,' flying from LAX to Chicago/O'Hare, before jumping over to Luxembourg.
Super seven new for the year!
A great catch this morning, it was actually fairly busy and although there were still some empty egg trays, there were a few species to pot for photos which is always nice.
I have some catching up with some other people around the Country, but the last two nights have been a bit of a turning point (hopefully).
I just knew that we needed that heavy rain last week!
A warm night it was with a minimum of 9c and complete cloud cover.
Garden species count for 2019 now upto 81.
Catch Report - Back Garden - Stevenage - 125w MV Robinson Trap
17/05/19
Macro Moths
Large Yellow Underwing 1 [NFY]
Mottled Pug 1 [NFY]
Ruby Tiger 1 [NFY]
Scalloped Hazel 1 [NFY]
Silver-Y 1 [NFY]
Vine's Rustic 1 [NFY]
Brimstone Moth 1
Rustic Shoulder-knot 1
Shuttle-shaped Dart 2
Micro Moths
Celypha striana 1 [NFY]
Endrosis sarcitrella 1 Epiphyas postvittana 3
Nematopogon swammerdamella 1
City Palace towers over the Pichola Lake. Maharana Uday Singh initiated in the construction of the palace but succeeding Maharanas added several palaces and structures to the complex
Scaloped Norman capital,north aisle.A series of grotesques on the charming north aisle at Aldsworth. On the north east corner is a large figure holding a scourge similar to that at Lechlade. Inside is a chantry chapel dedicated to St Katherine.
Nobody tagged me, I don't know if I had to be tagged, but I decided to do it anyway! LOL
Lucy picked her faves:
1 - C9 stock dress
2 - FrFr stock player
3 - white scaloped mj's
4 - re-ment frog rainboots
5 - my scene rollers
6 - sugar mag dress
7 - Cris Shida's plaid dress
8 - Bunny hat
9 - Sinhana's apple sweater
10 - RGloom's dress
11 - Ebay's skirt
12 - Etsy skinny jeans
13 - I Have Wings' Chocolat Parfait Set
14 - Bizacco's jacket
15 - Lillitix's overals
Scaloped Norman capital,north aisle.A series of grotesques on the charming north aisle at Aldsworth. On the north east corner is a large figure holding a scourge similar to that at Lechlade. Inside is a chantry chapel dedicated to St Katherine.