View allAll Photos Tagged scaleability
Scaling Social Economy: Engaging Private and Public Sectors
Tim Hanstad, Chief Executive Officer, Chandler Foundation, USA ; Chantal Line Carpentier, Chief, UNCTAD New York Office of the Secretary-General, United Nations Conference on Trade and Development (UNCTAD), USA ; Precious Moloi-Motsepe, Co-Founder and Chief Executive Officer, Motsepe Foundation, South Africa ; Marcos Neto, Director, Finance Sector Hub, United Nations Development Programme (UNDP), New York ; Alexandra van der Ploeg, Senior Vice-President, Corporate Social Responsibility, SAP, Germany ; Dan Viederman, Managing Director, Working Capital Innovation Fund, USA ; François Bonnici, Director, Schwab Foundation for Social Entrepreneurship; Head, Social Innovation, World Economic Forum ; Hilde Schwab, Chairperson and Co-Founder, Schwab Foundation for Social Entrepreneurship; Cultural Leader
Copyright: World Economic Forum/Jeffery Jones
Sustainable Development Impact Meetings, New York, USA 19 - 23 September
Scale used in art is based on the angle to make something appear larger or smaller. I think this photo is a great example of it because the hands are closer making them look larger giving it a dream like quality. The photo is called, "Me and Tennessee" (I look this photo), and without the scale use in this picture the idea would not have fully been reached across.
This is the link (if you want to see it closer):
The scaled quail (Callipepla squamata) habits the low lands of the sierra Maderas del Carmen. Most of the year, this species is seen in groups of several individuals, except during the breeding season when it is observed in family groups where a male and a female take care of the offspring.
Photo by Santiago Gibert
We were commissioned to build this giant 6ft. by 7ft. 1:220 scale architectural model of Newtown Luxury Athletic Club. The model is featuring existing buildings and structures as well as future development of the club's properties and landscape.
The topography was CNC carved using the architectural CAD files. All buildings and a pool area were 3D developed and SLA built as well as other custom elements, such as sun beds, outdoor lights and such. One of the challenges was to create a multi-layered "glass" screens representing closely the green mirror tinted windows and glass screens specific to this project.
The model consumed hundreds of car models and hundreds of trees and bushes.
As seen on the photos the model is designed and constructed to be an independent, free standing unit. The model's reinforced wooden frame has its own "legs" with casters and breaks. The frame and "legs" are finished with a rare wood veneer matching the wood finished interior design elements in the lobby and reception area. Even casters have a wooden finish.
Therefore the model complements the surrounding interior, does not require improvised pedestal or horse legs to be displayed, and it is mobile - can be easily rolled to another location or moved for floor maintenance.
The model is covered with large one piece acrylic clear protective cover with hardly visible corner reinforcements.
This model is an excellent example of what we can offer to Luxury and Hospitality Industry. Such model is an invaluable tool for sales, presentation, display and fundraising.
More models and photos at wwwlifeinscale.net
What an odd insect! I'm pretty sure this is a male Scale Insect or Mealybug (Sternorrhyncha, Hemiptera) - maybe a Giant Mealybug in the family Putoidae, genus Puto. See this photo at BugGuide, and this photo by Alice Abelia which look very similar. The eyes of his insect are very strange, I added a closer crop. This critter is tiny, about 1/8 inch long without its tails - and 1/2 inch with. The long white tails are really just long hairs covered by a waxy exudate. I made a grab for one a few years ago, and the white stuff came off in my fingers leaving just the filament. I guess the whole insect is covered with the same waxy exudate. If this is a male, I have no idea what the females look like - but they must be out there. I don't see these critters every year, but I did see one last year also in June - see this photo. I found this one on a leaf of native Toyon (Heteromeles arbutifolia, Rosaceae), but I'm sure that was just where it happened to land. (San Marcos Pass, 19 June 2018)
The 1/6th scale Michael Jackson (Bad version) collectible specially features:
- Authentic and detailed fully realized likeness of Michael Jackson in the Bad music video - Newly developed head sculpt with new make-up
- Parallel Eyeball Rolling System (PERS) and colored Translucent Iris
- Multi-layered stereoscopic hair sculpture
- Slim version of TrueType body with 38 points of articulation
- Approximately 30 cm tall
- One (1) pair of punches, five (5) additional right and two (2) extra left interchangeable and posing palms
- Each piece of head sculpt is specially hand-painted
Costume:
- Two (2) sets of costumes (one (1) set for Bad version and one (1) set of upper outfit in Dirty Diana image)
- Bad costume:
+ Black jacket with buckles, zips and pouches as accessories
+ Black and white tees
+ Black pants with buckles and a red stripe on the left
+ Four (4) belts with buckles (three (3) in black and one (1) in brown)
+ One (1) pair of black shoes with buckles
+ Nine (9) pieces of black gloves with buckles (six (6) for right hands, three (3) for left hands) (right gloves with rivets added)
- Dirty Diana costume:
+ A set of white shirt and tee Accessory:
- Square-shaped deluxe figure stand with LED lights with Michael Jackson nameplate and M ICON DX series title
Click here for more pictures www.alteregocomics.com/Michael-Jackson-Bad-Version-1-6-Sc....
On the aforementioned Eastern Mistletoe (Phoradendron leucarpum; Durham NC, USA), I was pleased to find:
Soft Scale Insects - family Coccidae (~1-2 mm)
Also uploaded at:
bugguide.net/node/view/1778845
A helpful entomologist on Facebook identifies as:
Brown Soft Scale - Coccus hesperidum
Some of the scale insects have been parasitized by wasps, so we have a hemiparasitic plant, a parasitic insect of that plant, and a parasite of that insect--parasites all the way down.
Small vehicles or big pots?
A train is burning underground and the state has sent its violence organixations to hunt terrorists.
I got a new 5' x 7' Impact collapsible backdrop. It's black on one side and white on the other. And it's HUGE!
Click here to learn more about Camp Humphreys
U.S. Army photos by Douglas Fraser
Exercise tests emergency response capability
By Cpl. Han, Jae-ho
CAMP HUMPHREYS — Flames dance from a crashed helicopter as casualties cry for help, while rescuers and medical personnel speed to the scene to give aid.
This fictional scenario was part of the annual Full Scale Exercise, held here June 20-22.
The exercise served to evaluate emergency response abilities on post.
Notional incidents included an aircraft crash, a shooter at the commissary and a hostage at the Super Gym.
“This is an annual exercise required by the Department of Defense. Planning for this exercise began six months prior,” said Peter Park, installation emergency manger at the Directorate of Planning, Training, Mobilization and Security. Park served as exercise coordinator.
As part of the exercise, garrison tenant units and city agencies provided support and responded to various scenarios. Units involved included the 2nd Combat Aviation Brigade, 3-2 General Support Aviation Battalion, the Directorate of Emergency Services and Pyeongtaek city emergency services.
“This exercise was very realistic and it required patience from everyone involved, including dependents and civilians,” Park said. “This year’s exercise was very successful and defined our capability. It was an upgrade from last year and critical capabilities of the garrison were evaluated. I want to thank Douglas Fraser, the Antiterrorist Officer and co-lead planner for this exercise, for his support as well.”
25 June 2009
We flew on a tiny airplane to the Arann Islands. They had to weigh all the passengers to figure out seating arrangements. On the plus side, there wasn't a metal detector.
Ireland
On 1 May 2011 works will begin to restore the Arch of Victoria. A $335,000 grant from the Federal Government’s Regional and Local Community Infrastructure Program and $175,000 from the Federal Government’s National Sites Program has been received.
The project includes:
repair and replacement of deteriorated, cracked and otherwise damaged render; new matching mouldings to replace deteriorated mouldings or reinstate original mouldings ; removal of lichen and other organic growth to rendered surfaces; paint coating to new and existing render & new lighting
City of Ballarat
Victorian Heritage Register Statement of Significance
What is significant?
The Avenue of Honour (1917 - 1919) and Arch of Victory (1920) were erected as memorials to the people of the Ballarat and the surrounding district who enlisted in World War I. The Avenue of Honour consists of 3,771 trees planted at regular intervals of approximately 12 metres along 22km of the Ballarat-Burrumbeet Road. The Arch of Victory marks the beginning of the Avenue of Honour at its eastern end. The Avenue of Honour, with the Arch of Victory, was officially opened by the Prince of Wales on 3rd June 1920.
The planting of the Avenue commenced in June 1917 on the suggestion of Mrs W. D. Thompson, a director of clothing firm E. Lucas & Co, Ballarat, that an avenue of trees be planted in honour of the men and women of the district who had enlisted for service. The planting of one tree for each enlisted person began in June 1917 with funds of £2,000 raised by the 500 women employed in the factory, known as the 'Lucas girls'.The planting, carried out in eight phases over the next two years until its completion in June 1919. The planting, done by staff of the Lucas factory with the support of local farmers included 23 species of trees, mostly exotic deciduous species planted in single lines along either side of the road at regular spacings of 10 - 12 metres.Each species was usually planted in blocks of about 25 trees on either side of the road. The trees were numbered and allocated to individuals as close as possible to their order of enlistment, beginning at the Ballarat end. Plaques were originally attached to each timber tree guards giving the individual's name, the unit in which he or she enlisted and their number in the avenue. In 1934 these were replaced by permanent bronze plaques at the base of each tree, of which more than 80% are still in place.
Following cessation of hostilities in 1919 and completion of the avenue plantings, the 'Lucas Girls' led by Mrs W. D. Thompson began planning and fund raising of £2600 for a commemorative arch to provide an entrance to the Avenue of Honour. The Arch of Victory, designed by H.H. Smith, Head of the Art School at the School of Mines Ballarat, was a grand cement rendered masonry structure of a single central arch flanked by wide piers 20metres in width, spanning the roadway, and 18metres high. The arch, erected in 1920, is crowned by the 'Rising Sun' symbol of the Australian Commonwealth Military Forces beneath which the words Avenue of Honour and Victory are written prominently across the arch. In addition to the initial costs, for the Avenue of Honour and the Arch of Victory, a further £400 was donated by the public to a Maintenance Fund, with a returned soldier employed to attend to the trees.
During the First World War, the Avenue of Honour played a commemorative role and provided a stimulus for more people to enlist. Unlike other forms of memorials, avenues of honour and in particular the Ballarat Avenue required a high level of community participation in their creation which took place over a substantial period of time. Subsequently the Arch of Victory and Avenue of Honour became emblems of civic commitment to the war effort.
There have been a number of changes to the Avenue of Honour.Several of the original 23 species did not flourish and were replaced with species of Elms and Poplars which are the dominant genera of trees in the Avenue. In 1997, the Avenue consisted of 3,332 trees of forty different species and cultivars. Approximately half were found to be of fair to poor health and a management strategy developed, including the replanting of some trees.
In 1936 a memorial Cairn and Cross of Remembrance were erected at the Learmonth end of the Avenue where a tribute tree was also planted in 1959 in memory of Mrs W. D. Thompson. In 1938 a Memorial Rotunda was constructed 180m west of the Arch of Victory originally containing a 'Book of Remembrance' with the name of every person for whom a tree was planted, information now contained in a Roll of Honour on engraved metal sheets. In 1994 the avenue was cut by the Western Freeway Bypass, with the removal of sixteen trees which were replaced by trees in the freeway reserve.
The Arch of Victory remains intact but with the addition of memorial plaques in 1954 and 1987 to commemorate those who served from 1939-1945 and in the more recent conflicts in Korea, Borneo, Malaya and Vietnam. In 1993 the Arch of Victory Precinct, opened by Edward 'Weary' Dunlop, was created by the relocation of the 1938 Memorial Rotunda and Roll of Honour to the road reserve immediately south of the Arch and the construction of the adjacent Memorial Wall with 72 bronze plaques recording the names and tree numbers of service people honoured in the Avenue.
How is it significant?
The Avenue of Honour and Arch of Victory, Ballarat is of historic, architectural, aesthetic and social significance to the State of Victoria.
Why is it significant?
The Avenue of Honour is of historic significance as one of the earliest known and the longest example of this uniquely Australian form of memorial. Planting of memorial trees had been common during the Boer War but the Avenue of Honour at Ballarat was an early planting of an avenue of trees along a roadside as a memorial, setting a precedent which was soon followed by the planting of 91 other avenues in Victoria, principally in Central Victoria, between 1917 and 1920.
The Avenue of Honour is historically significant as representative of memorials that first appeared in Australia during World War I commemorating not just the dead but all those who enlisted for service in an egalitarian form where each individual, regardless of rank, was equally recognised for their service.
The Arch of Victory Precinct and Avenue of Honour, including the Memorial Cairn at the end of the Avenue, is historically significant as a collection of memorial types and structures that represent various forms of memorialisation in Victoria over the twentieth century.
The Arch of Victory is of architectural significance to State being an outstanding landscape monument, in the tradition of the Roman and Napoleonic victory arches erected across major routes or carriageways. It is the only memorial arch in Victoria constructed at such a grand scale. Other arches commemorating World War I such as at White Hills Botanic Gardens Bendigo (H1915), and in Murtoa were constructed as entrance gates to public gardens and have neither the size nor prominent location of the Arch of Victory. The association of the Arch of Victory with an Avenue of Honour is unique in Victoria.
The Avenue of Honour and Arch of Victory is aesthetically significant as an outstanding designed landscape and living memorial with the grand arch heralding the start of the roadside planting of more than 3300 trees over a length of 22 kilometres of roadway.
The Avenue of Honour and Arch of Victory is of social significance to the State of Victoria as a well recognised symbol of community endeavour and cooperation during war time. It is of social significance as being Victoria's best known war memorial with the exception of the Shrine of Remembrance. The significance of the Avenue of Honour and Arch of Victory to the Ballarat community, to the descendents of those commemorated by trees in the Avenue and to the Returned Services League is reflected in the continual use of the area for memorialisation over the course of the twentieth century culminating in the creation of the Arch of Victory precinct.