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Kate Arnold (GBR). Paralympic Games Beijing 2008.

From Left to Right: Qi'Yun, Maylanee, Sarada and Aymelin

Las särada vähemalt lombid!

Let the puddles shine!

Sollen wenigstens die Pfützen glänzen!

Scene at Dakshineswar Kali Temple, Kolkata, India. Dakshineswar Kali Temple is a Hindu navaratna temple in Dakshineswar, Kolkata, West Bengal, India. Situated on the eastern bank of the Hooghly River, the presiding deity of the temple is Bhavatarini, a form of Parashakti Adya Kali, otherwise known as Adishakti Kalika. The temple was built in 1855 by Rani Rashmoni, a Zamindar, philanthropist and a devotee of Kali. The temple is known for its association with Ramakrishna and Ma Sarada Devi, mystics of 19th century Bengal.

2/22/2020 Mike Orazzi | Staff

Sarada Nori demonstrates traditional Indian dance pieces in celebration of the festivals of Maha Shivarti and Holi while at the New Britain Public Library on Saturday afternoon.

This is my Sarada Uchiha look. To make it I made my own sharingan :P you can get it from my mp

Las särada vähemalt lombid!

Let the puddles shine!

Sollen wenigstens die Pfützen glänzen!

Kate Arnold (GBR). Paralympic Games Beijing 2008.

Creator: Kashmiri or Pakistani; Date: 8th century; Location: Kashmir or northern Pakistan; Material: Brass with inlays of copper, silver, and zinc; Measurements: H. 12 1/4 in. (31.1 cm); Repository: Asia Society Museum; New York, New York, USA; Asia Society: The Mr. and Mrs. John D. Rockefeller 3rd Collection; 1979.044; www.asiasocietymuseum.org; Related Item: Treasures of Asian Art: Selections from the Mr. and Mrs. John D. Rockefeller 3rd Collection, The Asia Society, New York. Hong Kong and Singapore: Hong Kong Museum of Art and National Museum Singapore, 1993, pp. 62, 63.; Treasures of Asian Art: Selections from the Mr. and Mrs. John D. Rockefeller 3rd Collection, The Asia Society, New York. Tokyo: Idemitsu Museum of Arts, 1992, pp. 48, 122-23.; Asia Society. Handbook of the Mr. and Mrs. John D. Rockefeller 3rd Collection. New York: Asia Society, [1981], p. 23.; Chandra, Pramod. The Sculpture of India: 3000 B.C.-A.D. 1300. Washington, D.C.: National Gallery of Art, 1985, pp. 164-66.; Deambi, B. K. Kaul. Corpus of Sarada Inscriptions of Kashmir. Delhi: Agam Kala Prakashan, 1982, pp. 140-41.; Fisher, Robert E. 'Buddhist Architecture.' Marg 40, no. 2, p. 23.; Fisher, Robert E. Buddhist Art and Architecture. London: Thames and Hudson, 1993, pp. 64-65.; Huntington, John C. 'A Rocky Road for the Silk Route and the Diamond Path Exhibition.' Art Journal 43 (Fall 1983), pp. 262-65.; Huntington, John C. 'Three Essays on Himalayan Metal Images.' Apollo (November 1983), pp. 417, 423-25.; Huntington, Susan L. The Art of Ancient India: Buddhist, Hindu, Jain. New York and Tokyo: Weatherhill, 1985, pp. 371-73.; Klimburg-Salter, Deborah E. 'The Buddhist Painting of the Hindu Kush: Bamiyan, Foladi, Fondukistan, and Kakrak.' Ph.D. diss., Harvard University, 1976, pp. 220-22.; Klimburg-Salter, Deborah E., et al. The Silk Route and the Diamond Path: Esoteric Buddhist Art on the Trans-Himalayan Trade Routes. Los Angeles: UCLA Art Council, 1982, pp. 94-95.; Lee, Sherman E. Asian Art: Selections from the Collection of Mr. and Mrs. John D. Rockefeller 3rd. New York: Asia Society, 1970, pp. 20, 21, 31.; Leidy, Denise Patry. 'Iconography and Provenance: Buddhist Art from the Mr. and Mrs. John D. Rockefeller 3rd Collection.' Orientations (March 1993), p. 52.; Lerner, Martin. The Flame and the Lotus: Indian and Southeast Asian Art from the Kronos Collection. New York: Metropolitan Museum of Art and Harry N. Abrams, 1984, pp. 76-77.; Miyaji, Akira. 'Lineage and Dating of 'The Decorated Buddha' of Bamiyan.' Ars Buddhica (July 1981), p. 30.; Namakawa, Banri, and Akira Miyaji. Gandhara Art. Tokyo, 1984, p. 24.; Pal, Pratapaditya. 'Off the Silk Route and on the Diamond Path? A Review.' Art International 26 (April-June 1983), pp. 44-59, 65.; Pal, Pratapaditya. 'Rockefeller Bronzes: The Indian Tradition.' ARTnews 69 (September 1970), pp. 48-49, 76-77.; Pal, Pratapaditya. Bronzes of Kashmir. New York: Hacker Art Books, 1975, pp. 106-07.; Paul, Pran Gopal. 'Early Sculpture of Kashmir.' Ph.D. diss., University of Leiden, pp. 219ff.; Ransick, Jean. 'Review of The Silk Route and the Diamond Path.' Oriental Art 29 (Summer 1983), pp. 201-02.; Rhie, Marylin M., and Robert A. F. Thurman. From the Land of the Snows: Buddhist Art of Tibet. Amherst, Mass.: Mead Art Museum, Amherst College, 1984, p. 15.; Rowan, Diana P. 'Reconsideration of an Unusual Ivory Diptych.' Artibus Asiae 46 (1985), pp. 265, 269, 274-77.; Schroeder, Ulrich von. Indo-Tibetan Bronzes. Hong Kong: Visual Dharma, 1981, pp. 107-09, 118.; Young, Mahonri Sharp. 'Treasures of the Orient: A Rockefeller Collection.' Apollo (November 1970), p. 333.

Brazilian Fitness Girl.

 

The name of her is not known.

I will call her Alexia.

2/22/2020 Mike Orazzi | Staff

Hasini Pinnamraju and Harichandana Challa look on as Sarada Nori demonstrates traditional Indian dance pieces in celebration of the festivals of Maha Shivarti and Holi while at the New Britain Public Library on Saturday afternoon.

Churras na casa do Rafa...

Amigo Secreto com a galera da facu / 2006

 

Modelo Kethelyn Rodrigues - V Model

Fotografia: Lis Catenaci

Make: Emerson Schineider

Produção: Eber Medeiros

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