View allAll Photos Tagged sapi
Nationaal Archief / Spaarnestad Photo/Het Leven, SFA005001889
Feest ter ere van het 25-jarig bestaan van het Departement van Landbouw in Buitenzorg. Naar inlands gebruik begraven inlanders een karbouwenkop om het ongeluk te keren. Java, Nederlands Indië (tegenwoordig Indonesië), 1930.
Festivities in honour of the 25th anniversary of the Agricultural Department in Buitenzorg. According to native customs a water-buffalo head is buried in order to keep off misfortune. Java, Dutch Indies (now Indonesia), 1930.
Collectie Spaarnestad
Voor meer informatie en voor meer foto’s uit de collectie van Spaarnestad Photo, bezoek onze Beeldbank:
U kunt ons helpen onze kennis van de fotocollecties te verrijken door tags en commentaren toe te voegen. Herkent u mensen of locaties of heeft u een bijzonder verhaal te vertellen bij één van de foto’s, laat dan een reactie achter (als u ingelogd bent bij Flickr) of stuur een mailtje naar: hhamelink@spaarnestadphoto.nl
You can help us gain more knowledge on the content of our collection by simply adding a comment with information. If you do not wish to log in, you can write an e-mail to: hhamelink@spaarnestadphoto.nl
medievalpoc: Artist Unknown Lidded Saltcellar Sierra Leone (15th-16th century) Sapi-Portuguese Ivory H. 11 ¾ in. (29.8 cm) Ivories from the west coast of Africa were for the most part the first African artifacts brought back to Europe through trade. The discovery of vast quantities of West African ivory, called “white gold” in Europe, transformed the nature of African-Portuguese trading in the fifteenth and sixteenth centuries. As Portuguese wealth increased at this time, so did taste for these luxury goods. Ivory’s enormous commercial value led African leaders to carefully control its distribution and use. Initially, exquisitely carved African ivories came from Sierra Leone, made by Sapi artisans. Later, as the political climate in the country grew untenable for Portuguese traders, ivories were exported from the kingdom of Benin. Intended as gifts for the patrons of the Portuguese voyages, they often became part of princely cabinets of curiosity, large collections of assorted “exotica” from around the world. They were thus displayed and stored next to shells, bones, feathers, and other artifacts. These works remained largely misunderstood and their African origin forgotten until the scholarly work of art historians William Fagg and Ezio Bassani identified the corpus by comparing their iconography and styles to Sapi and Benin works in other media. Both Sapi and Benin patronage structures were similar to those of Europe from the same period. Patrons commissioned pieces often prescribing specific desires and conditions, or even bringing a model for the artist to emulate. For example, Portuguese patrons on occasion brought silverware or etchings. At this time, artists in Africa—like those in Europe—worked in cultures that were primarily illiterate and therefore dependent on image-based visual teaching of shared knowledge, beliefs, and rules. Benin and Sapi artists, like their European counterparts, were trained through apprenticeship systems. They often spent their lives learning their trade in the workshops of masters. It is believed that there were less than forty of these workshops in both Benin and Sierra Leone. Overall, the European component of the Afro-Portuguese aesthetic is associated with the use of deep space, scenes, or tableaux. African imagery includes both human and animal forms that are depicted frontally and in a static manner. The African aesthetic encompasses clear articulation of geometry and intense flat linear patterning. The design of the saltcellars (1972.63a,b, 1991.435a,b), with a round vessel encased within a flat-bottomed superstructure, may synthesize vessels of both African and European origin. The round section may be associated with the gourd or calabash, which was and still is used in Africa as a receptacle as well as in the production of musical instruments. These objects represent an interesting forty-year slice of precolonial history. They have been described as emerging from a period that predates power imbalances and racist imagery. Therefore the shared African and Portuguese aesthetic that they reflect is one that was achieved through the negotiation of equals. -Emma George Ross, Metropolitan Museum of Art
This is part of "Sapi Sonok Festival" in Madura island. "Sapi Sonok Festival" is a real beauty contest for bull. Just like human beauty pageant, the female bull shall not just need to be attractive and in a good health for sure, but shall also be able to walk gracefully to the beat. A pair of two female bulls shall also walk and move coherently. It's a really interesting festival, even the bull have entourage team who perform traditional art and dance.
@ Pamekasan, Madura island, East Java province, Indonesia.
Small island with sandy white beaches and coral reefs for snorkeling or diving, where you can see reef fishes shimmering with all the colours of the rainbow. There are hiking trails through the interior, but they also lead to a jetty with barbecue sites, picnic tables and toilets.
Santan yang dijual di supermarket grup S-Market di Finlandia, buatan Indonesia tapi distributornya dari Singapura. Tadi dipakai buat bikin rendang padang, tapi resepnya pakai versi lain:
Bumbu halus:
o Sereh 1 batang
o Kunyit 1 sdt
o Lengkuas 2 sdm
o Jahe 2 sdm
o Cabe merah 20-30 buah, sebagian dikeluarkan bjinya supaya ngga pedes bener
Bumbu lain dirajang halus:
o Bawang putih 4 siung
o Bawang bombay 1 bonggol
Rempah-rempah dan bumbu lain:
o Daun jeruk 4 lembar
o Asam kandis 1 sdm
Lainnya:
o Santan 200 mL
o Daging sapi halal yang biasa dipakai buat bikin steak barangkali 1 kg, dipotong seukuran kecil-kecil kira2 sebesar setengahnya Nokia N97 yang dipakai buat motret :-D
Cara buat:
o Panaskan minyak sebanyak 3 sdm di wajan besar
o Masukkan santan, aduk cepat jangan sampai gosong sampai warna berubah
o Masukkan rajangan bawang putih sampai harum
o Masukkan rajangan bawang bombay sampai harum juga
o Masukkan bumbu halus sampai berubah warna
o Masukkan daging dan air sampai terendam
o Masukkan bumbu lain dan rempah-rempah
o Kasih garam dan gula semaunya
o Masak dalam api sedang sampai airnya habis, tapi sebelum habis cek lagi dan koreksi rasanya
Selesai kira2 dalam waktu 2-3 jam. Makan panas2 apalagi kalau lagi sakit gigi. Kalau ada daun ubi dan sambal lado dah kumplit dah.
KLAX (Los Angeles International Airport) - 05 JAN 2022
"Xray Alpha Papa Mike Sierra" from Cabo San Lucas International Airport (CSL/MMSD) on short final to RWY 25L.
Production Site: Montreal (YMX)
Year of Manufacture: 2006
Test Registration: C-GLWV
To Bombardier Aerospace: 08 SEP 2006 as C-FKDV
Passengers: 10
Engines: 2x General Electric CF34-3B
Delivery to MAP Management + Planning GmbH: 13 JUN 2007 as OE-IMK
Passengers: 10
Engines: 2x General Electric CF34-3B
To Common Sky - A & N Luftfahrt GmbH: OCT 2012 as OE-IMK
Passengers: 10
Engines: 2x General Electric CF34-3B
To FVG International Ltd: 16 JUN 2016 as N507FV
Hex Code: A65482
Passengers: 10
Engines: 2x General Electric CF34-3B
To Performance Air SAPI de CV: 12 SEP 2016 as XA-PMS
Hex Code: 0D0ADF
Passengers: 10
Engines: 2x General Electric CF34-3B
Pemerintah menjadikan Kebar sebagai daerah peternakan sapi, tetapi sapi yang dikirim ke Kebar semuanya mati, hanya sapi lokal/kebar yang mampu bertahan hingga kini. Gagal Program Kerja...
Prvky souboru:
JFD 80 -- Pružné disky
IZOT SM 5400 -- Kazetový disk
IZOT SM5300 -- Mg.t páska
RFD & JFD2 (2x MOMFLEX 6400) -- Systém pružných disků
DMS 1 -- Zařízení pro dálk. měření a signalizaci
ZNZ 80 -- Záložní napájecí zdroj
PDP -- Pomocný diagnost. panel
AND 16 / AND 80 -- Alfanumerika/Semigrafika
DT 105 S -- Děrovač pásky
FS 1503 -- Snímač pásky
PRM 80 -- Programátor PROM/EPROM
MZP 80 -- Zařízení pro mazání EPROM
PDU -- Převodník dálnopisné úrovně
TPR -- Modem GDN
SMK -- snímač mg. karet
OMD -- Optický modem
JKP 80 -- 2x kazetová pásková paměť KPP 800
JPR 80
JVS 80
JSP 80
SKR 8 / SKR 80 -- skříň
_____________________________
Více na www.kormus.cz/mvt
BOYOLALI punya tempat selfie baru. Berlokasi di seputaran alun-alun kota, tepatnya di sebelah kantor Setda Boyolali, terdapat sapi raksasa. Sapi Ndekem, begitu namanya. Dalam bahasa Indonesia berarti sapi duduk atau mendekam. Sapi Ndekem tidak hanya sekedar patung dan tempat berfoto, tapi ia...
2013 AUSTIN Eva Sapi ---presentation_from University of New Haven _ CT_ via Skype _Morgellons disease_Potential involvement of spirochetes or other infectious agents
CP: m.flickr.com/#/photos/91711154@N07/8694889243/
berhubung kertasnya terlalu kecil, jadi hasilnya tidak maksimal
Bullrace is one of Madura's culture, which become the special characteristis of Madura Island. The beginning of the bullrace originated from the fact that Madura is not so fertile that is not good for agriculture, instead the Madurese cat fish and breed cows and bulls which are also used for farming especially to plough the fields where paddies or second crop plants are grown.
A man named Syeh Ahmad Baidawi who firstly introduced the way of working the soil with using bamboo sled pulled by two bulls known as " Nanggala or Salaga ". He was actually a proselytizer who came to Madura to spread up Islam but also taught Madurese the way of ploughing the fields. From this new knowledge that he had taught, he got tittle as "Pangeran Katandur" (Prince of Planter).
The early purpose of bull race event is to get strong bulls for ploughing. The Madurese take care of the bulls and compete them in ploughing their fields as soon as possible. In this way the idea of competing come into existence and then developed into organized sport called "BULL RACE". The bull race soon becomes annually activities carried of every year especially when harvest on the fields has finished.
The Condition Of Bulls To Race
The condition of the bulls which are allowed to compete should have some requirements such as :
* The bulls are of Madurese stock and color or original of Madurese
* They have to be healthy and strong
* Their teeth should have fallen out
The Technique of The Bullrace
The race is conducted in a series of elimination heats between winners and loosers of proceeding heats. It completely has four phases that consist of:
* The first phase in which all the bulls compete in two pairs to set apart the winners from the loosers (both the winners and the loosers still have a chance to compete again):
* The second phase or the pre selection heat the winners compete against the winners and the loosers compete against the loosers to decide the winners of the winners and the winners of the loosers (in this phase both the loosers do not allowed to compete again)
* The third phase or the semi final is to determine three pairs winners of the winners and three pairs winners of the loosers ;
* The fourth phase is the final will decide the first, second and third champions of the winners and of the loosers
How To Take Care Race Bulls
It is a pride for Madurese to have a race bull. Therefore the bull owners will be very much happy and proud if their bulls win in the bullrace championship.
To take care race bulls need much money for the bull owners have to prepare a variety of fodder, especially when they have been the champion. Leave of corn, bean and soybean trees and good grass are the special fodder for the race bulls. Besides that, the mixer of traditional spices like crushe ginger, peper, chili, honey, beer and tens even hundreds of eggs believed to warm and strengthen the bulls. The mixture is later forced into the mouth of the bulls with using a bamboo lath.
To make the bulls strong and health the bull owners sometimes also massage them by treading their backs, train every weekly and at times lulled to sleep especially when the racing day is approaching.
* The Use of Magic Power
Three or four days before the racing day come, bull owners and their families crowd the surrounding of the racing track looking for good parking for the bulls, as on this particulary day black magic is common use among the bull owners. In this case, the one tries to over power bulls from the other. Fashing for the bull owners is also prepared as such is believed to give them the inner power and strength to defeat the black magic of others.
When The Bullrace Held
Bullrace competition is always held in September, October and November every year, but one can also see bullrace when he needs if he serve first to the Tourism and Cultural Service, Husbandry Service or Paguyupan Kerapan Sapi (Group of Bull owners).
More info visit: www.eastjava.com
This is part of "Sapi Sonok Festival" in Madura island. "Sapi Sonok Festival" is a real beauty contest for bull. Just like human beauty pageant, the female bull shall not just need to be attractive and in a good health for sure, but shall also be able to walk gracefully to the beat. A pair of two female bulls shall also walk and move coherently. It's a really interesting festival, even the bull have entourage team who perform traditional art and dance.
@ Pamekasan, Madura island, East Java, Indonesia.
I think this was Kwetiau Sapi Lada Hitam, if that is not the right name then maybe it was Kwetiau Seafood. I generally like my dishes spicy, so I think this was the spicy one.
This was my favorite food there. The problem was that it took me 2 weeks to figure out it was my favorite food, by then it was almost time to leave. On our last night we tried to go to a Kwetiau restaurant that Ari was going to take us to after the ice skating but everything was closed because it was too late. Oh well.
medievalpoc: Artists Unknown Sapi-Portuguese Ivory Spoons and Fork Sierra Leone (1490-1530) Carved Ivory 1.A Sapi sculptor may have carved this elegant ivory spoon on commission for a Portuguese sailor as a souvenir or gift. Although the forms and iconography are based on European models, the carving styles reflect Sapi local traditions. 2. carved out of a single piece of ivory. A crocodile is carved on top of the handle in high relief, and the central section of the handle has a double-eight loop, with a snake on either side. 3. carved out of a single piece of ivory. It has a slender stem handle, with spiralled decoration, and a thin, leaf-shaped, bowl. 4.The top of the fork depicts a crocodile, and a four-legged animal biting a snake, in high relief. The central section is carved with double loops, and one can see the snake twisted through the loop, with its head poking out the top. From the time of their arrival on the shores of Sierra Leone in 1460, and until their gradual decline as leaders in world exploration in the sixteenth century, the Portuguese had an ambiguous relationship with their African trading partners. Disembarking at cities that were equally large, complex, and technologically advanced as Lisbon at the time, the Portuguese actually experienced far less culture shock than we might expect. In fact, they encountered urban centers in West Africa comparable to those back in Europe, governed by elaborate dynasties, organized around apprenticeship-based artistic guilds, and with agricultural systems capable of feeding their large populaces. Many African cities were even deemed to be larger, more hygienic, and better organized than those of Europe. Additionally, the Portuguese shared many beliefs about magic, the supernatural, and the treatment of illness with the African societies they encountered. Protective amulets in both cultures were considered medicinally valuable, and sickness in general was attributed to witchcraft. -Emma George Ross, Metropolitan Museum of Art [source] [source] [source] [source]
Join ITS Tactical as we get in-depth with Mayflower Research & Consulting's new Assault Plate Carrier.
Please check out our written review for more information: wp.me/ptVor-2rc