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The free sample drawing lesson from LoveLifeDrawing concentrated mostly on a fairly detailed analytical drawing, but there was space at the end for a looser gestural drawing from the same reference photo.
I wrote down 3m on the sketch but I don't think I actually took quite that long.
Doing a fairly quick gestural sketch like this feels quite different when you've just spent 20 minutes or so studying and sketching the same pose (from the same angle - or in this case, the same photo) than when you are trying to do it from scratch!
File Name: National Catalog Commission Retail Prices
Title:Carter’s Inks Retail Prices Catalog
Creator/contributor: Carter's Ink Company
Date created: 1913
Physical description: One (1) catalog
Genre: Manufacturers’ catalogs
Subjects:
Ink industry
Advertisements
Dennison Manufacturing Company
Ink bottles
Trade catalogs
Notes: Item was created by the National Catalog Commission for recommended prices of Carter's Ink products. Includes lists of products, prices, and sample drawings.
Collection: Carter's Ink Company Collection
Collection ID: CHC031
Location: Cambridge Historical Commission
Rights: No known restrictions
Preferred citation: Carter's Ink Company Collection, Cambridge Historical Commission.
One of several sample drawings created by a binary options affiliate, a program that allows web marketers to drive traffic to their site in exchange for payments from the revenue those customers generate on various other affiliate sites.
One of the most popular relaxation areas in Fort Lauderdale is near a palm tree. A street artist waits for customers as he basks in South Florida's warm evening sun. blah blah blah
Okay, when I captured this image, I was just snapping a shot of the man and his craft. I often see him in that same spot with his mobile art studio. To me, he's like a human printer...I am always fascinated by people that can replicate things on paper. Probably because I myself am not very good at it.
I call this Artificial Life, because if you peer around in the photo, you'll see the girl in the bikini...well, she's real, but in poster form. The two maniquins, one without a head...the sunglasses..and I wonder who's eyes are behind those lenes. The people in the artist's sample drawing are alive and bubbly. Look at the mini red poster between the open door and the burty yellow wall. Normally, Fort Lauderdale Beach is full with life, whether it be tourists, Canadians, spring breakers, high school skippers, loners, bums, partiers, or whomever. But the only life in this photo is the artist...all other life in this photo is artificial...
1874 were created the "technical school for dekomponieren, composing and sample drawing". It resided in these building since beginning 20. century to Warscher Platz (Warsaw place)
it's my personal favorite
The spire was designed by Ian Ritchie Architects,[3] who sought an "Elegant and dynamic simplicity bridging art and technology". The contract was awarded to SIAC-Radley JV and it was manufactured by Radley Engineering of Dungarvan, County Waterford, and erected by SIAC Construction Ltd. The first section was installed on 18 December 2002.[4] Five additional 20 m (66 ft) sections were added with the last one installed on 21 January 2003. The spire is an elongated cone of diameter 3 m (9.8 ft) at the base, narrowing to 15 cm (5.9 in) at the top. Construction of the world's tallest sculpture was delayed because of difficulty in obtaining planning permission and environmental regulations. It is constructed from eight hollow tubes of stainless steel and features a tuned mass damper, designed by engineers Arup, to counteract sway. The steel underwent shot peening in order to subtly reflect the light falling on it.
The pattern around the base of the Spire is based on a core sample of earth and rock formation taken from the ground where the spire stands. The pattern was applied by bead blasting the steel through rubber stencil masks whose patterns were created by water jet cutting based on core sample drawings supplied by the contractor.[5]
During the day it maintains its steel look, but at dusk the monument appears to merge into the sky. The base of the monument is lit and the top 12 m (39 ft) is illuminated to provide a beacon in the night sky across the city.
The Spire of Dublin, officially titled the Monument of Light[1] is a large, stainless steel, pin-like monument 121.2 metres (398 ft) in height, located on the site of the former Nelson's Pillar on O'Connell Street in Dublin, Ireland.
Contents [hide]
1 Details
2 Reason for construction
3 Award nominations
4 See also
5 References
6 External links
7 Gallery
[edit]Details
The spire was designed by Ian Ritchie Architects, who sought an "Elegant and dynamic simplicity bridging art and technology". The contract was awarded to SIAC-Radley JV and it was manufactured by Radley Engineering of Dungarvan, County Waterford, and erected by SIAC Construction Ltd. The first section was installed on 18 December 2002.[3] Five additional 20m sections were added with the last one installed on 21 January 2003. The spire is an elongated cone of diameter 3 m (9.8 ft) at the base, narrowing to 15 cm (5.9 in) at the top. Construction of the world's tallest sculpture[4] was delayed because of difficulty in obtaining planning permission and environmental regulations. It is constructed from eight hollow tubes of stainless steel and features a tuned mass damper, designed by engineers Arup, to counteract sway. The steel underwent shot peening in order to subtly reflect the light falling on it.
The pattern around the base of the Spire is based on a core sample of earth and rock formation taken from the ground where the spire stands. The pattern was applied by bead blasting the steel through rubber stencil masks whose patterns were created by water jet cutting based on core sample drawings supplied by the contractor.
During the day it maintains its steel look, but at dusk the monument appears to merge into the sky. The base of the monument is lit and the top 12 m (39 ft) is illuminated to provide a beacon in the night sky across the city.
HOLCIM logo cement cad block dwg sample drawing
www.tonythanh.com/download/holcim-logo-cement-cad-block-d...
I used a piece of kitchen sponge and a mechanical pencil to make this stylus for my iPad. Here it is next to a Pogo stylus for comparison.
I just cut the sponge about an inch long and a half inch thick. I rolled one end between my fingers to compress the sponge and stuck it in the open jaws of a mechanical pencil. It makes a great stylus. It's easier to hold and the touch is much lighter than the Pogo.
Photographed on a sample drawing made on the iPad with the stylus.
The Achieving of the Sangreal, 1892
By Aubrey Beardsley
This is the sample drawing that secured Beardsley the Morte Darthur commission. Dent declared it 'a masterpiece', and it was used as the frontispiece for Volume II. It seems to refer to the crucial episode of the book, in Chapter XIV, where Sir Percival kneels to make a prayer to Jesus in the present of Sir Ector, and the Sangreal (popularly called the Holy Grail) appears to him 'bourne by a maiden'.
[Tate Britain]
From the exhbition
Aubrey Beardsley
(4 March - 20 September 2020)
Aubrey Beardsley shocked and delighted late-Victorian London with his sinuous black and white drawings. He explored the erotic and the elegant, the humorous and grotesque, winning admirers around the world with his distinctive style.
Spanning seven years, this exhibition will cover Beardsley’s intense and prolific career as a draughtsman and illustrator, cut short by his untimely death from tuberculosis at the age of 25. Beardsley’s charismatic persona played a part in the phenomenon that he and his art generated, so much so that the 1890s were dubbed the ‘Beardsley Period’.
This will be the first exhibition dedicated to Beardsley at Tate since 1923, and the largest display of his original drawings in Europe since the seminal 1966 exhibition at the V&A, which triggered a Beardsley revival.
The over 200 works include his celebrated illustrations for Le Morte d’Arthur, Lysistrata and Oscar Wilde’s Salomé. It will also show artworks that were key inspirations for Beardsley, including a Japanese scroll and watercolours by Edward Burne-Jones and Gustave Moreau.
[Tate Britain]
The Achieving of the Sangreal, 1892
By Aubrey Beardsley
This is the sample drawing that secured Beardsley the Morte Darthur commission. Dent declared it 'a masterpiece', and it was used as the frontispiece for Volume II. It seems to refer to the crucial episode of the book, in Chapter XIV, where Sir Percival kneels to make a prayer to Jesus in the present of Sir Ector, and the Sangreal (popularly called the Holy Grail) appears to him 'bourne by a maiden'.
[Tate Britain]
From the exhbition
Aubrey Beardsley
(4 March - 20 September 2020)
Aubrey Beardsley shocked and delighted late-Victorian London with his sinuous black and white drawings. He explored the erotic and the elegant, the humorous and grotesque, winning admirers around the world with his distinctive style.
Spanning seven years, this exhibition will cover Beardsley’s intense and prolific career as a draughtsman and illustrator, cut short by his untimely death from tuberculosis at the age of 25. Beardsley’s charismatic persona played a part in the phenomenon that he and his art generated, so much so that the 1890s were dubbed the ‘Beardsley Period’.
This will be the first exhibition dedicated to Beardsley at Tate since 1923, and the largest display of his original drawings in Europe since the seminal 1966 exhibition at the V&A, which triggered a Beardsley revival.
The over 200 works include his celebrated illustrations for Le Morte d’Arthur, Lysistrata and Oscar Wilde’s Salomé. It will also show artworks that were key inspirations for Beardsley, including a Japanese scroll and watercolours by Edward Burne-Jones and Gustave Moreau.
[Tate Britain]
putting these together for holiday trading. 5 envelopes (5x7) with 5 drawings of various random things on various and random papers. just a sample. drawings inside won't necisarily come with this envelope. if you're interested in trading shoot me an email. first come first serve.
Sample drawing from my upcoming Nightlife 12:04, which I plan to get done before the Linework NW comics fest in Portland..
putting these together for holiday trading. 5 envelopes (5x7) with 5 drawings of various random things on various and random papers. just a sample. drawings inside won't necisarily come with this envelope. if you're interested in trading shoot me an email. first come first serve.
✰ This photo was featured on The Epic Global Showcase here: bit.ly/1X4pL0c
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Ever wondered what’s at the center of earth? Do tell me what you think! Comments are welcome! Ps: how are you guys doing? :) . . #instartlovers #WorldofArtist #artist_features #Art_Worldly #postsamazing #nawden #instartpics #drawing_pencile #art_prime #art_we_inspire #bestartfeatures #spotlightonartists #artmagazine #artists_magazine #global_artworks #dailyarts #triplesartists #artsupporting #arts_gallery #artsanity #artistic_nation #creativempire #creative_instaarts #sample_drawing #featuring_artx #artistic_nation #instaartexplorer #drawsofinsta #Arts_help
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Drawer Pull Project - Sample drawings - University of Kentucky, College of Design - Furniture Studio Fall 2008
putting these together for holiday trading. 5 envelopes (5x7) with 5 drawings of various random things on various and random papers. just a sample. drawings inside won't necisarily come with this envelope. if you're interested in trading shoot me an email. first come first serve.
One of my handmade origami sketchbooks exploring feathers. Various samples, drawings, experiments and sketches. 2017
Researching Giacometti and sampling drawing techniques similar to those that are often visible in his work.
Samples, Drawing, Illustration: To gather more ideas more design, colour and structure and also material I began collecting images of rusting and then recreating them with paint on fabric to create samples.
One of my handmade origami sketchbooks exploring feathers. Various samples, drawings, experiments and sketches. 2017
Samples, Drawings Colour and Illustrations: Drawing helps me understand what I am attempting to translate through a picture, it also helps me observe texture, these textures then inspires me for samples, I created the sample out of melted plastic. This material I feel was fitting as it was far from luxury which suited the concept.
One of my handmade origami sketchbooks exploring feathers. Various samples, drawings, experiments and sketches. 2017
One of my handmade origami sketchbooks exploring feathers. Various samples, drawings, experiments and sketches. 2017
One of my handmade origami sketchbooks exploring feathers. Various samples, drawings, experiments and sketches. 2017
Item Number:29-z1
Document Title:[Sample drawing of fencing. No scale.]
Project:00029; Barton, E. M.; #292 (TC) -- -- --; Hinsdale; Illinois; 07 Private Estate & Homesteads; 138 PLANS (1902-1903)
Artist/Creator:Belmont Iron Works Ltd.
Location:Olmsted National Historic Site, Brookline, MA
Category:PLAN
Purpose:none
Physical Characteristics:0000061122 8 x 7 cyano neg paper
Dates:12-MAY-1903
Please Credit: Courtesy of the National Park Service, Frederick Law Olmsted National Historic Site
One of my handmade origami sketchbooks exploring feathers. Various samples, drawings, experiments and sketches. 2017
One of my handmade origami sketchbooks exploring feathers. Various samples, drawings, experiments and sketches. 2017
One of my handmade origami sketchbooks exploring feathers. Various samples, drawings, experiments and sketches. 2017
One of my handmade origami sketchbooks exploring feathers. Various samples, drawings, experiments and sketches. 2017
One of my handmade origami sketchbooks exploring feathers. Various samples, drawings, experiments and sketches. 2017