View allAll Photos Tagged roofshingles
Erzgebirge-Tour / 14.10.2018 / Sachsen / saxony
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On the link bellow are 2 houses, please click on it,
www.flickr.com/photos/komotini49/11511033354/in/album-721...
Today on my long walk I finally got a few shots of my favourite bird, the Red Winged Blackbird. He knew it was Spring and appeared around the neighbourhood. probably looking for a mate.
This is from 2013, its that time of the year for the guessing,
I will be posting bits and pieces with clues,
I already started with sugar pieces, cut all my cardboard patterns made 20 Lbs Gingerbread dough and I am baking
the patterns tomorrow, our kitchen will be smelling ginger for weeks,
Have fun guessing:-)))
52 weeks of 2023
Week #38 ~ Rooftops
All rights are reserved. Please contact me if you are interested in using one of my images for any reason
I am posting this earlier cause I will be very busy till Christmas,
The clues I gave they were very close to revealing what it will be,
The best clue was the Queen, that was the era when everyone copied the Victorian style,
Old homes on Long Island have only certain colors to choose from,
The one on the left is at our store and the other at our Kitchen island,
As you know the whole house is edible, the notch on each roof shingle was cut with the bottom of a heart cookie cutter,
Both are the same, only they are reversed and the front path is different.
Thank you for all your comments looking for the clue,
Next step is the eating of the Gingerbread house by the Squirrels,
Merry Christmas for those who celebrate!
l© All Rights Reserved Please don't use this image on websites, blogs or other media without my explicit permission
see on my fluidr stream: www.fluidr.com/photos/msdonnalee or click to view on flickr black
The air temp and frost point this morning were both 28 degrees Fahrenheit, the humidity was 95%, and all the roofs in the neighborhood were adorned with frost.
Taken for the "Flickr Friday" theme of 4/5/2024: WEATHER.
After arriving at Bodie ghost town and parking, I took the longer road into town versus just walking into the heart of the town. I wanted to ease into the town and see it from a distance before getting close up. Give me a chance to take some establishing shots.
Found on www.picdrome.com/picture/Roof_slate_shingles/category/Tex.... Image of a roof covering built of individual overlapping elements. Fixed by nails, they are almost waterproof and thus resistant to frost damage.
This is another grand-sized home on the main thoroughfare through Indian Hills. While it’s a lot larger than the older residences, it’s sighting and design aren’t offensive. At least in my humble opinion.
art, wooden box, rusty ladder part, washers, foil, roof shingle, door hardware, pipe hanger, coin, green glass, assemblage, circuit board, tree bark, erector set piece, wire basket, found object
7" X 13.5"
This is a standard asphalt roof shingle installation accross a hip line of the roof. There are a couple of extra nails hammered along the hip to hold the last shingle in place. When we finish the hip we can simply run a chalk line down the centre of the hip and use a hook blade knife to cut down the chalk line. This is a clean way to finish the hip and be sure to re-use the large pieces that have been cut off.
Has anybody mentioned that there's a dead seagull impaled upon your sign out front. Your website's wearin off, underneath your tenderloin tips. I like the Wisconsin architecture of your shingled awning. What kind of meat must you be using anyhow, to be selling your burgers so cheaply. Whoops I didn't mean to ask that out loud.
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In Two Rivers, Wisconsin, on August 24th, 2010, "Phil Rohrer's Lunch" on the south side of 22nd Street (Wisconsin Route 42), west of East River Street.
Phil Rohrer's Lunch — $1.25 Burgers — 4 Ho-Made Soups — Home of the Famous Raw Fries — Tenderloin Tips — thatsclassified.com
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Library of Congress classification ideas:
NA7856 Restaurants—United States—Pictorial works.
GT3911.A2 Signs and signboards—United States—Pictorial works.
HF6161.F616 Advertising—Food—Pictorial works.
HD69.B7 Business names—United States—Pictorial works.
CS2309 Names, Personal—Pictorial works.
HF5416.5 Pricing—Pictorial works.
NA3008 Awnings—Pictorial works.
F589.T9 Two Rivers (Wis.)—Pictorial works.
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Art & Architecture Thesaurus term:
• bollards
http:/www.diy-roofing.com.au
The basic frame of a four sided gazebo. Note the owners used good quality wood and carefull construction - painting the frame before the roof was attached. If there was one issue it was that the rafters were not at 600mm centres which maximises the use of the 2400 x 1200 a-bond structural plywood.
Here you can see the #15 asphalt saturated felt paper nailed down to the roofing plywood. The felt paper is stapled to the plywood and comes down in line with the bottom of the drip edge material. Be sure to overlap this material to manufacturers guidlines - usually 50mm on the horizontal overlap and 100mm on the vertical overlap. Always start from the bottom of the roof so the water drains correctly. Asphgalt saturated felt underlay roofing material is used for fire ratings, waterproofing and unexpected high wind protection.
Here we are cutting the Colorbond drip edge at the fascia. This metal roofing material is designed to protect the bottom edge of the plywood from any water that it comes in contact with through either strong winds or capillary action. It is good practice for this material to extend at least 100mm op the roof.
Here is a shot the owner took of the finished product. Building diy roofing for the handy homeowner. A nice asphalt shingle roof finished in the surrounds of the Australian bush.
May 12, 2019 - Frank Lloyd Wright Home and Studio located at 951 Chicago Ave., Oak Park, IL.
"In 1889 Wright completed the construction of a small two-story residence in Oak Park on the Western edges of Chicago. The building was the first over which Wright exerted complete artistic control. Designed as a home for his family, the Oak Park residence was a site of experimentation for the young architect during the twenty-year period he lived there. Wright revised the design of the building multiple times, continually refining ideas that would shape his work for decades to come.
The semi-rural village of Oak Park, where Wright built his home, offered a retreat from the hurried pace of city life. Named “Saint’s Rest” for its abundance of churches, Oak Park was originally settled in the 1830s by pioneering East Coast families. In its early years farming was the principal business of the village, however its proximity to Chicago soon attracted professional men and their families. Along its unpaved dirt streets sheltered by mature oaks and elms, prosperous families erected elaborate homes. Beyond the borders of the village farmland and open prairie stretched as far as the eye could see.
The Oak Park Home was the product of the nineteenth century culture from which Wright emerged. For its design, Wright drew upon many inspirational sources prevalent in the waning years of the nineteenth century. From his family background in Unitarianism Wright absorbed the ideas of the Transcendentalists, Ralph Waldo Emerson and Henry David Thoreau, who encouraged an honest life inspired by nature. The English Arts and Crafts movement, which promoted craftsmanship, simplicity and integrity in art, architecture and design, provided a powerful impetus to Wright’s principles. The household art movement, a distinct movement in middle-class home decoration, informed Wright’s earliest interiors. It aimed, as the name implies, to bring art into the home, and was primarily disseminated through books and articles written by tastemakers who believed that the home interior could exert moral influences upon its inhabitants. These various sources were tempered by the lessons and practices Wright learned under his mentors, Joseph Lyman Silsbee and Louis Sullivan.
For the exterior of his home, Wright adapted the picturesque Shingle style, fashionable for the vacation homes of wealthy East Coast families and favored by his previous employer, Silsbee. The stamp of Sullivan’s influence is apparent in the simplification and abstraction of the building and its plan. In contrast to what Wright described as “candle-snuffer roofs, turnip domes [and] corkscrew spires” of the surrounding houses, his home’s façade is defined by bold geometric shapes—a substantial triangular gable set upon a rectangular base, polygonal window bays, and the circular wall of the wide veranda.
Despite its modest scale, the interior of the home is an early indication of Wright’s desire to liberate space. On the ground floor Wright created a suite of rooms arranged around a central hearth and inglenook, a common feature of the Shingle style. The rooms flow together, connected by wide, open doorways hung with portieres that can be drawn for privacy. To compensate for the modest scale of the house, and to create an inspiring environment for his family, Wright incorporated artwork and objects that brought warmth and richness to the interiors. Unique furniture, Oriental rugs, potted palms, statues, paintings and Japanese prints filled the rooms, infusing them with a sense of the foreign, the exotic and the antique.
In 1895, to accommodate his growing family, Wright undertook his first major renovation of the Home. A new dining room and children’s playroom doubled the floor space. The design innovations pioneered by Wright at this time marked a significant development in the evolution of his style, bringing him closer to his ideal for the new American home.
The original dining room was converted into a study, and a new dining room replaced the former kitchen. The dining room is unified around a central oak table lit through a decorative panel above and with an alcove of leaded glass windows in patterns of conventionalized lotus flowers. The walls and ceiling are covered with honey-toned burlap; the floor and fireplace are lined with red terracotta tile.
The new dining room is a warm and intimate space to gather with family and friends. The Wrights entertained frequently, and were joined at their table by clients, artists, authors and international visitors. Such festive occasions, according to Wright’s son, John, gave the house the air of a “jolly carnival.”
The 1895 playroom on the second floor of the Home is one of the great spaces of Wright’s early career. Designed to inspire and nurture his six children, the room is a physical expression of Wright’s belief that, “For the same reason that we teach our children to speak the truth, or better still live the truth, their environment ought to be as truly beautiful as we are capable of making it.” Architectural details pioneered by Wright in this room would be developed and enhanced in numerous commissions throughout his career.
The high, barrel-vaulted ceiling rests on walls of Roman brick. At the center of the vault’s arc a skylight, shielded by wood grilles displaying stylized blossoms and seedpods, provides illumination. Striking cantilevered light fixtures of oak and glass, added after Wright’s 1905 trip to Japan, bathe the room in a warm ambient glow. On either side of the room, window bays of leaded glass with built-in window seats are at the height of the mature trees that surround the lot, placing Wright’s children in the leafy canopy of the trees outside.
Above the fireplace of Roman brick, a mural depicting the story of the Fisherman and the Genie from The Arabian Nights is painted on the plastered wall. An integral architectural feature within the room, the mural was designed by Wright and executed by his colleague, the artist Charles Corwin. It is a fascinating blend of decorative motifs; forms from exotic cultures—such as Egyptian winged scarabs—are combined with flat, geometric designs that echo the work of Wright’s international contemporaries, Charles Rennie Mackintosh and the Vienna Secessionists.
In 1898 Wright built a new Studio wing with funds secured through a commission with the Luxfer Prism Company. The Studio faced Chicago Avenue and was connected to his residence by a corridor. Clad in wood shingles and brick, the Studio exterior is consistent with the earlier home. However, the long, horizontal profile, a key feature of Wright’s mature Prairie buildings, sets it apart. Adjacent to the entrance, a stone plaque announces to the world, “Frank Lloyd Wright, Architect.” Decorative embellishments and figural sculptures set off the building’s artistic character and impressed arriving clients.
The reception hall serves as the entrance to the Studio. A waiting room for clients and a place for Wright to review architectural plans with contractors, this low-ceilinged space connects the main areas of the Studio—a library, a small office, and the dramatic two-story drafting room, the creative heart of the building.
The studio staff worked on drafting tables and stools designed by Wright in rooms decorated with eclectic displays of artwork and objects. Japanese prints, casts of classical sculptures, as well as models and drawings executed in the drafting room, filled the interiors of the Studio. In Wright’s home the integration of art and architecture served to nurture and intellectually sustain his family. In the Studio, these same elements served a further purpose, the marketing of Wright’s artistic identity to his clients and the public at large.
In September of 1909, Wright left America for Europe to work on the publication of a substantial monograph of his buildings and projects, the majority of which had been designed in his Oak Park Studio. The result was the Wasmuth Portfolio (Berlin, 1910), which introduced Wright's work to Europe and influenced a generation of international architects. Wright remained abroad for a year, returning to Oak Park in the fall of 1910. He immediately began plans for a new home and studio, Taliesin, which he would build in the verdant hills of Spring Green, Wisconsin. Wright’s Oak Park Studio closed in 1910, though Wright himself returned occasionally to meet with his wife Catherine who remained with the couple's youngest children at the Oak Park Home and Studio until 1918. The Home and Studio was the birthplace of Wright's vision for a new American architecture. Wright designed over 150 projects in his Oak Park Studio, establishing his legacy as a great and visionary architect.
Previous text from the following website: flwright.org/researchexplore/homeandstudio
Here with the aid of a chalk line up the roof rafter we cut a straight line with the circular saw. The a-bond plywood is made with Formaldehyde chemical which makes it waterproof. This chemical is known to cause cancer so it is a good idea to wear a mask or keep your mouth shut and not breethe. The off cuts willbe used on the top ends of this gazebo.
box, art, broken auto glass, music, washers, glass balls, assemblage, tree knot, wastebasket wire, music box movement, grapevine, roof shingle, copper shot shell primer pellets, metal edges from rulers, beetle
10.5" X 7"
This is the starter course that is used along the bottom edge of the plywood - often over a fascia drip edge. This starter course is a three tab asphalt shingle with the tabs cut off just below the UV self sealing glue strip. The starter course extends 10mm below the drip edge to create a secondary drip edge guiding the water away from the plywood material. The glue strip is situated near the bottom so it seals to the first full three tab asphalt shingle.
Kac. Construction,
Tel. (401)837-6730 www.kacconstruction.com sales@kacconstruction.com
see us at facebook www.facebook.com/kacconstruction
Roof replacement done at warwick RI,
Roofer contractor, Povidence Hmong Church roofing installation, roof replacement ri, roof repair, leak, hail & high winds roof damage repair.
Roofing contractor servicing ma, ri, ct, nh, ny & nj.
Cranston ri, warwick ri, west warwick ri, coventry ri, hope ri, foster ri, harrisville ri, burriville ri, chepachet ri, east greenwich ri, west greenwich ri, kingston ri, north kingston ri, wakefield ri, jamestown ri, narragansett ri, newport ri, middletwn ri, bristol ri, exeter ri, warren ri, barrington ri.
Here we are finishing the final hip on this IKO Dual Black Marathon Asphalt Shingle diy building roofing project.This outdoor area or outdoor living space is used for entertaining on those warm summer nights. The owner attached lights to the underside of the gazebo and it is also a good idea to set up a couple of those radiant heaters so you can use it on colder nights.
Les Couvreurs Duro-Toit sont spécialisés en couverture de toits. Ils sont près de leurs clients et sauront satisfaire leurs besoins en matière de toits plats, de toits en pente, en bardeaux ou en tôle.
This is a gazebo built in Melbourne Australia with IKO Dual Black Marathon asphalt roofing shingles. The owner built the structure and I came and installed the 12mm a-bond structural plywood, asphalt saturated felt underlay and finally the IKO Dual Black Asphalt Roof Shingles. The finished product was a superb DIY roofing Gazebo that lets the owners enjoy those summer nights out on the deck.
Another successful roof replacement done by KAC. Construction at Hmong Church in Dexter St, Providence RI.
Kac. Construction,
Tel. (401)837-6730 www.kacconstruction.com sales@kacconstruction.com
see us at facebook www.facebook.com/kacconstruction
Roof replacement done at warwick RI,
Roofer contractor, Povidence Hmong Church roofing installation, roof replacement ri, roof repair, leak, hail & high winds roof damage repair.
Roofing contractor servicing ma, ri, ct, nh, ny & nj.
Cranston ri, warwick ri, west warwick ri, coventry ri, hope ri, foster ri, harrisville ri, burriville ri, chepachet ri, east greenwich ri, west greenwich ri, kingston ri, north kingston ri, wakefield ri, jamestown ri, narragansett ri, newport ri, middletwn ri, bristol ri, exeter ri, warren ri, barrington ri.
hmong church, hmong roof, hmong roofer, hmong roofers, hmong roof, hmong roofing, church replacement, hmong roof replacement.
Kac. Construction,
Tel. (401)837-6730 www.kacconstruction.com sales@kacconstruction.com
see us at facebook www.facebook.com/kacconstruction
Roof replacement done at warwick RI,
Roofer contractor, Povidence Hmong Church roofing installation, roof replacement ri, roof repair, leak, hail & high winds roof damage repair.
Roofing contractor servicing ma, ri, ct, nh, ny & nj.
Cranston ri, warwick ri, west warwick ri, coventry ri, hope ri, foster ri, harrisville ri, burriville ri, chepachet ri, east greenwich ri, west greenwich ri, kingston ri, north kingston ri, wakefield ri, jamestown ri, narragansett ri, newport ri, middletwn ri, bristol ri, exeter ri, warren ri, barrington ri.