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Runa Photography, Daniel © 2024
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El icono de Sevilla es sin duda su catedral y el acceso a la misma se realiza por la puerta sur la que da a la avenida de la constitución.
Su casco antiguo, con 3,9 km², es el más extenso de España y el sexto más grande de Europa, tras los de Roma (14,6 km²), Nápoles (10,3 km²), Venecia (7,6 km²), Florencia (5,5 km²) y Génova (4,1 km²).
Sevilla es una de las ciudades con más monumentos catalogados en Europa. Su casco histórico es uno de los mayores de España.1 Su patrimonio histórico y monumental y sus diversos espacios escénicos y culturales la constituyen en ciudad receptora de turismo nacional e internacional.
Fuente: Propia, wikipedia
FIRENZE Romito 14 Febbraio 2001
Transita sul curvone di FIRENZE Romito la E.645.046 titolare del BOLOGNA S.D. /ROMA SM.nto
Guardala in FULL FRAME:
lnx.645-040.net/sito/modules/xcgal/albums/userpics/10001/...
“E’ un amore impossibile” – mi dici.
“E’ un amore impossibile” – ti dico.
Ma scopri che sorridi se mi guardi,
e scopro che sorrido se ti vedo.
“Di notte” – tu confessi – “io ti penso… Ti penso giorno e notte, e mi domando se stai pensando a me, mentre ti penso.
… La società, le regole, i doveri… ma tremi quando stringo le tue mani.”
“Meglio felici o meglio allineati?”
– Ti chiedo.-
E il tuo sorriso accende il giorno, cambiando veste ad ogni mio pensiero.
“Questo amore è possibile” – ti dico.
“Questo amore è possibile” – mi dici.
(Sesto Aurelio Properzio, Assisi, circa 47 a.C. – Roma, 14 a.C.)
Civitavecchia(ROMA) 14 Agosto 2021
Transita nei pressi della Centrale Elettrica ENEL di Torrevaldaliga Nord (loc.La Frasca/Civitavecchia) la E.652.156-7 I-MIR mentre svolge il BARI Lamasinata / Livorno Calambrone
Saluti
Paolo CARNETTI
Antonio Mancini (Rome, 14 November 1852 - Rome, 28 December 1930) - woman at the toilet (1907-8) - oil on canvas 59.5 x 100 cm - Ricci Oddi Modern Art Gallery, Piacenza
che la sera non vanno a dormire.
[Alice attraverso lo specchio - L. Carrol]
meeting romano, 14.10.10
location: caffarella
model: Claudia e l'ombrellino di Arianna
Antonio Mancini (Rome, 14 November 1852 - Rome, 28 December 1930) - servant (1885-90) oil on canvas 99 x 60 - Gallery of Modern Art Ricci Oddi - Piacenza
La lezione di Manet è evidente nel contrasto tra la figura in nero e il fondo cromaticamente animato.
Manet's lesson is evident in the contrast between the figure in black and the chromatically animated background.
Roma, 14 Giugno 2008 Stadio del Nuoto, Piscina Foro Italico.
RomAquatica08.
Nella foto: .
FOTO ZARAMELLA
Roma, 14 dicembre
"non c'e' alternativa..."
lo dichiara Silvio Berlusconi presentando oggi il libro di Vespa ''Il cuore e la spada''...
RIOT IN ROMA
14 DICEMBRE 2010
FOTO:GIORGIO "PHOTOREBEL" LOMBARDI
Si prega di non usare queste foto su siti,blogs o altri media senza il mio esplicito permesso!
©Tutti i diritti son riservati
Please don't use this image on websites, blogs or other media without my explicit permission.
© All rights reserved
Camillo Innocenti (Rome, 14 June 1871 - Rome, 4 January 1961) - toilet (1909 - 1910) - olio on canvas 61 x 75 cm - Ricci Oddi Modern Art Gallery, Piacenza
Innocenti nasce a Roma nel 1871. Il padre Augusto, un agiato architetto, lo indirizza agli studi classici ma sin dal 1895 comincia ad avvicinarsi al mondo dell'arte posando come paggio per Lodovico Seitz, un epigono dei Nazareni, che stava decorando la Galleria dei Candelabri in Vaticano. Tre anni dopo vince il pensionato nazionale ed è ammesso all'Istituto di Belle Arti di Roma, dedicandosi con passione alla pittura. Subisce l'influenza prima di Domenico Morelli, poi di Francesco Paolo Michetti ed infine di Antonio Mancini con cui strinse una profonda amicizia. Nel 1901 è in Spagna dove studia la pittura di Goya e Velazquez, completando la propria maturazione artistica sia copiando le opere di questi grandi maestri sia ritraendo dal vero scene popolari e paesaggi accecati dal sole. In seguito soggiorna in Germania, Francia, Olanda ed Inghilterra affinando sempre di più la propria sensibilità. Tornato in Italia nel 1903 sperimenta prima la tecnica divisionista e poi entra nel gruppo dei "XXV", si dedica ai paesaggi di Scanno e Roccaraso e alla Sardegna, nonché le Paludi pontine e i suoi abitanti, con un linguaggio ormai personale e completamente affrancato da tutte le suggestioni precedenti. Dipinge anche interni, con luce soffusa, e figure femminili, sorprese con malizia e grazia in atteggiamenti intimi, con un segno rapido e nervoso, tendendo al liberty e al dannunzianesimo per quell'armonia raffinata di tinte tenere e di bianchi sfumati con cui si esprimeva. In questo periodo è nominato Accademico di San Luca. Dopo la prima guerra lavora come scenografo per il Cinema ("Redenzione", "Cirano", "I promessi sposi", "Ben Hur") e nel 1925 è al Cairo a dirigere la Scuola di Belle Arti. Torna a Roma nel 1940 e, ormai dimenticato dal pubblico e dai critici, a causa della lunga assenza dalla vita artistica europea, finisce i suoi giorni in povertà.
Espone alla Biennale di Venezia del 1905 ("Contadini di Scanno" e "Sui monti") ed a quella del 1909, dove gli viene allestita una personale, si presenta con venti opere (tra cui "In Sardegna ", "In giardino" e "Allo specchio"). E' presente alla Il Biennale Romana ("Donne arabe") ed alla VII Quadriennale Romana del 1956 ("A fontana di Trevi"). Muore a Roma nel 1961.
Innocenti born in Rome in 1871. His father Augusto, a wealthy architect, directed him to classical studies but since 1895 he began to approach the world of art by posing as page for Lodovico Seitz, an epigone of the Nazarenes, who was decorating the Galleria dei Candelabra in the Vatican. Three years later he won the national pensioner and was admitted to the Institute of Fine Arts in Rome, dedicating himself with passion to painting. It was influenced first by Domenico Morelli, then by Francesco Paolo Michetti and finally by Antonio Mancini with whom he made a deep friendship. In 1901 he was in Spain where he studied the painting of Goya and Velazquez, completing his artistic maturation both copying the works of these great masters and portraying popular scenes and landscapes blinded by the sun. Later on, he stayed in Germany, France, Holland and England, refining his sensitivity more and more. Returning to Italy in 1903, he first experimented with the Divisionist technique and then joined the group of "XXV", devoted himself to the landscapes of Scanno and Roccaraso and to Sardinia, as well as the Pontine Marshes and its inhabitants, with a language that was now personal and completely freed from all the previous suggestions. He also paints interiors, with soft light, and female figures, surprised with malice and grace in intimate attitudes, with a rapid and nervous sign, tending towards liberty and D'Annunzianism for that refined harmony of tender hues and shaded whites with which he expressed himself . In this period he was appointed Academician of San Luca. After the first war he worked as a scenographer for the Cinema ("Redemption", "Cirano", "I promessi sposi", "Ben Hur") and in 1925 he was in Cairo to direct the School of Fine Arts. He returned to Rome in 1940 and , now forgotten by the public and critics, due to the long absence from European artistic life, he ends his days in poverty.
He exhibited at the Venice Biennale of 1905 ("Contadini di Scanno" and "Sui monti") and at that of 1909, where a personal exhibition was set up, he presented himself with twenty works (including "In Sardinia", "In the garden" and "At the mirror"). He is present at the Roman Biennial ("Arab women") and the VII Roman Quadrennial of 1956 ("A Trevi Fountain"). He died in Rome in 1961.
La notte dei Musei - Roma, 14/15 Maggio 2011
Musei Capitolini - dalla Terrazza del Palazzo dei Conservatori
Piazza del Campidoglio - Roma
La Primavera che perennemente si
rinnova #galileochini #art #kunst #museoboncompagni #museoboncompagniludovisi #roma
14 Likes on Instagram
Santo del giorno Giovedì 15 luglio 2011
San Camillo de Lellis
Bucchianico (Chieti), 25 maggio 1550 - Roma, 14 luglio 1614
Camillo, dopo molte peripezie nella vita militare e mondana, maturò la sua conversione in ospedale, dove era stato ricoverato per una piaga inguaribile. Al contatto con i malati si delineò la sua speciale vocazione al servizio del Cristo nei fratelli sofferenti. Per quest'opera di misericordia fondò l'Ordine dei Ministri degli Infermi (Camilliani)
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BRETAGNE, BREIZH MA BRO, VERSION MUSIQUE BRETONNE.
Tous les quatre ans, la ville de Brest et la Marine nationale ont l’honneur et la fierté de recevoir des nations maritimes et leurs navires ambassadeurs.
La rade de Brest est une des plus belles de Bretagne, son port, connu en France et dans le monde entier, est suffisamment vaste pour accueillir voiliers et spectateurs en nombres.
Le site de la fête avec son nouveau port de plaisance et sa digue imposante aux allures de belvédère offre un spectacle grandiose et permanent. Que vous soyez marin ou plutôt terrien, le spectacle des bateaux navigant sous voile est accessible à tous !
Tous les types de voiliers anciens des côtes européennes sont présents à Brest. Chacun d’entres eux est unique et tous sont dignes du même intérêt.
Les grands voiliers imposent leurs puissantes mâtures et les plus petits animent le plan d’eau portuaire.
C'est aussi les bateaux de la course au large, car on y trouve un éventail unique et représentatif de ces coureurs transocéaniques à travers des multicoques géants.
Cette diversité est l’honneur et la fierté de cet événement Brestois.
Les villages: à chacun son ambiance
Lors de la dernière édition, les espaces de la Galice, du Vietnam, de Madagascar, de Norvège et de la Croatie… ont été des pôles d’attraction majeurs de la fête. Chacune de ces délégations a su mobiliser ses troupes et réunir les énergies pour amener à Brest le meilleur de ses traditions maritimes, et de sa culture.
L'espace dédié aux villages, c'est le temps à la dégustation de mets d'ici ou d'ailleurs, servis dans une ambiance chaleureuse. C'est aussi le temps pour chaque délégation de présenter sa flottille, sa musique, ses animations, son ambiance... une qualité et une diversité étonnantes, des découvertes aussi dépaysantes que réjouissantes !
Toutes les nations et régions maritimes, ainsi que toutes les délégations internationales de qualité sont accueillies et valorisées sur le site.
Ce rassemblement, c’est aussi l’occasion de découvrir des expositions dédiées aux nouvelles technologies de la mer. Aux grandes campagnes d’exploration d’hier ont succédé les découvertes scientifiques d’aujourd’hui. La ville de Brest, labellisée « pôle de compétitivité mer » accueille les fleurons de la recherche et de l’innovation (Ifremer, Institut national de recherches marines et Océanopolis…).
Le patrimoine maritime
Chacune des éditions accueille le foisonnement des patrimoines, des cultures, des savoir-faire et des traditions maritimes.
Celles-ci sont présentes à travers les bateaux mais aussi à travers toutes sortes de métiers, de productions, d'expressions artistiques : les chantiers bois, mais aussi les maquettistes, les peintres, coquilliers de la rade de Brest... tous racontent des techniques et des savoir-faire pour le plaisir des grands et des petits.
Musique, parades et feux d'artifice !
A la tombée de la nuit, le port de Brest se pare de mille feux et les bateaux prennent une dimension magique ! Une déferlante de musiques et d’images fait exploser sous toutes ses formes la mémoire de la mer.
Des scènes, des cabarets dans le décor féerique des mâts et des gréements mis en lumière, le spectacle est multiple et cela pendant six jours sur un site de 7 km. Cette étendue de quai permet d’offrir une multiplicité et variété d’animations avec des parcours thématiques.
Visites et balades en mer
Chacun peut assister aux courses, aux concours de manœuvres mais aussi devenir acteur en embarquant à bord de bateaux du patrimoine pour des sorties en mer.
Le public entre ainsi de plain-pied dans l’aventure maritime et découvre l’histoire des bateaux en écoutant les récits des guides spécialisés ou des marins eux-mêmes.
Quelques chiffres...
650 000 visiteurs
25 nations
2 000 voiliers traditionnels ou d'inspiration classique
15 000 marins
300 exposants
2 000 musiciens et artistes
800 journalistes du monde entiers
350 entreprises associés à l'événement
5000 bénévoles issue des associations locales
ROMA ARCHEOLOGICA & RESTAURO ARCHITETTURA 2023. ROMA - La Festa di San Valentino: "Caro Roberto, Sindaco di Roma - Buona Festa di San Valentino! Con affetto i cinghiali di Roma." Fonte: Cinghiali di Roma (14/02/2023). wp.me/pbMWvy-3O7
Foto: Cinghiali di Roma (14/02/2023).
www.flickr.com/photos/imperial_fora_of_rome/52688978146
Foto: Cinghiali di Roma (14/02/2023).
www.flickr.com/photos/imperial_fora_of_rome/52688450032
ROMA - La Festa di San Valentino: Caro Roberto, Sindaco di Roma - Buona Festa di San Valentino! Con affetto i cinghiali di roma. Fonte: Cinghiali di Roma (14/02/2023).
Fonte/ foto:
--- Cinghiali di Roma (21/10/2021 - in poi).
www.flickr.com/photos/imperial_fora_of_rome/albums/721577...
No debiera arrancarse a la gente de su tierra o país, no a la fuerza.
La gente queda dolorida, la tierra queda dolorida.
Nacemos y nos cortan el cordón umbilical. Nos destierran y
nadie nos corta la memoria, la lengua, las calores. Tenemos que
aprender a vivir como el clavel del aire, propiamente del aire.
Soy una planta monstruosa. Mis raíces están a miles de
kilómetros de mí y no nos ata un tallo, nos separan dos mares
y un océano. El sol me mira cuando ellas respiran en la noche,
duelen de noche bajo el sol.
roma/14-5-80
Juan Gelman
... Quelque soit l'endroit et quelque soit le nombre de personnes présentes... il y en a toujours un(e) qui sort du lot... avec son identité.. sa différence... son style.. et sa personnalité ...
*photo urbaine prise lors en Italie.. sous soleil de plomb...
__________
Dead in Sin?
Is the faith of our fathers living in your life? In your church? We sing the song: "Faith of our fathers living still..." and no doubt the faith is living. But the question is, "Where is that faith living and confessed?" And, "What is the faith of our fathers?" It was expressed over 350 years ago by our church fathers at the Synod of Dordt (in the Netherlands). We use the familiar acrostic: TULIP to help us remember what our fathers said the Bible teaches:
T - Total Depravity
That means simply MAN is DEAD. The Bible says that you and I are dead in trespasses and sins (Eph. 2:1-6) unless we are born again. DEAD!!! More than that, the man or woman who is dead in sin hates God, and his "carnal mind" is "enmity against God" (Rom. 8:7). His will is stubbornly steeled against God. This Biblical idea changes a lot of modern talk about salvation.
Consider what that means:
Can a man do good works then, if he is not a Christian who is born again? No. "Whatsoever is not of faith is sin" (Rom. 14:23).
Can a man want to be born again and follow instructions on "how to do it?" No, for that would be like saying that a man in a grave can desire to come out of the grave, or follow instructions on how to be made alive. It would be like trying to lure him out of the grave. "It is the Spirit that quickeneth; the flesh profiteth nothing" (John 6:33).
Can any man "accept Christ" as his personal Savior, so that he becomes saved after that? Of course not. Accepting Christ is a good work done only by a Christian. Only AFTER God makes a person alive, can he and will he accept Christ. "No man can come unto me, except the Father which hath sent me draw him" (John 6:44).
Can you "offer salvation" to anyone? That is surely impossible. One might as well offer food to a dead man than salvation to a dead sinner (Eph.2:1-2).
ONLY GOD CAN MAKE US ALIVE. AND GOD DOES THAT SOVEREIGNLY - WITHOUT OUR AID, WITHOUT OUR ASKING. From beginning to end, "Salvation is of the Lord" (Jonah 2:9). This is the faith that we preach, because it is Biblical, because it is the FAITH of our fathers, which we love, still living in our hearts, and because it gives God all the glory!
Not My Choice
Is the faith of our fathers living in your life? In your church? We sing the song: "Faith of our fathers living still..." and no doubt the faith is living. But the question is, "Where is that faith living and confessed?" And, "What is the faith of our fathers?" It was expressed over 350 years ago by our church fathers at the Synod of Dordt (in the Netherlands). We use the familiar acrostic: TULIP to help us remember what our fathers said the Bible teaches:
U - Unconditional Election
This means simply: God chooses to give some people eternal life, without looking for anything good in them as a condition for loving and saving them.
Before any man or woman is born -- in fact, before the world was made -- God decided who would go to heaven and who would not. Before they did good or bad, God chose some to be His people and rejected others.
"CONDITIONAL election" would mean that God chooses to be His those who first love and choose Him. But the Bible says: "You have not chosen me, I have chosen you" John 15:16. (Please also look at Romans 9:11-21.) Acts 13:48 says that "as many as were ordained to eternal life believed." Only, when we speak this language is the horse placed before the cart. CONDITIONAL election puts the cart before the horse, because it says that man believes and THEN is ordained to eternal life. Read carefully John 10:26 for another plain "horse before the cart" passage. Can one imagine what the denial of this doctrine would mean? If we remember that before we are saved, we can do nothing good (John 15:5; Ephesians 2:1-6), the only conclusion is that we could never choose God. And never would. And never would be saved.
But God is sovereign and chooses whom He will choose. And after He chooses us, we choose Him daily. All we are and all we have is given us by God.
Again, this is the faith that we preach, because it is Biblical, because it is the faith of our fathers, living still in our hearts, and because it gives God all the glory!!!!
For All Men?
Is the faith of our fathers living in your life? In your church? We sing the song: "Faith of our fathers living still..." and no doubt the faith is living. But the question is, "Where is that faith living and confessed?" And, "What is the faith of our fathers?" It was expressed over 350 years ago by our church fathers at the Synod of Dordt (in the Netherlands). We use the familiar acrostic: TULIP to help us remember what our fathers said the Bible teaches:
L - Limited Atonement
The great gospel message that so many today are urgently carrying to distant lands is that Christ made atonement with His death. But there are two critical points at which this message is so severely distorted that it no longer carries the gospel message.
THE FIRST DISTORTION concerns what Christ's death did. The Biblical truth of the Atonement is that His death paid for sins. Yet so many today teach that Christ's death was only an example for us to follow, and if one merely follows His example he will be saved. Or it is taught that Christ's death did not actually pay for any specific sins, but made it possible for all sins to be paid for.
But the Bible says that Christ's death on the cross actually paid for sins. Acts 20:28 says that God bought the church with His own blood. See also Matthew 26:28, Hebrews 7:26-27.
THE SECOND DISTORTION of this biblical truth is that Christ died for all men. Some teach that Christ made it possible for all men to be saved. But the questions that must be asked are: "If Christ died for all men, why are not all men saved?" "Can not God do what He desires to do?" "Is there something defective in Christ's death?" "Must man desire to be saved first?" But a man who is totally depraved can not will to be saved. He hates God and wants nothing to do with Christ's death. So it must not be said that Christ died for all men.
The Bible says that Christ laid down His life for His sheep, and only them. John 10:11. The ATONEMENT is LIMITED to the elect of God. Every sin of every one of Christ's sheep is paid for. Those sins and those alone have been paid for. That is the only gospel because that is the Bible.
Dragged Kicking & Screaming to Heaven?
Is the faith of our fathers living in your life? In your church? We sing the song: "Faith of our fathers living still..." and no doubt the faith is living. But the question is, "Where is that faith living and confessed?" And, "What is the faith of our fathers?" It was expressed over 350 years ago by our church fathers at the Synod of Dordt (in the Netherlands). We use the familiar acrostic: TULIP to help us remember what our fathers said the Bible teaches:
I - Irresistible Grace
The fourth Biblical truth in the five points of Calvinism teaches that God's grace to save a person cannot be resisted. Grace is God's free and unmerited power to save a person from his sins which would otherwise lead us to hell. Grace brings him to heaven who naturally would end in eternal hell.
That grace is irresistible. That means that if God gives grace to you, there is nothing in the world that you can do to resist it and thwart God's intention to take you to heaven. The certainty of salvation for God's elect is seen in John 6:37 where Jesus says: "All that the Father hath given me shall come to me..." There is no doubt that they will be saved. Verse 44 says that those who come to God come because God draws them. Not our will, but God's will is first and powerful.
Now, some ridicule this truth of the Bible and say that it makes man go to heaven against his will. "He kicks and screams all the way to heaven." But that is not how the Bible presents God's grace. God makes His people "willing in the day of His power" Psalm 110:3. For a wonderful illustration of that truth, just consider the converted Apostle Paul. "By the grace of God' he was what he was (I Corinthians 15:10). And immediately after his conversion he said willingly, "Lord, what wilt thou have me to do?" Acts 9:6. That surely was not against his will.
God's grace is sweet and irresistible. He makes us love it and want nothing else. He is as irresistible to us as a husband to his newly-wed bride. Come with us and hear God's wonderful grace proclaimed in Christ any Lord's Day.
Living Like the Devil?
Is the faith of our fathers living in your life? In your church? We sing the song: "Faith of our fathers living still..." and no doubt the faith is living. But the question is, "Where is that faith living and confessed?" And, "What is the faith of our fathers?" It was expressed over 350 years ago by our church fathers at the Synod of Dordt (in the Netherlands). We use the familiar acrostic: TULIP to help us remember what our fathers said the Bible teaches:
P - Preservation of the Saints
The last of the five points of Calvinism teaches that God preserves His people so they can never be lost. To put it simply, it means this: "Once you are saved, you are always saved."
God's Word is full of proof for this beautiful truth. And though many deny it, and tell you that you can be lost and saved many, many times, and therefore can never be sure of your salvation, the Bible says otherwise. Talking about His elect sheep, Jesus said: "And I give them eternal life; and they shall never perish, neither shall any man pluck them out of my hand" (John 10:28). See John 6:39, 17:2, 11,12; Romans 8:37-39; II Tim. 1:12; 4:18, etc. etc.
Some object to this doctrine because it supposedly makes men "carnally secure" in their salvation. That is, if I know nothing can make me go to hell once God has saved me, I will "live like the devil." There have been some who have used this beautiful truth as an excuse to live like the devil. But they are not Christians. Nor do they understand this truth. Because this truth also implies "PERSEVERANCE OF THE SAINTS." Those who never fall away are saints. They are holy. And they are given power to live holy lives. They "continue in well-doing." Anyone who says he can "live like the devil" has not experienced the saving power of Christ and does not know the meaning of Philippians 1:6, "He that hath begun a good work in you will perform it until the day of Jesus Christ." God will continue working good works in us until Christ returns. Don't think otherwise.
Is there any hope for Christians without this doctrine? We don't need to be "scared to heaven." We need comfort. Because we know that if it were up to the Christian to remain saved, he would never be able to do it. You know yourself!!!! There is no power in me apart from God's grace.
Rev. Barry Gritters
Nel luglio 2001 dopo aver vissuto a Roma per 4 anni, migravo verso Milano dove avrei iniziato a lavorare ed a convivere.
Genova perciò sarebbe rimasta un "vorrei ma non posso" come tante altre cose passate e future.
Il 20 luglio eravamo in viaggio con una lancia Y10 blu, in quattro, carica all'inverosimile, senza aria condizionata (fortuna che pioveva e tirava vento) e senza autoradio, ma con una radiolina portatile sintonizzata su radio popolare che dava le ultime notizie da Genova.
Carlo per me è morto in quel momento, senza un' immagine, senza un volto, solo un nome ed una data di nascita.
Io avevo 25 anni lui 23.
Io ne ho 35 lui no.
Carlo Giuliani (Roma, 14 marzo 1978 – Genova, 20 luglio 2001)
"Marciremo qui dentro" pensò. "Diventeremo cenere in questa casa senza uomini, ma non daremo a questo paese miserabile il piacere di vederci piangere."
[Cent'anni di solitudine - Marquez]
meeting romano, 14.10.10
location: caffarella
model: Claudia e l'ombrellino di Arianna
sequenza fotografica della ripresa della piazza da parte delle forze dell'ordine
roma
14 dicembre 2010
... derrière laquelle se protège une beauté sous le soleil de plomb
(Place St-Pierre, Rome)
(behind this red parasol a beauty protect herself from the hot sun)
That I, with body and soul, both in life and in death (Rom 14:7–9; 1 Thess 5:9–10), am not my own (1 Cor 6:19–20), but belong to my faithful Saviour Jesus Christ (1 Cor 3:22–23; Tit 2:14†), who with his precious blood (1 Pet 1:18–19) has fully satisfied for all my sins (1 John 1:7; 2:1–2), and redeemed me from all the power of the devil (John 8:34–36†; 1 John 3:8; Heb 2:14–15); and so preserves me (John 6:38–40; 10:27–30; 2 Thess 3:3†; 1 Pet 1:5†) that without the will of my Father in heaven not a hair can fall from my head (Matt 10:29–31; Luke 21:18–19); yea, that all things must work together for my salvation (Rom 8:28). Wherefore, by his Holy Spirit, he also assures me of eternal life (Rom 8:15–16; 2 Cor 1:21–22; 5:5; Eph 1:13–14), and makes me heartily willing and ready, henceforth to live unto him (Rom 7:22; 8:14; Phil 2:13†; Heb 13:20–21†; 1 John 3:3†; 4:13†; Ezek 36:27†).
The text of the catechism is reproduced from, “The Heidelberg Catechism. A.D. 1563,” in Philip Schaff and David S. Schaff, eds., The Creeds of Christendom (1931; repr., Grand Rapids: Baker, 1996), 3:307–55.
MEF - Il Ministro Roberto Gualtieri con Il Cancelliere dello Scacchiere Mr. Rishi Sunak - Roma, 14.12.2020
Love one another (Jn. 13:34, and elsewhere).
Be at peace with one another (Mk. 9:50).
Be devoted to one another in brotherly love (Rom. 12:10).
Honor one another above yourselves (Rom. 12:10).
Live in harmony with one another (Rom. 12:16).
Build up one another (Rom. 14:19; 1 Thess. 5:11).
Be likeminded towards one another (Rom. 15:5).
Accept and bear with one another (Rom. 15:7; Col. 3:13).
Admonish one another (Rom. 15:14; Col. 3:16).
Care for one another (1 Cor. 12:25).
Serve one another in love (Gal. 5:13).
Bear one another's burdens (Gal. 6:2).
Forgive one another (Eph. 4:2, 32; Col. 3:13).
Be patient with one another (Eph. 4:2; Col. 3:13).
Be kind and compassionate to one another (Eph. 4:32).
Encourage one another (Eph. 5:19; 1 Thess. 4:18).
Submit to one another (Eph. 5:21; 1 Pet. 5:5).
Look to the interests of one another (Phil. 2:4).
Teach one another (Col. 3:16).
Spur on one another towards love and good works (Heb. 10:24).
Show hospitality to one another (1 Pet. 4:9).
Use your God-given gifts to serve one another (1 Pet. 4:10).
Clothe yourselves with humility towards one another (1 Pet. 5:5).
Pray for one another (James 5:16).
Confess your sins to one another (James 5:16).
San Valentino detto anche san Valentino da Terni o san Valentino da Interamna (Interamna Nahars, ca. 176 – Roma, 14 febbraio 273) fu un vescovo e un martire cristiano. Venerato come santo dalla Chiesa cattolica, da quella ortodossa e successivamente dalla Chiesa anglicana, è considerato patrono degli innamorati. La più antica notizia di S.Valentino è in un documento ufficiale della Chiesa dei secc.V-VI dove compare il suo anniversario di morte. Ancora nel sec. VIII un altro documento ci narra alcuni particolari del martirio: la tortura, la decapitazione notturna, la sepoltura ad opera dei discepoli Proculo, Efebo e Apollonio, successivo martirio di questi e loro sepoltura
Di famiglia patrizia e fu convertito al Cristianesimo ed ordinato vescovo di Terni nel 197 a soli 21 anni.
Nell'anno 270 Valentino si trovava a Roma, giunto su invito dell'oratore greco e latino Cratone, per predicare il Vangelo e convertire i pagani.
Invitato dall'imperatore Claudio II il Gotico a sospendere la celebrazione religiosa e ad abiurare la propria fede, rifiutò di farlo, tentando anzi di convertire l'imperatore al Cristianesimo. Claudio II lo graziò dall'esecuzione capitale affidandolo ad una nobile famiglia.
Valentino venne arrestato una seconda volta sotto Aureliano, succeduto a Claudio II. L'impero proseguiva nelle sue persecuzioni contro i cristiani e, poiché la popolarità di Valentino stava crescendo, i soldati romani lo catturarono e lo portarono fuori città lungo la via Flaminia per flagellarlo, temendo che la popolazione potesse insorgere in sua difesa. Subì il martirio e la decapitazione il 14 febbraio 273, a 97 anni, per mano del soldato romano Furius Placidus, agli ordini dell'imperatore Aureliano
RIOT IN ROMA
14 DICEMBRE 2010
FOTO:GIORGIO "PHOTOREBEL" LOMBARDI
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La notte dei Musei - Roma 14/15 Maggio 2011
Scalinata del Campidoglio
La monumentale scalinata, disegnata da Michelangelo porta al Campidoglio.
Il Campidoglio detto anche Monte Capitolino (Mons Capitolinus) è uno dei sette colli su cui venne fondata Roma. La piazza, sede del Municipio di Roma. è stata progettata da Michelangelo.
RIOT IN ROMA
14 DICEMBRE 2010
FOTO:GIORGIO "PHOTOREBEL" LOMBARDI
Si prega di non usare queste foto su siti,blogs o altri media senza il mio esplicito permesso!
©Tutti i diritti son riservati
Please don't use this image on websites, blogs or other media without my explicit permission.
© All rights reserved