View allAll Photos Tagged reverse
ZDM5 514 reverses at the end of the branch in Sarmathura to attach with the final train of the day to Dhaulpur.
I was so inspired by the sneak 2 day Tuesday card using the new Cling Thank You (CG115) stamp! I remembered this stamp set of old (lol) I used the sweet and simple set for the sentiment.
For the flowers I stamped and embossed them and filled them in with copics.. I didnt' care for the wayI blended them but LOved loved them reversed ( I flipped them over) fun and easy watercolor effect as copics soak through
tfl
Warped Tour 2009
Oceanport, NJ
July 19th
These photos are copyrighted and may not be used in any way, shape, or form without prior consent or permission.
In response to the BP oil spill. A pelican doused in black oil, saying "my white body is a dark stain - thanks to you!" This poster shines a light on the horrors of the oil spill to wildlife.
Well, here's my first attempt at stamping a reverse image.
In the top example I use the back of a clear stamp to create the reverse image (the fish on the left is the reverse). I had the perfect clear stamp - lots of detail in the stamp so I shouldn't have any breaks in my image. This was true! However all the detail made it very difficult to see the versamark fish image I stamped on the back, so placement was kind of a mess.
In the bottom attempt I used a sheet of plastic which made placement a breeze! I got that little guy right where I wanted him! Unfortunately, the versamark seemed to "smoosh" a bit when I put it to the paper, so the image is not as sharp and crisp as I need it to be.
Definitely a very cool technique that will require a bit of practice! :)
Thanks for sharing my "fail". Any helpful tips gratefully accepted!
After looking at these in another context, i think it's better with the type on the left as there is more empty space to fill...
GREATWELL ROG400 is Reverse Osmosis System with 3-in-1 carbon wrap filter saves more space, Provides upto 40 oz of filtered water within a minute, unit can be connected to the ice maker/ refrigerator. bit.ly/2Gj71ej
Trinh had on a blue shirt with yellow underneath and I had on a yellow shirt with blue underneath. The title on this picture is a nerdy joke for molecular biologists. :-p
Finally a great breakfast you can eat in your car! These are baked daily and available while they last.
Reversed world
Reversed life
All is back future is past
In the path where goes the light
Darkness shines with millions neons
(Yyrkoon)
Howard Zinn (August 24, 1922 – January 27, 2010) was an American historian, author, activist, playwright, intellectual and Professor of Political Science at Boston University from 1964 to 1988. He wrote more than 20 books, which included his best-selling and influential 'A People's History of the United States'. Zinn also wrote extensively about the civil rights, civil liberties and anti-war movements. His memoir, You Can't Be Neutral on a Moving Train, became the title of a 2004 documentary about Zinn's life and work.
Even though it's horribly out of focus I quite like this! Reversed the kit lens and fiddled with the shutter speed (like I know what I'm doing, haha!) I'm learning something new everyday.
The Haywain - John Constable(1821) - Toywea 1000 piece.
This was my 1st Toywea puzzle, a Chinese brand(I think). The quality is very good, thick pieces that fit very well, my only puzzlement(excuse the pun) was the pieces had letters on the reverse side so if you wanted you could sort them & make the puzzle too easy. I for one didn't like it & think they shouldn't be on them. The painting is close to my heart as I live quite close to where this was painted & I visit there quite often, so overall a solid 8.5 out of 10 for this puzzle...on to the next.
The Hay Wain – originally titled Landscape: Noon – is a painting by John Constable, completed in 1821, which depicts a rural scene on the River Stour between the English counties of Suffolk and Essex. It hangs in the National Gallery in London and is regarded as "Constable's most famous image" and one of the greatest and most popular English paintings.
Painted in oils on canvas, the work depicts as its central feature three horses pulling what appears to be a wood wain or large farm waggon across the river. Willy Lott's Cottage, also the subject of an eponymous painting by Constable, is visible on the far-left. The scene takes place near Flatford Mill in Suffolk, though since the Stour forms the border of two counties, the left bank is in Suffolk and the landscape on the right bank is in Essex.
The Hay Wain is one of a series of paintings by Constable called the "six-footers", large-scale canvasses which he painted for the annual summer exhibitions at the Royal Academy. As with all of the paintings in this series, Constable produced a full-scale oil sketch for the work; this is now in the Victoria and Albert Museum in London. Another small oil-sketch, the first in his experimentation with extending of the composition of the painting to the right, is now in the collection of the Yale Centre for British Art. Constable originally exhibited the finished work with the title Landscape: Noon, suggesting that he envisaged it as belonging to the classical landscape tradition of representing the cycles of nature.
Flatford Mill was owned by Constable's father. The house on the left side of the painting belonged to a neighbour, Willy Lott, a tenant farmer, who was said to have been born in the house and never to have left it for more than four days in his lifetime. Willy Lott's Cottage still survives practically unaltered, but none of the trees in the painting exist today.
Although The Hay Wain is revered today as one of the greatest British paintings, when it was originally exhibited at the Royal Academy in 1821 (under the title Landscape: Noon), it failed to find a buyer.
It was considerably better received in France where it was praised by Théodore Géricault. The painting caused a sensation when it was exhibited, along with View on the Stour near Dedham and Yarmouth Jetty, at the 1824 Paris Salon (it has been suggested that the inclusion of Constable's paintings in the exhibition was a tribute to Géricault, who died early that year). In that exhibition, The Hay Wain was singled out for a gold medal awarded by Charles X of France, a cast of which is incorporated into the picture's frame. The works by Constable in the exhibition inspired a new generation of French painters, including Eugène Delacroix. The French writer Stendhal, who visited the exhibition, wrote: "We have never seen anything like these pictures before. It is their truthfulness that is so striking." According to Christine Riding, Director of Collections and Research at the National Gallery, though, "In some ways, he's offering up a fiction: a highly curated landscape containing elements that have been added later to improve the composition and broaden its appeal (…) There's nothing natural about that landscape (…) It's all man-made (…) The fields are agriculture, a managed landscape".
Sold at the exhibition with three other Constables to the dealer John Arrowsmith, The Hay Wain was brought back to England by another dealer, D. T. White; he sold it to a Mr. Young who resided in Ryde on the Isle of Wight. It was there that the painting came to the attention of the collector Henry Vaughan and the painter Charles Robert Leslie. On the death of his friend Mr. Young, Vaughan bought the painting from the former's estate; in 1886, he presented it to the National Gallery in London, where it still hangs today. In his will, Vaughan bequeathed the full-scale oil sketch for The Hay Wain, made with a palette knife, to the South Kensington Museum (now the Victoria and Albert Museum).
The Hay Wain was voted the second most popular painting in any British gallery, second only to Turner's Fighting Temeraire.
Filed the notches for Reverse, Neutral, and Forward. Machined a simple clamp to use as a file guide, a great suggestion from Ed. The Reverse Stand is SS, so filing was a little difficult. Getting the guide positioned without twisting was also finicky, but would not want to do this job without the clamp.
Somewhere on the Four Mile Trail with the base of the Cathedral Spires and Cathedral Rocks and El Capitan.
I found some old negatives and scanned and reversed them to learn who they might be, but can't say I know this fella. He does seem all alone on a deserted street, except for the photographer.. The vehicles in the background are pretty neat. Easier to see them when this is viewed large. I see, too, that the streets are dirt roads, but that might not tell you much, either. Maybe this was on a Sunday, when not too many people are out, and it is either shortly before or shortly after the noon hour, judging from his shadow. He looks like a satisfied man. Maybe that's his girlfriend taking the photo.
Iowa Interstate BISW reversing towards IHB Blue Island Yard with IAIS 709(GP38-2), and 705(GP38-2) pushing.
© 2011, James T.
Taken on 1/21/2011
Blue Island, IL
Father's day. A manual elevator hand crank.
Cobblestone is tricky for a first time wheelchair operator.
The conductor in the middle. I got stuck on the tracks and an old blue haired lady on the platform, yells You have to get over things backwards; Advice for how to overcome an injury. The train leaves in reverse but not before I get the shot.