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The mist that comes off Niagara Falls on the Canadian side settles on trees, lamp posts and freezes on just like you see it here.
Post processed in Topaz Labs Restyle/Frozen Landscapes filters
This is far from perfect, but it was the first time I'd tried photographing water drops, so I was pleased to catch anything. I can't tell you how many times my images had nothing but ripply water in them. It's probably not something I'll pursue, but if I ever attempt water drop photography again I'll be much more aware of background and the effect it has on the water drops. I thought the image was a bit dull, so I've added a little colour via Topaz Restyle. :)
He was the offspring from the Hungarian noble family count Festetics de Tolna. His father was count László Festetics de Tolna (1785–1846), and his mother was Princess Josefine Hohenzollern-Hechingen (1790-1856). His paternal grandfather was count György Festetics de Tolna (1755-1819), who founded the prestigious agricultural college Georgikon, the first of its kind in Europe, that operated in the Festetics Palace in Keszthely. On 17 feb 1849 he married Countess Eugénia Erdõdy de Monyorókerék et Monoszló (b. nov 1826, d. aug 1894). His son was count Tasziló Festetics, 1st Prince Festetics.
Topaz Labs filter used: Restyle/Architecture/Dirt & Earth
The exterior of the palace is in the first comment box.
This image, of Starlings flying over the sea in Brighton, was created using an intentionally slow shutter speed (not ICM) and finished with Topaz Restyle.
Topaz Filters used: Detail/Styilized Details/Architectural and Restyle/Moody/Peach Schnapps,
Texture by: French Kiss "Whim" from the Studio # 4 Collection and Atelier Collection~Vienna
Vintage Frame by: French Kiss Collection 2~#4
1951 Mercury Convertible restyled by Barris Kustoms for Fred Rowe of Los Angeles, California. Fred's Merc was nosed, decked, and shaved for handles and emblems. The modified doors and trunk were electrical operated by solenoids. The operating button for the driver side door was installed in the chrome rub strip. Chrome trim was installed along the bottom of the car to accent the chrome rub strip. Up front, the hood was peaked and the hood corners were radiused. The headlights were frenched and slightly tunneled, using the stock headlight rims. The ends of the grille bar were stock, while the center section was rolled from sheet metal and fitted with slotted teeth. In the book "Barris Kustom Techniques of the 50's Volume 3: Lights, Skirts, Engine and Interiors" George Barris says "We even retained the parking light" when he speaks about the grille bar. The stock front bumper was left untouched, just like the parking lights. In the rear, the exhaust was routed trough the rear bumper corners. The stock taillights were replaced with 1950 Chrysler taillights that were installed low, just above the bumper. Barris completed the build by chopping the windshield 4 inches. A beautiful padded top by Carson Top Shop was then made for the car. Carson Top Shop did also upholster the car in white simple tuck and roll with contrasting horseshoes in gray. The carpet was also gray, and a tarpaulin was used to cover the rear seats when the top was off. The body of the car was painted Burgundy Mist Candy.
Under the hood there were plenty of chrome and polish. The Mercury flathead was ported and relieved, and it featured Edelbrock finned aluminum heads and twin Stromberg 97 carburetors on an Edelbrock intake. Dual Appleton S-552 spotlights and fenderskirts were added as a final touch. The car rolled on Buick Kelsey-Hayes wire wheels that were fit with whitewall tires. The first version of the Merc was completed in 1953, and it landed the cover of Rod & Custom August 1953.
Fred's Mercury was another one of those customs which was modified as styles changed. Later on, the car received two scoops in the hood, and the original sidetrim was replaced with1952 or 1953 Buick trim spears. Small scoops were placed in the center of the curves in the sidetrim as well, and the bumper guards were sectioned. The second version was completed in 1954, and Rod & Custom April 1954 ran a Barris Korner tech article that showed how the hood scoops were made.
The second version of Fred's Merc appeared in the Universal-International movie Running Wild along with Bob Hirohata's 1951 Mercury. William Campbell played an under cover cop in the movie, who's ride was Fred's custom. The Hirohata Merc was the bad guy's car. The movie was released December 1, 1955
Around 1962 Anthony Gonzalis purchased the car for $900.00 from a used car lot in Southern California, showing how much value had dropped in a short time.
The car languished through several owners for years, before being completely restored to original specs, and sold in 2012 at auction for.............drum roll..........
$423,500 !!
AS ALWAYS....COMMENTS & INVITATIONS with AWARD BANNERS will be respectfully DELETED!
This one was taken from a moving car. A slightly misty day, it was beautiful when the sun broke through.
Fixed up quite a bit using Topaz Clarity and Topaz ReStyle.
HSS! Happy Slider's Sunday everyone!
Post processed in Topaz Labs/Restyle/Graphic/Surfie Green and Topaz Studio/Cuddly Critters filters. Photo from Pixabay: pixabay.com
Can be purchased here:
Topaz Labs filters used: Detail/Stylized/Architecture 2 and ReStyle/Street/Lime green and Wisteria
Thank you all for visiting my image, for favourites and kind remarks, your kindness is very much appreciated!
From my archives.
Camille (Irresistible in India) is happy to show off her more modern hairstyle while leaning against a chair, formerly a cell phone holder from Pier 1 (Thanks to Audra and Natalia for the heads up!).
Doll: Irresistible in India Poppy Parker
Top/Sandals: Mattel
Skirt: CL
Jewelry: FR and me
Pillow: Minimagine
"Chair": Pier 1
Image created with Midjourney that was altered with the Topaz Gigapixel AI plug-in (denoise), then the Exposure X7 plug-in (blow up), then the Luminar Neo plug-in (accent AI, sharpen, smart contrast, dramatic, structure, highlight contrast, midtone contrast, and color contrast adjustments), then the Exposure X7 plug-in (blue wash and central clarity effects as well as luminance adjustments), then Topaz ReStyle plug-in (cold dawn effect), then extensive edits with built-in Photoshop tools and the Photoshop paintbrush, and then the Luminar Neo plug-in (exposure, saturation, shadow, highlight contrast, midtone contrast, and shadow contrast adjustments).
El 102-002 realiza el ave 5110 Madrid P.A- Valencia J.S. ,esta unidad ha sido la primera en recibir la nueva imagen del servicio "Ave" de renfe.Valdemoro,25-04-2022
I tried a restyle and added a few things, like a more traditional toy robot head, the trans green and more black pieces but overall the colour scheme is getting too confused. Generally wind-up toy robots have a unified colour design (blue/red, black/chrome, silver/red) whereas this feels closer to anime, more varied primary colours with white and black, so it's not working for me overall, although there's lots of individual components that I like. Also it's fun to try out those new Brick Round 45° elbow (65473) parts, they are so cool!
Topaz Labs filter used: Restyle/Moody/Cadmium Orange Burst
Entered in TMI group's "Fill the Frame" challenge
www.flickr.com/groups/impressionists/discuss/721577182941...
I've opened the curl and ponytail, after a hot-water-treatment it looks pretty good for me. Also started cutting the length..but that's not finished yet.
Well, it is Friday! A fish seller brings leftovers for the gulls on Brighton beach. This image was finished with Topaz Restyle.
Photo of the Kaikoura coastline that was altered with Topaz ReStyle plug-in (cold dawn and brilliant seashore effects), then the Exposure X7 plug-in (golden hour more effect), then the Luminar Neo plug-in (accent AI and sky enhancer AI effects), then Topaz DeNoise AI, then the ON1 Photo 10 plug-in (vibrance brush), then FotoSketcher (oil pastel effect), then the Luminar Neo plug-in (accent AI effect), then the Exposure X7 plug-in (central clarity and color wash blue effects as well as luminance adjustment), then the ON1 Effects 2022 plug-in (polarizing filter effect), and then Exposure X7 plug-in (clarity, exposure, and vibrance adjustments). Public domain image (Creative Commons CC0 1.0 Universal Public Domain Dedication) by Bernard Spragg.