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As I photographed this abandoned restored church I thought what a beautiful way to think about Good Friday and Easter and the true meaning.....we can get restored, there no distance in prayer. Happy Easter my Flickr friends.
In 1908, the Düsseldorf-based Central-trade-ssociation for Rhineland, Westphalia and neighbouring districts praised a competition for a fountain in front of the Düsseldorf Art Palace.
As a "figurative representation of the iron industry and the mining industry," it was to be sent to the 1902 on the site on the banks of the Rhine (then Kaiser Wilhelm Park, now Rheinpark) the industrial and commercial exhibition was held.
Among the 44 designs submitted, the jury, which was prominently occupied by the painter Fritz Roeber, the painter Georg Oeder, the architect Wilhelm Kreis and the Düsseldorf garden director Walter von Engelhardt, was Prize awarded, so also do not recommend a design for execution. It was initially planned to give the authors of the shortlisted drafts the opportunity to revise them in a second stage of competition (a closer competition).
The fountain was built in its original form between 1911 and 1913. While the Düsseldorf architect Gotthold Nestler designed the actual well complex, the sculptor Friedrich Coubillier created the three bronze figures "Schmied Vulkan," "Bergmann" and "Hüttenarbeiter." Miner and cottage worker are depicted in the loincloth. The bronze casting of the figures took place at the Kunstgießerei Lauchhammer.
On the occasion of the opening of the Grand Art Exhibition in 1913, the industrial fountain in front of the former Art Palace was inaugurated. In 1925 the fountain was dismantled there because of the extensive new buildings at the Ehrenhof.
In 1939, the three sculptures were erected in a new facility on Fürstenplatz in Friedrichstadt. In 1942 the figures were to be melted down as metal donations by the German people for armaments and were removed. However, they remained intact, and in 1950 they were restored.
61572 Kelling Summit 17-10-1999
Olympus OM4Ti (film)
Fujichrome colour slide scanned to digital
SVRA (SE) charter
In 1990, Archaeological Survey of India discovered a sunken apsidal stepped well along with few sculptures inside it. This stepped well is located immediately to the north of the Shore Temple, its south edge abutting the northern wall of the Shore Temple. On the extreme south of this newly discovered shrine is placed a monolith statue of Varaha (Boar)in its zoomorphic form. This image is carved in round from a single boulder. The statue was found severely damaged, however, with efforts from ASI restorers, we now see this image in its near original glory. The other element of this stepped well is a slender cylindrical shrine constructed partly in rock and partly in stone. Beyond this cylindrical shrine, further northward, is a circular cistern or mini-well. This is cut downwards with a circular rim-like stone placed at the ground level.
ASI report mentions that this well provides potable water though situated near the ocean. Though Rabe accepts these sockets for the capstones of a well, however, he suggests that these might be constructed to hold the ‘pillar of victory’ taken by Narasimhavarman I from Vatapi (Badami) which probably was installed here.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>Rabe2 tries to explain political reason behind the systematic destruction of this Varaha image. Rabe suggests that this Varaha monolith was severely and systematically butchered when the Chalukya king Vikramaditya I invaded the Pallava kingdom. The rationale behind this destruction was the submissive and prostrated attitude of the Varaha (Boar) Varaha was the dynastic crest of the Chalukyas. This specific posture of Varaha might be taken as a reference to the subjugation of the Chalukyas by the Pallava king Narasimhavarman I. And to take revenge, the Chalukyan army destroyed this Varaha image while marching forward into the Pallava kingdom.
Inscriptions On the Varaha (boar) monolith –
The Varaha sculpture is carved out of the mother rock like the three other animal sculptures in the Five Rathas nearby. It has four birudas (titles) of Rajasimha Pallava, some of his favorites, inscribed upon the base, in Sanskrit in the Pallava Grantha script. The birudas on the side are “Sri RajasimhaH” “Sri RanajayaH” and “Sri BharaH”. The biruda on the rear, under the varaha’s tail, is “Sri Citra KaarmukaH”. Between the legs of the boar on both the and under its tail, leaves of acquatic plants are sculpted. These are similar to those at the base of the Varaha and Gajalakshmi panels in the Varaha Mandapam. These indicate that the boar which represents Vishnu, is diving under water, not merely digging.
However, how to explain the engraved titles of Rajasimha, as the Chalukyan attacked the Pallava kingdom before the reign of Rajasimha. To explain it, Rabe tells that it was most possible that like other monoliths, this Varaha was also executed during the period of Narasimhavarman I(630–668 AD). Therefore, when the Chalukyas attacked the Pallavas, during the reign of Narasimhavarman I and Parameshvaravarman I, this monolith was present in the temple complex. As the Varaha was destroyed before the reign of Rajasimha (695 to 722 AD), it was Rajasimha who restored it and that’s how we find his titles engraved on it. (Above description source Internet). Location - Mada Koil St, Mahabalipuram, Tamil Nadu 603104, India
(3 image HDR)With a little twist of 'olli-ort'..
Thanks for all the Christmas & new year wishes..
INFO 'The Domesday Book records Ringmore as a Devon Manor known then as ‘Ronmore’. Stephen de Haccombe, and his successors are know to have built three chapels in the area, two survive as chapels today, one at Haccombe, and the other is St Nicholas in Ringmore, Shaldon.
The third local chapel is only a ruin. Church Architects are of the opinion the St Nicholas is of 13th Century origins, a fact borne out by the East end Wall with it’s Lancet window-a fact accepted as proof.
Records of various events refer to this church, and the Register of Baptisms was started in 1616, prior to that, Baptisms had taken place at Haccombe. About this time, the Carew family –now Lords of the Manor of Haccombe, carried out repairs to St Nicholas, but the fabric of the building, and it’s architectural features were kept intact. Haccombe Church supplied the Clergy to the Church until 1621 when the first Clergy signed the Baptism register - Elezeus Coke.
Burial and Marriage registers were than started –and in 1671 Lord Clifford bought several local estates including the Manor of Ringmore with St Nicholas Parish. Bishop Keppel visited the church in 1768 and decided that care was needed to restore the Church.
By 1790 a large extension had been added, and a gallery built, along with various other improvements. Mention of a Church organ was made in 1827, but was then replaced with an early version of the Harmonium called a ‘Seraphine’. 1839 saw a gallery added to the North wall for the Sunday School, and a new roof with a domed skylight and wooden Bell tower added in1841. The original font had been removed, and replaced by the existing font-which is Saxon or early Norman.
Reverend Richard Marsh-Dunn cancelled plans for any more changes to St Nicholas, as he had decided to build a new church on the reclaimed land on Riverside in Shaldon.
This was consecrated and dedicated to St.Peter, and became the new Parish Church of St.Nicholas, South Devon in 1903. St Nicholas was subsequently renovated with funds generated by a generous benefactor, and was given the official title of Chapel of Ease.'
Restored C-mine, Genk, Belgium
The white (milk glass) panels are original, the broken ones have been replaced by new transparent ones. This enables a special view on the mineshaft from the compressor room.
The Greyhound station was built in 1938, and was added to the National Register of Historic Places in 1993 for its architectural significance. It was restored in 2018 and now used as a venue
This is the Carmichael buildings, it was originally a castle which was ruined around 1660AD then rebuilt as the mansion house in 1734/5AD, later the carriage tower was built then the 2nd house at the back. Unfortunately these were ruined in 1950, the walls were then restored 1996-2000, there is interest to restore the structures but this requires a huge financial investment.
Antibes, France: arge sculpture by Spanish artist Jaume Plensa on the site of a restored waterfront fortress.
This photo shows female students of the Kherson Mechanical Engineering College.
There were only four girls and thirty boys in their group, and they were studying to become electrical technicians.
One of the students was my grandmother Galina (second from the left). The names of the other girls (from left to right): Lidiya (Lida), Valentina (Valya), and Alla. The photo was taken around 1955.
My grandmother chose such an unusual profession for a woman at that time after watching a Soviet propaganda film in a movie theater, which portrayed the cheerful and fulfilling lives of electricians working at a large factory.
After graduating, she went on to work at such a large mechanical engineering plant and stayed there until her retirement.
Taken at the Zeeland Car Show, restored and modified (restomod).
Thanks for views, comments and views :)
I made this for my Mama when she was battling cancer. Through it all her faith and love for the Lord never wavered. She never feared death. When she knew it was time, she said she was ready to go be with Jesus. She called it her graduation.
June 13, 1953 - March 4, 2025
"Jenny Lind" style leather trunk manufactured 1865-1868 by Crouch & Fitzgerald of New York City, NY. Restored by Jesse Connor.
Bardstown Kentucky's Pioneer Village Cabins.
Thank you all for your visit comments and faves much appreciated!
Have a nice Monday keep well.
we are taking a weekend away at the beach. time to reconnect with each other and ourselves. so relaxing and much needed. you will see shots here and there throughout the weekend, but commenting will be kept to a bare minimum. happy weekend.
today's positive thought... the restorative power of the ocean...
this is my picture for april 23, 2010
font: Cavalier.
texture and effects by Remember Remember.
Detail of some restored machinery at Henwood Mill.
www.flickr.com/photos/28429128@N05/12859955785/in/set-721...
Isaac Bickerstaff.
There dwelt a miller, hale and bold,
Beside the river Dee;
He worked and sang from morn till night -
No lark more blithe than he;
And this the burden of his song
Forever used to be:
“I envy nobody – no, not I -
And nobody envies me!”
“Thou’rt wrong, my friend,” said good King Hal,
“As wrong as wrong can be;
For could my heart be light as thine,
I’d gladly change with thee.
And tell me now, what makes thee sing,
With voice so loud and free,
While I am sad, though I am king,
Beside the river Dee?””
The miller smiled and doffed his cap,
“I earn my bread,” quoth he;
“I love my wife, I love my friend,
I love my children three;
I owe no penny I can not pay,
I thank the river Dee,
That turns the mill that grinds the corn
That feeds my babes and me.”
“Good friend,” said Hall, and sighed the while,
“Farewell, and happy be;
But say no more, if thou’dst be true,
That no one envies thee;
Thy mealy cap is worth my crown,
Thy mill my kingdom’s fee;
Such men as thou are England’s boast,
O miller of the Dee!
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For two centuries, Île-des-Moulins was at the centre of the development of one of the largest seigneuries in Quebec’s history. Today, five restored historical buildings bear witness to the economic vitality of the Terrebonne seigneury and the accomplishments of its seigneurs and landholders. Île-des-Moulins is also home to a beautiful green park that welcomes major events, as well as a lock where skating and pontoon-boat rides can be enjoyed. !
Terrebonne (30 km from Montreal), Quebec, Canada
Thanks a lot for your visits, comments, faves, invites !
Always very much appreciated !
Regards, Serge
Copyright © Serge Daigneault Photography, 2018
All rights reserved. Do not use without my written authorization.
Amsterdam - Meidoornplein.
DDD / TDD.
Van der Pekbuurt (neighbourhood).
During the entire renovation of this neighbourhood, the historic appearance of the outside of the houses has been restored. The new wooden doors, windows and frames have the original colours from the 1920s: ocher yellow, dark green and red brown.
De Van der Pekbuurt is gebouwd tussen 1918 en 1926 en is daarmee een van de eerste tuindorpen van Amsterdam. Architect Jan Ernst van der Pek ontwierp de stedenbouwkundige en architectonische opzet in 1916. Rode bakstenen muren, geglazuurde gele bakstenen banden en portieken die uit de gevels springen kenmerkten het straatbeeld. De wijk geldt als beschermd stadsgezicht.
De woonblokken hadden door de vele aanpassingen in de loop der tijd hun oorspronkelijke charme verloren. Door kunststof kozijnen en verdwenen originele details zoals dakkapelletjes, tuinmuren en voordeuren hadden de blokken een armoedige uitstraling gekregen. Ook de originele kleuren waren verdwenen.
Binnen de gehele renovatie van de wijk is aan de buitenzijde de historische uitstraling van de woningen van de Van der Pekbuurt teruggebracht. Zo hebben de nieuwe houten deuren en kozijnen de oorspronkelijke kleuren uit de jaren 1920: okergeel, donkergroen en roodbruin (architectenweb.nl).
close to a well visited museum. If only all Istanbul houses were maintained like these......might be a bit boring though :)
This 1956 Studebaker Hawk hood, came with a 170hp V8 engine. It could be upgraded to 180hp with the 4 barrel addition. The very talented restoration mechanic named Robert, told me of his passion to work on such vehicles. This piece of perfection sat idol for one year in a garage as it went through its beauty treatment.
Considering the Shuswap Car Show was held at an outdoor museum, it seemed appropriate to add a local flavour. So, I combined the rare scoop with the reflection of an old and also restored wooden building.
The Parish Church of St Mary
Evedon is a village in the district of North Kesteven and the ancient wapentake of Aswardhurn. It is situated 2 miles north-east from the town of Sleaford.
The small parish church is dedicated to St Mary and dates back to the 13th century, it was restored in 1898.
Renoma (formerly Powszechny Dom Towarowy Renoma, Wertheim) is a shopping mall in Wrocław, Poland. Inaugurated in 1930, it was once the largest and most luxurious department store in the city. Now beautifully restored.
Design (1927): Herman Dernburg
Sporting a "restored" nose logo, BNSF 9653 swings into the curve at Valmont with an empty coal train bound for Wyoming. While its neat to see a BN logo on the nose of an executive mac, this one definitely looks better from a distance.
One of the former warehouses along the west side waterfront, being redeveloped. Beautifully restored and open to the public soon.
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A lovely, and nearly perfect, Chrysanthemum left over from a Valentine's bouquet! Such a joy to see....flower power!
These partially restored structures stand in the most densely built-up part of Machu Picchu, which is believed to have had a population of less than 1000 people. The site dates from the 1400s, and was “re-discovered” in 1911 (local farmers were using the terraces even then).
Restored and colorized Nov 04, 2015 ©Marie-Lou Chatel.
Photographer : © Edward Steichen 1879-1973
Archive 1924 Condé Nast Publications. www.facebook.com/Marielouisechatel