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Nick designed this:
www.flickr.com/photos/dryvvall/14315368861/
It is genius. I don't know how Nick made the internals for his. I ordered the parts for my solution built in LDD, fingers crossed!
twitter.com/TakeTJ1/status/1606325408017907712 This photo is posted for design inspiration. The design content and photos posted in this album are not my own, but posts from external sources around the web. For use in commercial and personal projects contact the original source of the content posted in the Album "Web Graphic Design Resources".
RFA RESOURCE A480
Class……………………………Resource class Dry Stores ships
Builder………………………..Scotts' Shipbuilding & Engineering Co. Ltd., Greenock
Yard number……………….697
Laid down..………………….June 1964
Launched….…………………11 February 1966
Completed.………………….6 June 1967
Propulsion.…………………..1 shaft : 2 Steam Turbines geared to sc. Shaft manufactured by Assoc. Electrical Industries Ltd, Manchester. 2 Foster-Wheeler oil fired boilers
Speed..…………………………21 knots (max)
Range…………………………..
Fate
•1 May 1997: Arrived Devonport to de-store ready for disposal.
•June 1997: Sold to Harlequin Shipping Ltd, St Vincent & Grenadines and was renamed RESOURCEFUL.
•4 June 1997: Sailed Devonport for Indian breakers
•20 August 1997: Arrived Alang, India to be broken up by R K Industries.
RFA RESOURCE on 1 August 1989 at Plymouth
twitter.com/KatanaHugo/status/1595458374497439744
This photo is posted for design inspiration. The design content and photos posted in this album are not my own, but posts from external sources around the web. For use in commercial and personal projects contact the original source of the content posted in the Album "Web Graphic Design Resources".
twitter.com/AkashaLounge/status/1544287439715307520
This photo is posted for design inspiration. The design content and photos posted in this album are not my own, but posts from external sources around the web. For use in commercial and personal projects contact the original source of the content posted in the Album "Web Graphic Design Resources".
The harsh light doesn't help to soften the reality of this image. In many countries waterfalls like this are treasured; in modern Cambodia development comes before aesthetic considerations. Note the excavators for scale.
Field trial to examine genetic variation in resistance to Sudden Oak Death (Phytophthora ramorum) in tanoak, Douglas-fir, coast redwood, and Port-Orford-cedar. Established near Brookings, Oregon.
More about the project from Richard Sniezko:
A field trial was established in southern Oregon, near Brookings, in March 2019 to examine genetic variation in resistance to Phytophthora ramorum (pathogen causing Sudden Oak Death) in tanoak, as well as susceptibility of conifers Douglas-fir, coast redwood, and Port-Orford-cedar. The trial was a joint effort between USFS (Dorena Genetic Resource Center, FHP), OSU, and ODF.
900 tanoak (Notholithocarpus densiflorus) seedling ‘families’ from 55 Oregon parent trees (and bulked lots) were planted in a field trial to assess genetic resistance to Phytophthora ramorum (pathogen causing sudden oak death, SOD), and to correlate with results of seedling inoculation testing done at Oregon State University. Douglas-fir (Pseudotsuga menziesii), coast redwood (Sequoia sempervirens), and Port-Orford-cedar (Chamaecyparis lawsoniana) seedlings were also planted to test conifer susceptibility. Contact Richard Sniezko (richard.sniezko@usda.gov), Megan Lewien (mlewien@fs.fed.us), and Jared LeBoldus (Jared.LeBoldus@oregonstate.edu), for more information.
Photo by: Richard Sniezko
Date: March 18, 2019
Credit: USDA Forest Service, Region 6, Umpqua National Forest, Dorena Genetic Resource Center.
Source: Richard Sniezko collection; Cottage Grove, Oregon.
For more about the Dorena Genetic Resource Center see: www.fs.usda.gov/detail/r6/landmanagement/resourcemanageme...
Image provided by USDA Forest Service, Region 6, State and Private Forestry, Forest Health Protection: www.fs.usda.gov/main/r6/forest-grasslandhealth
Commercialising Eros
A discussion with Jacob Appelbaum (us), Zach Blas (us), Liad Hussein Kantorowicz (il/de) and Aliya Rakhmetova (hu)
Moderated by Gaia Novati (it/de)
Includes the live performance / Mit der Performance Watch Me Work by Liad Hussein Kantorowicz and Kate Erhardt (za)
Saturday, Feb 4, 13:30–15:30, K1
This panel sheds light on the interferences and tensions between sex and business, analysing practices and strategies of technology entrepreneurship and networking models, online sexual imagery and queer virality. Moreover, it stresses the aspect of conscious reflection on bodily practices as opposed to simply consuming, focusing on how queer communities and sex workers use IT in their communication and how they try to break usual stereotypes through online and offline actions. A conscious reflection and practice of sexuality can be the way to imagine a different model of “commercialising eros”, mobilising communities, generating advocacy, and more broadly, shaping culture.
The panel is part of reSource Sex, which reflects on the interference and overlapping between sex business and ‘alternative’ porn, aiming to explore and discuss the open interzona which exists in between the often male-oriented mainstream porn, and the more narrow scene of queer and alt porn communities.
Zach Blas is an artist and writer working at the intersections of networked media, queerness, and the political. His on-going project, Queer Technologies, is a collective that produces critical applications, tools, and situations for queer technological agency, interventions, and social formation. Zach has exhibited at the Foundation for Art and Creative Technology in Liverpool, England, Highways Performance Space in Santa Monica, Los Angeles Contemporary Exhibitions, Fe Arts gallery in Pittsburgh, File Electronic Language International Festival in Brazil, and the 2010 Arse Elektronika Festival in San Francisco, where he was the recipient of a Prixxx Arse Elektronika. He has participated in residencies on “Art and Resistance” at the Hemispheric Institute of Performance and Politics, Chiapas, Mexico, “On the Commons; or, Believing-Feeling- Acting Together” at the Banff Centre, Alberta, Canada, and “Devisualize” at the Medialab Prado, Madrid, Spain. Rhizome.org has recently interviewed him, and he has published in a Mínima, E-misférica, Version, and Schlossplatz³ and has articles forthcoming in The Fibreculture Journal, Women’s Studies Quarterly, Reclamations Journal, and networkpolitics.org. His work has been written about in Wired, Canon Magazine, and the South Atlantic Quarterly. He is one of the founding members of the Public School Durham and a PhD student in Literature, Information Science + Information Studies, Visual Studies, and Women?s Studies at Duke University. He also holds an MFA from UCLA, a Post-Baccalaureate certificate from the School of the Art Institute of Chicago, and a BS from Boston University. Visit www.zachblas.info or www.queertechnologies.info for more information.
Commercialising Eros
A discussion with Jacob Appelbaum (us), Zach Blas (us), Liad Hussein Kantorowicz (il/de) and Aliya Rakhmetova (hu)
Moderated by Gaia Novati (it/de)
Includes the live performance / Mit der Performance Watch Me Work by Liad Hussein Kantorowicz and Kate Erhardt (za)
Saturday, Feb 4, 13:30–15:30, K1
This panel sheds light on the interferences and tensions between sex and business, analysing practices and strategies of technology entrepreneurship and networking models, online sexual imagery and queer virality. Moreover, it stresses the aspect of conscious reflection on bodily practices as opposed to simply consuming, focusing on how queer communities and sex workers use IT in their communication and how they try to break usual stereotypes through online and offline actions. A conscious reflection and practice of sexuality can be the way to imagine a different model of “commercialising eros”, mobilising communities, generating advocacy, and more broadly, shaping culture.
The panel is part of reSource Sex, which reflects on the interference and overlapping between sex business and ‘alternative’ porn, aiming to explore and discuss the open interzona which exists in between the often male-oriented mainstream porn, and the more narrow scene of queer and alt porn communities.
Zach Blas is an artist and writer working at the intersections of networked media, queerness, and the political. His on-going project, Queer Technologies, is a collective that produces critical applications, tools, and situations for queer technological agency, interventions, and social formation. Zach has exhibited at the Foundation for Art and Creative Technology in Liverpool, England, Highways Performance Space in Santa Monica, Los Angeles Contemporary Exhibitions, Fe Arts gallery in Pittsburgh, File Electronic Language International Festival in Brazil, and the 2010 Arse Elektronika Festival in San Francisco, where he was the recipient of a Prix Ars Elektronica. He has participated in residencies on “Art and Resistance” at the Hemispheric Institute of Performance and Politics, Chiapas, Mexico, “On the Commons; or, Believing-Feeling- Acting Together” at the Banff Centre, Alberta, Canada, and “Devisualize” at the Medialab Prado, Madrid, Spain. Rhizome.org has recently interviewed him, and he has published in a Mínima, E-misférica, Version, and Schlossplatz³ and has articles forthcoming in The Fibreculture Journal, Women’s Studies Quarterly, Reclamations Journal, and networkpolitics.org. His work has been written about in Wired, Canon Magazine, and the South Atlantic Quarterly. He is one of the founding members of the Public School Durham and a PhD student in Literature, Information Science + Information Studies, Visual Studies, and Women?s Studies at Duke University. He also holds an MFA from UCLA, a Post-Baccalaureate certificate from the School of the Art Institute of Chicago, and a BS from Boston University. Visit www.zachblas.info or www.queertechnologies.info for more information.
Knox School Staff - 1976-77 - B: Jean Petterson, Loreen Gibson, Nancy Skeim, Arlette DeFreece, Marian Gigstad, Beverly Olson, Donna Kotaska, Marlys Hruby, Eleanore Erickson, M: Lois Sabourin, Elayne Sandahl, Gladys Paulson, Unknown, Carol Ihle,Leona Cerkowniak, Unknown, Elaine Dyer, F: Barry Liimatainen, Rosabelle Johnson, Richard Tyler, David Stromlund, Unknown, Margaret Kne, Kathy Trickle.
More at pchs.org/resources/2008-019-002
Publication:
1972
Language(s):
English
Format:
Still image
Subject(s):
Libraries, Medical
National Library of Medicine (U.S.)
Genre(s):
Photographs
Abstract:
Glowing facade of the National Library of Medicine.
Related Title(s):
Hidden treasure
Extent:
1 photographic print : 21 x 26 cm.
Technique:
color
NLM Unique ID:
101445551
NLM Image ID:
A027493
Permanent Link:
resource.nlm.nih.gov/101445551
NLM Hidden treasure p. 11
Valencia College hosts the Poinciana Community Resource Fair on May 22, 2021 in Kissimmee, Fla. Partners included Osceola County government, CareerSource, Osceola Public Schools and the Osceola Public Library.
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twitter.com/Martinalove78/status/1530058232538009607
This resource posted is for digital art and design, personal and commercial projects, digital learning, and more. All design content is from external sources from around the web.
linux virgin, 2005
Karla Grundick und Mistress Koyo
Video, 14:30 min is shown in the exhibition Dark Drives: Uneasy Energies in Technological Times
The Sexuality of Machines
is a discussion with Sergio Messina (it), Karla Grundick (de) and Julianne Pierce (uk)
Moderated by Gabriella Coleman (us)
Saturday, Feb 4, 2012, 11:00–12:30
Since the 1990s, some experiences in the queer and activist scene showed how to transfer an experimental hacker and DIY attitude from technology to the body and to the broader concept of sexuality. The hacker ideas of sharing, openness, and the hands-on imperative all became a challenge to imagine a different kind of sexuality – and pornography – beyond rigid dichotomies and patriarchal structures. With the increasing use of social media and chan boards, the reflection of sexuality and the experimentation on pornography is entering progressively into the realms of abstraction: bodies become fetishes, identity is objectified into an anonymous “sign”, and the interaction via machines is the tool of desire. However, DIY porn is becoming an aesthetics and practice open to everyone rather than a field of study among specialists – or a successful niche market within the porn business. Digital amateur porn disrupts social codes to unpredictable effects.
The discussion is part of reSource Sex, wich reflects on the interference and overlapping between sex business and ‘alternative’ porn, aiming to explore and discuss the open interzona which exists in between the often male-oriented mainstream porn, and the more narrow scene of queer and alt porn communities.
A lightweight simulator version of NASA's Resource Prospector undergoes a mobility test in a regolith bin at the agency's Kennedy Space center in Florida. The Resource Prospector mission aims to be the first mining expedition on another world. Operating on the moon’s poles, the robot is designed to use instruments to locate elements at a lunar polar regions, then excavate and sample resources such as hydrogen, oxygen and water. These resources could support human explores on their way to destinations such as farther into the solar system.
Photo credit: NASA/Kim Shiflett
Valencia College hosts the Poinciana Community Resource Fair on May 22, 2021 in Kissimmee, Fla. Partners included Osceola County government, CareerSource, Osceola Public Schools and the Osceola Public Library.
Research the history of your house: www.publications.qld.gov.au/dataset/brief-guides-at-qsa/r...
Stafford, a post World War II residential suburb, is eight km north of central Brisbane. Its southern border is Kedron Brook and the north is bordered by Stafford Heights, along a line running either way from Stafford Heights primary school.
Originally known as Happy Valley, the district was noted for agistment, dairying, noxious trades and extractive industries with Chinese market gardens beginning in 1857. Access between Brisbane and Happy Valley improved in 1870 when the Blackall bridge was built on Webster Road to cross Kedron Brook. Proximity to the brook led to tanneries, a wool scour, dairies and a fellmongery (for processing sheep skins, whereby flesh particles were removed by maggots). A quarry and brickworks were also operative by the 1880s, and it is supposed that the association of Stafford, UK with clay products may have inspired the change of name of the district. In any event, in 1886 when the post office and a school in Collier Street were opened, they were named Stafford, and Happy Valley Road was named Stafford Road.
Stafford was decidedly rural and industrial, a convenient agistment area for livestock destined for the Newmarket saleyards (1877-1931), driven down Enoggera or Grange Roads. By 1896 there was a local deputation about the pollution of Kedron Brook.
In 1925 there was further rural employment with the opening of a Council quarry, and the population of a few hundred attracted the attention of the Church of England in Lutwyche which moved two Army huts to a site named St Clements on the Hill in Eudunda Street. Around the primary school is the area which constituted Stafford's civic precinct, with a Methodist church also near the school.
Further west is Sparkes Hill, which was chosen as a site for a service reservoir in 1939, ultimately having four reservoirs by 1981. In 1940 a branch tramline from Lutwyche Road was opened to a terminus in Stafford Road near Clifford Street. Just after the war the Queensland Housing Commission built a housing estate near the terminus around Lutana and Buddina Streets, with a park at its centre. Any hoped-for garden city did not eventuate, with austerity-standard houses and an unkempt park, but in 1965 the park was improved and named after the local hero Keith Payne, one of four Australian winners of the Victoria Cross in Vietnam.
In 1948-49 a substantial three-storey brick State-primary school was built on a new site in Stafford Road. Designed by the Public Works Department in a somewhat severe interwar design, ageing and tree-planting have softened its looks. It is listed on the Queensland heritage register.
A shopping centre rapidly grew around the tram terminus during the early 1950s, with a baker, a butcher, shoe repairer, fuel merchant, newsagent and several mixed businesses. A large picture theatre, the Topic, was opened in 1957. The theatre lasted only a few years with the infatuation with newly-arrived television, and was converted to a Barry and Roberts self-service grocery store in the 1960s.
The Catholic Church built the Queen of Apostles church in Appleby Road (1957) along with a convent school a few years later. It was replaced with a larger, contemporary building in 1987, responding to a local Catholic population that made Stafford the largest parish communion in Queensland. The St Clements army huts had been replaced in 1979, also with a building of contemporary design.
Stafford's population grew rapidly from 832 in 1947 to over 20,000 in 1971 (including Stafford Heights and Everton Park). Such a population catchment proved irresistible to shopping centre developers, and in 1984 Gibson's tannery site in Stafford Road became the Stafford City drive-in shopping centre. It has 19,000 sq metres of space, with a discount department store and 60 other shops.
Gibsons was the last of a long series of industries displaced by housing. Most went in the 1960s, including the Brisbane City Council's quarry (1925-63) in Broughton Street in neighbouring Kedron. By then housing had spread northwards into the new suburb of Stafford Heights.
Kedron Brook enters the flood plain at the Brisbane Airport, where water flow stagnated rather than scoured. Pollution of the stream was a continuing problem, although flood-plain works have improved the discharge. In 1988 a bikeway was opened, from Sparkes Hill in the west and Hickey Park at the other end.
Stafford history: Queensland Places – Stafford
This area is fantastic for good views and relaxing with sculptures and beautiful landscaping all around. In all directions are tall buildings that are icons for Sacramento's skyline. I always enjoy visiting this park area finding improved compositions. This time of year the fall colors are filling the scene with beauty.
A student resource booklet and guide to gender-based violence prevention and response is held at Help & Shelter in Georgetown, Guyana on Dec. 11, 2017. Photo Credit: Joshua Yospyn
The Government of Azerbaijan, the US Agency for International Development and the UN Development Programme in Azerbaijan officially opened a Women Resource Center and a SYSLAB Employment Center in Masalli region of Azerbaijan on Thursday. These centers were established in the framework of the joint project on “Economic Empowerment for Enterpreneurship and Employment” which is implemented in partnership with the Ministry of Labour and Social Protection of the Population and the State Committee for Family, Women and Children Affairs. Both centers are located in the Massali Haydar Aliyev Center and are supported by the Executive Authority of Masalli.
Opening the ceremony, the Deputy Minister of Labour and Social Protection of the Population, Mr. Idris Isayev thanked the development partners on behalf of the Government of Azerbaijan for an initiative that will benefit both local communities and the whole region of the country.
Ms. Sadagat Gahramova, Deputy Chairperson of State Committee of Family, Women and Children Affairs, appreciated the continuation of supports provided to rural women to launch businesses of their dreams and expressed the readiness of the Committee for further collaboration.
UNDP Resident Representative, Mr. Ghulam M. Isaczai stressed the importance of women’s roles in socio-economic life and active youth participation for inclusive and sustainable development, especially in the rural areas of the country. “This partnership between the Government of Azerbaijan, USAID and UNDP helps women and youth improve their lives in a meaningful way by opening their own businesses, starting successful careers matching their aspirations, and by gaining control over their lives. This is equally important for both women and youth, who are often more vulnerable and susceptible to life’s challenges. By helping them, we are helping the future of this beautiful country.” Mr. Isaczai said in his speech.
Mr. Isaczai expressed his appreciation to the Head of Executive Authority of Masalli, Mr. Rafil Huseynov and the government partners for successful collaboration with the project team. “This event proves the stout commitment of all parties to one and the same mission, shared globally and locally – the Sustainable Development Goals.” he added
Mr. Carter Wilbur, Economic Chief at the U.S. Embassy emphasized that by advancing women’s participation in the economy, it contributes to a stronger society. “By improving the capability of Employment Centers in Masalli to provide work related training, we enhance the ability of women and youth in this community not just to work, but also to innovate, to develop, and to act on new ideas in business and the workplace.”
The delegation met with project participants to hear how they benefited from the project and awarded with certificates the women who have launched their business under the project and the youth who had already found a job during the project cycle. They later visited a newly established ASAN center and the ASAN Support to Family Business (ABAD) in Masalli.
The purpose of the joint project on “Economic Empowerment for Enterpreneurship and Employment” is to support economic empowerment for women’s entrepreneurship and youth employment through capacity-building activities at a Women’s Resource Center and Employment Centers (SYSLAB) in the region.
Engineers wearing protecting garb, make adjustments to a lightweight simulator version of NASA's Resource Prospector undergoes a mobility test in a regolith bin at the agency's Kennedy Space center in Florida. The Resource Prospector mission aims to be the first mining expedition on another world. Operating on the moon’s poles, the robot is designed to use instruments to locate elements at a lunar polar regions, then excavate and sample resources such as hydrogen, oxygen and water. These resources could support human explores on their way to destinations such as farther into the solar system.
Photo credit: NASA/Kim Shiflett
Tables and book shelves (stacks) on the 3rd floor of the Heldman Learning and Resource Center at West Los Angeles College (Los Angeles Community College District) in Culver City, California.
linux virgin, 2005
Karla Grundick und Mistress Koyo
Video, 14:30 min is shown in the exhibition Dark Drives: Uneasy Energies in Technological Times
The Sexuality of Machines
is a discussion with Sergio Messina (it), Karla Grundick (de) and Julianne Pierce (uk)
Moderated by Gabriella Coleman (us)
Saturday, Feb 4, 2012, 11:00–12:30
Since the 1990s, some experiences in the queer and activist scene showed how to transfer an experimental hacker and DIY attitude from technology to the body and to the broader concept of sexuality. The hacker ideas of sharing, openness, and the hands-on imperative all became a challenge to imagine a different kind of sexuality – and pornography – beyond rigid dichotomies and patriarchal structures. With the increasing use of social media and chan boards, the reflection of sexuality and the experimentation on pornography is entering progressively into the realms of abstraction: bodies become fetishes, identity is objectified into an anonymous “sign”, and the interaction via machines is the tool of desire. However, DIY porn is becoming an aesthetics and practice open to everyone rather than a field of study among specialists – or a successful niche market within the porn business. Digital amateur porn disrupts social codes to unpredictable effects.
The discussion is part of reSource Sex, wich reflects on the interference and overlapping between sex business and ‘alternative’ porn, aiming to explore and discuss the open interzona which exists in between the often male-oriented mainstream porn, and the more narrow scene of queer and alt porn communities.