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British Museum London
Assyrian wall relief
645â635 BC, Reign of Ashurbanipal
From the North Palace, Nineveh, northern Iraq
This panel shows the Assyrian army attacking the Egyptian city of Memphis and commemorates the final victory of King Ashurbanipal over King Taharka in 667 BC. The gypsum panel was originally painted for the interior walls of King Ashurbanipal's palace at Nineveh. At the top,
Assyrians storm the fortress, trying to set fire to the gate and undermine the walls. Nubian soldiers, recognisable by the Single upright feathers on their heads, are being marched off as prisoners. Egyptian civilian prisoners are shown as a group with two children on a donkey. Below
is the River Nile With fish and crabs.
Val Cenis dans la vallée de la Maurienne (Savoie - France)
Slideshow/Diaporama "Village de Lanslevillard" :
www.flickr.com/photos/pat21/sets/72157626432365584/show/
Website : www.fluidr.com/photos/pat21
"Copyright © – Patrick Bouchenard
The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved
A detail from the low reliefs decorating the labyrinthine Great Temple of Seti I at Abydos, showing the results of recent conservation to remove smoke and grime from this brightly painted scene.
New Kingdom, 19th Dynasty, 13th century BC
A detail of the low reliefs decorating the labyrinthine Great Temple of Seti I at Abydos.
New Kingdom, 19th Dynasty, 13th century BC
Out of the three photos I took from this position, this one worked out the best. The American flag at the far right and the Mexican flag at the left showed up better here than in the other two shots.
A sunflower left behind from the fall.
Don't use this image on websites, blogs or other media without explicit permission.
© All rights reserved
The north wall of Medinet Habu is inscribed with reliefs depicting the defeat of the Sea Peoples, invaders from the Mediterranean kept out from Egypt by the forces of Ramesses III. Photogrammetrically generated image.
Lieu : Relief Alpin
Vu : depuis la Route de la Cry Cuchet
Merci à Anthony Levrot, Joël, Alain Mugica.
29/03/2019 13:42
Route de la Cry Cuchet ; F-74 COMBLOUX
A step from oblivion, moving into the dim lights... Hiding within a reverie, it was worth it for the wait alone.
This is the Ether Monument (The Good Samaritan) in the Boston Public Garden. It commemorates the first public demonstration of inhalation anesthesia, which took place in Boston in 1846. The sculpture represents the desire to relieve pain when a loved one suffers.
France, Région Auvergne-Rhône-Alpes, Département de la Drôme (26), massif des Préalpes, Vercors méridional, Plateau du Font d'Urle, sur le sentier du Karst
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Dans les reliefs karstiques, l’eau, plutôt que de couler en surface comme dans d’autres régions, s’infiltre dans le sous-sol. Ce relief (on utilise souvent en France le mot "causse" pour le désigner) se rencontrera le plus souvent dans le cas où le sous-sol est constituée de roches calcaires : calcaires et dolomies surtout, mais aussi craie, marbre, et travertin. Mais l'action de l'eau peut créer des karsts dans le gypse, l'anhydrite et le sel-gemme (halite), mais aussi dans des grès ou des quartzites.
Les paysages karstiques sont caractérisés par des formes de corrosion de surface mais aussi par des formations souterraines étonnantes. Un certain nombre de mots de vocabulaire géologique sont à rapporter à ce type de relief et nous les expliquerons ici : doline, stalagmite, stalactite, résurgence, lapiaz, aven, paysage ruiniforme…..
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Objectif entièrement manuel Laowa 12mm f/2.8 Zero-Distorsion.
exif complémentaires:
f:11, map 2.3m, pdv en hyperfocale
Outhouse in a church parking lot, Floyd county, Virginia.
Fuji TX-1 with 45mm lens (f/5.6) loaded with Ilford Delta 400 developed in Crawley's FX-37 1:3 8 minutes.
France, Région Auvergne-Rhône-Alpes, Département de la Drôme (26), massif des Préalpes, Vercors méridional, Plateau du Font d'Urle
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Objectif entièrement manuel Laowa 12mm f/2.8 Zero-Distorsion.
exif complémentaires:
f:11, map 2.3m, pdv en hyperfocale
...
Stitched Panorama avec PanoramaStudio 3 Pro (2 photos au 12mm recoupées partiellement)
An extra from an album artwork shoot.
This beautiful relief is mounted on a chest of drawers hand-carved by the musician's grandfather.
Obscene incidents within the financial administration
Coming from San Marco, it's on the right-hand side of the Rialto bridge. Looking more closely, you'll be able to make out two fairly obscene reliefs that have in fact, a great deal to do with the history of the Rialto bridge: one shows a man with a disproportionately huge penis in the shape of a nail, the other shows a female figure with her intimate parts placed over a flame-spewing votive bowl. The two figures illustrated one and the same story surrounding the construction of the Rialto bridge. After the wooden bridge had rotted or burned down several times, in 1507 the city administration decided to erect a stone bridge across the Canal. Decades of arguments about financing and design ensued, spurring the residents of San Polo, consisting of prostitutes, market traders, vendors and craftsmen, to make sardonic remarks. The man would call out: "Sto ponte i lo finira quando ch'ecl casso fara l'ongia" (if this bridge will ever be finished my penis will turn into a nail), and the woman jeered an analogy: " Quando che i finisse el ponte, me chiapara fogo la mona" (if the bridge should ever be completed my vagina will catch fire). Both jibes were completely typical of the Venetian people of the time, forever incorporating obscenities into their jeering chants. Indeed, construction on the Rialto bridge started in 1588, and it was completed in 1591. Now the joke was on the local people, and the city administration used the two reliefs to show that the doubters were now due some "nails" or "flames".
«Camerlenghi dei comun» -финансовое управление Республики Венеция. Со стороны Сан-Марко он находится справа от моста Риальто. Глядя более внимательно, можно увидеть два довольно непристойных рельефа, которые на самом деле имеют большое значение для истории моста Риальто: один показывает человека с непропорционально огромным пенисом в форме гвоздя, а другой показывает женскую фигуру с ее интимными частями над пламенем. Две фигуры иллюстрировали один и тот же рассказ о строительстве моста Риальто. После того, как деревянный мост несколько раз разрушался, в 1507 году администрация города решила возвести каменный мост через канал. В течение долгого времени спорили о финансировании и дизайне моста, что и побудило жителей Сан-Поло, состоящих из проституток, торговцев, продавцов и ремесленников, делать саркастические замечания. Мужчина мог сказать: " если этот мост когда-нибудь будет закончен , мой пенис превратится в гвоздь", а женщина по аналогии: "если мост все-таки построится, то мое влагалище загорится". Обе колкости были вполне типичными для венецианцев того времени, которые включали в свои издевательские песнопения непристойности. Но строительство моста началось в 1588 году, и было завершено в 1591 году. Теперь шутка была посвящена местным жителям, и городская администрация использовала две рельефа, чтобы показать, что с сомневающимися приключились «гвозди» или «пламя».
The smoke cleared out of Missoula last night for a much needed relief and the first sunset in what seems like weeks. This is a view from my home looking to the north, where a few lingering storm clouds were lit up by the setting sun.
46 027 calls at Peterborough with 1A70, the 09:35 Newcastle - London Kings Cross Relief, one of a number of additional services being provided in the run up to the Easter weekend
It is DONE! I have officially completed shooting Volume Eight! I can finally breathe a sigh of relief in the fact that all scenes have been shot. And I also had time to re-shoot a scene with my little Skip. I really didn't like the way the original turned out but the re-shoot went great, minus a few hiccups ;-)
...also Volume Eight has officially been titled as of today. I had the roughest time trying to come up with a title this time around then eureka! it finally came to me, but more on that soon...
Les reliefs rhyolitiques formés par l'erosion des déjections volcaniques du Torfajökull. Landmannalaugar, Islande.
When you are in the field making pictures it's always nice to find a restroom, especially when they are only 850 feet away. Unfortunately, despite the need, these two relief stations might as well be on the other side of the moon. The 850 feet are straight down at the bottom of Canyon de Chelly. Navajo Nation, Arizona.
Many of the relief forms of Mangystau are most fully revealed only when viewed from a bird's-eye view. Even minor hills are laid out, creating interesting plot plans. However, in my opinion, shooting from a drone does not exclude, but complements the classic shooting from the human height level. West Kazakhstan, Bozzhira