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mi ha rubato la bicicletta...
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All rights reserved. © ph.p.photography , ph.p.ph.©.
Many thanks to everyone for your views, faves and supportive comments. These are always very much appreciated.
you can see other works in
All Rights Reserved Worldwide In Perpetuity.
- No Unauthorized Use. Absolutely no permission is granted in any form, fashion or way, digital or otherwise, to use my images on blogs, personal or professional websites or any other media form without my direct written permission.
This includes Pinterest, FaceBook,Tumblr, Reddit or other websites where one's images are circulated without the photographer's knowledge or permission.
Paolo Paccagnella. [ph.p.ph.©] TdS Villafranca Padova Italy
Già in epoca protostorica i tratturi erano lunghe vie battute dagli armenti e dalle greggi, ma le loro radici affondano nelle tracce millenarie che antichissime genti ricalcarono nelle loro migrazioni seguendo sia l'istinto proprio sia il moto delle stelle, i corsi dei fiumi oppure i colori dell'orizzonte.
Already in protohistoric times the sheep tracks were long paths beaten by the herds and the flocks, but their roots lie in the millennial traces that ancient people traced in their migrations following both their own instinct and the motion of the stars, the courses of the rivers or the colors horizon.
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All rights reserved. © ph.p.photography , ph.p.ph.©.
Many thanks to everyone for your views, faves and supportive comments. These are always very much appreciated.
you can see other works in
All Rights Reserved Worldwide In Perpetuity.
- No Unauthorized Use. Absolutely no permission is granted in any form, fashion or way, digital or otherwise, to use my images on blogs, personal or professional websites or any other media form without my direct written permission.
This includes Pinterest, FaceBook,Tumblr, Reddit or other websites where one's images are circulated without the photographer's knowledge or permission.
If you recognize yourself in a picture of this gallery and if you don’t want it to be published, let me know and the picture maybe will be removed.
Paolo Paccagnella. [ph.p.ph.©] TdS Villafranca Padova Italy
L'architettura post-rurale in Italia si configurava come
recupero,riconversione e riqualificazione funzionale di edifici agricoli (masserie, cascine, fienili) in nuovi contesti abitativi, ricettivi o lavorativi, valorizzando la memoria del paesaggio........
Many thanks to everyone for your views, faves and supportive comments. These are always very much appreciated.
All rights reserved. © ph.p.photography , ph.p.ph.©.
All Rights Reserved Worldwide In Perpetuity.
No Unauthorized Use. Absolutely no permission is granted in any form, fashion or way, digital or otherwise, to use my images on blogs, personal or professional websites or any other media form without my direct written permission.
This includes Pinterest, FaceBook,Tumblr, Reddit or other websites where one's images are circulated without the photographer's knowledge or permission.
If you recognize yourself in a picture of this gallery and if you don’t want it to be published, let me know and the picture will be removed.
Paolo Paccagnella. [ph.p.ph.©
Rework of the older picture of mine called Sky with Horse. This one has better lighting and is more subtle with a softness the original didn't.
or Sisyphus Takes a Break
Mostly out of curiosity, I downloaded the Reddit app and signed up. Much of what's on there makes me cringe or shake my head, but I've been spending time at their Photoshop subreddit. I've been learning some things as I look at what folks have submitted for critique. Composite photo montages are extremely popular there. Something many submitters ask is how to make an element blend better into the scene. Commonalities seem to be not paying attention to light sources, and not knowing much about shadows.
That prompted me to set up some things and shoot photos at various times of day to study contact shadows and cast shadows. This is one of the shots.
Mannequin's right foot is off the ground so there isn't a contact shadow there, but there are at the other foot and where parts of its body contact the ball and where the ball contacts the shelf.
I thought at first this would be a simple set up, but then I noticed that there is light reflected from the shelf upward onto the ball and mannequin, from the ball to the mannequin and from the mannequin to the ball.
New Mexico is a strange place for shadows. We're so high in elevation that in direct sunlight, shadows here don't behave the same as at lower elevations. The edges are more crisp. There isn't the same fall-off of density as the shadow gets farther from that which is casting it.
I had to shoot this photo before the sunlight directly hit the shelf in order to see the gradations of density.
Painters study light and shadows, but rarely do photographers. And if folks are going to be trying for photorealistic montage, they also need to know about light and shadows. As a result of these shadow study photos, back at Reddit I've been recommending that the compositors set up an action figure (all of them are guys in their teens and twenties it seems) and a desk lamp to see the directions that shadows are cast from a source and the gradations of density between contact and cast shadows and within cast shadows.
Many thanks to everyone for your views, faves and supportive comments. These are always very much appreciated
All rights reserved. © ph.p.photography .
All Rights Reserved Worldwide In Perpetuity - No Unauthorized Use. Absolutely no permission is granted in any form, fashion or way, digital or otherwise, to use my images on blogs, personal or professional websites or any other media form without my direct written permission. This includes but is not limited to Pinterest, FaceBook,Tumblr, Reddit or other websites where one's images are circulated without the photographer's knowledge or permission
Paolo P. [ph.p.ph.©]
So there's a Flying Saucer to your left and Godzilla on your right. Is the UFO here to help or just using Godzilla as a diversion for more fiendish endeavors? Or did Godzilla summon the flying saucer for his own amusement? Tune in next time for the exciting and unexpected conclusion to this story.