View allAll Photos Tagged recursive
I got some really interesting results PSTG-ing a square truncated file at about 1250 dpi. I'll post a series over the next several days. These look very carefully cropped and composed, but no final-stage cropping or other post-manipulation was involved.
Basically, I open a truncated file in an old version of PS, crop the black space to square (which for some reason preserves the truncation, keeping the image unstable), open a bunch of other files to fill up the PS cache, and then use Unsharp Mask (lowest settings of 1 - 0.1 - 0) to "freeze" the image. Then save off the ones I like as TIFF.
Undo. Repeat. Undo. Repeat.
The more you use "undo," the more previously glitched images are saved to cache. So the process yields interesting results only up to a point, when you start to see diminishing returns (i.e. images that are too recursive/entropic and don't differ much from one to the next).
Hope this makes sense. LP cover anyone?
--HM
Collapsed from the constructed crease pattern. I still haven't had time to look for a recursive folding sequence yet... though honestly, collapsing this took so long that maybe I would have found a sequence if I'd started with that instead! Starting with the largest possible hexagon cut from a 35cm square of duo kami.
There was probably someone taking a picture of me taking a picture of her taking a picture of Georges!
Georges Seurat, "La Grande Jatte", 1884, Art Institute of Chicago.
Design by Ben Goldberg. I saw a photo of this from Jorge Jaramillo, who said there is a creasepattern or something available on the designer’s facebook page. I don’t do fb much these days, so I figured it out using Jorge’s photo.
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This is a recursive version of Shuzo Fujimoto’s Scissors (CFW 87). I wanted to call it Biohazard Fractal since it resembles the biohazard symbol, but later decided to stay with the name Fujimoto used for his base model.
I am not sure whether Fujimoto was aware of the possibility of extending his original CFW 87 design into a fractal. I discovered that a number of his molecules can be fractalized this way (pictures coming up) but the only example of him using such a procedure is the Lucky Star Fractal which is derived from CFW 88 (Hemp Leaf) in a similar manner. Since I was aware of Lucky Star Fractal and it still took me quite a while to realize that the process could be generalized to other molecules, unless I find firm evidence to the contrary, I will assume Fujimoto did not know of the other fractal designs.
While Lucky Star Fractal has six-fold symmetry, Scissors has only tri-fold symmetry. This means that each consecutive level of the fractal can be rotated relative to the previous one in two ways rather than one. The model presented here uses consistent rotation on all levels. Another highly symmetric possibility is alternating the direction every other level (pictures coming up). However, the direction for each level is independent, so completely random assignment is possible as well.
Since the outermost level of the fractal resembles the base molecule from which it is derived, it shares its properties in that it can be tessellated. Due to the way layers of paper lock together, this molecule is harder to fold than Lucky Star Fractal, especially at deeper levels. Since accessing those deep layers requires opening up the molecule significantly, tessellating it will probably also be quite challenging in practice.
I think that Hajime Komiya's Dahlia is a wonderful model that hasn't been explored enough. Brian K Webb did a nice variation and Andrew Hudson made a recursive version, but apart from that I'm not aware of more models related to it.
Having those petals at the center of the model and making them loose enough as to make the dahlia, required a lot more folding that it appears to be
Folded from a square of 30 cm on the side of Agua Papel.
Designed and folded September 2018 from 40 square sheets of European kraft paper.
Each unit is folded from one square and each iteration is assembled from 8 units. The units are surprisingly simple to fold with strong locks. It is a fractal design so you can theoretically fold as many iterations as you’d like.
This model is essentially an octagonal version of my Interstellar design. The units are very different, but they are both inspired by the geometry of spidrons. Still undecided on the name, but please let me know what you think!
Panoramic Virtual Tour of Millennium Park, Chicago, December 2006
View the Flickr SPI-V (shockwave) interactive version
Sam Rohn :: Location Scout :: New York City
A print-quality still from a recursive particle-emitting system built in Processing
view the original size for better detail
Recursive measuring cups. Sometimes precision is the order of the day. FlickrFriday #recursion
These have accurate metric (SI) measurements (not pictured).
27 of 365
Bending Light #96
Refractograph S238-4A
Traffic jams and bunching even for the early starters on the Interstellar Highway. You'd think that with all this 'space' around, traffic would have more freedom but in a region of high density black holes and numerous wormholes navigation routes are tight - not to mention the ever present dangers from pirates.
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A Cybernetic Thought
=======================================================
Fractals are recursive energies.
Energy gives physical systems a purpose for existing.
Information enables physical systems to fulfill their purpose by instructing them as to what to do.
[Hefei, Anhui, China] An array of willow trees by the riverside of a neighborhood park in Hefei, with iterative and recursive shapes and colors.
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©2016 Germán Vogel - All rights reserved - No usage allowed in any form without the written consent of the photographer.
I finally finished the model I was working on with Jorge and Diana at Origami Colombia 2011. It's the Dahlia by Hajime Komiya, but I've used the extra paper at the center to create two more levels. A three-level version of this, but with a neater transition and a more realistic center. Here I was able to figure out a recursive folding process, which bears some similarities to both Chris Palmer's decreeping methods, and to Shuzo Fujimoto's Hydrangea.
Folded from Kraft paper, which was very tired by the end of this model :P
a recursion of the sunflower shot through water drops and then through water drops again. Digging the planetoids. SOOC.
A sunset view from Carkeek Park in Seattle processed with Processing (processing.org) to create a dyamic mozaic: smaller rectangles near the center and where there is more detail.
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See more photos and abstract drawings in my gallery on DeviantArt:
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Designed and folded by Michał Kosmulski. This pinwheel displays a fractal pattern with smaller pinwheels embedded inside larger ones, a series which can be continued indefinitely with thin enough paper.
By folding back the four largest blades, you can use this model as a modular unit (example here).
A scene from 'Cirrus', an animation in progress.
Starting to look more like a Baxter painting now.
I plan some recursive and anamorphic tricks for this animation. But first - study, work, repeat.
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Made with Mandelbulb 3d
See more photos and abstract drawings in my gallery on DeviantArt:
Thank you!
Best viewed large
Made with Mandelbulb 3d
See more photos and abstract drawings in my gallery on DeviantArt:
Thank you!
More books than you could read in a lifetime and still the Macbook gets more attention. Typical.
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This photo ran in the September/October 2011 edition of The Economist magazine's More Intelligent Life, with Adrian Wooldridge article, Dr Dole Queue. THANK YOU!
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Quoting from the official pamphlet:
FAST LIGHT • May 7 + 8, 2011, 7 pm - 10 pm
Contemporary pioneers in art, science, and technology have come together at MIT to create one of the most exhilarating and inventive spectacles metro Boston has ever seen. On May 7 and 8, 2011, visitors can interact with 20+ art and architectural installations illuminating the campus and the Charles River along Memorial Drive at MIT.
Installations scattered around campus (we didn't quite see all of them), again pasting from the official flyer:
• aFloat
MIT Chapel • Saturday, May 7th ONLY
Inspired by water in the Saarinen Chapel's moat, a touch releases flickers of light before serenity returns as a calm ripple.
By Otto Ng, Ben Regnier, Dena Molnar, and Arseni Zaitsev.
• Inflatables
Lobby 7, Infinite Corridor
A dodecahedron sculpture made of silver nylon resonates with gusts of air, heat from light bulbs, and the motions of passersby.
By Kyle Barker, Juan Jofre, Nick Polansky, Jorge Amaya.
• (now(now(now)))
Building 7, 4th Floor
This installation nests layers of the past into an image of the present, recursively intertwining slices of time.
By Eric Rosenbaum and Charles DeTar.
• Dis(Course)4
Building 3 Stair, Infinite Corridor
A stairwell transformed by a shummering aluminum conduit inspired by the discourse between floors and academic disciplines.
By Craig Boney, Jams Coleman and Andrew Manto.
• Maxwell's Dream
Building 10 Community Lounge, Infinite Corridor
An interactive mural created by magnetic fields that drive patterns of light, Maxwell's Dream is a visually expressive cybernetic loop.
By Kaustuv De Biswas and Daniel Rosenberg.
• Mood Meter
Student Center & Building 8, Infinite Corridor
Is the smile a barometer of happiness? Mood Meter playfully assesses and displays the mood of the MIT community onsite and at moodmeter.media.mit.edu
By Javier Hernandez and Ehsan Hoque.
• SOFT Rockers
Killian Court
Repose and charge your electronic devices using green solar powered technology
By Shiela Kennedy, P. Seaton, S. Rockcastle, W. Inam, A. Aolij, J. Nam, K. Bogenshutz, J. Bayless, M. Trimble.
• LightBridge
The Mass. Ave Bridge
A dynamic interactive LED array responds to pedestrians on the bridge, illustrating MIT's ties to both sides of the river. Thanks to Philips ColorKinetics, CISCO, SparkFun Electronics.
By Sysanne Seitinger.
• Sky Event
Killian Court, Saturday, May 7th ONLY
Immense inflatable stars soar over MIT in celebration of the distinctive symbiosis among artists, scientists and engineers.
By Otto Piene.
• Liquid Archive
Charles River
A floating inflatable screen provides a backdrop for projections that highlight MIT's history in science, technology, and art.
By Nader Tehrani and Gediminas Urbonas.
• Light Drift
Charles River
Ninety brightly glowing orbs in the river change color as they react to the presence of people along the shore.
By Meejin Yoon.
• Unflat Pavilion
Building 14 Lawn
This freestanding pavilion illuminated with LEDs flexes two dimensions into three. Flat sheets are bent and unfurl into skylights, columns, and windows.
By Nick Gelpi
• Gradated Field
Walker Memorial Lawn
A field of enticing mounts create a landscape that encourages passersby to meander through, or lounge upon the smooth plaster shapes.
By Kyle Coburn, Karina Silvester and Yihyun Lim.
• Bibliodoptera
Building 14, Hayden Library Corridor
Newly emerged from the chrysalis of MIT's diverse library pages, a cloud of butterflies flutters above, reacting to the movement of passersby.
By Elena Jessop and Peter Torpey.
• Wind Screen
Green Building Facade, Bldg 54
A shimmering curtain of light created by micro-turbines displays a visual register of the replenishable source of wind energy.
By Meejin Yoon.
• String Tunnel
Building 18 Bridge
A diaphonous tunnel creates a sense of entry to and from the Infinite Corridor and frames the surrounding landscape.
By Yuna Kim, Kelly Shaw, and Travis Williams.
• voltaDom
Building 56-66 Connector
A vaulted passageway utilizes an innovative fabrication technique that creates complex double curved vaults through the simple rolling of a sheet of material.
By Skylar Tibbits.
• Night of Numbers
Building 66 Facade & E15 Walkway
A lighting installation enlivens MIT architectre with numbers that hold special or historical significance to the Institute. Can you decode them all?
By Praveen Subramani and Anna Kotova.
• Overliner
Building E-25 Stairwell
Taking cues from a stairwell's spiraling geometry, Overliner transforms a familiar and busy passageway into a moment of surprise and repose.
By Joel Lamere and Cynthia Gunadi.
• Chroma District
Corner of Ames and Main Streets.
Lanterns react to visitors by passing sound and color from one to another, increasing in intensity along the way and illuminating the path to MIT's campus.
By Eyal Shahar, Akito van Troyer, and Seung Jin Ham.
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This image and its name are protected under copyright laws.
All their rights are reserved to my own and unique property.
Any download, copy, duplication, edition, modification,
printing, or resale is stricly prohibited.
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Ten years ago in Bologna, in Italy, where they have some really tall stone towers you can climb up in order to climb back down again.
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This image and its name are protected under copyright laws.
All their rights are reserved to my own and unique property.
Any download, copy, duplication, edition, modification,
printing, or resale is stricly prohibited.
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