View allAll Photos Tagged recursive
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Sorta looks like a cube with extra dimensions.
Put the mirro tube over the laptop screen as it displayed a long exposure of moving lights in front of the mirrors during a previous shot. How self recursive is that eh?
No post processing or what have you.
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Imagine a world without keys.
Go ahead! Imagine it!
I suspect that a collection of all the imaginations would make for a very interesting book. My guess is that they would cover the full range of emotions, desires and fears. I imagine (ooh, recursive!) that these imaginations would reflect on people's perspectives on society.
One simple object could hold the key to humanity's future.
Per request (and 'cause I like it, too): an anaglyph of my level 2 Menger Sponge.
Put on your red-blue glasses (red over left eye) and enjoy larger.
Modeled in Structure Synth and rendered in sunflow.
©2009 David C. Pearson, M.D.
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See more photos and abstract drawings in my gallery on DeviantArt:
Thank you!
It's Hello Kitty dressed as a giant salmon roe, sitting in a bowl of salmon roe, eating a salmon roe with a tiny spoon next to a giant spoon. Recursive Kitty, ahoy. I am in love.
My friends bought this for me at the Japan section of Epcot Center in Disneyworld :)
48"X36" Quantum Spider is a dimensional creature and an abstraction of a 10 legged spider whose abdomen is either in the gravity well of the black hole or exists outside our space time . . . You decide . . .
I used structure synth to generate some letter forms. This context-free language is truly context-free :)
Lucky enough to have one of the new Retina MacBook Pros? Download the full 2880x1800 pixel desktop picture here: www.timestretch.com/article/letter_forms
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This image and its name are protected under copyright laws.
All their rights are reserved to my own and unique property.
Any download, copy, duplication, edition, modification,
printing, or resale is stricly prohibited.
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20 triangles, 20 circles.
Following the Asian Temple series and recursive folding process, this new one:
EH paper, 24x24 cm, 32 division grid.
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Made with Mandelbulb 3d
See more photos and abstract drawings in my gallery on DeviantArt:
Thank you!
Best viewed large
Made with Mandelbulb 3d
See more photos and abstract drawings in my gallery on DeviantArt:
Thank you!
Model: Marla Singer
Location: Kara Yerex, Matt Olah
Textures: PlayingWithBrushes, Claydevoute, Brenda-staar
Photography, and Post: Neal Sanche
Saturday challenge... Frame within a frame.
The Droste effect is a Dutch term for a specific type of recursive picture. An image exhibiting the Droste effect depicts a smaller version of the image within itself in a recursive manner.
See Droste Cacao in comments :-)
Frame from Shakespear(yes without the e) Regional Park, see comments.
Shooting one flower through another flower against the water surface creates shadows of the closer flower on the lens.
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Made with Mandelbulb 3d
See more photos and abstract drawings in my gallery on DeviantArt:
Thank you!
Best viewed large
Made with Mandelbulb 3d
See more photos and abstract drawings in my gallery on DeviantArt:
Thank you!
A set of 3 models, using EH paper.
I used the concept of "recursive folding" as used by Edward Mistretta.
Mixing tessellation grids and part of my older models. All of them from EH paper, 30x30 cm, 32 division grids.
Cloud Gate - Anish Kapoor
Millenium Park, Chicago, Illinois
en.wikipedia.org/wiki/Cloud_Gate
Sam Rohn :: Location Scout :: New York City
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Outlining a Theory of General Creativity .. on a 'Pataphysical projectory
Entropy ≥ Memory ● Creativity ²
stratified as:
Memory ● Creativity ² = ΩΞ { Mimesis ● Catharsis ² }῀
Mimesis ● Catharsis ² = ΩΞ { Metabolê ● Catabolê ² }῀
Metabolê ● Catabolê ² = ΩΞ { Mitosis ● Cytosis ² }῀
Mitosis ● Cytosis ² = ΩΞ { Molecula ●. Chymia ² }῀
Molecula ● Chymia ² = ΩΞ { M ● c ² }῀
. . and . . M ● c ² = ΩΞ { E }῀
. . whe(re)n . . ΩΞ { E }῀ ≤ Ξntropy
with:
"ΩΞ"
= emergence of possibles (Ω) by individuating resonances (Ξ) in a multiple.
"●"
= resonance of similitudes by 1n1 recursive individuating compulsions in a multiple.
"●" = { μ¹ { δ῀ { π¹ ( technè▲lógos ) } } }῀
Algorithmic schema of the 1n1 recursive individuating compulsions in a multiple.
where "μ" ; "δ" ; "π"
are the 3 moments of each individuating recursion in a multiple.
( symbolized by the 3 moments "Mosthai / Deiknuen / Poiein" of the creative processus )
and where "( technè▲lógos )"
are the hypomnemata, or tertiary sedimentations of the transindividual in a multiple.
( symbolized by the primordial sensitive▲intelligible dialemmatics )
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Study of the day :
"Les qualités et les étendues, les formes et les matières, les espèces et les parties ne sont pas premières ; elles sont emprisonnées dans les individus comme dans des cristaux. Et c’est le monde entier, comme dans une boule de cristal, qui se lit dans la profondeur mouvante des différences [...]. "
( Gilels Deleuze - Différence et répétition )
“Qualities and extents, forms and matters, species and parts are not first ; they are imprisoned in the individuals as in crystals. And it is the whole world, as in a crystal ball, which is read in the moving depth of the differences [...]. ”
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| . rectO-persO . | . E ≥ m.C² . | . co~errAnce . | . TiLt . |
Quoting from the official pamphlet:
FAST LIGHT • May 7 + 8, 2011, 7 pm - 10 pm
Contemporary pioneers in art, science, and technology have come together at MIT to create one of the most exhilarating and inventive spectacles metro Boston has ever seen. On May 7 and 8, 2011, visitors can interact with 20+ art and architectural installations illuminating the campus and the Charles River along Memorial Drive at MIT.
Installations scattered around campus (we didn't quite see all of them), again pasting from the official flyer:
• aFloat
MIT Chapel • Saturday, May 7th ONLY
Inspired by water in the Saarinen Chapel's moat, a touch releases flickers of light before serenity returns as a calm ripple.
By Otto Ng, Ben Regnier, Dena Molnar, and Arseni Zaitsev.
• Inflatables
Lobby 7, Infinite Corridor
A dodecahedron sculpture made of silver nylon resonates with gusts of air, heat from light bulbs, and the motions of passersby.
By Kyle Barker, Juan Jofre, Nick Polansky, Jorge Amaya.
• (now(now(now)))
Building 7, 4th Floor
This installation nests layers of the past into an image of the present, recursively intertwining slices of time.
By Eric Rosenbaum and Charles DeTar.
• Dis(Course)4
Building 3 Stair, Infinite Corridor
A stairwell transformed by a shummering aluminum conduit inspired by the discourse between floors and academic disciplines.
By Craig Boney, Jams Coleman and Andrew Manto.
• Maxwell's Dream
Building 10 Community Lounge, Infinite Corridor
An interactive mural created by magnetic fields that drive patterns of light, Maxwell's Dream is a visually expressive cybernetic loop.
By Kaustuv De Biswas and Daniel Rosenberg.
• Mood Meter
Student Center & Building 8, Infinite Corridor
Is the smile a barometer of happiness? Mood Meter playfully assesses and displays the mood of the MIT community onsite and at moodmeter.media.mit.edu
By Javier Hernandez and Ehsan Hoque.
• SOFT Rockers
Killian Court
Repose and charge your electronic devices using green solar powered technology
By Shiela Kennedy, P. Seaton, S. Rockcastle, W. Inam, A. Aolij, J. Nam, K. Bogenshutz, J. Bayless, M. Trimble.
• LightBridge
The Mass. Ave Bridge
A dynamic interactive LED array responds to pedestrians on the bridge, illustrating MIT's ties to both sides of the river. Thanks to Philips ColorKinetics, CISCO, SparkFun Electronics.
By Sysanne Seitinger.
• Sky Event
Killian Court, Saturday, May 7th ONLY
Immense inflatable stars soar over MIT in celebration of the distinctive symbiosis among artists, scientists and engineers.
By Otto Piene.
• Liquid Archive
Charles River
A floating inflatable screen provides a backdrop for projections that highlight MIT's history in science, technology, and art.
By Nader Tehrani and Gediminas Urbonas.
• Light Drift
Charles River
Ninety brightly glowing orbs in the river change color as they react to the presence of people along the shore.
By Meejin Yoon.
• Unflat Pavilion
Building 14 Lawn
This freestanding pavilion illuminated with LEDs flexes two dimensions into three. Flat sheets are bent and unfurl into skylights, columns, and windows.
By Nick Gelpi
• Gradated Field
Walker Memorial Lawn
A field of enticing mounts create a landscape that encourages passersby to meander through, or lounge upon the smooth plaster shapes.
By Kyle Coburn, Karina Silvester and Yihyun Lim.
• Bibliodoptera
Building 14, Hayden Library Corridor
Newly emerged from the chrysalis of MIT's diverse library pages, a cloud of butterflies flutters above, reacting to the movement of passersby.
By Elena Jessop and Peter Torpey.
• Wind Screen
Green Building Facade, Bldg 54
A shimmering curtain of light created by micro-turbines displays a visual register of the replenishable source of wind energy.
By Meejin Yoon.
• String Tunnel
Building 18 Bridge
A diaphonous tunnel creates a sense of entry to and from the Infinite Corridor and frames the surrounding landscape.
By Yuna Kim, Kelly Shaw, and Travis Williams.
• voltaDom
Building 56-66 Connector
A vaulted passageway utilizes an innovative fabrication technique that creates complex double curved vaults through the simple rolling of a sheet of material.
By Skylar Tibbits.
• Night of Numbers
Building 66 Facade & E15 Walkway
A lighting installation enlivens MIT architectre with numbers that hold special or historical significance to the Institute. Can you decode them all?
By Praveen Subramani and Anna Kotova.
• Overliner
Building E-25 Stairwell
Taking cues from a stairwell's spiraling geometry, Overliner transforms a familiar and busy passageway into a moment of surprise and repose.
By Joel Lamere and Cynthia Gunadi.
• Chroma District
Corner of Ames and Main Streets.
Lanterns react to visitors by passing sound and color from one to another, increasing in intensity along the way and illuminating the path to MIT's campus.
By Eyal Shahar, Akito van Troyer, and Seung Jin Ham.
Paper: hexagon edge length ca. 10.5 cm, Kraft paper; dodecagon cutted from 24 cm Kami
Model: Evan Zodl
Book: Wonderous One Sheet Origami by Meenakshi Mukerji, p. 84-86
The chapter on recursive designs is my favourite in the book, so I folded all models already, except Evan's. What a shame.
The 12-pointed was meant as a test fold, Kami handles the recursive folding not so well and broke.
It's a very interesting model as it can be folded from any polygon, and is recursive.
This image is based on 2 coloring layers:
1. The top layer uses a standard "distance" coloring algorithm - as if we colored in the regions of a topographic map by their altitude. This is how we make the blue-to-orange color gradiant.
2. Underneath this there is another layer using UltraFractal's "Direct Orbit Traps" coloring algorithm with the "box" shape option. It is this box shape that creates the linear patterns in the image. Because the display size of the box shape is controlled by the underlying fractal geometry, the pattern that emerges is regular and recursive.
[file: Fract2Layer_3g_1024_4c]
