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Sky Islands is the second album by Jazz fusion group Caldera released in 1977 on Capitol Records.
The album's title track was covered by Dianne Reeves on her 1987 self titled album and Ramsey Lewis on his 1993 LP Sky Islands.
A version of 'Ancient Source' resulted from the collaboration between Herb Alpert and Caldera keyboardist Eddie del Barrio and appeared on Alpert's 1988 release Under a Spanish Moon.
Caldera – Sky Islands
Label: #CapitolRecords – EST 11658
Format: Vinyl, LP, Album
Country: UK
Released: 1977
Genre: Jazz, Latin, Funk / Soul
Style: #JazzFunk, Funk, #LatinJazz
A1 Sky Islands
A2 Ancient Source
A3 It Used To Be
A4 Pegasus
B1 Carnavalito
B2 Seraphim (Angel)
B3 Indigo Fire
B4 Triste
B5 Pescador (Fisherman)
#JorgeStrunz — acoustic guitar, electric guitar, percussion
#EduardodelBarrio — acoustic piano, electric piano, synthesizers, Moog, Roland, Oberheim Polyphonic
#SteveTavaglione — flute, alto flute, soprano saxophone, alto saxophone, tenor saxophone
#MikeAzeredo — congas, percussion
#CarlosVega — drums
#DeanCortez — electric bass
#HectorAndrade — timbales, congas, percussion
#ErnestoHerrera - lyricist.
Guests
#LarryDunn — synthesizer (solo on track 2)
#RobertodaSilva — percussion
#DianneReeves — vocals (tracks 1 and 2)
Chester Thompson — drums (track 4 only)
Ralph Humphrey — drums (track 1 only)
Ralph Rickert — flugelhorn (track 8 only)
Ray Armando — percussion
Steve Barrio, Jr. — percussion
Paul Shure — violin
Bonnie Douglas — violin
Harry Bluestone — violin
Marshall Sosson — violin
Nathan Ross — violin
Antol Kaminsky — violin
Jack Pepper — violin
Irma Neumann — violin
Janet Lakatos — viola
Louis Kievman — viola
Fredrick Seykora — cello
Selene Hurford – cello
#vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger
Leonard 'Lenny' White III (born December 19, 1949) is an American jazz fusion drummer who was a member of the band #ReturntoForever led by Chick Corea in the 1970s. White has been called 'one of the founding fathers of jazz fusion'. He has won three Grammy awards, two nominations and one Latin Grammy.
Lenny White – Presents The Adventures Of Astral Pirates
Label: Elektra – ELK 52065
Format: Vinyl, LP, Album
Country: Netherlands
Released: #1978
Genre: Jazz, Funk / Soul
Style: #JazzFunk, #RockFunk
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Tracklist
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A1 Prelude: Theme For Astral Pirates
A2 Pursuit
A3 Mandarin Warlords
A4 The Great Pyramid
A5 Universal Love
A6 Remembering
A7 Revelation (Astral Pirates)
Encounter
B1 Stew, Cabbage And Galactic Beans
B2 Heavy Metal Monster
B3 Assault
B4 Climax: Theme For Astral Pirates
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Credits
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Bass - #AlexBlake
Drums, Percussion, Synthesizer - #LennyWhite
Guitar [Lead] - #NickMoroch
Guitar [Rhythm] - #JeffSigman
Keyboards, Vocals - #DonBlackman
Synthesizer [Programming] - #PatrickGleeson
#ElektraRecords #TheAdventuresOfAstralPirates #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyl #vinyladdict #vinyladdiction #recordsonly #nowplaying
Hermeto Pascoal (born June 22, 1936) is a #Brazilian composer and multi-instrumentalist. He was born in Lagoa da Canoa, Alagoas, Brazil. Pascoal is a significant figure in the history of Brazilian music, mainly known for his abilities in orchestration and improvisation, as well as being a record producer and contributor to many Brazilian and international albums.
Hermeto Pascoal – Zabumbê-bum-á
Label: Warner Bros. Records – WB 91 018
Format: Vinyl, LP, Album
Country: Germany
Released: 1979
Genre: Electronic, Jazz, Latin
Style: #Free Jazz, #Samba, #ContemporaryJazz, Experimental, #LatinJazz
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Tracklist
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A1 Sâo Jorge
A2 Rede
A3 Pimenteira
A4 Suite Paulistana
B1 Santo Antonio
B2 Alexandre, Marcelo E Pablo
B3 Suite Norte, Sul, Leste, Oeste
B4 Susto
B5 Mestre Mará
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Credits
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Acoustic Bass, Electric Bass – #Itiberê
Arranged By, Mixed By, Edited By, Producer – #Hermeto Pascoal
Clavinet, Piano, Percussion – #Jovino
Drums, Percussion, Piano, Zabumba, Agogô – #Nenê
Flute, Saxophone, Clarinet – #Cacau
Percussion, Triangle, Vocals – #Pernambuco
Vocals, Acoustic Guitar, Percussion – #Zabelê
Vocals, Flute, Clavinet, Piano, Acoustic Guitar, Tenor Saxophone, Soprano Saxophone, Bass Flute, Drum, Percussion – Hermeto
Written-By – Hermeto Pascoal (tracks: A1 to B1, B3 to B5)
Producer [Direção De Produção] – #Guti
#WarnerBrosRecords #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyl #vinyladdict #vinyladdiction #recordsonly #nowplaying #strictlyvinyl
Arthur Cortes Verocai (born June 17, 1945) is a Brazilian composer, singer, and producer. He is best known for his 1972 self-titled debut album which garnered a cult following during the 2000s in the United Kingdom and the United States.
Arthur Cortes Verocai was born in Rio de Janeiro on June 17, 1945. In school, he studied civil engineering. After graduating in 1968, he began arranging music under the mentorship of Roberto Menescal for artists like Jorge Ben, Gal Costa, Elis Regina, Ivan Lins, Marcos Valle, Quarteto em Cy, O Terço, Leny Andrade, and Célia.
Arthur Verocai – Mochilla Presents Timeless: Arthur Verocai
Label: #Mochilla – MOLP-009
Series: Timeless
Format: 2 x Vinyl, LP, Album, Record Store Day, Reissue
Country: US
Released: Jun 12, 2021
Genre: Jazz, #Latin, Funk / Soul, Folk, World, & Country
Style: #SoulJazz, #MPB, Folk
A1 Karina
A2 Sylvia
A3 Dedicada A Ela
A4 Velho Parente
B1 Presente Grego
B2 O Mapa
B3 Pelas Sombras
B4 Caboclo
B5 Seriado
B6 Filhos
C1 Queimadas
C2 Balada 45
C3 Sucuri
C4 Flying To LA
D1 O Tempo E O Vento
D2 Isabel
D3 Bis
D4 Na Boca Do Sol
Alto Saxophone – Tracy Wannomae
Alto Saxophone, Flute – Justo Almario
Baritone Saxophone – Geoff Gallegos
Bass – Edwin Livingston
Cello – AJ Fanning, Peter Jacobson
Clarinet – Robby Marshall
Drums – #IvanConti a.ka. #Mamão
French Horn – Amy Sanchez
Guitar – Marcel Camargo, Woody Aplanalp
Keyboards – Aloisio Aguiar, #JoseBertrami
Percussion – #AirtoMoreira, Andres Renteria
Piccolo Flute, Flute – Chris Lea
Tenor Saxophone – Charles Owens
Trombone – Elizabeth Lea
Trumpet – Todd Simon, William Artope
Viola – #MiguelAtwoodFerguson, Tom Lea
Violin – Daphne Chen, Erika Walzak, Ina Veli, Lisa Weinstein, Paul Cartwright, Reiko Nakano, Tylana Enomoto, Wes Precourt
Vocals – Carlos Dafé, Clarisse Grova, Diana Booker
Arranged By, Composed By, Conductor, Guitar, Mixed By – #ArthurVerocai
Producer – Andrew Lojero, Brian Cross, Eric Coleman
#vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Sebastião Tapajós Pena Marcião is a Brazilian jazz/samba/choro guitarist and composer. He studied in Portugal and Spain, and has played backing artist as Hermeto Pascoal, Waldir Azevedo, Paulo Moura, Sivuca, Maurício Einhorn, Gerry Mulligan, Astor Piazzolla, Oscar Peterson or Paquito D’Rivera.
Born Santarém, Brazil, April 16, 1943; died Santarém, Brazil, October 2, 2021, due to an acute myocardial infarction.
Pedro Santos (October 2, 1919 - February 23, 1993) Not much is known about Pedro Santos, a Brazilian percussionist, composer and sometime inventor of instruments, who worked as a side man with a host of Brazilian luminaries. Krishnanda, released in 1968 on the Brazilian division of CBS records, makes up his only solo recorded output, and it is so singular and eccentric and eclectic that listeners will have a hard time extrapolating from it
Djalma Novaes Corrêa (Ouro Preto, November 18, 1942 – Rio de Janeiro, December 8, 2022) was a Brazilian instrumentalist (double bass, drums and drum) and composer.
Sebastião Tapajós, Pedro 'Sorongo' Santos, Djalma Correa – Xingú: Guitar & Percussion
Label Tropical Music – 680.007
Format: Vinyl, LP, Album
Country: Germany
Released: 1984
Genre: #Latin, Folk, World, & Country
Style: #MPB
A1 Xingú
A2 Percutindo
A3 Bacurau
A4 Percussorongando
A5 Odeon
B1 Introdução
B2 Brasileiro $ Samba Em Berlin
B3 Escolado
B4 Mar
B5 Xadrez
B6 Luz Negra
Guitar – #SebastiãoTapajós
Percussion – #DjalmaCorrea, #PedroSorongoSantos
#TropicalMusicRecords #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Czesław Kazimierz Bartkowski (born April 19 , 1943 in Łódź ) – Polish jazz drummer, teacher.
He has been involved in music since he was 6 years old. He graduated from the Secondary Music School in Wrocław (percussion class). He made his official debut in 1960 as a drummer in Jerzy Pakulski's Far Quartet.
In 1963 he started cooperation with Zbigniew Namysłowski and became a musician in his band (Zbigniew Namysłowski Quartet). He also played with other famous jazz groups, including Czesław Niemen's Niemen Enigmatic, and #MichałUrbaniak's Grupa.
Czesław Bartkowski – Drums Dream
Label: Polskie Nagrania Muza – SX 1419
Series: #PolishJazz – Vol. 50
Format: Vinyl, LP, Album, Stereo, Red Labels With Black Printings
Country: Poland
Released: 1976
Genre: Jazz
Style: #ContemporaryJazz
A1a Drums Dream
A1b Przejściówka = Bridge-passage
A2a FAO
A2b Rozmowa Z Dzwonem = Conversation With A Bell
A3 Druga Swobodna Etiuda = The Second Free Etude
A4 Rozmowa Ze Śliwką Bez Pestek = Conversation With A Pipless Plum
B1a Good Times, Bad Times
B1b Seven For Five
B2 Kołysanka Dla Malutkich Chińczyków = Lullaby For Tiny Chinamen
Conductor – #JanPtaszynWróblewski (tracks: B1, B2)
Electric Piano – #AdamMakowicz (tracks: A1 to A4)
Keyboards – #WojciechKarolak (tracks: B1)
Orchestra – #StudioJazzowePR (tracks: B1, B2)
Percussion – #CzesławBartkowski (tracks: A1 to A4)
Soprano Saxophone – #TomaszSzukalski (tracks: A1 to A4)
Trumpet – #TomaszStańko (tracks: A1 to A4, B2)
#PolskieNagraniaMuzaRecords #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger
Percussionist from Savannah Georgia, born on the 24th of February, 1937.
Big Black was given this name by an older brother because of his interest in drums. After hearing the conga in Cuban music on the radio during his high school years, he became interested in the instrument and traveled to Florida and the Bahamas, where he spent a total of five years. There he played with Lord Flea's Calypso Band, studied with Fish Ray and Johnny 'Slick' Engraham and participated in the Calypso Eddy Trio and Sam Role. In Miami he worked with Jack Contanzo, Moe Koffman and the Contemporary Jazz Orchestra before forming a band with trumpeter Billy Cook and finding his own approach to fusing Caribbean and jazz rhythms.
In the 1960s he moved to New York City, where he played in the bands of Freddie Hubbard (Night of the Cookers) and Randy Weston and was also heard with Ray Bryant, Johnny Barracuda, Junior Cook and Eric Dolphy. In 1965 it was featured in the Caribbean Pavilion at the World's Fair; That same year he performed with Dizzy Gillespie at the Newport Jazz Festival. He received a record contract and released four of his own albums by 1972, some of which also included African rhythms. He was also a member of the Butterfield Blues Band. He later also worked as an actor in supporting roles in films such as Uptown Saturday Night, Blazing Saddles and Minus Man. He continued to play with Sun Ra and BB King, but also recorded with Charles Tolliver and played music during Muhammad Ali 's world championship fight in 1974. In the 1990s he was the musical director of several of Randy Weston's projects.
Big Black – Lion Walk
Label: Future Shock – FS4461
Format: Vinyl, LP, Album, #LimitedEdition, Purple
Country: UK
Released: 2021
Genre: #JazzFunk / Soul
A Lion Walk
B1 Tell Me, Do Your Conscience Bother You?
B2 Love, Sweet Like Sugar Cane
B3 Come On Down To The Beach
Alto Saxophone, Flute, Piano [African Thumb Piano] – #CurtisPeagler
Bass – #RonJohnson
Congas [African Kongo Drums], Tambourine, Vocals – #BigBlack
Drums – #JohnBoudreaux, #Soko
Guitar – #BrotherSoul, #BruceLanghorn
Performer [Hose-A-Phone, Dropsticks, Can], Fiddle [1-String Bass], Trumpet, Gong, Bells [Tinkle] – #OwenMarshall
Piano – #PhilMoore, #III
Tenor Saxophone – #ChesterWashington, #HermanRiley
Trombone – #ThurmanGreen
#BigBlack #FutureShockRecords #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Christiaan Herbert 'Chris' Hinze (born June 30, 1938, Hilversum, Netherlands) is a Dutch jazz and New age flautist.
Chris Hinze Combination was presented internationally 1971 in the Casino at Lake Geneva during the Montreux Jazz Festival. From then on Chris Hinze went on the road all over Europe. Mainly American musicians joined the Combination, like John Lee, Gary Brown, Charlie Mariano, James Batton, Kevin Eubanks and many others. As the setting changed through the years, 'Combination' turned out to be an extremely apropriate name, since Hinze is always searching for new influences, interacting with musicians from other cultures, changing members of the Chris Hinze Combination for new tours and albums.
The Chris Hinze Combination – Sister Slick
Label: CBS – 80271, CBS – CBS 80271
Format: #Vinyl, LP, Album, Reissue, Stereo, Sunburst Labels
Country: Netherlands
Released: 1974
Genre: Jazz
Style: #JazzFunk, #JazzFusion
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Tracklist
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A1 Skyrider
A2 Easy Answering
A3 I Like To Feed A Smile On Your Face
B1 Unity
B2 The Second Coming
B3 Sister Slick
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Credits
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Bass [Fender] – #JohnLee
Drums, Percussion – #GerryBrown
Electric Guitar, Acoustic Guitar – #PhilipCatherine
Electric Piano [Fender], Grand Piano – #RobVanDenBroeck
Electric Piano [Fender], Organ – #JasperVantHof
Grand Piano, Synthesizer [Arp Odyssee] – #JanHuydts
Organ – #RobertJanStips
Vocals – #HennyVonk
Written-By, Arranged By, Producer, Flute, Alto Flute – #ChrisHinze
#CBSRecords #vinylcollection #vinylcollector #recordcollector #DutchJazz #percussions #recordoftheday #vinylgram #recordgram #instavinyl #instarecords #vinylrecords #vinylculture #vinylcommunity #strictlyvinyl #recordsonly #cratedigger #TheChrisHinzeCombination
Charly Antolini (born 24 May 1937) is a Swiss jazz drummer.
Born in Zürich, Antolini started playing the traditional Swiss Basler drum. In 1956, he went to Paris, where he played with Sidney Bechet and Bill Coleman. He joined the Tremble Kids with trumpeter Oscar Klein and clarinettist Werner Keller. In 1962 he lived in Stuttgart, Germany, where he spent five years playing with bassist Peter Witte and pianist Horst Jankowski in the SWR Big Band led by Erwin Lehn. With Witte, between 1965 and 1967, he recorded five albums for the Romanian pianist Eugen Cicero, who combined classical music with jazz. He also played in big bands with Kurt Edelhagen, Peter Herbolzheimer, and Max Greger in the NDR Bigband.
In 1976 he formed Charly Antolini's Jazz Power with Steve Hooks (tenor sax), Andrei Lobanov (trumpet), David Gazarov (keyboards). and Rocky Knauer (bass). Later members were Len Skeat and Brian Lemon. In the 1980s he toured Germany, Italy, and Denmark with Benny Goodman, as well as with Lionel Hampton, Barbara Dennerlein, Albert Mangelsdorff, Earl Hines, Roy Eldridge, Jimmy Giuffre, Art Farmer, Oliver Nelson, Art Van Damme, Stuff Smith, and Baden Powell. In the late 1980s-early 1990s he recorded four albums with British tenor saxophonist Dick Morrissey, three of which were live, and in 1994 he started the Super Trio with pianist Dirk Raufeisen and bassist Jimmy Woode.
Charly Antolini – Countdown
Label: Jeton – 100.3313
Format: Vinyl, LP, Album, #LimitedEdition, direct-to-disc
Country: Germany
Released: 1980
Genre: Rock
Style: #Avantgarde
A Drum Symphonie
B1 Teachers Result
B2 Slow Motion
B3 Kilt
B4 Roulette
B5 Count-Down
Bongos, Berimbau, Congas, Percussion [Small], Gamelan, Timpani – #NippiNoya
Drums – #AndyWittie
Drums [Basler, Scotch], Timpani – #AndreasGramm
Drums [Basler] – #AlfredSacher
Drums, Gong, Timpani – #CharlyAntolini
Electric Bass [Bass] – #WolfgangSchmid
#JetonRecords #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Recorded on two nights at the 1973 Donaueschingen Music Festival. The real stereo recording enables differenciating the four flautists: Steig right, Moody mid-right, Shihab mid-left and Hinze far left.
Jeremy Steig, James Moody, Sahib Shihab, Chris Hinze – Flute Summit Jamming At Donaueschingen Music-Festival
Label: Atlantic – ATL 50 027
Format: Vinyl, LP
Country: Germany
Released: 1974
Genre: Jazz
Style: #JazzFusion, #FreeImprovisation
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Tracklist
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A1 Unity
A2 Autumn Leaves
A3 East Beat
A4 My Main Sustain
B1 Come With Me
B2 Bamboo Madness
B3 Duo Memnon
B4 Collectivity
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Credits
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Bass – #JohnLee
Congas, Percussion – #IvanirDoNascimento #Mandrake
Drums – #AldoRomano
Flute – #ChrisHinze, #JamesMoody, #JeremySteig, #SahibShihab
Piano, Electric Piano [Fender Rhodes] – #JoachimKühn
#AtlanticRecords #Donaueschingen #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying
David Scott MacRae (born 2 April 1940, Auckland, New Zealand) is a New Zealand keyboardist, noted for his contributions in jazz and jazz rock, and his collaborations with musicians from the Canterbury scene.
In 1971, he was briefly with a group called Caparius before he joined Matching Mole, where he remained until 1972. In March 1973, he recorded for the Labyrinth album with Ian Carr's group Nucleus. Concurrently he played in Elton Dean's band, Just Us. He played in WMWM and Giles Farnaby's Dream Band in 1973 and did session work for Back Door in 1974, but left Nucleus around this time to concentrate on his own project called Pacific Eardrum, which he led with his wife Joy Yates until 1979.
Pacific Eardrum – Pacific Eardrum
Label: Charisma – 9124 016
Format: Vinyl, LP, Album
Country: Europe
Released: 1977
Genre: #Jazz, Rock, Funk / Soul
Style: #Fusion, #JazzRock
A1 Active Factor
A2 All Around Us
A3 Sitting On A Daisy
A4 Sun, Sea And Samba
B1 Smoke Signal
B2 Desert Dance
B3 In Search Of A Dream
B4 Crossin' Wires
Bass – #BillyKristian
Drums – #JeffSeopardie
Guitar – #IsaacGuillory
Keyboards – #DaveMacrae
Saxophone – #JimCuomo
Vocals – #JoyYates
#CharismaRecords #PacificEardrum #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Black Radio 2 is the sixth studio album by American jazz pianist and R&B producer Robert Glasper (and the second with his Robert Glasper Experiment band), released on October 29, 2013 by Blue Note Records. It is the follow-up to the Grammy Award winner Black Radio released in 2012, and won a Grammy Award for Best Traditional R&B Performance for the album cut 'Jesus Children of America' featuring Lalah Hathaway and Malcolm-Jamal Warner in 2015.
Robert Glasper Experiment – #BlackRadio2
Label: Blue Note – B001866301
Format: 2 x Vinyl, LP, Album
Country: US
Released: Oct 29, 2013
Genre: Hip Hop, Jazz, Funk / Soul
Style: Contemporary Jazz, Soul-Jazz, Neo Soul
A1 Baby Tonight (Black Radio 2 Theme) / Mic Check 2
A2 I Stand Alone Featuring – Lonnie Rashied Lynn Jr. a.k.a. Common, Patrick Stump
A3 What Are We Doing Featuring – Brandy Rayana Norwood a.k.k. Brandy
B1 Calls Featuring – Jill Scott
B2 Worries Featuring – Andwele Gardner a.k.a. Dwele
B3 Trust Featuring – Marsha Ambrosius
C1 Yet To Find Featuring – #AnthonyHamilton
C2 You Own Me Featuring – #FaithEvans
C3 Let It Ride Featuring – #NorahJones
D1 Persevere Featuring – Luke James, Lupe Fiasco, Snoop Dogg
D2 Somebody Else Featuring – Emeli Sandé
D3 Jesus Children Featuring – #LalahHathaway, Malcolm-Jamal Warner
Bass – #DerrickHodge
Drums, Percussion – #MarkColenburg
Engineer [Assistant] – Marcus Johnson
Engineer [Vocals, Luke James] – Anu Sun (tracks: 10)
Engineer [Vocals, Lupe Fiasco] – Greg Magers (tracks: 10)
Engineer [Vocals, #SnoopDog] – #TerraceMartin (tracks: 10)
Engineer [Vocals] – Andy Taub (tracks: 7, 9, 11), Dwele (tracks: 5), Josh Mosser (tracks: 3), Larry Whitt (tracks: 6)
Piano, Electric Piano [Rhodes], Synth – #RobertGlasper
Producer – Eli Wolf (tracks: 9), Robert Glasper, Terrace Martin (tracks: 10)
Turntables – Jahi Sundance (tracks: 2, 12)
Vocals – Michael Eric Dyson (tracks: 2)
Vocals [Interlude] – John P. Kee (tracks: 6), Wayne Brady (tracks: 10)
Vocoder, Saxophone, Synth – #CaseyBenjamin
#BlueNote #BlueNoteRecords #RobertGlasperExperiment #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Michał Urbaniak (born January 22, 1943) is a Polish jazz musician who plays violin, lyricon, and saxophone. His music includes elements of folk music, rhythm and blues, hip hop, and symphonic music.
He was born in Warsaw, Poland. Urbaniak started his music education during high school in Łódź, Poland, and continued from 1961 in Warsaw in the violin class of Tadeusz Wroński. Learning to play on the alto saxophone alone, he first played in a Dixieland band, and later with Zbigniew Namysłowski[1] and the Jazz Rockers, with whom he performed during the Jazz Jamboree festival in 1961. After this, he was invited to play with Andrzej Trzaskowski, and toured the United States in 1962 with the Andrzej Trzaskowski band, the Wreckers, playing at festivals and clubs in Newport, San Francisco, Chicago, Washington, D.C., and New York City.
After Urbaniak returned to Poland and the violin (which he abandoned for the saxophone during the time in Scandinavia), he created the Michał Urbaniak Group, to which he invited, among others, Urszula Dudziak (vocals), Adam Makowicz (piano), Pawel Jarzebski – bass and Czeslaw Bartkowski – drums
Michal Urbaniak Group – The Beginning
Label: Catalyst Records – CAX-7909
Format: 2 x Vinyl, LP, Compilation
Country: US
Released: 1976
Genre: Jazz
Style: Fusion
A1 Inactin
A2 Alu
A3 Ekim
A4 Silence
B1 Fall
B2 Groovy Desert
B3 Lato
C1 Paratyphus B
C2a Valium
C2b Irena
D1 Winter Piece
D2 Sound Pieces
Bass [Barcus Berry], Acoustic Bass – #RomanDylag
Congas [Conga-drums] – #BranislavKovacev
Contractor – #BeatBurri
Drums, Cymbal [Paiste Cymbals] – #CzeslawBartkowski
Piano [Fender], Clavinet [Hohner] – #AdamMakowicz
Violin [Barcus Berry & Violectra], Soprano Saxophone – #MichalUrbaniak
Voice, Percussion, Effects [Dynacord Echocord] – #UrszulaDudziak
#vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger
Brazilian singer and composer, she is the younger sister of Flora Purim. Born in Rio de Janeiro, Yana started her career in Los Angeles, in 1977.
Yana also sang with Frank Rosolino, Joe Farrell, #MoacirSantos, Hugo Fattoruso, and Dave Frishberg. As a lyricist, she wrote for Mal Waldron, #ThadJones, #JoãoDonato, Joe Sample, and many others.
Her self-titled debut album for RCA, produced by Arnaldo DeSouteiro, was initially recorded in LA with Dave Frishberg, and completed in Rio with João Donato, Azymuth's bassist #AlexMalheiros and Pascoal Meirelles. Other albums followed, featuring #HerbieHancock, Lew Soloff, #AlphonsoJohnson, George Young, Hugo Fattoruso, Dave Matthews, Claudio Roditi, Airto Moreira and Heraldo Do Monte.
In 1984, she took part of the Olympic Games Jazz Festival in Los Angeles with Moacir Santos, Milcho Leviev and Charlie Haden, performing at the jazz club Comeback Inn, owned by jazz impresario Will Rabee. She relocated to Paris in the 90s.
Yana Purim – Bird Of Brazil
Label: Sonet – SNTF 1010
Format: Vinyl, LP, Album
Country: UK
Released: 1989
Genre: Latin
Style: #LatinJazz
A1 Choro Das Aguas
A2 Bebe
A3 For A Distance Love
A4 All Mine
A5 Diana
B1 Manha De Carnaval (Theme From ''Black Orpheus')
B2 Spain
B3 Bird Of Brazil
B4 Serenade
Acoustic Guitar – #ToninhoHorta
Arranged By [Synthesizer], Piano [Acoustic], Electric Piano [Rhodes], Synthesizer [Yamaha DX-7, Oberheim OBXA, Roland Juno-1], Soloist [All Keyboards] – #HugoFattoruso
Congas, Percussion – #CidinhoMoreira
Drums, Electronic Drums [Simmons] – #PascoalMeirelles
Electric Bass – #ArturMala, #ByronMiller
Electric Bass [Fretless] – #ArismarDoEspíritoSanto, #SteveSwallow
Electric Piano [Yamaha Grand Piano, Rhodes] – #PatriceRushen
Guitar [Ovation] – #LuizBonfá
Percussion – #ArnaldoDeSouteiro
Percussion, Drums, Congas, Backing Vocals – #AirtoMoreira
Piano [Acoustic], Electric Piano [Rhodes] – #DalePowers
Producer – Arnaldo DeSouteiro, #YanaPurim
#SonetRecords #BirdOfBrazil #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Edgar Gómez (born October 4, 1944) is a #PuertoRican jazz double bassist, known for his work with the Bill Evans Trio from 1966 to 1977.
Gómez moved with his family from Puerto Rico at a young age to New York, where he was raised. He started on double bass in the New York City school system at the age of eleven and at age thirteen went to the New York City High School of Music & Art.
He has played with musicians such as Gerry Mulligan, Marian McPartland, Paul Bley, #TaniaMaria, #StepsAhead, and #ChickCorea. He spent a total of eleven years with the Bill Evans Trio, which included performances in the United States, Europe and Asia, as well as dozens of recordings.
And remember the name Steps Ahead where Gomez was playing with, because my next album that I will post tomorrow is from them.
Eddie Gomez – Mezgo
Label: #EpicRecords – EPC 57084
Format: Vinyl, LP, Album
Country: UK
Released: 1986
Genre: Jazz
Style: #PostBop, #Fusion
A1 Me Two
A2 Capricious Fantasy
A3 Puccini's Walk
B1 Delgado
B2 Caribbean Morning
B3 Scott Davis
B4 Cello Sonata In G Minor
Bass – #EddieGomez
Drums – #SteveGadd (tracks: A1, A3, B1, B2)
Engineer – #AkiraFukada
Mastered By – #MitsuharuKobayashi
Photography By – #KazumiKurigami
Piano, Keyboards – #MasahikoSatoh (tracks: A1, B1, B2, B4)
Producer – #KiyoshiItoh
Recorded By, Mixed By – #YoshihiroSuzuki
Tenor Saxophone – #MichaelBrecker (tracks: A1, A2, A3, B1)
#vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Ralph Anthony MacDonald (March 15, 1944 – December 18, 2011) was a Trinbagonian-American #percussionist, songwriter, musical arranger, record producer, steelpan virtuoso and philanthropist.
Ralph MacDonald – The Path
Label:CBS/Sony – 25AP 895
Format: Vinyl, LP, Album
Country: Japan
Released: 1978
Genre: Jazz
Style: Jazz-Funk, Latin Jazz
The Path
A1a Part One
A1b Part Two
A1c Part Three
B1 Smoke Rings And Wine
B2 I Cross My Heart
B3 It Feels So Good
B4 If I'm Still Around Tomorrow
Bass – Chuck Rainey, Will Lee (tracks: B4), William Salter (tracks: B3)
Clavinet – Arthur Jenkins Jr.
Congas, Percussion – #RalphMacDonald
Drums – Charles Collins (tracks: B4), Rick Marotta (tracks: A1b, B2), #SteveGadd (tracks: A1c, B1)
Guitar – #EricGale, #HughMcCracken (tracks: B4)
Piano – Arthur Jenkins, Jr. (tracks: B4), Richard Tee
Strings – Al Brown, Gene Orloff, Guy Lumia, Harold Kohon, Jesse Levy, Joe Malin, Julien Barber, Kermit Moore, Matthew Raimondi, Mitsue Takayama, Paul Gershman, Sanford Allen, Selwart Clarke
Percussion [Log Drums] – #IdrisMuhammad
Percussion [Syndrum, All Percussion] – Ralph MacDonald
Voice [Spoken Voice] – Jimi Solanke
Cello – Mike Sorzano
Soloist, Clarinet – Clinton 'Came To Play' Thobourne
Steel Drums [Double Second] – Alston Jack
Steel Drums [Tenor] – Roger Sardinha
Alto Saxophone – #DavidSanborn
Soloist, Synthesizer – #BobJames
Tenor Saxophone – Mike Brecker
Trombone – Barry Rogers
Trumpet – Randy Brecker
Backing Vocals – Hilda Harris, Jerry Keller, Kenny Karen, Leslie Miller, #PattiAustin, Tony Wells, Valerie Simpson
Harmonica – Jean 'Toots' Thielemans
Synthesizer [Oberheim] – Jerry Peters
Tenor Saxophone, Soloist, Saxophone [Lead] – #GroverWashingtonJr.
Cowbell, Congas [Solo] – Ralph MacDonald
Soloist, Guitar – Eric Gale
Soloist, Vibraphone [Lead] – Dave Friedman
Timbales – Nicky Marrero
Backing Vocals – Brenda White, Lani Groves, Yollanda McCullough
Lead Vocals – #GwenGuthrie
#vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Brazilian singer and songwriter living in Japan.
Born: 17 October 1949 in São Paulo, Brazil.
Born in a wealthy family, she began to play the guitar at the age of six and refined her musicality by learning João Gilberto songs, eventually breaking out as a bossa nova singer as a teenager.
After contacting Lisa Ono's father, who ran a club in São Paulo, she moved to Japan making her debuting in 1970, being produced by saxophone player Sadao Watanabe. She sung in live performances with him.
Rosa soon met Yuji Ohno, who was playing the piano on a day when Watanabe couldn't appear. He led her into TV themes and commercial music work, and released seminal album 'Spiced With Brazil' (1974).
Since the latter half of the 1980s, she has been devoted to raising her children, but in response to the growing re-evaluation of her music, she released a new album 'Depois Do Nosso Tempo' (2006), produced by Miko DJ Taro.
Sonia Rosa With Yuji Ohno – Spiced With Brazil
Label: #EMRecords – EM1037LP, Vox Music – VM0002
Series: Audio Speciality Series
Format: Vinyl, LP, Album, Reissue
Country: Japan
Released: 2002
Genre: Jazz, Latin
Style: #Bossanova, #LatinJazz
A1 Garô Ta De Ipanema
A2 Here's That Rainy Day
A3 Don't Let Me Be Lonely Tonight
A4 Secret Love
A5 Corcovado
B1 Casa Forte
B2 Atraz Da Porta
B3 You Make Me Feel Brand New
B4 Chove La Fora
Drums – #KazuyoshiOkayama
Electric Bass – #AkiraOkazawa
Electric Guitar – #TsunehideMatsuki (tracks: A3, B3)
Guitar [Gut, Folk] – #TakaoNaoi
Guitar [Solo] – #SoniaRosa (tracks: B4)
Harp – #KeikoYamakawa
Oboe – #GaishiIshibashi
Percussion [Latin] – #FujioSaitoh, #LarrySunaga, #PepeAnai
Piano – #TsuyoshiYamamoto (tracks: B1), #YujiOhno
Strings [Brilliant Strings] – #TheOhnoGroup
#vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying
Crossings is the tenth album by jazz pianist Herbie Hancock, released in 1972. It is the second album in his Mwandishi period, which saw him experimenting in electronics and funk with a sextet featuring saxophonist Bennie Maupin, trumpeter Eddie Henderson, trombonist Julian Priester, bassist Buster Williams and drummer Billy Hart. The album is the band's first to feature synthesizer player Patrick Gleeson. He was scheduled to 'set up his Moog for Hancock to play'. However, Hancock was so impressed with Gleeson that he 'asked Gleeson not only to do the overdubs on the album but join the group'.
Herbie Hancock – Crossings
Label: Warner Bros. Records – BS 2617
Format: Vinyl, LP, Album, Gatefold, Pitman Pressing
Country: US
Released: 1972
Genre: Jazz
Style: #PostBop, #JazzFusion, #JazzFunk
A Sleeping Giant
B1 Quasar
B2 Water Torture
Bass Trombone, Tenor Trombone, Trombone [Alto Trombone], Percussion – #JulianPriester
Congas – #VictorPontoja
Drums, Percussion – #BillyHart
Electric Bass, Bass, Percussion – #BusterWilliams
Electric Piano, Piano, Mellotron, Percussion – #HerbieHancock
Soprano Saxophone, Bass Clarinet, Piccolo Flute, Percussion, Alto Flute – #BennieMaupin
Synthesizer [Moog] – #PatrickGleason
Trumpet, Flugelhorn, Percussion – #EddieHenderson
Voice – Candy Love, Della Horne, Sandra Stevens, Scott Beach, Victoria Domagalski
Written-By – Bennie Maupin (tracks: B1, B2), Herbie Hancock (tracks: A)
#WarnerBrosRecords #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
João Bosco de Freitas Mucci, known professionally as João Bosco (Portuguese pronunciation) is a Brazilian singer-songwriter and guitarist. In the 1970s he established his reputation in Brazilian popular music (Portuguese: 'Brazilian pop music') with lyricist Aldir Blanc.
Born on July 13, 1946, in Ponte Nova , Minas Gerais , Bosco's profession was engineering when he moved to Rio de Janeiro, where his songs were recorded by Elis Regina. In the introduction to his three-volume Songbook Dele, Almir Chediak wrote, 'Brilliant composer João Bosco's melodic and harmonic constructions are among the most auspicious in Brazilian music'.
João Bosco – Tiro De Misericórdia
Label: RCA Victor – 103.0228
Format: Vinyl, LP, Album
Country: Brazil
Released: 1977
Genre: #Latin
Style: #Samba, #MPB
A1 Gênesis (Parto)
A2 Jogador
A3 Falso Brilhante
A4 Tempos Do Onça E Da Fera (Quarador)
A5 Sinal De Caim
A6 Vaso Ruim Não Quebra Featuring – Cristina
B1 Plataforma
B2 Me Dá A Penúltima
B3 Bijuterias
B4 Tabelas
B5 Tiro De Misericórdia
7-string Acoustic Guitar – Horondino Silva (Dino)
Acoustic Guitar – #JoãoBosco, Meira (Vovô)
Bass – Wagner Dias
Bass Flute – Celso
Cavaquinho – Canhoto, Neco
Clarinet – Abel Ferreira
Drums – Pascoal Meirelles
Flute – Altamiro Carrilho
Guitar – Toninho Horta
Keyboards – Darcy De Paulo
Marimba – Pinduca
Percussion – Chacal, Chico Batera, Gilberto D'Avila
Saxophone – Biju, Jorginho, Zé Bodega
Trombone – Raul de Barros
Arranged By, Conductor – Darcy De Paulo
#TiroDeMisericórdia #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Item Number: 7034-61-pt1
Document Title: Mid-Ocean Club/ Tuckers Town - Bermuda[orig]General Plan [pi] Scale 1" = 300'[orig]
Project: 07034; Bermuda Development Company; Bermuda Development Company Ltd.; Tuckers Town; Bermuda; 03 Subdivisions & Suburban Communities; 300 PLANS (1867; 1920-1938)
Artist/Creator: OBLA / OLMSTED BROTHERS --A.B. Clarke Location: Olmsted National Historic Site, Brookline, MA Category: PLAN Purpose: Topo
Physical Characteristics: 21" x 16 3/4" cyano graphite, cp paper Dates: Mar-1923 [orig] 09-May-1924 [r] 27-JUN-1923 Notes: Pt. 61 before finished [v] FLO I find my recordsonly show 8 of the future Golf Greens/ Kindley relocate & return to me. P.H.M. [r]
Please credit: Courtesy of the United States Department of the Interior, National Park Service, Frederick Law Olmsted National Historic Site.
Low Leaf is the long-running and multivalent project of Los Angeleno and multi-instrumentalist Angelica-Marie. Riding the wake of 2023’s Microdose—melding/channeling free jazz, astrology, hip-hop, eco-spirituality, and geo-political anger—Red Moon (out May 24th 2024 on Leaving Records) is a tight, three-song release, a snapshot of Low Leaf during an especially dynamic period.
Having received training in classical piano as a child, Low Leaf is equally adept as a self-taught guitarist, harpist, and producer. Indeed, these four elements (piano, guitar, harp, and beats/sound design)—their balance, fusion, and occasional clashings—constitute the project’s essential ingredients, though notably there is no guitar featured in Red Moon.
Low Leaf - Red Moon
Label: Leaving Records
Format: Vinyl, EP, #LimitedEdition (100 editions), Opaque Magenta
Country: Czech Republic
Released: 2024
Gerne: Experimental, Jazz
Style: Spiritual Jazz, Fusion
A1 Blue Nile
A2 Innersound Oddity
B How to Open a Portal
Harp, Synth, Keys, Vocals - #LowLeaf
Flute, saxophone - #BryanBaker
Bass - #CodyFarwell
Drums - #MekalaSession
#vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying
Spiritual Afro-jazz-influenced ensemble founded by Idris Ackamoor, Margaux Simmons and Kimathi Asante in Paris in 1972. The members met at Antioch College in Yellow Springs, Ohio and were students of Cecil Taylor. The group recorded three independent albums (Lalibela in 1973, King Of Kings in 1974 and Birth / Speed / Merging in 1976), and moved to the San Francisco Bay Area before disbanding in 1977.
The group reformed and began releasing new music on the Strut label in 2016, reissuing their 1970s albums as well as archival recordings.
The Pyramids – Lalibela
Label: Strut – STRUT160LP
Format: Vinyl, LP, Album, Reissue
Released: Nov 4, 2022
Genre: Jazz
Style: #FreeJazz, #AfroJazzFunk, #AfroJazz
A Lalibela
B1 Lalibela (cont.)
B2 Indigo
Alto Saxophone, Soprano Saxophone, Balafon, Percussion [Masenqo], Talking Drum, Drum [Moroccan Clay Drum] – Idrissa Ackamoor
Bass [Hagstrom Bass], Harp [Ugandan], Drum [Ethiopian], Flute [Bamboo] – Kwame Kimathi Asante
Congas, Drum [Osi], Percussion – Hekaptah
Drums, Percussion – Marcel Lytle
Flute, Piccolo Flute, Percussion – Margo Ackamoor
Soprano Saxophone, Flute [Bamboo], Percussion – Masai
#StrutRecords #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger
Brazilian group started out in the early 1970s as Grupo Seleção, a cover band. In 1973 they changed the band's name to Azymuth, inspired by a Marcos & Paulo Sérgio Valle song. (They also backed #MarcosValle on his Previsão Do Tempo album released in 1973.) In 1975 they released their first album, initially titled Azimüth. It featured the hit Linha Do Horizonte. In 1976 they scored another minor hit with Melô Da Cuíca ; Jazz Carnival, taken from the 1979 album Light As A Feather, was another hit, and 1980's Dear Limmertz also became a popular staple. The trio moved to the United States in the early 1980s, producing a number of albums that never came out in Brazil, and placing their bets on a mix of samba, funk and jazz that they defined as MPB-jazz (referring to Música Popular Brasileira). The main composer, keyboardist J. R. Bertrami, left the group in 1988, and was replaced by Jota Moraes and Marinho Boffa, but returned in the middle of the following decade, when the group signed with the label Far Out. After Bertrami died in 2012 keyboardist #KikoContinentino joined drummer Ivan 'Mamão' Conti and bassist Alex Malheiros to continue the band.
Azymuth – Woodland Warrior
Label: #FarOutRecordings – FARO 028LP
Format: Vinyl, LP, Album
Country: UK
Released: 1998
Genre: Electronic
Style: #FutureJazz, #LatinJazz
A1 Amazon Adventure
A2 The Quest?
A3 That's Today Featuring – Vanessa Freeman
A4 Sinto Muito = So Sad
B1 Woodland Warrior
B2 Laranjeiras = Orange Grove
B3 Ah, Você Não Sabe = You Don't Know
B4 Chameleon
Bass, Vocals – #AlexMalheiros
Drums, Percussion, Vocals – #IvanConti
Acoustic Guitar – #PedroMartins
Congas, Percussion – #ReginaldoVargas
Effects [Percussion Effects] – Ivan Conti, #Cidinho
Electric Piano [Rhodes], Synthesizer [Mini Moog], Synthesizer [Strings], Synthesizer [Prophecy], Organ [Hammond Organ], Synthesizer [Prophet 10], Synthesizer [Arp 2600], Synthesizer [Moog Opus 3], Clavinet, Piano – #JoséRobertoBertrami
Vocals – #VanessaFreeman
#FarOutRecordingsRecords #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Hermeto Pascoal (born June 22, 1936) is a Brazilian composer and multi-instrumentalist. He was born in Lagoa da Canoa, Alagoas, Brazil. Pascoal is best known in Brazilian music for his orchestration and improvisation, as well as for being a record producer and contributor to many Brazilian and international albums.
Hermeto Paschoal – A Música Livre De Hermeto Paschoal
Label: Audio Clarity – ACL0095LP
Format: Vinyl, LP, Album, #Reissue, #UnofficialRelease
Country: Europe
Released: 2023
Genre: Jazz, #Latin
Style: #MusiqueConcrète, #Forró, #LatinJazz, #Fusion
A1 Bebê
A2 Carinhoso
A3 Plin
A4 Sereiarei
B1 Asa Branca
B2 Gaio Da Roseira
Alto Saxophone, Tenor Saxophone – #Mazinho
Bass – #Alberto
Drums – #RealcinoLimaFilho a.k.a. #Nenê
Drums, Percussion, Berimba – #Annunciação
Flute – #Bola, #HamletoStamato a.k.a. #Hamleto, Hermeto Paschoal
Piano – Nenê
Voice, Saxophone [Soprano], Noises [Pigs, Geese, Turkeys, Chickens, Ducks, Rabbits] – Hermeto Paschoal
#AMúsicaLivreDeHermetoPaschoal #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Various – Origens - O Canto Da Terra
Label: #Sinter – 2493 014
Series: #Origens
Format: Vinyl, LP, Compilation
Country: #Brazil
Released: 1981
Genre: #Latin, Pop
Style: #Samba, #Bossanova, #MPB, Ballad
A1 Fagner E Nara Leão – Penas Do Tiê
A2 Elis Regina –Travessia
A3 Marilia Medalha, Edú Lobo E Momento Quatro – #Ponteio
A4 Elomar – O Violeiro
A5 Fafá De Belém – Emoriô
B1 MPB-4 E Quarteto Em Cy – O Cio Da Terra
B2 Chico Buarque – Gente Humilde
B3 Jorge Ben – País Tropical
B4 Geraldo Vandré – Das Terras Do Benvirá
B5 Alcione – Cajueiro Velho
B6 Caetano Veloso – Tropicália
#compilationalbum #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Caricatures is an album by American trumpeter Donald Byrd recorded and released on the Blue Note label in 1976. It was Byrd's final album for the label and his fifth straight release produced by Larry Mizell.
Donaldson Toussaint L'Ouverture Byrd II (December 9, 1932 – February 4, 2013) was an American jazz and rhythm & blues trumpeter and vocalist. A sideman for many other jazz musicians of his generation, Byrd was one of the few hard bop musicians who successfully explored funk and soul while remaining a jazz artist. As a bandleader, Byrd was an influence on the early career of Herbie Hancock and many others.
Donald Byrd – Caricatures
Label: Blue Note – BN-LA633-G
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 1976
Genre: Jazz, Funk / Soul
Style: #JazzFunk
A1 Dance Band
A2 Wild Life
A3 Caricatures
A4 Science Funktion
B1 Dancing In The Street
B2 Return Of The King
B3 Onward 'Til Morning
B4 Tell Me
Bass – James Jameson (tracks: A1), Scott Edwards (tracks: A2 to B4)
Conductor [Strings], Arranged By [Strings] – Wade Marcus
Drums – #AlphonseMouzon (tracks: A2 to B4), #HarveyMason (tracks: A1)
Guitar – Bernard Taylor, David T. Walker, John Rowin
Horns – #ErnieWatts, Fonce Mizell, #GaryBartz, George Bohanon, Oscar Brashear
Keyboards – Jerry Peters, #PatriceRushen, Skip Scarborough
Percussion – Mayuto Correa, Stephanie Spruill
Trumpet, Flugelhorn, Vocals – #DonaldByrd
Written-By – D. Byrd (tracks: B4), F. Mizell (tracks: A1, A2, A4, B2), L. Mizell (tracks: A2 to A4, B3, B4), R. Mizell (tracks: A1, A4, B2), Sigidi (tracks: A1, A2)
Backing Vocals – Donald Byrd, Fonce Mizell, Larry Mizell, Theresa Mitchell, Vernessa Mitchell
Producer, Arranged By – Larry Mizell & Fonce Mizell
#BlueNoteRecords #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger
Black Beauty: Miles Davis at Fillmore West is a live double album by the American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on April 10, 1970, at the Fillmore West in San Francisco, shortly after the release of the trumpeter's Bitches Brew album and the recording of Jack Johnson (1971). Black Beauty was produced by Teo Macero, Davis' longtime record producer. A jazz-rock and fusion album, Black Beauty captured one of Davis' first performances at a rock venue during the early stages of his electric period. At the concert, he led his band—saxophonist Steve Grossman, bassist Dave Holland, keyboardist Chick Corea, drummer Jack DeJohnette, and percussionist Airto Moreira—through one continuously performed set list which functioned as a musical suite for soloists to improvise throughout. He signaled changes from one piece to the next with phrases played on his trumpet.
Black Beauty was first released only in #Japan by CBS/Sony in 1973 without individual songs specified in the track listing. Columbia Records, Davis' American record label, had difficulty identifying the compositions for royalty purposes, and the album was not released in the United States until 1997. Critics were generally positive toward Black Beauty, although some were critical of its sound quality and Grossman's solos; Corea said the recording was an accurate document how that particular band of Davis' played live.
Miles Davis – Black Beauty (Miles Davis At Fillmore West)
Label: Columbia – MOVLP1427, Music On Vinyl – MOVLP1427
Format: 2 x Vinyl, LP, Album, Reissue, Stereo, 180 Gram, Gatefold
Country: Europe
Released: Nov 14, 2016
Genre: Jazz, Rock
Style: #FreeJazz, #JazzRock, #Fusion
A Black Beauty Part I
B Black Beauty Part II
C Black Beauty Part III
D Black Beauty Part IV
Drums – #JackDeJohnette
Electric Bass – #DaveHolland
Electric Piano – #ChickCorea
Percussion – #AirtoMoreira
Soprano Saxophone – #SteveGrossman
Trumpet – #MilesDavis
Design – #ShuichiYoshida, #TeruhisaTajima
#MusicOnVinyl #ColumbiaRecords #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger
Brazilian group started out in the early 1970s as Grupo Seleção, a cover band. In 1973 they changed the band's name to Azymuth, inspired by a Marcos & Paulo Sérgio Valle song. (They also backed Marcos Valle on his Previsão Do Tempo album released in 1973.) In 1975 they released their first album, initially titled Azimüth. It featured the hit Linha Do Horizonte. In 1976 they scored another minor hit with Melô Da Cuíca ; Jazz Carnival, taken from the 1979 album Light As A Feather, was another hit, and 1980's Dear Limmertz also became a popular staple. The trio moved to the United States in the early 1980s, producing a number of albums that never came out in Brazil, and placing their bets on a mix of samba, funk and jazz that they defined as MPB-jazz (referring to Música Popular Brasileira). The main composer, keyboardist J. R. Bertrami, left the group in 1988, and was replaced by Jota Moraes and Marinho Boffa, but returned in the middle of the following decade, when the group signed with the label Far Out. After Bertrami died in 2012 keyboardist Kiko Continentino joined drummer Ivan "Mamão" Conti and bassist Alex Malheiros to continue the band.
Azimüth – #Azimüth
Label: #Polydor – PROT 7028
Format: Vinyl, 7", 33 ⅓ RPM, #RecordStoreDay, Reissue
Country: Japan
Released: Apr 21, 2018
Genre: Jazz, #Latin, Funk
Style: #Samba, #JazzFunk, #MPB
A1 Zombie
A2 Melô Da Cuíca
B1 Que é Que Você Vai Fazer Nesse Carnaval
B2 Tempos Atrás
Bass [Vox / Rickenbacker], Pedalboard [Mutron Phase / Bad Stone], Effects, Vocals – #AlexandreMalheiros
Cuica – #NenémDaCuica
Drums, Apito, Vocals – #IvanMiguelConti (#Mamão)
Electric Piano [Fender Rhodes 88], Synthesizer [Arp 2.600 / Arp Odissey / Arp Strings], Clavinet, Organ [Hammond M. 102], Vocals – #JoséRobertoBertrami
Pandeiro – #AlbertoTesta
Percussion – #HermesContesini
Percussion, Percussion [Triguilhas], Vocals – #AriovaldoContesini
Surdo – #BáodaMocidade (tracks: B1)
Vocals – #GastãoLamounier, #TonyBizarro
#Azymuth #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger
David Pritchard (born March 3, 1949) is an American acoustic, classical, and jazz guitarist.
Pritchard began studying classical guitar at the age of 12 but as a teenager his interest turned to jazz. As a high school student, he founded the jazz-rock group Quintet de Sade and at the age of 20 he joined the Gary Burton Quartet, replacing guitarist Jerry Hahn. In 1970, he co-founded, along with pianist/composer Pete Robinson, the jazz-fusion group Contraband. Several years followed where he freelanced in the Los Angeles area while also teaching at the Dick Grove School of Music. In 1978 he recorded his first album as a leader, Lightyear, followed a year later by City Dreams, featuring trumpeter Freddie Hubbard, pianist Patrice Rushen, drummer Chester Thompson, and bassist/producer Larry Klein.
David Pritchard – Light-Year
Label: Inner City Records – IC 1047
Format: Vinyl, LP, Album
Country: US
Released: 1978
Genre: #Jazz
Style: #Fusion
A1 Black Moon
A2 Hotel Spirit
A3 Dry Lake
B1 Light-year
B2 Glider
B3 Mirage
B4 Inner Voice
Bass Guitar, Double Bass – #LarryKlein
Drums – #PaulKreibich
Electric Guitar, Acoustic Guitar, Liner Notes, Composed By – #DavidPritchard
Piano [Acoustic], Electric Piano – #TedSaunders
Tenor Saxophone, Soprano Saxophone, Bass Clarinet – #CharlesOreña
#InnerCityRecords #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger
Mandrake or Mandrake Som, pseudonym of Ivanir do Nascimento (Guaratinguetá, May 21, 1934 – Rome, September 8, 1988), was a Brazilian singer and percussionist naturalized Italian, active in Italy since the late 1950s.
The nickname comes from his participation in a Brazilian television program in 1959 in which Enrico Simonetti took part as conductor and arranger: during an episode dedicated to magic, Ivanir do Nascimento, being the only member of the orchestra with a moustache, impersonated the magician Mandrake, later taking his name definitively. Mandrake takes part in shows and recordings with internationally renowned artists such as Jair Rodrigues, Elis Regina, João Gilberto, Maria Bethânia, Chico Buarque, Vinícius de Moraes, Wilson Simonal, Carlos Piper, Roberto Carlos Braga, Gal Costa.
On Lexington Records an Independent Japanese record company. Parent company of #ManhattanRecords.
Mandrake Som – Sombossa
Label: #Lexington – LEX 9318, EMI – 4 79486 1
Series: New Balanço
Format: Vinyl, LP, Album, #Reissue
Country: Japan
Released: 1994
Genre: Jazz, Latin, Funk / Soul
Style: #Samba, #Bossanova, #JazzFunk, #LatinJazz
A1 Eu Não Quero Nem Saber
A2 Soul Samba
A3 Insensatez
A4 Arrastão
B1 Deixa Isso Pra La
B2 Reza
B3 Berimbau
B4 O Dia Em Que Eu Morrer
Double Bass – #RiccardoRomei
Drums – #CosimoLampis
Guitar, Vocals – #GiovannaMarinuzzi
Percussion – #IvanirDoNascimento a.k.a. #MandrakeSom
Piano – #SergioScollo
Tenor Saxophone – #DamasoGrossi
#JapaneseRelease #OBI #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying
David Werner Amram III (born November 17, 1930) is an American composer, arranger, and conductor of orchestral, chamber, and choral works, many with jazz flavorings. He plays piano, French horn, Spanish guitar, and pennywhistle, and sings. He has collaborated with several artists such as Thelonious Monk, Willie Nelson, Charles Mingus, Leonard Bernstein, and Jack Kerouac.
David Amram And Friends – Latin-Jazz Celebration
Label: Elektra Musician – 96-0195-1
Format: Vinyl, LP
Country: Germany
Released: 1983
Genre: Jazz, #LatinJazz, Non-Music
Style: #AfroCubanJazz, Interview, Charanga
A1 En Memoria De Chano Pozo
A2 New York Charanga
A3 Andes Breeze
A4 Take The A Train
B1 Blue Bomba (Bomba Azul)
B2 Brazilian Memories
B3 Celebration
B4 Song Of The Rain Forest
B5 An Interview With David Amram
Acoustic Guitar, French Horn, Tin Whistle, Piano, Ocarina, Flute [Andean], Percussion [Andean] – #DavidAmram
Alto Saxophone, Soprano Saxophone – #JerryDodgion
Alto Saxophone, Percussion, Flute – #PaquitoDRivera
Baritone Saxophone – #PepperAdams
Bass – #VictorVenegas
Bongos, Congas – #Candido
Claves – #Machito
Congas – #MyraCasales
Guiro, Percussion – Machito Jr. (#MarioGrillo)
Percussion [Brazilian] – #DuducaFonseca
Tenor Saxophone – #GeorgeBarrow
Timbales, Drums, Percussion – #SteveBerrios
Trombone – #JimmyKnepper
Trumpet – #JoeWilder
#ElektraMusicianRecords #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Bob Moses (born January 28, 1948) is an American jazz drummer.
He was born in New York, United States. Moses played with Roland Kirk in 1964–65 while he was still a teenager. In 1966, he and Larry Coryell formed #TheFreeSpirits, a jazz fusion ensemble, and from 1967 to 1969 he played in Gary Burton's quartet, including drumming for the Grammy-nominated album Gary Burton Quartet in Concert.
Billy Martin (born October 30, 1963) is an American jazz drummer, best known as a member of jazz-funk trio Medeski Martin & Wood.
Before becoming part of Medeski, Martin & Wood, Martin was part of the New York City Brazilian scene in the 1980s. He performed regularly with Pe De Boi, #Batucada and several Bob Moses bands for over a decade. He also joined Chuck Mangione's touring group for three years. Most notably he has developed as a percussionist for The Lounge Lizards and with the John Lurie National Orchestra, and has collaborated with artists such as John Zorn, DJ Logic, Dave Burrell and Miho Hatori.
Bob Moses, Billy Martin – Drumming Birds
Label: #ITMRecords – ITM 0015
Format: Vinyl, LP, Album
Country: Germany
Released: 1987
Genre: Electronic, Folk, World, & Country
Style: #Experimental, #Tribal, Abstract
A1 Entrance To The Hall Of The Drummer King
A2 Mozamba
A3 Nana? Nono, Nene!
A4 Boat Song Part I
A5 Boat Song Part II
B1 Wieldin' For D Sharpe
B2 Rumble In The Jungle
B3 Tempest, Sandstorm
B4 Jabba The Hut Strut
B5 Laughing Drummers In The Park, On Mars
Drums, Talking Drum, Surdo, Repinique, Pandeiro, Ganzá, Drums [Hum], Congas, Bongos, Electronic Drums, Synthesizer [Dx 7, Tx 816], Vocals – #BillyMartin, #BobMoses
#vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger
Barbara Ann 'Bobbi' Humphrey (born April 25, 1950) is an American jazz flautist and singer. She has recorded twelve albums over the course of her career, mostly playing jazz fusion, funk, and soul-jazz. In 1971, she was the first female instrumentalist signed by Blue Note and in 1994, she founded the jazz label Paradise Sounds Records.
Satin Doll is the fourth studio album by American jazz flautist Bobbi Humphrey recorded in 1974 and released on the Blue Note label.
Satin Doll Review by Andrew Hamilton
Named after Duke Ellington's classic 'Satin Doll' -- which producers Fonce Mizell and Freddie Perren give a '70s feel here - this delightful LP is further indication of Bobbi Humphrey's God-given gifts.
Bobbi Humphrey – Satin Doll
Label: Blue Note – BST 84 469 G, Blue Note – BST 84 469 XO
Format: Vinyl, LP, Album
Country: Germany
Released: 1974
Genre: Jazz
Style: #SoulJazz, #JazzFunk
A1 New York Times
A2 Satin Doll
A3 San Francisco Lights
A4 Ladies Day
B1 Fun House
B2 My Little Girl
B3 Rain Again
B4 You Are The Sunshine Of My Life
Bass – Chuck Rainey, Wayne Tweed (tracks: A1, A3)
Clavinet – Chuck Davis (tracks: A3), Fonce Mizell, Jerry Peters, Larry Mizell (tracks: A3)
Congas – King Errison
Drums – HarveyMason
Electric Piano [Fender Rhodes] – Fonce Mizell, Larry Mizell
Flute – BobbiHumphrey
Guitar – John Rowin, Melvin 'Wah Wah' Ragin
Percussion – Roger Sainte, Stephanie Spruill
Piano – Jerry Peters
Synthesizer [Arp] – Larry Mizell
Synthesizer [Moog] – Don Preston, Phil Davis (tracks: B4)
Trumpet – Fonce Mizell
Vocals – Bobbi Humphrey
Backing Vocals – Chuck Davis (tracks: B3), Fonce Mizell, Freddie Perren, Larry Mizell, Samantha Harris (tracks: A2)
#SatinDoll #BlueNoteRecords #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Dezron Lamont Douglas (born February 19, 1981), Hartford, Connecticut, United Statesis an American jazz double bassist, composer and producer.
Douglas was raised in Hartford, Connecticut and studied tuba and bass at the Hartford Conservatory of Music. He attended The Hartt School at the University of Hartford majoring in African American Music and History under the tutelage of alto saxophonist Jackie McLean. He is the nephew of drummer and composer Walter Bolden.
Brandee Younger (born July 1, 1983) is an American harpist. Younger infuses classical, jazz, soul, and funk influences to the harp tradition pioneered by her predecessors and idols Dorothy Ashby and Alice Coltrane. Younger leads her own ensemble, performs as a soloist and has worked as a sideman for such musicians as #PharoahSanders, #JackDeJohnette, Charlie Haden, Bill Lee and Reggie Workman, and other popular artists including Lauryn Hill, John Legend (Love in the Future), Common (Finding Forever), Ryan Leslie, Drake, #Maxwell, The Roots, Moses Sumney and Salaam Remi. Younger is noted for her work with saxophonist Ravi Coltrane, who was featured on her 2019 release, Soul Awakening. She recorded and toured with drummer and producer #MakayaMcCraven following the release of his 2018 album Universal Beings.
Dezron Douglas & Brandee Younger – Force Majeure
Label: #InternationalAnthemRecordingCompany – IARC0038
Format: Vinyl, LP, Album
Country: US
Released: 2020
Genre: Jazz
Style: #AvantgardeJazz, #ContemporaryJazz
A1 Coffee (Intro)
A2 Gospel Trane
A3 Equinox
A4 The Creator Has A Master Plan
A5 Sing
A6 You Make Me Feel Brand New
A7 We'll Be Right Black
B1 Never Can Say Goodbye
B2 This Woman's Work
B3 Nothing Stupid
B4 Inshallah
B5 Wise One
B6 Force Majeure
B7 Toilet Paper Romance
B8 Flatten The Curve (outro)
Arranged By – Brandee Younger (tracks: A1 to B3, B5 to B8)
Arranged By, Double Bass, Bass Guitar, Voice – #DezronDouglas
Artwork By [Cover] – #EstherSibiude
#Harp, Voice, Engineer – #BrandeeYounger
#vinylcollection #musicrecordcurator #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #recordsonly #nowplaying
El Chicano grew out of the burgeoning Latino music scene developing from the streets of East Los Angeles. Originally known as 'The VIP’s' and founded by Freddie Sanchez, El Chicano is the most successful of the L.A. Latino Rock recording artists. Their #10album run from 1970 - 1985 is unrivalled and included classic albums such as Viva Tirado, Revolución, Celebration, El Chicano and Cinco all released thru MCA Records.
El Chicano – This Is El Chicano
Label: #ShadybrookRecords – SB 33-005, Shadybrook Records – SB33-005
Format: #Vinyl, LP, Album
Country: US
Released: 1976
Genre: #LatinJazz, Funk / Soul
Style: Jazz-Rock, #JazzFunk, #Fusion
•
•
Tracklist
•
•
A1 Dancing Mama - Written-By – El Chicano
A2 Sweet Sensation - Written-By – Espinosa, Salas
A3 Que Sera - Written-By – #TitoPuente
A4 Ron Con-Con - Written-By – Baeza, John DeLuna
B1 Para Ti - Written-By – #MongoSantamaria
B2 Just Crusin - Written-By – Perreira, Lespron
B3 Make You All My Own - Written-By – David Batteau
B4 Mello Hi - Written-By – Angelo, Perriera
•
•
Credits
•
•
Bass, Synthesizer, Vocals – #JosephPerreira
Congas, Percussion, Vocals – #EnriqueAndreBaeza
Drums, Timbales, Percussion, Vocals – #JohnDeLuna
Keyboards [All], Marimba, Vocals – #BobbyEspinosa
Lead Guitar, Bass, Vocals – #MichaelLespron
Alto Saxophone, Tenor Saxophone, Flute, Horns – #JerryAngelo (tracks: A3, B1, B4)
Lead Vocals, Guitar, Backing Vocals – #JerrySalas
Backing Vocals – #DavidBatteau, #SheriWilliams (tracks: A1, A2)
Programmed By [Synthesizer] – #MarkGreen
Arranged By, Producer – #ElChicano
#vinylrecordcollection #instarecords #vinylculture #recordoftheday #cratedigger #vinyladdicted #recordsonly #vinylcommunity #vinylfrominsta #instavinyl #vinylrecords
They are four sisters who came from Ibirataia, Bahia, Brazil, and had given this name 'Quarteto Em Cy' ('Cy Four'/'Four In Cy') by Vinícius de Moraes and Carlos Lyra because of their names: Cyva, Cynara, Cybele and Cylene.
Their current formation is: Cyva, Cynara, Keyla Fogaça and Corina Viana.
They also joined with MPB-4 to form 'Octeto' ('Octet').
When they presented themselves to USA, they were known as 'The Girls From Bahia'.
They started performing in 1959, appearing on local television in that year. Cyva, the leader of the group, then moved to Rio de Janeiro, and persuaded her three sisters to join her there. They then started to make regular appearances in the boates (small nightclubs) of Rio, particularly Bottle's bar and the legendary Zum-Zum, where they caught the attention of Vinicius de Moraes and other prominent figures of the bossa nova scene. Their first album was released in 1964, and was to be followed by regular releases up to the late '90s, at the frequency of one a year, and sometimes more. Connoisseurs of MPB and tropicalia have a particular regard for the first few years of their recording career, when they were signed to Brazil's most daring label, Elenco.
Quarteto Em Cy – Resistindo - Ao Vivo
Label: Philips – 6349.323, Philips – 6349 323
Format: Vinyl, LP, Album
Country: Brazil
Released: 1977
Genre: Jazz, #Latin, Funk / Soul, Folk, World, & Country
Style: #BossaNova, #Samba, #MPB
A1.1 Eu Vim Da Bahia
A1.2 Filhos De Gandhi
A2 Viola Violar
A3.1 Capricho
A3.2 Memória
A4 Samambaias
A5.1 Favela
A5.2 Arquitetura De Pobre
A5.3 O Ronco Da Cuíca
B1 Resistindo
B2 O Rancho Da Goiabada
B3 Dorme, Meu Menino, Dorme
B4 Funeral De Um Lavrador
B5 Mulheres De Atenas
B6 Canta, Canta Mais
Bass – #LuizdeOliveiradaCostaMaia
Drums – #Zeca
Piano – #LaércioDeFreitas
Vocals – #CinaradeSáLeiteFaria, #CyvaRibeirodeSáLeite, #DoraTapajósGomes, #SoniaMariaRomagueraFerreira
Music Director, Arranged By [Instrumental E Vocal], Guitar [Violão, Viola Guitarra] – #LuizClaudioRamos
#QuartetoEmCy #PhilipsRecords #ResistindoAoVivo #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
José Eduardo Pinto Nazário (São Paulo, September 25, 1952) is a Brazilian drummer and percussionist. He is considered, according to specialized publications, as one of the main drum teachers in Brazil, receiving the nickname 'the teacher's teacher' from the Brazilian Modern Drummer magazine and colleagues. Brother of Lelo Nazario.
Has also worked with #EgbertoGismonti, #HermetoPascoal, Taiguara, Rodrigo Lima, Ithamara Koorax, Marlui Miranda and many others. Member of the #PauBrasilgroup.
In 1977 he formed #GrupoUm with Rodolfo Stroeter on bass and Lelo Nazário on piano, moving decisively towards Free-jazz. Invited to be part of Egberto Gismonti 's group, he recorded the album Nó Caipira by the composer from Rio de Janeiro alongside Mauro Senize and Zeca Assumpção in 1978.
Zé Eduardo Nazario – Poema Da Gota Serena
Label: Lugar Alto – LA-002, Discos Nada (2) – ND016
Format: Vinyl, LP, Album, Reissue, Remastered, Clear, Gatefold
Country: Brazil
Released: May 18, 2022
Genre: Jazz, Latin
Style: Avant-garde Jazz
A1 Energia Dos 3 Mundos
A2 Só Prá Ouvir
B1 Prá Pensar
B2 Prá Sentir E Contar
Drums, Khene, Glockenspiel, Kalimba, Mridangam, Tabla, Tubaphone, Xylophone, Percussion, Vocals – #ZéEduardoNazario
Synthesizer [Oberheim], Piano, Xylophone, Bells – #LeloNazario (tracks: B1 and B2)
Tenor Saxophone, Flute – #Cacau (tracks: A1 and A2)
#LugarAltoRecords #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Laidback fusion from guitarist Walt Barr | a small group session that never goes full-on, and instead kicks it back with a nice soulful finish! Walt plays a well-recorded electric on the set | in a group that includes Roy Braverman on keyboards, and lots of sweet smooth production -- almost in a west coast studio mode, but a bit more open-handed.
Walt Barr – Artful Dancer
Label: Muse Records – MR 5238
Format: Vinyl, LP
Country: US
Released: 1981
Genre: Funk / #SoulJazz
Style: #Fusion, Funk
A1 Artful Dancer
A2 Northstar
A3 La Cage
B1 Chelsea Morning
B2 Walking Under The Stars
B3 Nova
B4 Lyre
#WaltBarr - guitar
#RoyBraverman - keyboards
#BrianRose-drums
#BryanTilford - bass
#Sanford - percussion
#vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
This is an album of great virtuosity which I believe would be enjoyed even by the most vociferous detractor from so-called 'new' directions in music. The attributes of these men need no elaboration here. This is adventurous, exciting, innovative and accessible, all at the same time.
Steve Grossman (born January 18, 1951 in Brooklyn, New York City; died in Glen Cove, N.Y., August 13, 2020) is a jazz saxophonist who started in jazz fusion, but is most known for hard bop. He performed & recorded with #MilesDavis and Elvin Jones.
His first record 'ome Shapes To Come'was released in 1974.
Gene Perla (born March 1, 1940) is an American jazz bassist. In 1975 he started the band Stone Alliance with Don Alias and Steve Grossman. Also in the 1970s he founded PM Records ('PM' for Perla Music), which released albums by Steve Grossman, Elvin Jones, Pat LaBarbera, and Dave Liebman. He has taught at Lehigh University and the New School of Jazz & Contemporary Music.
Charles 'Don'Alias (December 25, 1939 – March 28, 2006) was an American jazz percussionist. Alias was best known for playing congas and other hand drums. He was, however, a capable drum kit performer, for example, Alias played drums on the song 'Miles Runs the Voodoo Down' from trumpeter Miles Davis's album Bitches Brew (1969) when neither Lenny White nor #JackDeJohnette was able to play the marching band-inspired rhythm requested by Davis.
Stone Alliance – #StoneAlliance
Label: #TidalWavesMusic – TWM03
Format: Vinyl, LP, Album, #LimitedEdition, Reissue
Country: US
Released: Dec 16, 2016
Genre: Jazz
Style: #JazzFunk, #AvantgardeJazz, #PostBop
A1 Vaya Mulatto
A2 King Tut
A3 Duet
B1 Sweetie-Pie
B2 Creepin'
B3 Samba De Negro
Drums, Congas, Bongos, Bells – #DonAlias
Electric Bass, Piano, Producer – #GenePerla
Tenor Saxophone – #SteveGrossman
#vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Splendid Superfly reissue of one of the rarest and most amazing Jazz Fusion records to have been produced in the French West Indies, includes the Spiritual/fusion masterpiece 'pointe des chateaux', the spacy classic 'west indian meditation' and the hipnotic gwo ka tune 'creole', a truly unique LP, one of those that you always pull out when you feel like listening to something different, features world class musicians like Clifford Jordan, Hannibal Peterson or West Indian legend Velo - 180grs quality pressing with beautiful hard cardboard gatefold cover, set to become collectible as the original is impossible to find, strictly limited to #1000copies, SRLP009
Fabiano Orchestra – Butterfly Island
Label: #SuperflyRecords – SRLP009
Format: Vinyl, LP, Album, #Gatefold, #LimitedEdition, Reissue
Country: France
Released: 2013
Genre: Jazz,
Style: #Fusion, #Latin
A1 Half Moon Bay
A2 Fo Ça Changé
A3 Créole
A4 Rastaman Rock
A5 West Indian Meditation
B1 Butterfly Island
B2 Fusion (Manhattan Pulse)
B3 Pointe Des Châteaux
Alto Saxophone, Soprano Saxophone – Germain Cece (tracks: A2)
Bongos – Gabi Moustache (tracks: A3)
Congas – Charlie Lamotte (tracks: A2, A5)
Congas, Berimbau, Percussion – Guilherme Franco (tracks: A1, B1 to B3)
Drums, Gong, Kalimba, Percussion, Producer, Arranged By – J. F. Fabiano
Drums, Tabla, Shenai – Kenny Tyler (tracks: B2)
Electric Bass – Guito Jean Jacques (tracks: A2, A4, A5), T.M. Stevens (tracks: B2, B3)
Electric Guitar – Alain Bellaïche (tracks: A1), Alvin Lawrence (tracks: A4), Calvin Bell (tracks: A1, A5, B3), Gilbert Coco (tracks: A2, A5)
Electric Piano – Eric Fontes (tracks: A5)
Electric Piano, Synthesizer [Mini Moog], Clavinet – Steve Robbin (tracks: A1, A5, B1, B3)
Flute – Clifford Jordan (tracks: B3)
Gong, Percussion – Steve McCall (tracks: B2)
Guitar [Solo] – Bill Frizzell (tracks: A1)
Organ [Farfisa] – Hector Osie (tracks: A4)
Percussion [Calbasse] – Marceau Sabine (tracks: A3)
Percussion [Ka Boula] – Christian Mathurin (tracks: A3), Michel Halley (tracks: A3)
Percussion [Ka, Marqueur] – Vélo (tracks: A3)
Piano [Acoustic], Percussion, Synthesizer [Poly Phonic Ensemble] – Bruce Carrington (tracks: B2)
Soprano Saxophone, Tenor Saxophone – Carter Jefferson (tracks: A1, A5, B1)
Timbales, Percussion – Chambers Stowe (tracks: A4, A5)
Trumpet – Hannibal Marvin Peterson (tracks: A1, A5, B2)
Vocals – Bunny Brissett-Fabiano (tracks: A4, B3)
#vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying
Henry 'Skipper' Franklin (born Henry Carl Franklin on October 1, 1940) is an American jazz double bassist.
Franklin played on Hugh Masekela's 1968 number one single, 'Grazing in the Grass', as well as with Masekela's band at the Monterey International Pop Festival in June 1967. In addition, Franklin played and recorded with Gene Harris and the Three Sounds, Hampton Hawes, Freddie Hubbard, Bobbi Humphrey, Willie Bobo, Archie Shepp, O.C. Smith, Count Basie, Stevie Wonder, Al Jarreau, Curtis Amy, Teddy Edwards, and Sonny Criss.
Henry Franklin – Tribal Dance
Label: Trading Places – TDP54129
Format: Vinyl, LP, Album, Limited Edition, Reissue, Gold
Country: Europe
Released: 2024
Genre: Jazz
Style: #SoulJazz, #LatinJazz, #Fusion
A1 Tribal Dance
A2 Eric's Tune
A3 For Penny
B1 Spring Song
B2 Cosmos Dwellers
B3 Prime Mover
Bass – #HenryFranklin
Drums, Congas, Gong, Bells – #SonshipTheus
Guitar – #KennethClimax
Piano – #DwightDickerson
Soprano Saxophone, Tenor Saxophone, English Horn, Flute – #CharlesOwens
Trombone, Horn [Baritone], Percussion – #SanifuAJHallJr
Trumpet, Flugelhorn – #JerryRush
#TradingPlacesRecords #TribalDance #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger
Radio Free Albemuth is the debut solo album by bassist Stuart Hamm, released in 1988 on Relativity Records. Hamm is backed up by guitarists Allan Holdsworth and Joe Satriani. The title of the album and many of the songs were inspired by the novels of Philip K. Dick.
Stuart Hamm (born February 8, 1960) is an American bass guitar player, known for his session and live work with numerous artists as well as for his unconventional playing style and solo recordings.
Born in New Orleans, Hamm spent his childhood and youth in Champaign, Illinois, where he studied bass and piano, played in the stage band at Champaign Central High School, and was selected to the Illinois All-State Band. Hamm graduated from Hanover High in Hanover, New Hampshire in 1978, while living in Norwich, Vermont. Following high school, he attended the Berklee College of Music in Boston, where he met guitarist Steve Vai and, through him, met Joe Satriani. Hamm played bass on Vai's debut solo album, Flex-Able, which was released in 1984.
Stuart Hamm – Radio Free Albemuth
Label: Relativity – 88561-8209-1
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 1988
Genre:Jazz, Rock
Style: #JazzRock, #Fusion, #ProgRock
A1 Radio Free Albemuth
A2 Flow My Tears
A3 Dr. Gradus Ad Parnasum
B1 Sexually Active
B2 Simple Dreams
B3 Country Music (A Night In Hell)
B4 Moonlight Sonata
Stuart Hamm – bass guitar
Allan Holdsworth – SynthAxe
Joe Satriani – electric guitar
Mike Barsimanto – drums
Amy Knoles – percussion
Scott Collard – keyboards
Glen Freundl – keyboards
Tommy Mars – keyboards
#RelativityRecords #bassplayer #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Baden Powell de Aquino (Brazilian Portuguese: 6 August 1937 – 26 September 2000), known professionally as Baden Powell, was a Brazilian guitarist. He combined classical techniques with popular harmony and swing. He performed in many styles, including bossa nova, samba, Brazilian jazz, Latin jazz and MPB. He performed on stage during most of his lifetime. Powell composed many pieces for guitar, such as Abração em Madrid, Braziliense, Canto de Ossanha, Casa Velha, Consolação, Horizon, Imagem, Lotus, Samba, Samba Triste, Simplesmente, Tristeza e Solidão, and Samba da Benção. He released Os Afro-sambas, a watershed album in MPB, with Vinicius de Moraes in 1966.
Baden Powell – À Vontade
Label: #Philips – SFX-10561
Series: ジャズ名盤コレクション
Format: Vinyl, LP, Album, Reissue, Stereo
Country: Japan
Released: 1978
Genre: #Jazz. #Latin
Style: #BossaNova
A1 Garota De Ipanema
A2 Berimbau
A3 O Astronauto
A4 Consolacao
A5 Sorongaio
B1 Samba Do Aviao
B2 Saudades Da Bahia
B3 Candomble
B4 Conversa De Poeta
B5 Samba Triste
Drums – #JoãoBatista, #StocklerPimentel
Flute – #JorgeFerreiraDaSilva
Guitar – #BadenPowell
Performer [Sorongo] – #PedroDosSantos
#PhilipsRecords #ÀVontade #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Brazilian keyboardist and songwriter (Cachoeiro do Itapemirim - ES, 1947/ Lisboa - Portugal, 2020). A prodigious child, Marcos Resende learned to play the accordion at the age of two, and taught himself the piano at six. In spite of his immense potential to become a musician he travelled to Lisbon in the 60s to study medicine, though he continued to explore his musical passion on the side, forming a trio which ended up opening for Dexter Gordon at the Cascais Jazz Festival in 1971. From here he formed the electronic oriented prog-jazz group Status, who opened shows for the likes of Elton John, Phil Woods, Stan Getz, Art Blakey & The Jazz Messengers, but in spite of their relative live success they have no known recordings.
Nivaldo Lima Ornelas (Belo Horizonte, April 22, 1941) is a Brazilian saxophonist, flutist, composer and arranger.
He formed the Contemporary Quartet in 1967 , with Jairo Moura (piano), Tibério César (double bass) and Paulo Braga (drums). In 1970, he moved to Rio de Janeiro, where he was a member of the group #SomImaginário.
With Som Imaginário he performed alongside big names in MPB , such as #GalCosta (at Teatro Opinião) and #MiltonNascimento.
#MarcosResende & #NivaldoOrnelas – Som E Fantasia
Label: #Philips – 821 377-1
Format: Vinyl, LP, Album
Country: Portugal
Released: 1984
Genre: Jazz
Style: #Fusion, #JazzFunk
A1 Som E Fantasia
A2 Uma Vez, Uma Tarde
A3 Mônica
A4 Variações Sobre Cantidas De Roda Adapted By – Nivaldo Ornelas
A5 Variações Sobre O Arqueiro Do Rei
B1 Influência Do Jazz
B2 Duas Faces Do Mesmo Amor
B3 Alto Das Mangabeiras
B4 Último Desejo
B5 Meu Velho Bom
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Paulo Moura (São José do Rio Preto, July 15, 1932 – Rio de Janeiro, July 12, 2010) was a Brazilian conductor, composer, arranger, saxophonist and clarinetist of choro, samba and jazz.
Moura was considered one of the main names in instrumental music in Brazil.
Paulo Moura – Confusão Urbana, Suburbana E Rural
Label: #RCAVictor – 103.0168
Format: Vinyl, LP, Album
Country: Brazil
Released: 1976
Genre: Jazz, #Latin, Folk, World, & Country
Style: #Samba, #Fusion
A1 Espinha De Bacalhau
A2 Notícia
A3-1 Bicho Papão
A3-2 Tema Do Zeca Da Cuíca
A4 Carimbó Do Moura
A5 Se Algum Dia
B1 Peguei A Reta
B2 Amor Proibido
B3 Dois Sem Vergonha
B4 Eu Quero É Sossego
B5 Dia De Comício
B6 Pedra Da Lua
Accordion – Julinho
Arranged By – Wagner Tiso
Brass – Altamiro Carrilho, Ary Carvalhaes, Cacau, Joãozinho, Lloyd McNeill, Marcio Montarroyos, Maurilio, Mauro Amoroso, Nivaldo Ornelas, Paulo Bombardino, Pirulito, Raulzinho, Ré Menor, Toninho
Cavaquinho – Mané Do Cavaco, Neco
Contrabass – Jamil
Drums – Alexandre Papão, Paulinho Batera
Guitar – Rosinha de Valença, Toninho Horta, Valdir
Leader – #PauloMoura
Organ, Piano – Wagner Tiso
Percussion – Doutor, Eliseu, Geraldo Bongô, Gilberto, Luna, Marçal, Paulinho, Raphael Corderdos, Serginho, Zeca Da Cuica
Violin – Pareschi, José Alves
Vocals – Gilda Horta, Isauro Tiso, Miucha
#ConfusãoUrbana #SuburbanaERural #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger
Splendid Superfly reissue of one of the rarest and most amazing Jazz Fusion records to have been produced in the French West Indies, includes the Spiritual/fusion masterpiece 'pointe des chateaux', the spacy classic 'west indian meditation' and the hipnotic gwo ka tune 'creole', a truly unique LP, one of those that you always pull out when you feel like listening to something different, features world class musicians like Clifford Jordan, Hannibal Peterson or West Indian legend Velo - 180grs quality pressing with beautiful hard cardboard gatefold cover, set to become collectible as the original is impossible to find, strictly limited to 1000 copies, SRLP009
Fabiano Orchestra – Butterfly Island
Label: Superfly Records – SRLP009
Format: Vinyl, LP, Album, Limited Edition, Reissue
Country: France
Released: 2013
Genre: Jazz
Style: Fusion
A1 Half Moon Bay
A2 Fo Ça Changé
A3 Créole
A4 Rastaman Rock
A5 West Indian Meditation
B1 Butterfly Island
B2 Fusion (Manhattan Pulse)
B3 Pointe Des Châteaux
Bongos – Gabi Moustache (tracks: A3)
Congas – Charlie Lamotte (tracks: A2, A5)
Congas, Berimbau, Percussion – Guilherme Franco (tracks: A1, B1 to B3)
Drums, Gong, Kalimba, Percussion, Producer, Arranged By – J. F. Fabiano
Drums, Tabla, Shenai – Kenny Tyler (tracks: B2)
Electric Bass – Guito Jean Jacques (tracks: A2, A4, A5), T.M. Stevens (tracks: B2, B3)
Electric Guitar – Alain Bellaïche (tracks: A1), Alvin Lawrence (tracks: A4), Calvin Bell (tracks: A1, A5, B3), Gilbert Coco (tracks: A2, A5)
Electric Piano – Eric Fontes (tracks: A5)
Electric Piano, Synthesizer [Mini Moog], Clavinet – Steve Robbin (tracks: A1, A5, B1, B3)
Flute – Clifford Jordan (tracks: B3)
Gong, Percussion – Steve McCall (tracks: B2)
Guitar [Solo] – Bill Frizzell (tracks: A1)
Organ [Farfisa] – Hector Osie (tracks: A4)
Percussion [Calbasse] – Marceau Sabine (tracks: A3)
Percussion [Ka Boula] – Christian Mathurin (tracks: A3), Michel Halley (tracks: A3)
Percussion [Ka, Marqueur] – Vélo (tracks: A3)
Piano [Acoustic], Percussion, Synthesizer [Poly Phonic Ensemble] – Bruce Carrington (tracks: B2)
Soprano Saxophone, Tenor Saxophone – Carter Jefferson (tracks: A1, A5, B1)
Timbales, Percussion – Chambers Stowe (tracks: A4, A5)
Trumpet – Hannibal Marvin Peterson (tracks: A1, A5, B2)
Vocals – Bunny Brissett-Fabiano (tracks: A4, B3)
#vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger
Rashied Ali, born Robert Patterson (July 1, 1933 – August 12, 2009) was an American free jazz and avant-garde drummer who was best known for performing with John Coltrane in the last years of Coltrane's life.
New Directions in Modern Music is a live album by the Rashied Ali Quartet. It was recorded at The East in Brooklyn, New York, during 1971, and was released in 1973 by Ali's Survival Records. On the album, Ali is featured on drums and percussion, and is joined by saxophonist and flutist Carlos Ward, pianist Fred Simmons, and bassist Stafford James. In 1999, the recording was reissued by Survival in conjunction with Knit Classics.
Ali, who replaced Elvin Jones in John Coltrane's band, formed this quartet after Coltrane's death. On this session Fred Simmons was standing in for the regular pianist, Don Pullen. The style of musically carried on from where Coltrane left off - high energy stuff, with lots of drumming and long solos.
Rashied Ali Quartet – New Directions In Modern Music
Label: #KlimtRecords – MJJ357LP
Format: Vinyl, LP, Album, Unofficial Release
Country: France
Released: 2013
Genre: Jazz
Style: #FreeJazz
A As-Salaam-Alikum
B Akela
Alto Saxophone, Flute – #CarlosWard
Leader, Drums [Trap Drum Set], Congas [Conga Drum], Composed By, Arranged By, Design Piano – #FredSimmons
Violin [Bass] – #StaffordJames
#RashiedAliQuartet #NewDirectionsInModernMusic
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Raymundo 'Ray' Barretto Pagán (April 29, 1929 – February 17, 2006) was an American percussionist and bandleader of Puerto Rican descent. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, 'El Watusi', was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga (improvised jam session), Barretto was a long-time member of the Fania All-Stars.
Ray Barretto – Can You Feel It
Label: Atlantic – SD 19198
Format: Vinyl, LP, Album, MO
Country: US
Released: 1978
Genre: Jazz, Funk / Soul
Style: #LatinJazz Soul-Jazz, #JazzFunk
A1 Can You Feel It (Let It Groove You)
A2 I Think About You
A3 What Part Of Heaven Do You Come From?
A4 Stargazer
B1 Summer Sun
B2 Whirlpool
B3 Sting Ray
B4 Daydreams
B5 Confrontation
Bass – Neil Stubenhaus, Willie Weeks, Eddie Rivera
Drums – Richie Morales, Andy Newmark
Congas, Percussion – #RayBarretto
Bongos – 'Little' Ray Romero
Lead Guitar, Rhythm Guitar – Jeff Richman
Guitar – #HiramBullock, Jeff Richman
Electric Piano [Fender], Piano [Acoustic] – Howard Schneider
Piano [Acoustic], Electric Piano [Rhodes] – Todd Anderson
Keyboards – Neil Larsen
Synthesizer – Cliff Carter
Vocals – Chris Robinson, #GoogieCoppola, #KellyBarretto, Michelle Robinson, Ray Barretto II, Walter 'Flea' Garcia, Cissy Houston, Alfa Anderson, Diva Gray
Tenor Saxophone, Alto Saxophone – Todd Anderson (tracks: A1, A2, A4 to B5)
Timbales, Percussion – Carlos Cordova (tracks: A1, A2, A4 to B5)
Producer – Ray Barretto, Raymond Silva
#AtlanticRecords #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger #cratedigging #strictlyvinyl #forevervinyl #vinylrecordsforever
Nivaldo Lima Ornelas (born April 22, 1941 in Belo Horizonte) is a Brazilian jazz musician (tenor and soprano saxophone, flute, composition, arrangement), who has also made a name for himself in the field of Música Popular Brasileira.
Nivaldo Ornelas – Nivaldo Ornelas
Label: Philips – 6349 375
Series: #MPBC #MusicaPopularBrasileiraContemporanea
Format: Vinyl, LP, Album
Country: Brazil
Released: 1978
Genre: Jazz, #LatinJazz
Style: #MPB, #Fusion
A1 As Minas De Morro Velho
A2 Portal Dos Anjos
A3 Arqueiro Do Rei
A4 Ninfas
B1 Querubins E Serafins
B2 Sorrisos De Uma Criança
B3 Cidadela
B4 O Que Há De Mais Sagrado
Acoustic Bass, Percussion – Luis Alves
Arranged By – Wagner Tiso (tracks: B1)
Cello – Watson Clis
Choir [Female] – Carla, Nana, Niuza, Suzana
Choir [Male] – Edson Bastos, Jamil, Max, Waldir
Choir [Participacion especial] – Coral De Pro Arte
Choir [Youth] – Carla, Flavinho, Nana, Tata
Conductor [Pro Arte Choir] – Jaques Morelenbaum
Congas, Violin [Violino] – José Alves
Coordinator – Roberto Santana
Cornett, Flugelhorn, Mellophone – Marcio Montarroyos
Drums – Paulinho Braga (tracks: A1, A2), Robertinho Silva (tracks: B3, B4)
Drums, Timpani – Pascoal Meirelles
Flute – Cacau, Mauro Senise, Raul Mascarenhas, Ricardo Pontes, Zé Carlos
Flute, Acoustic Guitar – Jairo Lara
Guitar [Violao], Guitar – Toninho Horta
Percussion – Chacal, Chico Batera, Pascoal, Paulinho Braga, Robertinho Silva, Ubiratan
Piano, Organ – Helvius Vilela, Wagner Tiso (tracks: B1 to B4)
Tenor Saxophone, Flute, Arranged By – NivaldoOrnelas
Twelve-String Guitar, Electric Bass – Jamil Joanes
Viola – Frederick
Violin [Violino] – Aizik
#BrazilianRelease #vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger
Jesse Woods Johnson (born June 1, 1960) is an American funk musician best known as the guitarist in the original 1981 lineup of The Time (known since 2011 as #Original7ven).
Johnson was born in Rock Island, Illinois. He moved to East St. Louis, Illinois at the age of nine and was raised by foster parents after his parents split up. At age 16 he moved back to Rock Island to live with his father Jackwood Johnson. Johnson began playing guitar when he was 15, honing his chops in local rock bands such as Treacherous Funk, Pilot, and Dealer, throughout his teens and early twenties. On the recommendation of fellow Musician, Robbie Muskeyvalley (of the band '#MidnightExpress', he moved to Minneapolis, Minnesota in 1981, where he met #MorrisDay and played briefly in Day's band which was called #Enterprise. He then became the lead guitarist for #TheTime, a funk rock group formed by #Prince.
Jesse Johnson – Every Shade Of Love
Label: A&M Records – 395 188-1
Format: Vinyl, LP, Album
Country: Europe
Released: 1988
Genre: Funk / Soul
Style: #MinneapolisSound, #Funk
A1 Love Struck Voice [Backing Voices] – Sue Ann
A2 So Misunderstood
A3 I'm The One
Instrumentation By [Additional Instrumentation By], Clavinet – #JeffLorber
Voice [Backing Voices] – #TaMara
A4 Color Shock
B1 Every Shade Of Love
Instrumentation By [Additional Instrumentation By], Strings – #ClareFischer
B2 Everybody Wants Somebody To Love
B3 I'm Just Wanting You
B4 Stop-Look-Listen
Drums, Percussion – #JohnParis
Guitar – #JesseJohnson
Saxophone [Saxophones] – #EddieMininfield
#vinylcollection #recordoftheday #recordcollection #vinylrecords #recordcollector #vinylgram #recordgram #instarecords #vinylculture #vinylcommunity #vinyladdict #vinyladdiction #recordsonly #nowplaying #cratedigger