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“Everything that is beautiful and noble is the product of reason and calculation.” - Charles Baudelaire

 

Macro Monday project – 05/11/15

"5 (five)”

Experiments in staring.

Keep your head down,

Lest you draw his eye...

 

☆Abnormality Featured Items☆

(Open August 7-28th!)

✦ K R E E P → Body Crystals

✦ Mosscore → Horseman of War Hat

✦ Vae Victis → Ave Maria Rifle

✦ Static → Blackblood Mask

✦ Gloom → Hunter Collection Eye

 

Go get your goodies at Abnormality, here!

 

☆BeSpoke Featured Item☆

✦Fae Raziel Head → Taxi

 

"Here goes nothin, kid. Geronimo."

 

#TheTravelingShirt is also inspiring me to get a little nostalgically film related.

Screenshot from the video game “Kingdoms Of Amalur: Reckoning”

A dark pattern is "a user interface that has been carefully crafted to trick users into doing things, such as buying insurance with their purchase or signing up for recurring bills." The neologism dark pattern was coined by Harry Brignull on July 28, 2010 with the registration of darkpatterns.org, a "pattern library with the specific goal of naming and shaming deceptive user interfaces.Bait-and-switch patterns advertise a free (or greatly reduced) product or service which is wholly unavailable or stocked in small quantities. After it is apparent the product is no longer available, they are exposed to other priced products similar to the one advertised. This is common in software installers, where a button will be presented in the fashion of a typical continuation button. It is common that one has to accept the program's terms of service, so a dark pattern would show a prominent "I accept these terms" button on a page where the user is asked to accept the terms of a program unrelated to the program they are trying to install. Since the user will typically accept the terms by force of habit, the unrelated program can subsequently be installed. The installer's authors do this because they are paid by the authors of the unrelated program for each install that they procure. The alternative route in the installer, allowing the user to skip installing the unrelated program, is much less prominently displayed or seems counter-intuitive (such as declining the terms of service).

 

en.wikipedia.org/wiki/Dark_pattern

 

This pattern is also used by some websites, where the user is shown a page where information is asked that is not required. For example, one would fill out a username and password on one page, and after clicking the "next" button the user is asked for their email address with another "next" button as the only option. It is not apparent that the step can be skipped. When simply pressing "next" without entering their personal information, however, the website will just continue. In some cases, a method to skip the step is visible but not shown as a button (instead, usually, as a small and greyed-out link) so that it does not stand out to the user. Other examples that often use this pattern are inviting friends by entering someone else's email address, uploading a profile picture, or selecting interests.

 

”This is a civilizational moment in a way I’m not sure we’re all reckoning with,” Harris said on stage. “It’s a historical moment when a species that is intelligent builds technology that ... can simulate a puppet version of its creator, and the puppet can control the master. That’s an unprecedented situation to be in. That could be the end of human agency, when you can perfectly simulate not just the strengths of people but their weaknesses.”

 

Where does technology exploit our minds weaknesses?

 

I learned to think this way when I was a magician. Magicians start by looking for blind spots, edges, vulnerabilities and limits of people’s perception, so they can influence what people do without them even realizing it. Once you know how to push people’s buttons, you can play them like a piano.

  

That’s me performing sleight of hand magic at my mother’s birthday party

And this is exactly what product designers do to your mind. They play your psychological vulnerabilities (consciously and unconsciously) against you in the race to grab your attention.

 

I want to show you how they do it.

 

Hijack #1: If You Control the Menu, You Control the Choices

 

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Western Culture is built around ideals of individual choice and freedom. Millions of us fiercely defend our right to make “free” choices, while we ignore how we’re manipulated upstream by limited menus we didn’t choose.

 

This is exactly what magicians do. They give people the illusion of free choice while architecting the menu so that they win, no matter what you choose. I can’t emphasize how deep this insight is.

 

When people are given a menu of choices, they rarely ask:

 

“what’s not on the menu?”

“why am I being given these options and not others?”

“do I know the menu provider’s goals?”

“is this menu empowering for my original need, or are the choices actually a distraction?” (e.g. an overwhelmingly array of toothpastes)

Photo by Kevin McShane

 

How empowering is this menu of choices for the need, “I ran out of toothpaste”?

For example, imagine you’re out with friends on a Tuesday night and want to keep the conversation going. You open Yelp to find nearby recommendations and see a list of bars. The group turns into a huddle of faces staring down at their phones comparing bars. They scrutinize the photos of each, comparing cocktail drinks. Is this menu still relevant to the original desire of the group?

 

It’s not that bars aren’t a good choice, it’s that Yelp substituted the group’s original question (“where can we go to keep talking?”) with a different question (“what’s a bar with good photos of cocktails?”) all by shaping the menu.

 

Moreover, the group falls for the illusion that Yelp’s menu represents acomplete set of choices for where to go. While looking down at their phones, they don’t see the park across the street with a band playing live music. They miss the pop-up gallery on the other side of the street serving crepes and coffee. Neither of those show up on Yelp’s menu.

 

Yelp subtly reframes the group’s need “where can we go to keep talking?” in terms of photos of cocktails served.

The more choices technology gives us in nearly every domain of our lives (information, events, places to go, friends, dating, jobs) — the more we assume that our phone is always the most empowering and useful menu to pick from. Is it?

 

The “most empowering” menu is different than the menu that has the most choices. But when we blindly surrender to the menus we’re given, it’s easy to lose track of the difference:

 

“Who’s free tonight to hang out?” becomes a menu of most recent people who texted us (who we could ping).

“What’s happening in the world?” becomes a menu of news feed stories.

“Who’s single to go on a date?” becomes a menu of faces to swipe on Tinder (instead of local events with friends, or urban adventures nearby).

“I have to respond to this email.” becomes a menu of keys to type a response (instead of empowering ways to communicate with a person).

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All user interfaces are menus. What if your email client gave you empowering choices of ways to respond, instead of “what message do you want to type back?” (Design by Tristan Harris)

When we wake up in the morning and turn our phone over to see a list of notifications — it frames the experience of “waking up in the morning” around a menu of “all the things I’ve missed since yesterday.”

  

A list of notifications when we wake up in the morning — how empowering is this menu of choices when we wake up? Does it reflect what we care about? (credit to Joe Edelman)

By shaping the menus we pick from, technology hijacks the way we perceive our choices and replaces them new ones. But the closer we pay attention to the options we’re given, the more we’ll notice when they don’t actually align with our true needs.

 

Hijack #2: Put a Slot Machine In a Billion Pockets

 

If you’re an app, how do you keep people hooked? Turn yourself into a slot machine.

 

The average person checks their phone 150 times a day. Why do we do this? Are we making 150 conscious choices?

  

How often do you check your email per day?

One major reason why is the #1 psychological ingredient in slot machines:intermittent variable rewards.

 

If you want to maximize addictiveness, all tech designers need to do is link a user’s action (like pulling a lever) with a variable reward. You pull a lever and immediately receive either an enticing reward (a match, a prize!) or nothing. Addictiveness is maximized when the rate of reward is most variable.

 

Does this effect really work on people? Yes. Slot machines make more money in the United States than baseball, movies, and theme parkscombined. Relative to other kinds of gambling, people get ‘problematically involved’ with slot machines 3–4x faster according to NYU professor Natasha Dow Shull, author of Addiction by Design.

 

But here’s the unfortunate truth — several billion people have a slot machine their pocket:

 

When we pull our phone out of our pocket, we’re playing a slot machineto see what notifications we got.

When we pull to refresh our email, we’re playing a slot machine to see what new email we got.

When we swipe down our finger to scroll the Instagram feed, we’replaying a slot machine to see what photo comes next.

When we swipe faces left/right on dating apps like Tinder, we’re playing a slot machine to see if we got a match.

When we tap the # of red notifications, we’re playing a slot machine to what’s underneath.

 

Apps and websites sprinkle intermittent variable rewards all over their products because it’s good for business.

 

But in other cases, slot machines emerge by accident. For example, there is no malicious corporation behind all of email who consciously chose to make it a slot machine. No one profits when millions check their email and nothing’s there. Neither did Apple and Google’s designers want phones to work like slot machines. It emerged by accident.

 

But now companies like Apple and Google have a responsibility to reduce these effects by converting intermittent variable rewards into less addictive, more predictable ones with better design. For example, they could empower people to set predictable times during the day or week for when they want to check “slot machine” apps, and correspondingly adjust when new messages are delivered to align with those times.

 

Hijack #3: Fear of Missing Something Important (FOMSI)

 

Another way apps and websites hijack people’s minds is by inducing a “1% chance you could be missing something important.”

 

If I convince you that I’m a channel for important information, messages, friendships, or potential sexual opportunities — it will be hard for you to turn me off, unsubscribe, or remove your account — because (aha, I win) you might miss something important:

 

This keeps us subscribed to newsletters even after they haven’t delivered recent benefits (“what if I miss a future announcement?”)

This keeps us “friended” to people with whom we haven’t spoke in ages (“what if I miss something important from them?”)

This keeps us swiping faces on dating apps, even when we haven’t even met up with anyone in a while (“what if I miss that one hot match who likes me?”)

This keeps us using social media (“what if I miss that important news story or fall behind what my friends are talking about?”)

But if we zoom into that fear, we’ll discover that it’s unbounded: we’ll always miss something important at any point when we stop using something.

 

There are magic moments on Facebook we’ll miss by not using it for the 6th hour (e.g. an old friend who’s visiting town right now).

There are magic moments we’ll miss on Tinder (e.g. our dream romantic partner) by not swiping our 700th match.

There are emergency phone calls we’ll miss if we’re not connected 24/7.

But living moment to moment with the fear of missing something isn’t how we’re built to live.

 

And it’s amazing how quickly, once we let go of that fear, we wake up from the illusion. When we unplug for more than a day, unsubscribe from those notifications, or go to Camp Grounded — the concerns we thought we’d have don’t actually happen.

 

We don’t miss what we don’t see.

 

The thought, “what if I miss something important?” is generated in advance of unplugging, unsubscribing, or turning off — not after. Imagine if tech companies recognized that, and helped us proactively tune our relationships with friends and businesses in terms of what we define as “time well spent” for our lives, instead of in terms of what we might miss.

 

Hijack #4: Social Approval

  

Easily one of the most persuasive things a human being can receive.

We’re all vulnerable to social approval. The need to belong, to be approved or appreciated by our peers is among the highest human motivations. But now our social approval is in the hands of tech companies (like when we’re tagged in a photo).

 

When I get tagged by my friend Marc (above), I imagine him making aconscious choice to tag me. But I don’t see how a company like Facebook orchestrated him doing that in the first place.

 

Facebook, Instagram or SnapChat can manipulate how often people get tagged in photos by automatically suggesting all the faces people should tag (e.g. by showing a box with a 1-click confirmation, “Tag Tristan in this photo?”).

 

So when Marc tags me, he’s actually responding to Facebook’s suggestion, not making an independent choice. But through design choices like this,Facebook controls the multiplier for how often millions of people experience their social approval on the line.

  

Facebook uses automatic suggestions like this to get people to tag more people, creating more social externalities and interruptions.

The same happens when we change our main profile photo — Facebook knows that’s a moment when we’re vulnerable to social approval: “what do my friends think of my new pic?” Facebook can rank this higher in the news feed, so it sticks around for longer and more friends will like or comment on it. Each time they like or comment on it, I’ll get pulled right back.

 

Everyone innately responds to social approval, but some demographics (teenagers) are more vulnerable to it than others. That’s why it’s so important to recognize how powerful designers are when they exploit this vulnerability.

  

Hijack #5: Social Reciprocity (Tit-for-tat)

 

You do me a favor, now I owe you one next time.

You say, “thank you”— I have to say “you’re welcome.”

You send me an email— it’s rude not to get back to you.

You follow me — it’s rude not to follow you back. (especially for teenagers)

We are vulnerable to needing to reciprocate others’ gestures. But as with Social Approval, tech companies now manipulate how often we experience it.

 

In some cases, it’s by accident. Email, texting and messaging apps are social reciprocity factories. But in other cases, companies exploit this vulnerability on purpose.

 

LinkedIn is the most obvious offender. LinkedIn wants as many people creating social obligations for each other as possible, because each time they reciprocate (by accepting a connection, responding to a message, or endorsing someone back for a skill) they have to come back through linkedin.com where they can get people to spend more time.

 

Like Facebook, LinkedIn exploits an asymmetry in perception. When you receive an invitation from someone to connect, you imagine that person making a conscious choice to invite you, when in reality, they likely unconsciously responded to LinkedIn’s list of suggested contacts. In other words, LinkedIn turns your unconscious impulses (to “add” a person) into new social obligations that millions of people feel obligated to repay. All while they profit from the time people spend doing it.

  

Imagine millions of people getting interrupted like this throughout their day, running around like chickens with their heads cut off, reciprocating each other — all designed by companies who profit from it.

 

Welcome to social media.

  

After accepting an endorsement, LinkedIn takes advantage of your bias to reciprocate by offering *four* additional people for you to endorse in return.

Imagine if technology companies had a responsibility to minimize social reciprocity. Or if there was an “FDA for Tech” that monitored when technology companies abused these biases?

  

Hijack #6: Bottomless bowls, Infinite Feeds, and Autoplay

  

YouTube autoplays the next video after a countdown

Another way to hijack people is to keep them consuming things, even when they aren’t hungry anymore.

 

How? Easy. Take an experience that was bounded and finite, and turn it into a bottomless flow that keeps going.

 

Cornell professor Brian Wansink demonstrated this in his study showing you can trick people into keep eating soup by giving them a bottomless bowl that automatically refills as they eat. With bottomless bowls, people eat 73% more calories than those with normal bowls and underestimate how many calories they ate by 140 calories.

 

Tech companies exploit the same principle. News feeds are purposely designed to auto-refill with reasons to keep you scrolling, and purposely eliminate any reason for you to pause, reconsider or leave.

 

It’s also why video and social media sites like Netflix, YouTube or Facebookautoplay the next video after a countdown instead of waiting for you to make a conscious choice (in case you won’t). A huge portion of traffic on these websites is driven by autoplaying the next thing.

  

Facebook autoplays the next video after a countdown

Tech companies often claim that “we’re just making it easier for users to see the video they want to watch” when they are actually serving their business interests. And you can’t blame them, because increasing “time spent” is the currency they compete for.

 

Instead, imagine if technology companies empowered you to consciously bound your experience to align with what would be “time well spent” for you. Not just bounding the quantity of time you spend, but the qualities of what would be “time well spent.”

 

Hijack #7: Instant Interruption vs. “Respectful” Delivery

 

Companies know that messages that interrupt people immediately are more persuasive at getting people to respond than messages delivered asynchronously (like email or any deferred inbox).

 

Given the choice, Facebook Messenger (or WhatsApp, WeChat or SnapChat for that matter) would prefer to design their messaging system to interrupt recipients immediately (and show a chat box) instead of helping users respect each other’s attention.

 

In other words, interruption is good for business.

 

It’s also in their interest to heighten the feeling of urgency and social reciprocity. For example, Facebook automatically tells the sender when you “saw” their message, instead of letting you avoid disclosing whether you read it(“now that you know I’ve seen the message, I feel even more obligated to respond.”) By contrast, Apple more respectfully lets users toggle “Read Receipts” on or off.

 

The problem is, while messaging apps maximize interruptions in the name of business, it creates a tragedy of the commons that ruins global attention spans and causes billions of interruptions every day. This is a huge problem we need to fix with shared design standards (potentially, as part of Time Well Spent).

 

Hijack #8: Bundling Your Reasons with Their Reasons

 

Another way apps hijack you is by taking your reasons for visiting the app (to perform a task) and make them inseparable from the app’s business reasons(maximizing how much we consume once we’re there).

 

For example, in the physical world of grocery stories, the #1 and #2 most popular reasons to visit are pharmacy refills and buying milk. But grocery stores want to maximize how much people buy, so they put the pharmacy and the milk at the back of the store.

 

In other words, they make the thing customers want (milk, pharmacy) inseparable from what the business wants. If stores were truly organized to support people, they would put the most popular items in the front.

 

Tech companies design their websites the same way. For example, when you you want to look up a Facebook event happening tonight (your reason) the Facebook app doesn’t allow you to access it without first landing on the news feed (their reasons), and that’s on purpose. Facebook wants to convert every reason you have for using Facebook, into their reason which is to maximize the time you spend consuming things.

 

In an ideal world, apps would always give you a direct way to get what you want separately from what they want.

 

Imagine a digital “bill of rights” outlining design standards that forced the products that billions of people used to support empowering ways to navigate towards their goals.

 

Hijack #9: Inconvenient Choices

 

We’re told that it’s enough for businesses to “make choices available.”

 

“If you don’t like it you can always use a different product.”

“If you don’t like it, you can always unsubscribe.”

“If you’re addicted to our app, you can always uninstall it from your phone.”

Businesses naturally want to make the choices they want you to make easier, and the choices they don’t want you to make harder. Magicians do the same thing. You make it easier for a spectator to pick the thing you want them to pick, and harder to pick the thing you don’t.

 

For example, NYTimes.com let’s you “make a free choice” to cancel your digital subscription. But instead of just doing it when you hit “Cancel Subscription,” they force you to call a phone number that’s only open at certain times.

  

NYTimes claims it’s giving a free choice to cancel your account

Instead of viewing the world in terms of choice availability of choices, we should view the world in terms of friction required to enact choices.

 

Imagine a world where choices were labeled with how difficult they were to fulfill (like coefficients of friction) and there was an FDA for Tech that labeled these difficulties and set standards for how easy navigation should be.

 

Hijack #10: Forecasting Errors, “Foot in the Door” strategies

  

Facebook promises an easy choice to “See Photo.” Would we still click if it gave the true price tag?

People don’t intuitively forecast the true cost of a click when it’s presented to them. Sales people use “foot in the door” techniques by asking for a small innocuous request to begin with (“just one click”), and escalating from there (“why don’t you stay awhile?”). Virtually all engagement websites use this trick.

 

Imagine if web browsers and smartphones, the gateways through which people make these choices, were truly watching out for people and helped them forecast the consequences of clicks (based on real data about what it actually costs most people?).

 

That’s why I add “Estimated reading time” to the top of my posts. When you put the “true cost” of a choice in front of people, you’re treating your users or audience with dignity and respect.

 

In a Time Well Spent internet, choices would be framed in terms of projected cost and benefit, so people were empowered to make informed choices.

  

TripAdvisor uses a “foot in the door” technique by asking for a single click review (“How many stars?”) while hiding the three page form behind the click.

Summary And How We Can Fix This

 

Are you upset that technology is hijacking your agency? I am too. I’ve listed a few techniques but there are literally thousands. Imagine whole bookshelves, seminars, workshops and trainings that teach aspiring tech entrepreneurs techniques like this. They exist.

 

The ultimate freedom is a free mind, and we need technology to be on our team to help us live, feel, think and act freely.

 

We need our smartphones, notifications screens and web browsers to be exoskeletons for our minds and interpersonal relationships that put our values, not our impulses, first. People’s time is valuable. And we should protect it with the same rigor as privacy and other digital rights.

 

Tristan Harris was Product Philosopher at Google until 2016 where he studied how technology affects a billion people’s attention, wellbeing and behavior.

 

For more information and get involved, check out timewellspent.io. This piece is cross-posted on Medium.

  

MARCH 7, 2016 by TRISTAN HARRIS

Tech Companies Design Your Life, Here’s Why You Should Care

 

UNCATEGORIZED

5 COMMENTS

 

Four years ago, I sold my company to Google and joined the ranks there. I spent my last three years there as Product Philosopher, looking at the profound ways the design of screens shape billions of human lives – and asking what it means for them to do so ethically and responsibly.

 

What I came away with is that something’s not right with how our screens are designed, and I’m writing this to help you understand why you should care, and what you can do about it.

 

I shouldn’t have to cite statistics about the central role screens play in our lives. Billions of us turn to smartphones every day. We wake up with them. We fall asleep with them. You’re looking at one right now.

 

Of course, new technologies always reshape society, and it’s always tempting to worry about them solely for this reason. Socrates worried that the technology of writing would “create forgetfulness in the learners’ souls, because they [would] not use their memories.” We worried that newspapers would make people stop talking to each other on the subway. We worried that we would use television to “amuse ourselves to death.”

 

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“And see!” people say. “Nothing bad happened!” Isn’t humanity more prosperous, more technically sophisticated, and better connected than ever? Is it really that big of a problem that people spend so much time staring at their smartphones? Isn’t it just another cultural shift, like all the others? Won’t we just adapt?

 

Invisibility of the New Normal

 

I don’t think so. What’s missing from this perspective is that all these technologies (books, television, radio, newspapers) did change everything about society, we just don’t see it. They replaced our old menus of choices with new ones. Each new menu eventually became the new normal – “the way things are” – and, after our memories of old menus had faded into the past, the new menus became “the way things have always been.”

 

gold-fish-in-waterASK A FISH ABOUT WATER AND THEY’LL RESPOND, “WHAT’S WATER?”

Consider that the average American now watches more than 5.5 hours of television per day. Regardless of whether you think TV is good or bad, hundreds of millions of people spend 30% of their waking hours watching it. It’s hard to overstate the vast consequences of this shift– for the blood flows of millions of people, for our understanding of reality, for the relational habits of families, for the strategies and outcomes of political campaigns. Yet for those who live with them day-to-day, they are invisible.

 

So what best describes the nature of what smart phones are “doing” to us?

 

A New “Perfect” Choice on Life’s Menu

 

If I had to summarize it, it’s this: Our phone puts a new choice on life’s menu, in any moment, that’s “sweeter” than reality.

 

If, at any moment, reality gets dull or boring, our phone offers something more pleasurable, more productive and even more educational than whatever reality gives us.

 

And this new choice fits into any moment. Our phone offers 5-second choices like “checking email” that feel better than waiting in line. And it offers 30-minute choices like a podcast that will teach you that thing you’ve been dying to learn, which feels better than a 30-minute walk in silence.

 

Once you see your phone this way, wouldn’t you turn to it more often? It always happens this way: when new things fill our needs better than the old, we switch:

 

When cheaper, faster to prepare food appears, we switch: Packaged foods.

When more accurate search engines appear, we switch: Google.

When cheaper, faster forms of transportation appear, we switch: Uber.

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So it goes with phones.

 

But it also changes us on the inside. We grow less and less patient for reality as it is, especially when it’s boring or uncomfortable. We come to expect more from the world, more rapidly. And because reality can’t live up to our expectations, it reinforces how often we want to turn to our screens. A self-reinforcing feedback loop.

 

And because of the attention economy, every product will only get more persuasive over time. Facebook must become more persuasive if it wants to compete with YouTube and survive. YouTube must become more persuasive if it wants to compete with Facebook. And we’re not just talking about ‘cheap’ amusement (aka cat videos). These products will only get better at giving us choices that make every bone in our body say, “yeah I want that!”

 

So what’s wrong about this? If the entire attention economy is working to fill us up with more perfect-feeling things to spend time on, which outcompete being with the discomfort of ourselves or our surroundings, shouldn’t that be fantastic?

 

wall-e

 

Clearly something is missing from this picture. But what is it?

 

Maybe it’s that “filling people up,” even with incredible choices on screens somehow doesn’t add up to a life well lived. Or that those choices weren’t what we wished we’d been persuaded to do in the bigger sense of our lives.

 

With design as it is today, screens threaten our fundamental agency. Maybe we are “choosing,” but we are choosing from persuasive menus driven by companies who have different goals than ours.

 

And that begs us to ask, “what are our goals?” or how do we want to spend our time? There are as many “good lives” as there are people, but our technology (and the attention economy) don’t really seem on our team to give us the agency to live according to them.

 

A Whole New Persuasive World

 

And it’s about to get a lot worse. Virtual Reality and Augmented Reality will offer whole new immersive realities that are even more persuasive than physical reality.

 

zuck-virtual-reality

 

When you could have sex with the person of your dreams, or fly through jungles in the Amazon rainforest while looking over at your best friend flying next to you, who would want to stick with reality?

 

By the way, this isn’t your usual “look, VR is coming!” prediction. This is the real deal. Facebook recently spent $2 billion to buy Oculus Rift, and hopes to put them in every home for this holiday season. Just like the late 1980’s when suddenly everyone you knew had a Nintendo.

 

Acknowledging the Problem

 

So we have a fundamental misalignment– between what the attention economy is competing to produce (more perfect, persuasive choices that fit into any moment), the design of our phones, and the aspirations people have for their lives (their definition of “the good life”).

 

AttentionEconomyMisalignment

 

So what’s missing from the design of our phones? I like to use the metaphor of ergonomics. When you think of ergonomics, you might think of boring things like how a cup fits into someone’s hand, but it’s way more than that.

 

If regular design is about how we want things to work, ergonomics is concerned with failure modes and extremes: how things break under repetition, stress or other limits. And the goal of ergonomics is to create an alignment between those limits, and the goals people have for how they want to use it.

 

10 Handle diameter

 

For example, an ergonomically designed coffee mug aligns the natural fatigue of forearm muscles during use (as a person “lifts” it to sip) with how frequently people want to use it, so they still can lift it successfully with repetition.

 

What does this have to do with phones?

 

Our minds urgently need a new “ergonomics,” based on the mind’s limited capacities, biases, fatigue curves and the ways it forms habits. The attention economy tears our minds apart. With its onslaught of never-ending choices, never-ending supply of relationships and obligations, the attention economy bulldozes the natural shape of our physical and psychological limits and turns impulses into bad habits.

 

Just like the food industry manipulates our innate biases for salt, sugar and fat with perfectly engineered combinations, the tech industry bulldozes our innate biases for Social Reciprocity (we’re built to get back to others), Social Approval (we’re built to care what others think of us), Social Comparison (how we’re doing with respect to our peers) and Novelty-seeking (we’re built to seek surprises over the predictable).

 

Millions of years of evolution did a great job giving us genes to care about how others perceive us. But Facebook bulldozes those biases, by forcing us to deal with how thousands of people perceive us.

 

This isn’t to say that phones today aren’t designed ergonomically, they are just ergonomic to a narrow scope of goals:

 

for a single user (holding the phone)

for single tasks (opening an app)

for individual choices

And a narrow scope of human physical limits:

 

how far our thumb has to reach to tap an app

how loud the phone must vibrate for our ear to hear it

So what if we expanded the scope of ergonomics for a more holistic set of human goals:

 

a holistic sense of a person

a holistic sense of how they want to spend their time (and goals)

a holistic sense of their relationships (interpersonal & social choices)

an ability to make holistic choices (including opportunity costs & externalities)

an ability to reflect, before and after

…and what if we aligned these goals with a more holistic set of our mental, social and emotional limits?

 

A New Kind of Ergonomics

 

Let’s call this new kind of ergonomics “Holistic Ergonomics”. Holistic Ergonomics recognizes our holistic mental and emotional limits [vulnerabilities, fatigue and ways our minds form habits] and aligns them with the holistic goals we have for our lives (not just the single tasks). Holistic Ergonomics is built to give us back agency in an increasingly persuasive attention economy.

 

Joe Edelman and I have taught design workshops on this, calling it EmpoweringDesign.org, or designing to empower people’s agency.

 

It includes an interpersonal ergonomics, to “align” our social psychological instincts with how and when we want to make ourselves available to others (like in my TED talk), so that we can reclaim agency over how we want to relate to others.

 

Just like an ergonomic coffee mug is safe to live by, even under repetition, over and over again, without causing harm to ourselves or others, in a Time Well Spent world our phones would be designed with Holistic Ergonomics, so that even under repetition, over and over again, our phones do not cause harm to ourselves or others — our phones become safe to live by. They support our Agency.

 

How to Change the Game

 

Android.Apple_.001

 

Right now, two companies are responsible for the primary screens that a billion people live by. Apple and Google make the two dominant smartphone platforms. Facebook and Microsoft make leading Virtual and Augmented Reality platforms, Oculus and Hololens.

 

You might think that it’s against the business models of Apple and Google to facilitate people’s agency, which might include making it easier to spend time off the screen, and use apps less. But it’s not.

 

Apple and Google, like all companies, respond to what consumers demand.

 

When Privacy became important to you, they responded. They developed new privacy and security features, and it sparked a whole new public conversation and debate. It’s now the most popular concern about technology discussed in media.

 

When Organic food became important to you, they responded too. Walmart added it to their stores.

 

We need to do the same thing with this issue. Until now, with this experience of distraction, social media, and this vague sense that we don’t feel good when we use our phones for too long, there’s been nothing to rally behind. It’s too diffuse. We receive so many incredible benefits from tech, but we’ve also been feeling like we’ve been losing ourselves, and our humanity?

 

But we’re naming it now.

 

What’s at stake is our Agency. Our ability to live the lives we want to live, choose the way we want to choose, and relate to others the way we want to relate to them – through technology. This is a design problem, not just a personal responsibility problem.

 

If you want your Agency, you need to tell these companies that that’s what you want from them– not just another shiny new phone that overloads our psychological vulnerabilities. Tell them you want your Agency back, and to help you spend your time the way you want to, and they will respond.

 

I hope this helps spark that bigger conversation.

 

www.tristanharris.com/essays/

LOTS AND LOTS OF WORDS BELOW, ENJOY THE PICTURE IF YOU DON'T WANT WORD WALL.

  

By the Earth reckoning, the year was 1929; by the Tarsin, somewhere in the 10000s or more. In the turbulent times of the preceding centuries, many spiritual movements sprang up in the absence of centralized Imperial power. Some were focused on maintaining peace or helping the less fortunate, some directed their energies towards the suppression of heathens and apostates, others were more mystical in their aims. A lowly priest named Arezan, from the dying Guild-World of Bâlskada, had spent the first thirty years of his life doing very little at all besides reluctant preaching and enthusiastic debauchery. One day, as common legend now has it, Arezan spoke to God and was given a vision of the end of the World. He awoke a changed man, quit his vices, and began to spread his warning to all who would listen on Bâlskada. So began what would come to be called the Revelation.

 

It was only two years before Arezan's apocalypse cult spread off-planet, to neighboring sectors. Thousands of the faithful were already convinced that the present age was the end of the Empire, and had no trouble believing the end of the World lurked near. In order to ward it off, the Tarsin people had to reform themselves. The corrupt had to be stripped of power, the wealthy had to give back to their communities, the powerful had to be brought low. Cruel and greedy lords who laughed at Imperial law, unchallenged for two centuries, suddenly found a voice railing against them. And that voice was gaining influence, every day it was allowed to spread.

An alliance of local lords, led by the Count of Verilîon, dispatched their retinues to break up Arezan's movement. By this point Bâlskada was entirely under the sway of Arezan, and when the Guildsmen learned of the plans of their neighbors, they offered their fleet's services to Arezan; the flagship of which was the ancient frigate Arik-Adad. The Bâlskadai fleet scared off the alliance of lords quickly, and then Arezan ordered them to pursue the enemy back to Verilîon. The Guildsmen decided it was too late to turn back, and threw in their lot fully with Arezan.

 

With loyal soldiers and a fully industrialized planet backing him, Arezan received submission from a dozen neighboring sectors within five more years, and implemented all his reforms. His followers took on a righteous mission, and he named them the Kaiahizîn, the title of the holy warriors of older days. He earned the love of the commoners and the faithful, but the ire of sinners and power-hungry. Word soon reached the Emperor of Tarsis that a zealous heretic was causing trouble and growing in power, and a Guild-World had supposedly been conquered by him. The Patriarch of the Faithful urged him to take action before this heterodox reformist could get too far.

 

Emperor Thûrinîôs XVI, an usurper, managed to rally the Dukes of Vogelîon and Thôvîon, and the Guild-World of Skâzedaraz to him, and departed to the edge of the Empire to deal with this upstart preacher. The armada agreed to meet at Verilîon, whose count had been executed and whose countess had been banished. Thûrinîôs expected a quick fight that would scatter the heretical rabble aboard their supposed six-dozen ships; instead he was greeted with a fleet of six hundred, all bearing the black shields of crusade. To make matters worse, the Duke of Thôvîon defected to Arezan's side the moment he arrived, as if it had been per-arranged. This left Thûrinîôs in a very precarious position, and no doubt played some small role in his sudden change of heart regarding Arezan.

 

It was decreed that Arezan's religious movement was valid and orthodox after all, and that it was a good idea to avoid the end of the World. Arezan and his crusade fleet accompanied the Emperor back to Tarsis, where the Kaiahizîn were given a base of operations. Thûrinîôs and his Imperial dignity were brushed to the side, Arezan and his followers took the true reigns of power. The Guild of Bâlskada was given preferential treatment as a reward for their initial stand against the lords, the Duke of Thôvîon was granted exclusive exemptions from tariffs; those who worked with Arezan gained power at the expense of those who resisted.

 

On his fiftieth birthday, Arezan declared himself Savior Reborn; the reincarnation of the man who had saved all life in the World some several thousand years ago, in the age of the Shadow Emperor. Destiny mandated that Arezan lead the Tarsin race and other faithful nations on galactic crusade, and that all were to swear the oath of allegiance to him; he officially dismissed Thûrinîôs from the Imperial post, and crowned himself as the true Emperor: Arezanîôs I.

 

From far and wide, lords made the pilgrimage to Tarsis and swore their lives to the Emperor who called himself the Savior Reborn. An army from Digondar came, to make an oath of fealty. The greatest force since the Thôvis Crusade had been assembled; the first targets would be the eternal foe, Sarthîon, who had sent an ultimatum demanding tribute from the new Emperor. They gathered their fleets and barbarian allies, and sent agents to those who had lost more than gained in recent years. As the two sides squared off, the whole Empire expected the Zaian to declare him the legitimate sovereign, any day now-

 

And then Arezan was killed by a poison dart while he held court. The assassin was never seen, nor caught. All eyes turned to the banished Countess of Verilîon, who confessed that she had ordered the attack. She laughed even as wrathful Kaiahizîn flayed her atom by atom. The Zaian remained as silent as before, the alien faithful returned home, the Tarsins scattered, the crusade evaporated. The Bâlskada Guild returned to their path of decline, the cruel and greedy lords returned to their old ways, and a new usurper took the throne of Tarsis. Sarthîon dismissed their allies, and went back to their petty raiding and extortion of Coalition worlds. The twenty years of Revelation had ended.

 

It wouldn't be until 2267 by the Earth reckoning that the Empire would be restored to its former dignity, and Arezan formally named a saint, if not quite a savior.

Falls Brook squeezes through narrow gaps in the granite ledge and then flows easily once free. So many of the most interesting gorges are filled with debris and I had to move a huge branch out of the way for this shot. I like its overall representation of the area though; so darn hard to shoot, but intriguing.

" But when the sun shines on you,

What will the whole world think?"

- The Reckoning by Needtobreathe

  

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© Victoria Beckett | All Rights Reserved

All photos are property of Victoria Beckett and may not be used, sold, printed, or posted elsewhere without permission.

Jason Voorhees pays an unexpected visit. It’s Friday the 13th in the Magic Kingdom.

Photo/Art Direction: Pat Loika

Post-Production: Rodney Velchez

Tabby Tyler is The Scarlet Witch!

Kensal Green Anglican Chapel and Catacombs.

Finally able to get close to this, after it being fenced off for some years, prior to it being used as a location for the latest Mission Impossible movie - The Final Reckoning.

Krampuslauf Philadelphia 2015

The Odyssey Unbound: A Visual Reckoning"

For four centuries, the voice of Homer was filtered through the hands of men—each translation a quiet erasure, a softening of edges, a reshaping of truth. Then came Emily Wilson, who dared to read the Greek as it was written, not as it was expected. Her Odyssey is not a retelling, but a reclamation: a story of complicated heroes, cunning queens, and enslaved women whose names were lost to time.

This series is a visual homage to Wilson’s revolution. Here, Odysseus is not a godlike warrior but a man weary with lies; Penelope is not a passive wife but a strategist weaving her own fate; and the enslaved women are not faceless traitors but victims of a world that never saw them as human. These images ask: What happens when we strip away the myths we’ve been taught to love?

 

Poem: "The Weaver’s Code"

(Inspired by Penelope’s loom and the act of unraveling stories)

She wove by day, unspun by night—

 

a queen’s rebellion, thread by thread.

 

The suitors laughed, called her wife, waiting,

 

never saw the noose she knotted instead.

Odysseus returned to a woman he did not know:

 

not the pale ghost of his memory,

 

but a fire in the hearth, a blade in the dark,

 

a name carved where men had written zero.

And the slaves? Oh, the slaves.

 

Homer called them dmôai—

 

a word like a bruise, like a scream in the throat.

 

Wilson spoke it aloud.

 

The rope tightened.

 

The room went still.

This is not the song you were promised.

 

This is the one you were owed.

 

Three Haikus

1. (Odysseus, Complicated)

 

Salt on his tongue—lies

 

like the wine-dark sea, shifting.

 

No hero, just waves.

2. (Penelope’s Loom)

 

Twenty years of thread,

 

each stitch a silent no.

 

The shuttle is sharp.

3. (The Enslaved Women)

 

No one wrote their names.

 

The rope remembers the weight

 

of what men call just.

 

This is the first of my Halloween series of videos usually i do 3 on october dont know if i have the time this season but here is 1

2008 Chevrolet Corvette Z06 by Lingenfelter.

New Orleans, Louisiana. July 31, 2011.

Yesterday was a beautiful day and I went for my usual stroll in the woods. Suddenly, I had this strange feeling of being followed and Malandrino started to bark. Looks like Gemini has found me!!

We run away as fast as we can...is it time to call in the toy army?

Mamiya RZ67 Pro II

Mamiya-Sekor Z 110mm f/2.8 W

Fujifilm Neopan Acros 100

w/ Red Filter

Epson V750

 

www.bghphotography.com/Film/

Tom Cruise low flying his AS350 Squirrel down Honister Pass. This was during Mission Impossible Dead Reckoning filming in the Buttermere Valley in the Lake District, UK.

Women's March 2018. Des Moines, Iowa

Music : Right Click and select "Open link in new tab"

www.youtube.com/watch?v=A16VcQdTL80

 

Asaf Avidan // Reckoning Song (One Day)

 

One day baby, we'll be old

Oh baby we'll be old

And think of all the stories that we coulda told

 

A tiny unknown bug exploring the vast expanse of my chive flowers this morning. 50mm on extension tube. The bug is about 2mm so this is about 2:1 macro on APSC sensor, by my reckoning.

the reckoning is upon you.

 

sunday. 12 october. 9pmslt-re:genesis.

engine steampunk club.

host. chi fitzpatrick.

dresscode. use your own JUDGMENT.

L$1500 on the board.

 

in the beginning... maps.secondlife.com/secondlife/Titus%20Groan/162/209/22

DJ PIrate Sparrow will return to S&L as we move back to the main sim! Halloween costume contest with Linden prizes to the best male and best female. Will have to be present to win prizes!

 

Wednesday, October 31 : 6-8 pm SLT.

 

maps.secondlife.com/secondlife/Anjelica/48/198/27

  

My legs take me back up and through the poetic Castle Dyke Lane before dropping into Pin Lane from which I emerge onto a more usual street. I wish I knew more. Wandering without purpose I glance up and find myself down from the Plymouth Gin Distillery. Once I would buy this gracious tipple. Now it is too hard. I recall that a relative, a distant 3rd cousin, had worked here. Where to now? Lost in the haze of dislocation I follow the oddly named Citadel Ope and Basket Ope still no wiser than before.

 

As the sun sets and my batteries run dry soon my way will be by dead reckoning. I'm not lost; just wandering.

  

Regarder ce film Angel of Reckoning complètement en vf gratuit ici : ift.tt/2doACUe

Film Angel of Reckoning Complet et gratuit en streaming vf : Film Angel of Reckoning streaming vf youwatch Complet, Regarder ce film Angel of Reckoning complètement en vf gratuit

Tom Clancy's Ghost Recon Wildlands

 

Reshade 3

ANSEL (.jpg tiled shot - 12800x7200)

Should be some pithy old testament quote with words like "smite" and "forsaken."

Power Shoulders vs Power Hair

I got to take some shots this evening of my friend

Inbal More. She is an amazing Photographer in her own right. This was my first attempt at using off camera lighting (Aside from wedding shots) and Inbal's strobes, lens's and expertise where a great help. I want to thank my friend Shaked (soon to be a photog it seems), for assisting and keeping us laughing while holding up the second flashgun, Thanx for hanging in there guys, it was great fun.

Espresso Time Photography

7/9

oil paint on canvas

After breaking away from everything behind me, I still had a weight of the past surrounding me. This image depicts me in the spring of 2012.

I took a reckoning of things that make me sad, and things that make me happy.

 

Miesha is on team peaceful.

 

Also on the good list:

my birds.

puppy dogs.

girls.

my job.

my apartment.

my uncles.

my chair.

my bed.

my far-off friends.

musicals.

caramel soy ice cream.

making my heart beat fast.

Location: NilGiri, Bandarban, Chittagong, B A N G L A D E S H.

 

"He causes the dawn to break; and He has made the night for rest, and the sun and the moon for reckoning; this is an arrangement of the Mighty, the Knowing. And He it is Who has made the stars for you that you might follow the right way thereby in the darkness of the land and the sea; truly We have made plain the communications for a people who know."[Surah Al-An'am : Ayah 96-97].

 

"He throws the veil of night over the day, which it pursues incessantly; and (He created) the sun and the moon and the stars, made subservient by His command."[Surah Al-Araaf : Ayah 54].

 

"He it is Who appointed the sun a splendour and the moon a light, and measured for her stages, that ye might know the number of the years, and the reckoning. Allah created not (all) that save in truth. He detaileth the revelations for people who have knowledge."[Surah Yunus : Ayah 5].

 

"And He has made subservient for you the night and the day and the sun and the moon, and the stars are made subservient by His commandment; most surely there are signs in this for a people who ponder."[Surah Al-Nahl : Ayah 12].

 

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Ahh, time for the annual reckoning and trumpet blowing! Real life got in the way again this year, but I managed to scrape together a decent number of builds. This year it really started to dawn on me that its all the things you do around LEGO, beyond just building, that keep the hobby fun, especially stuff that you get to do with other people.

 

 

--- BUILDS ---

 

• My Flickr photostream reached 2 million lifetime views! Thanks in large part to the virality of my Twerking Miley Cyrus build, which recieved broad media coverage. Which basically makes me a giant LEGO whore now.

 

Space Kraken: Achievement unlocked! This build took me way outside my comfort zone, taking 3 months to complete (followed by 1 month of burnout). The beasty now stands guard from a permanent display case in the lobby of Tableau software in Seattle.

 

Beth & Catbug were featured on the Bravest Warriors home page and even tweeted by one of the show's animators. They also got to meet up with LEGO versions of Chris and Impossibear at BrickCon, built my one of my new fave builders Lego Junkie.

 

Grumpy Cat also achieved some virality, even popping up on LEGO's facebook page. Which was awful :-)

 

Brothers Brick continues to very kindly blog my work. I'm about 40 lifetime posts in at this point. Guess those BrickCon blackmail photos are really paying off!

 

 

--- VIDEOS ---

 

• Oddly for a LEGO builder, this year seemed to be all about video for me. And in fact I see this medium being a large component of my LEGO life going forward. I made five LEGO related videos this year, of varying lengths.

 

50 Shades of Bley documented the brick dying technic I used on Gollum last year, and hopefully the humor I infused made it slightly more tolerable to watch that my earlier video about Building Bilbo Baggins.

 

AFAIL was my penance for the success of my Miley Cyrus build. Everyone should smash their LEGO creations from time to time, its very carthartic!

 

Precioustration represented my annual reminder to the community about BrickCon. People seemed to like it. But probably not because of my mediochre voice acting.

 

• Tommy very kindly asked me to provide a voiceover for an episode of his fab new BrickNerd web show. More voice acting! Plus the trauma of having to recite the Ewok song!

 

• Joshua and Matthew of Beyond the Brick interviewed me for one of their episodes. By my count that makes 5 builders from SeaLUG that have appeared on the show! It was a really fun experience, and I loved their reactions to my LEGO versions of them.

 

I'm going to be in a movie about LEGO! The documentary comes out in theaters early next year, and features a segment on builders. The film crew came to BrickCon and followed a bunch of us around. They also spent half a day shooting at my house in my tiny LEGO workspace. I was a really fun but also really bizarre experience.

 

 

--- OTHER ---

 

• Mike Doyle included a chapter on my work in his book Beautiful Lego, which I think is one of the most interesting books about LEGO that has ever been made. Go get it! Bizarrely, I also got a mention in FineClonier's new book about minifig customization. I know, the irony, right?

 

SeaLUG pulled off another great display at Emerald City ComicCon. And I did another Wil Wheaton build for it! Except this time Wheaton does not come off all that well. Yep, it was a revenge build. Did I mention that SeaLUG is the best LUG ever?

 

• Tommy twisted my arm to enter his Pimp My Nerdly contest, and although I freely admit I phoned it in, I somehow still placed! And the nerdly chest burster was kind of a fun build in the end - I love doing stuff that is simulateously shocking and funny.

 

• As always, BrickCon was the highlight of my LEGO year. Bricks of Character was a roaring success again, bigger than ever in fact. So many great builds this year. I also attempted to bring back the Con tradition of invasions. Plus there were all the usual fun and games, including the drunk build. All my LEGO pals were there too, and I got to meet a bunch of really talented builders I've started following. But it was also time to say a sad goodbye...

 

• This year I have been priveleged to be the keeper of Miniland Gary. I don't get about much, but was able to take him to visit kangaroos in Australia, walk the floor of the New York Stock Exchange, and even shipped him off for a brief tour of New Zealand! But in October, the time came to pass him to a new owner. That honor was bestowed on Pascal, and I took the stage at BrickCon to give Gary a proper send-off (and practice my stand-up). Thus Gary now begins his European tour, but hopefully will be back next year as the new official mascot of BrickCon, where he will once again change hands.

 

 

Thankyou all for viewing, and watching, my work this year. I'm hoping next year is gonna be a turnaround year. I have more time on my hands now, and some much bigger projects planned. And I'm kinda looking forward to seeing how that movie turns out... I think!

 

 

This has to be one of the most popular TV series from the 70's I worked on for two years. There is a site titled The Martin Shaw Community, even just for the photos.

'Professionals' Dead Reckoning series, Gordon Jackson-Martin Shaw-Lewis Collins

Alan "Dutch" Schaefer, Barney Ross and Sarah Connor

By my reckoning it's only ten more sleeps to Christmas Day. The weekly load of junk mail in our letterbox seems to be easing off in size. So many retailers want to sell us stuff we don't want or need. This includes the buzzy gadgets called drones. I hope no one decides to give me one of them, I'm already a bit of a drone myself. Actually I'd like to have won the ten million dollars that was up for grabs last night, but when Jill checked the results it had been won by someone else. Had I been lucky I would have bought a new washing machine for one of my sons Ken (see flashback photo) whom had his mysteriously cark it yesterday. It will be no good nipping into the Masters store to buy a new one Ken. The doors of that huge retailing experiment have closed for the last time and the workers laid off just in time for Christmas.

fremantlebiz.livejournal.com/2016/12/14/

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