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Hi <3
We continue to receive enquiries about our lil halo horns that we made a few years back for the Devilish pose set, which has in turn prompted this cute little gift for all of our VIP group baes!
Come by the store to grab your copy of Lil Miss Naughty horns today :D This version has been slightly reimagined, comes with a red halo which also softly illuminates your hair (try it with materials!) and a resizer script :)
Enjoy!
XOXO
Credits-
WINGS-HAIR-ER1008
Over - Noxy Top - Anti
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I receive not one but TWO parcel from my sweetie pie today !! she over spoiled me AGAIN !!!! one item is missing because Miss Angelina the little thief took it away lol
it's a Barbie drinking bottle, she love it !!
actually I lost a few things but that's ok I love to share with my baby girl lol
To love is to receive a glimpse of heaven. --Karen Sunde
Rose Garden
Point Defiance Park
Tacoma, Washington
062617
© Copyright 2017 MEA Images, Merle E. Arbeen, All Rights Reserved. If you would like a copy of this, please feel free to contact me through my FlickrMail, Facebook, or Yahoo email account. Thank you.
***************
This photograph has achieved the following highest awards:
Super Six, Superstar Academy (10)
DSLR Autofocus, Hall of Fame (10)
DSLR Autofocus, MASTER of Photography (13)
DSLR Autofocus, GRANDMASTER of Photography (8)
Every morning, the monks are up before dawn for prayers before setting off for their alms round to receive food from local people. They are preceded by an elderly gentleman ringing a bell to let people know that they are coming. They proceed at a brisk walking pace so brisk in fact that we dubbed it the ' monk run' IMGL1293
A pair of tied down Conrail GP38-2s shivered off a winter storm in Canton with local freight from Bayview yard in 1993.
The Land of Pleasant Living receives its share of snow from time to time, but the cool thing is that a week or so later it is 70 degrees.
The labourers receive 3 thakas (less than 3p) for every 30 kg basket of coal they unload. This involves carrying the coal on their heads, up a narrow ramp and then a steep coal hill. Each journey is about 100 metres. One man told me he can earn about 700 thaka a day - that's about 230 journeys or 230 x 30kg. This picture shows the supervisor driving tea whilst the workers unload the coal.
See more pictures and read more about day labourers in Bangladesh on my blog at adrianyekkes.blogspot.com/2022/03/there-is-no-work-withou...
Ahiru
Kodai-ji Temple is located north east of Yasaka Hokanji Temple at the foot of Higashiyama Ryozen Mountains in Kyoto. It is officially called Kodaiji-jushozenji Temple. The temple was established in 1606 by Kita-no-Mandokoro (1548-1624) in memory of her late husband Toyotomi Hideyoshi (1536-1598). Kita-no-Mandokoro was also known as Nene. She later became a priestess and assumed the name of Kodaiin Kogetsuni. In July 1624, Sanko Osho from Kenninji Temple was welcomed as the principal monk and the temple was then named Kodai-ji. Tokugawa Ieyasu (1542-1616) (the first Tokugawa shogun) financed the construction of the temple, resulting in its magnificent appearance.
Currently Kaisando (Founder's Hall), Otama-ya (Sanctuary), Kasatei (Teahouse), Shiguretei (Teahouse), Omotetmon (Gate to Sanctuary) and Kangetsudai (Moon Viewing Pavilion) are designated as important cultural properties of Japan. Toyotomi Hideyoshi and Kita-no-Mandokoro are enshrined in "Otama-ya" and their graves lie under the state of Kita-no-Mandokoro. Shumidan (dais for a Buddhist image) and Zushi (small shrine) are decorated with splendid makie (Japanese lacquer with gilded patterns) which is known as "Kodai-ji Makie", typical of the Momoyama period. (late 16th century) The pond garden around Kaisando is said to have been designed by the great garden designer, Kobori Enshu.
Kita-no-Mandokoro received the rank of Juichii (the highest rank a woman could receive from the emperor) in 1588 and the title of Kodaiin from Emperor Goyozei in 1603. Kita-no-Mandokoro died on September 6th, 1624 at the age of 76.
*Working Towards a Better World
Friendship consists in forgetting what one gives and remembering what one receives. - Alexander Dumas
This is the ninth in my new series, one which recognizes my friends here on Flickr. I wish to thank you for your friendship and your support! Some of you I work with, some of you I have worked with, some of you have given me opportunities and the rest of you my wonderful friends share an infinity with art and an ability to share our love, ideas and support thank you all!
MichaelNiñoDelmar
www.flickr.com/photos/131571800@N04/favorites/
shelby-dog
www.flickr.com/photos/shelby99/favorites/
Frank T.Y.
www.flickr.com/photos/bbpump/favorites/
Themida's photos
www.flickr.com/photos/themidaz/
ElsjeD
www.flickr.com/photos/99099661@N08/
Marie.L.Manzor
ps://www.flickr.com/photos/46059838@N04/
Duncan
www.flickr.com/photos/humaninterface/
Pat=H
www.flickr.com/photos/117425224@N04/
Harold Joy
www.flickr.com/photos/de_joie/
bjarne.stokke
www.flickr.com/photos/13675180@N08/
m!ngus photografer
www.flickr.com/photos/mingus1955/
dangomushi2009
www.flickr.com/photos/dangomushi/
Bernd Kretzer
www.flickr.com/photos/bernd-kretzer/
nmaicas
www.flickr.com/photos/nmaicas/
Gr⊙f ⊙f the P⊙p [@Grofbd]
www.flickr.com/photos/plusbeautumeurs/
Sophie Shapiro
www.flickr.com/photos/32159420@N07/
Sankalan786
www.flickr.com/photos/sankalan786/
Theophilos
www.flickr.com/photos/theo_reth
Black Napkin
www.flickr.com/photos/simofore/favorites/
Amba Lee
www.flickr.com/photos/jardeniere/
clueidea
www.flickr.com/photos/105072087@N06/favorites/
The Visual Poet
www.flickr.com/photos/thevisualpoet/
placieli
www.flickr.com/photos/placieli/
sophie_merlo
www.flickr.com/photos/sophiethesax/favorites/
Steve Taylor (Photography
www.flickr.com/photos/stevetaylors/favorites/
wildfirehv
www.flickr.com/photos/wildfirehv
mayo mayo…
www.flickr.com/photos/mayo_mar/
Jay 龍 Den (Jayarr Denson)
www.flickr.com/photos/jayden-insightfulapparitions/
***** PLEASE UNDERSTAND, that there are so many of you who have befriended and support me, that if you have not already been mentioned, you will be. Please be patient, my list is long and will continue!!!
Thank you for your kind visit. Have a wonderful and beautiful day! xo❤️
Dungeness Lifeboat Station was the first to receive the RNLI Shannon class lifeboat. The Morrell was named on 31 May 2014 by HRH The Princess Royal. The station has a rich history. In 1940, the Dungeness lifeboat was one of 19 that took part in the evacuation of Allied troops from Dunkirk in northern France. And through the 1950s the station was famous for its Lady Launchers - local women who helped haul the lifeboat down to the sea, and recover her.
“Always give without remembering and always receive without forgetting.”
Happy holidays from:
Luna & me.
Acte 16: Gabrielle Receives a Lift
A long black car rolls into the parking lot at the Fingask Castle event center where the Perth Ball, being held there that evening, is winding down.
Parking off in a far corner the lights are killed, and a door opens with a bowler wearing male figure, clad in black, stepping out.
A flash of fire as the figure strikes a match against his heel. A pipe is lit and for a brief second a craggy face with piercing grey eyes, half-hidden by his rakishly perched bowler hat, can be seen.
Soon puffs of smoke are thoughtfully emitted from a pipe as the figure waits expectedly.
He hasn’t long to wait.
No more than 15 minutes had elapsed when another figure, a decidedly feminine one, carefully emerged from the shadows of a hedge that surrounded the grounds where the dance pavilion was set up.
She was wearing a tight silver sheath gown, with long flowing curls of black hair. Pinpricks of sapphire gemstones flicker down from her ears as she moves with a purpose towards the same corner where the long black car waits.
The hazel-eyed lady stops as she sees the figure, who looks her over as the lit pipe is knocked against a painted wooden post, sending showers of sparks to the ground.
“Allo Gabrielle,” the man says quietly.
The lady as if taking a cue runs up to the figure and they embrace.
“‘Ello Monk, it has been a long evening, and this toasted Lass is quite ready to leave. “
“Aye lass, I be also ready and at your service .”
The man she called Monk says with gentle feeling as he opens the passenger seat and helps his lady in with a happily executed plop.
The starter is pressed and the long black car roars to life. Slowly it exits the parking lot.
Other guests are also leaving.
Ladies in long slinky gowns wearing flashy jewelry, along with their escorts, head to parked cars.
Some see the long black car as it pulls off. One or two remaining guests have noticed the pretty girl in silver leaving in the long black auto.
But they really are paying it no mind, just another couple leaving.
But one ponders what their reaction would be if they could overhear the departing couples rather wicked conversation?
... to receive that which you, O Lord, have set apart for me... that I might bless those around me with an attitude of love, joy, peace, patience, kindness, goodness, faithfulness, gentleness and self-control...
© BrianDecarmo
Ended up going the sushi route this evening. With this spread, you're looking at Rachael Ray's daily allowance of food-spending-money, likely due to the Toro nigiri.
Growing up on this stuff, I had developed an undying love for sushi; however, as of late, I haven't been eating a whole lot of carbs (once per week). I do feel it is crucial for me to have at least a pound of seafood per week and sashimi is always an option, but to have it with seasoned rice is such a delightful treat. Why not splurge a little on this special evening?
What's on tonights menu?
Tamago
Ikura
Uni
Toro
Sake
Spicy Tuna garnished with masago.
Richard Angelo receives his badge from his dad Deputy Chief Robert Angelo.
Photo by Paul Hammersley, Office of Mayor Gary Christenson
Silesia 1930, as the day is coming to a close the infamous Herr Flick receives a late Christmas package. The Ardelt 25 ton Railway Crane with sliding superstructure is unloading a brand new Henschel ‘Brauns’ narrow-gauge steam engine. The little engine will immediately be put to work in Herr Flick his industrial operations.
Ardelt 25-ton Railway Crane with sliding superstructure
One year after crushing the competition with their 60-tonner crane Ardelt in 1929 again blew everyone away with this 25-ton crane. Its unique feature is the -under full load- sliding superstructure. The crane could move 8.9 meters sliding over it’s under carriage. This meant almost a doubling of the reach of a standard 25-ton crane and saved lots of time moving and supporting the crane. The under carriage has two three axled bogies. The crane has 10 stamps of which 4 were hydraulic and 6 were extendable working with a spindle. The maximum load of 25 tons is possible with a reach between 5 and 6.6 meters. At 9.9 meters, and fully extended a 6,1 tons load was still possible. To achieve this the crane is equipped with sliding counterweights. Two underneath the superstructure and one on each side. Seven of these cranes were built by Ardelt in Eberswalde between 1929 and 1930 and delivered to the Deutsche Reichsbahn. They were often used in tandem to hoist bridge sections in to place. I’ve depicted the ‘700-070 Hamburg’. The crane has a dedicated support car for transport purposes. This car is equipped with a support for the boom and multiple boxes for storage of hoisting equipment and other stuff.
More info about these cranes: www.eisenbahndienstfahrzeuge.de/kranwagen/kran_ardelt/ard...
The LEGO model is powered by a Circuit Cubes receiver and three motors. One for turning-, one for raising and lowering of the boom and one for operating the hoist cable winch. Initially I was planning on adding a fourth motor for sliding operations but lack of space (the super structure is only 5 studs wide) meant I had to compromise. Cramping in three engines with winches and the receiver proved difficult enough for me. When thinking of ways to present this model I ran into a pic of the crane hoisting a narrow-gauge locomotive. So, I’ve built a small Henschel ‘Brauns’ steam engine for the diorama. With an empty weight of 14,7 ton the crane should have no problems moving it into place. This little steamer is nonmotorized although I hope to change this someday in the future.
I had the idea for the diorama ready in my mind but had troubles converting it to bricks so I started procrastinating. The narrow-gauge engine needed something to be transported on so I’ve built a four axled Preussische SSK flatbed with raised brake men cab and a load capacity of 30 tons. After the flatbed I came up with a Cpi Fakultativ wagon for the operating staff accompanying the crane and as a last step I’m probably going to build a new steam engine to transport the crane, but that is for later, as you can see in the meantime, I’ve managed to complete the diorama.
I’m happy with the results. I’ll post more pictures and a video of the crane in action later. Please let me know what you guys think, as always much appreciated!
Lieutenant's Log
Day 1 I receive orders to report to Day Dream island for a classified experimental test of a new dream medication, DRM21
Day 5 The drug is strong, i am experiencing vivid dreams of blue oceans and rolling green hills and mysterious beautiful woman has started to appear in my dreams whispering "remember" and to wake up.
Day 7 The dreams have intensified, the mysterious woman says she is Emellia Faye and she's real urges me to never forget, the colonel refers to her as anomaly 652 , a rogue program set to fool me and destroy the experiment and they must purge it.
Day 9 I am having dreams and i can no longer remember even going to sleep or waking, the line is blurred between reality and the dream world, men on laptops urgently work to purge the anomaly as she appears again and tells me to find her on something called flicker and second life before vanishing to avoid the purge.
Day 11 I can no longer remember simple things, am I awake? I feel like I am slipping away as Emelia's voice pulls me back, she says they are lying to me. Emelia insists she is real and tells me I actually never left Philadelphia, and I must wake up.
Minute 59 I feel a kiss sensation and I awake in a Philadelphia lab and tear away the wires connected to me and overpower the scientist and force the truth,the dream drug is actually a weaponized memory wipe and it was colossal failure because it couldn't overcome the Anomaly, i say That's Emelia Faye as I head off to find her.
Sporo's receive the 'big brother' gaze from Birch, the all-seeing silver sentinel - he doesn't appear very often, but you can be sure he is watching you :-)
Dear friends, i'm still here, but engaged in distracting executor and house improvement tasks after my mother passed away last year.
I hope to be back more regularly in the near future, but in the meantime I do look in at your new posts, even if you haven't heard my thoughts.
Kind regards to you all.
Pete
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Vacation Day, 03/15//2022, Nashville, TN
Leica Camera AG M Monochrom
Canon 35mm f2.0 LTM
ƒ/2.0 1/12 800
Taddeo Gaddi (c. 1300 - 1366) Stories of Christ and St. Francis of Assisi (Panels of the cupboard in the sacristy of Santa Croce) (1340 - Tempera on panel dimensions: 41 x 31 cm - Galleria dell'Accademia, Florence
La formelle decoravano sicuramente un arredo ligneo nella sacrestia di Santa Croce a Firenze, forse un armadio per reliquie. La prima citazione dell'armadio risale al Cinquecento (Anonimo Magliabechiano e Vasari), e poi in altre fonti successive fino al 1810, quando, con la soppressione napoleonica del convento francescano, le ante furono trasferite nei depositi del Convento di San Marco. Da qui, nel 1814, arrivarono ormai smembrate alla Galleria dell'Accademia, dove erano esposte in ambienti separati. Secondo i documenti dell'epoca, lo smembramento avvenne proprio a San Marco tra il 1812 e il 1813, quando vennero rimosse le "prospere", cioè gli stalli lignei. A quell'epoca risalgono anche le attuali cornici lignee dorate.
Quattro dipinti, immessi sul mercato antiquario, sono oggi in Germania, alla Gemäldegalerie di Berlino (Pentecoste e Resurrezione del fanciullo) e all'Alte Pinakothek di Monaco (Prova del Fuoco, la Morte del cavaliere di Celano).
Le storie sono così composte:
Storie di san Francesco d'Assisi
Francesco rinuncia ai beni del padre
Papa Innocenzo III vede in sogno Francesco sostenere la basilica Lateranense
Papa Innocenzo III approva la Regola francescana
Apparizione di Francesco sul carro di fuoco
Prova del Fuoco (Alte Pinakothek di Monaco)
Presepe di Greccio
Morte del cavaliere di Celano (Alte Pinakothek di Monaco)
Francesco predica davanti a papa Onorio III
Francesco appare al Capitolo di Arles
Francesco riceve le stimmate
Morte di Francesco
Resurrezione del fanciullo (Gemäldegalerie di Berlino)
Martirio dei francescani a Ceuta
The panels surely decorated a wooden piece of furniture in the sacristy of Santa Croce in Florence, perhaps a cupboard for relics. The earliest mention of the cabinet dates back to the 16th century (Anonimo Magliabechiano and Vasari), and then in other later sources until 1810, when, with the Napoleonic suppression of the Franciscan convent, the doors were transferred to the storerooms of the Convent of San Marco. From there, in 1814, they arrived by then dismembered at the Accademia Gallery, where they were displayed in separate rooms. According to documents of the time, the dismemberment took place precisely at St. Mark's between 1812 and 1813, when the "prospere," or wooden stalls, were removed. The present gilded wooden frames also date from that time.
Four paintings, placed on the antiquarian market, are now in Germany, at the Gemäldegalerie in Berlin (Pentecost and Resurrection of the Child) and the Alte Pinakothek in Munich (Trial by Fire, Death of the Knight of Celano).
The stories are composed as follows:
Stories of Saint Francis of Assisi
Francis renounces his father's property
Pope Innocent III sees Francis supporting the Lateran Basilica in a dream
Pope Innocent III approves the Franciscan Rule
Apparition of Francis on chariot of fire
Trial by Fire (Alte Pinakothek in Munich)
Nativity of Greccio
Death of the Knight of Celano (Alte Pinakothek in Munich)
Francis preaches before Pope Honorius III
Francis appears to the Chapter of Arles
Francis receives the stigmata
Death of Francis
Resurrection of the Child (Gemäldegalerie, Berlin)
Martyrdom of the Franciscans in Ceuta
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Expired 1970s Kodak Tri-X Pan 400 iso
Shot at 100 ISO on My Birthday! England.
It was a Very Happy Birthday Treat to Me! And seeing the results of this film once developed (same day). Well, it then felt like Christmas on top! Hooray hooray for Kodak!! LONG LIVE KODAK!!
Pentax Spotmatic II
Helios 44-2
No Crop, No Post Production, No Filter
Development:
Adox Rodinal 1+50 8 Mins 20C
300ml
STOP
Adox Fixer 1+4 4 Minutes
WASH Ilford process
Adox Wetting Agent 1 minute
Lieutenant's Log
Day 1 I receive orders to report to Day Dream island for a classified experimental test of a new dream medication, DRM21
Day 5 The drug is strong, i am experiencing vivid dreams of blue oceans and rolling green hills and mysterious beautiful woman has started to appear in my dreams whispering "remember" and to wake up.
Day 7 The dreams have intensified, the mysterious woman says she is Emellia Faye and she's real urges me to never forget, the colonel refers to her as anomaly 652 , a rogue program set to fool me and destroy the experiment and they must purge it.
Day 9 I am having dreams and i can no longer remember even going to sleep or waking, the line is blurred between reality and the dream world, men on laptops urgently work to purge the anomaly as she appears again and tells me to find her on something called flicker and second life before vanishing to avoid the purge.
Day 11 I can no longer remember simple things, am I awake? I feel like I am slipping away as Emelia's voice pulls me back, she says they are lying to me. Emelia insists she is real and tells me I actually never left Philadelphia, and I must wake up.
Minute 59 I feel a kiss sensation and I awake in a Philadelphia lab and tear away the wires connected to me and overpower the scientist and force the truth,the dream drug is actually a weaponized memory wipe and it was colossal failure because it couldn't overcome the Anomaly, i say That's Emelia Faye as I head off to find her.
Steam Ship Rotterdam is ready to receive new guests photo taken in November on an early morning just before daylight
Dear friend, here are 5 things you should know:
1. Like it or not, we are ALL sinners: As the Scriptures say, “No one is righteous—not even one. No one is truly wise; no one is seeking God. All have turned away; all have become useless. No one does good, not a single one.” (Romans 3:10-12 NLT)
2. The punishment for sin is death: When Adam sinned, sin entered the world. Adam’s sin brought death, so death spread to everyone, for everyone sinned. (Romans 5:12 NLT)
3. Jesus is our only hope: But God showed his great love for us by sending Christ to die for us while we were still sinners. (Romans 5:8 NLT) For the wages of sin is death, but the free gift of God is eternal life through Christ Jesus our Lord. (Romans 6:23 NLT)
4. SALVATION is by GRACE through FAITH in JESUS: God saved you by his grace when you believed. And you can’t take credit for this; it is a gift from God. Salvation is not a reward for the good things we have done, so none of us can boast about it. For we are God’s masterpiece. He has created us anew in Christ Jesus, so we can do the good things he planned for us long ago. (Ephesians 2:8-10 NLT)
5. Accept Jesus and receive eternal life: If you openly declare that Jesus is Lord and believe in your heart that God raised him from the dead, you will be saved. (Romans 10:9 NLT) But to all who believed him and accepted him, he gave the right to become children of God. (John 1:12 NLT) And this is what God has testified: He has given us eternal life, and this life is in his Son. Whoever has the Son has life; whoever does not have God’s Son does not have life. (1 John 5:11-12 NLT)
Read the Bible for yourself. Allow the Lord to speak to you through his Word. YOUR ETERNITY IS AT STAKE!
Sincerely,
Someone who cares about you
Very pleased to receive this notification for this image.....
Congratulations to Mark Rutley- shortlisted today in the Airscene 2020 Calendar Competition.
www.airscene.co.uk/competitions/2020calendar.php
Built in 1945 as a Dominie by Brush Coachworks Ltd at Loughborough, ‘GSH was civilianised as a D.H.89a and first registered to Channel Islands Airways Ltd of Jersey in July 1945. She then went to the Minister of Civil Aviation from November 1946 to January 1947 before spending nine years with BEA as James Keir Hardie, operating the Highlands and Islands service. (‘GSH was later bought back by BEA in the early 1960s and as their last biplane, named Lord Baden Powell, operated the Lands End – Scilly Isles route until the introduction of helicopters.) During her life she has passed through the hands of many owners, including more than half a dozen small airlines, a short spell in Ireland as EI-AJO, and the RAF Sport Parachute Association at Abingdon.
Philip Meeson has proudly owned her since 1992 and states that he has no intention of parting with her. In his ownership she has been painstakingly rebuilt and restored to her BEA colours and condition by Cliff Lovell at Hants Light Plane Services.
The falls receive approximately 10% of the flow from Niagara River, with most of the rest going over Horseshoe Falls, from which it is separated by Goat Island. It has a straight line crest width of about 830 feet (250 m). If measured along the jagged lip of the falls, the crest is about 950 feet (290 m) long (but see coastline paradox). The torrent of water passing over the crest of the falls is about 2 feet (0.61 m) deep.
The height of the American Falls ranges between 70 to 110 feet (21–34 m). This measurement is taken from the top of the Falls to top of the rock pile (talus). The height of the Falls from the top of the Falls to the river is 188 feet (57 m).
The falls are viewable from a steep angle on the American side, where it is possible to approach to within several meters of the edge of the falls. One can view the falls from the bank of the river, as well as on Goat Island and Luna Island, which are accessible by a pedestrian bridge that crosses the rapids of the Niagara River upstream from the falls. The falls are viewable head-on from the Canadian side in Niagara Falls, Ontario.
The ledge of the American Falls is shaped in a modified "W" form, caused by numerous rock falls over the past 150 years which have resulted in the huge mound of rock at its base. The most notable recent rockfall occurred in 1954 with the collapse of Prospect Point to the north.
To survey the rockfall and determine how to prevent the falls from becoming a series of rapids, the U.S. Army Corps of Engineers completely blocked the flow of water over the American Falls from June to November 1969. Results conflict as to whether tourist attendance that season was higher or lower than normal. Attendance increases were likely due to the news that the cataract was dried off; decreases in tourists could be attributed to the fact people thought both cataracts (the American and Horseshoe Falls) were dewatered that year. By December 1969, water was flowing over the American Falls again. In the mid‑1970s, it was decided not to make alterations to the rockwall and remove the talus, citing the trend to allow nature to take its course.
By: « AD |[ طَـويَلْ الـِ ع ـًمر ]|!
Location: My trip ..^_^
©Copyright 2009 . Images may not be copied, downloaded
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The Assumption of the Blessed Virgin, Ufford, Suffolk
They told her how, upon St. Agnes' Eve,
Young virgins might have visions of delight,
And soft adorings from their loves receive
Upon the honey'd middle of the night,
If ceremonies due they did aright;
As, supperless to bed they must retire,
And couch supine their beauties, lily white;
Nor look behind, nor sideways, but require
Of Heaven with upward eyes for all that they desire.
John Keats, Eve of St Agnes, 1820
Upper Ufford is a pleasant place, and known well enough in Suffolk. Pretty much an extension northwards of Woodbridge and Melton, it is a prosperous community, convenient without being suburban. Ufford Park Hotel is an enjoyable venue in to attend professional courses and conferences, and the former St Audrey's mental hospital grounds across the road are now picturesque with luxury flats and houses. And I am told that the Ufford Park golf course is good, too, for those who like that kind of thing.
But as I say, that Ufford is really just an extension of Melton. In fact, there is another Ufford. It is in the valley below, more than a mile away along narrow lanes and set in deep countryside beside the Deben, sits Lower Ufford. To reach it, you follow ways so rarely used that grass grows up the middle. You pass old Melton church, redundant since the 19th century, but still in use for occasional exhibitions and performances, and once home to the seven sacrament font that is now in the plain 19th century building up in the main village. Eventually, the lane widens, and you come into the single street of a pretty, tiny hamlet, the church tower hidden from you by old cottages and houses. In one direction, the lane to Bromeswell takes you past Lower Ufford's delicious little pub, the White Lion. A stalwart survivor among fast disappearing English country pubs, the beer still comes out of barrels and the bar is like a kitchen. I cannot think that a visit to Ufford should be undertaken without at least a pint there. And, at the other end of the street, set back in a close between cottages, sits the Assumption, its 14th century tower facing the street, a classic Suffolk moment.
The dedication was once that of hundreds of East Anglian churches, transformed to 'St Mary' by the Reformation and centuries of disuse before the 19th century revival, but revived both here and at Haughley near Stowmarket. In late medieval times, it coincided with the height of the harvest, and in those days East Anglia was Our Lady's Dowry, intensely Catholic, intimately Marian.
The Assumption was almost certainly not the original dedication of this church. There was a church here for centuries before the late middle ages, and although there are no traces of any pre-Conquest building, the apse of an early-Norman church has been discovered under the floor of the north side of the chancel. The current chancel has a late Norman doorway, although it has been substantially rebuilt since, and in any case the great glories of Ufford are all 15th century. Perhaps the most dramatic is the porch, one of Suffolk's best, covered in flushwork and intriguing carvings.
Ufford's graveyard is beautiful; wild and ancient. I wandered around for a while, spotting the curious blue crucifix to the east of the church, and reading old gravestones. One, to an early 19th century gardener at Ufford Hall, has his gardening equipment carved at the top. The church is secretive, hidden on all sides by venerable trees, difficult to photograph but lovely anyway. I stopped to look at it from the unfamiliar north-east; the Victorian schoolroom, now a vestry, juts out like a small cottage. I walked back around to the south side, where the gorgeous porch is like a small palace against the body of the church. I knew the church would be open, because it is every day. And then, through the porch, and down into the north aisle, into the cool, dim, creamy light.
On the afternoon of Wednesday, 21st August 1644, Ufford had a famous visitor, a man who entered the church in exactly the same way, a man who recorded the events of that day in his journal. There were several differences between his visit and the one that I was making, one of them crucial; he found the church locked. He was the Commissioner to the Earl of Manchester for the Imposition in the Eastern Association of the Parliamentary Ordinance for the Demolishing of Monuments of Idolatry, and his name was William Dowsing.
Dowsing was a kind of 17th century political commissar, travelling the eastern counties and enforcing government legislation. He was checking that local officials had carried out what they were meant to do, and that they believed in what they were doing. In effect, he was getting them to work and think in the new ways that the central government required. It wasn't really a witch hunt, although God knows such things did exist in abundance at that time. It was more as if an arm of the state extended and worked its fingers into even the tiniest and most remote parishes. Anyone working in the public sector in Britain in the early years of the 21st century will have come across people like Dowsing.
As a part of his job, Dowsing was an iconoclast, charged with ensuring that idolatrous images were excised from the churches of the region. He is a man blamed for a lot. In fact, virtually all the Catholic imagery in English churches had been destroyed by the Anglican reformers almost a hundred years before Dowsing came along. All that survived was that which was difficult to destroy - angels in the roofs, gable crosses, and the like - and that which was inconvenient to replace - primarily, stained glass. Otherwise, in the late 1540s the statues had been burnt, the bench ends smashed, the wallpaintings whitewashed, the roods hauled down and the fonts plastered over. I have lost count of the times I have been told by churchwardens, or read in church guides, that the hatchet job on the bench ends or the font in their church was the work of 'William Dowsing' or 'Oliver Cromwell'. In fact, this destruction was from a century earlier than William Dowsing. Sometimes, I have even been told this at churches which Dowsing demonstrably did not visit.
Dowsing's main targets included stained glass, which the pragmatic Anglican reformers had left alone because of the expense of replacing it, and crosses and angels, and chancel steps. We can deduce from Dowsing's journal which medieval imagery had survived for him to see, and that which had already been hidden - not, I hasten to add, because people wanted to 'save' Catholic images, but rather because this was an expedient way of getting rid of them. So, for example, Dowsing visited three churches during his progress through Suffolk which today have seven sacrament fonts, but Dowsing does not mention a single one of them in his journal; they had all been plastered over long ago.
In fact, Dowsing was not worried so much about medieval survivals. What concerned him more was overturning the reforms put in place by the ritualist Archbishop Laud in the 1630s. Laud had tried to restore the sacramental nature of the Church, primarily by putting the altar back in the chancel and building it up on raised steps. Laud had since been beheaded thanks to puritan popular opinion, but the evidence of his wickedness still filled the parish churches of England. The single order that Dowsing gave during his progress more than any other was that chancel steps should be levelled.
The 21st of August was a hot day, and Dowsing had much work to do. He had already visited the two Trimley churches, as well as Brightwell and Levington, that morning, and he had plans to reach Baylham on the other side of Ipswich before nightfall. Much to his frustration, he was delayed at Ufford for two hours by a dispute between the church wardens over whether or not to allow him access.
The thing was, he had been here before. Eight months earlier, as part of a routine visit, he had destroyed some Catholic images that were in stained glass, and prayer clauses in brass inscriptions, but had trusted the churchwardens to deal with a multitude of other sins, images that were beyond his reach without a ladder, or which would be too time-consuming. This was common practice - after all, the churchwardens of Suffolk were generally equally as puritan as Dowsing. It was assumed that people in such a position were supporters of the New Puritan project, especially in East Anglia. Dowsing rarely revisited churches. But, for some reason, he felt he had to come back here to make sure that his orders had been carried out.
Why was this? In retrospect, we can see that Ufford was one of less than half a dozen churches where the churchwardens were uncooperative. Elsewhere, at hundreds of other churches, the wardens welcomed Dowsing with open arms. And Dowsing only visited churches in the first place if it was thought there might be a problem, parishes with notorious 'scandalous ministers' - which is to say, theological liberals. Richard Lovekin, the Rector of Ufford, had been turned out of his living the previous year, although he survived to return when the Church of England was restored in 1660. But that was in the future. Something about his January visit told Dowsing that he needed to come back to Ufford.
Standing in the nave of the Assumption today, you can still see something that Dowsing saw, something which he must have seen in January, but which he doesn't mention until his second visit, in the entry in his journal for August 21st, which appears to be written in a passion. This is Ufford's most famous treasure, the great 15th century font cover.
It rises, six metres high, magnificent and stately, into the clerestory, enormous in its scale and presence. In all England, only the font cover at Southwold is taller. The cover is telescopic, and crocketting and arcading dances around it like waterfalls and forests. There are tiny niches, filled today with 19th century statues. At the top is a gilt pelican, plucking its breast.
Dowsing describes the font cover as glorious... like a pope's triple crown... but this is just anti-Catholic innuendo. The word glorious in the 17th century meant about the same as the word 'pretentious' means to us now - Dowsing was scoffing. But there was no reason for him to be offended by it. The Anglicans had destroyed all the statues in the niches a century before, and all that remained was the pelican at the top, pecking its breast to feed its chicks. Dowsing would have known that this was a Catholic image of the Sacrifice of the Mass, and would have disapproved. But he did not order the font cover to be destroyed. After all, the rest of the cover was harmless enough, apart from being a waste of good firewood, and the awkwardness of the Ufford churchwardens seems to have put him off following through. He never went back.
Certainly, there can have been no theological reason for the churchwardens to protect their font cover. I like to think that they looked after it simply because they knew it to be beautiful, and that they also knew it had been constructed by ordinary workmen of their parish two hundred years before, under the direction of some European master designer. They protected it because of local pride, and amen to that. The contemporary font beneath is of a type more familiar in Norfolk than Suffolk, with quatrefoils alternating with shields, and heads beneath the bowl.
While the font cover is extraordinary, and of national importance, it is one of just several medieval survivals in the nave of the Assumption. All around it are 15th century benches, with superbly characterful and imaginative images on their ends. The best is the bench with St Margaret and St Catherine on it. This was recently on display at the Victoria and Albert Museum as part of the Gothic exhibition. Other bench end figures include a long haired, haloed woman seated on a throne, which may well be a representation of the Mother of God Enthroned, and another which may be the Coronation of the Queen of Heaven. There is also a praying woman in a butterfly headdress, once one of a pair, and a man wearing what appears to be a bowler hat, although I expect it is a helmet of some kind. His beard is magnificent. There are also a number of finely carved animals.
High up in the chancel arch is an unusual survival, the crocketted rood beam that once supported the crucifix, flanked by the grieving Mary and John, with perhaps a tympanum behind depicting the last judgement. These are now all gone, of course, as is the rood loft that once stood in front of the beam and allowed access to it. But below, the dado of the screen survives, with twelve panels. Figures survive on the south side. They have not worn well. They are six female Saints: St Agnes, St Cecilia, St Agatha, St Faith, St Bridget and, uniquely in England, St Florence. Curiously, the head of this last has been, in recent years, surrounded by stars, in imitation of the later Our Lady of the Immaculate Conception. Presumably this was done in a fit of Anglo-catholic enthusiasm about a century ago.
The arrangement is similar to the south side of the screen at Westhall, and it may even be that the artist was the same. While there is no liturgical reason for having the female Saints on one side and, presumably, male Saints on the other, a similar arrangement exists on several Norfolk screens in the Dereham area.
Much of the character of the church today comes from it embracing, in the early years of the 20th century, Anglo-catholicism in full flood. As at Great Ryburgh in Norfolk, patronage ensured that this work was carried out to the very highest specification under the eye of the young Ninian Comper. Comper is an enthusiast's enthusiast, but I think he is at his best on a small scale like here and Ryburgh. His is the extraordinary war memorial window in the south aisle chapel, dedicated to St Leonard. It depicts Christ carrying his cross on the via dolorosa, but he is aided by a soldier in WWI uniform and, behind him, a sailor. The use of blues is very striking, as is the grain on the wood of the cross which, incidentally, can also be seen to the same effect on Comper's reredos at Ryburgh.
Comper's other major window here is on the north side of the nave. This is a depiction of the Annunciation, although it is the figures above which are most extraordinary. They are two of the Ancient Greek sibyls, Erythrea and Cumana, who are associated with the foretelling of Christ. At the top is a stunning Holy Trinity in the East Anglian style. There are angels at the bottom, and all in all this window shows Comper at the height of his powers.
Stepping into the chancel, there is older glass - or, at least, what at first sight appears to be. Certainly, there are some curious roundels which are probably continental 17th century work, ironically from about the same time that Dowsing was here. They were probably acquired by collectors in the 19th century, and installed here by Victorians. The image of a woman seated among goats is curious, as though she might represent the season of spring or be an allegory of fertility, but she is usually identified as St Agnes. It is a pity this roundel has been spoiled by dripping cement or plaster. Another roundel depicts St Sebastian shot with arrows, and a third St Anthony praying to a cross in the desert. However, the images in 'medieval' glass in the east window are entirely modern, though done so well you might not know. A clue, of course, is that the main figures, St Mary Salome with the infants St James and St John on the left, and St Anne with the infant Virgin on the right, are wholly un-East Anglian in style. In fact, they are 19th century copies by Clayton & Bell of images at All Souls College, Oxford, installed here in the 1970s. I also think that the images of heads below may be modern, but the angel below St Anne is 15th century, and obviously East Anglian, as is St Stephen to the north.
High above, the ancient roofs with their sacred monograms are the ones that Dowsing saw, the ones that the 15th century builders gilt and painted to be beautiful to the glory of God - and, of course, to the glory of their patrons. Rich patronage survived the Reformation, and at the west end of the south aisle is the massive memorial to Sir Henry Wood, who died in 1671, eleven years after the end of the Commonwealth. It is monumental, the wreathed ox heads a severely classical motif. Wood, Mortlock tells us, was Treasurer to the Household of Queen Henrietta Maria.
There is so much to see in this wonderful church that, even visiting time and time again, there is always something new to see, or something old to see in a new way. It is, above all, a beautiful space, and although it no longer maintains its high Anglo-catholic worship tradition, it is is still kept in high liturgical style. It is at once a beautiful art object and a hallowed space, an organic touchstone, precious and powerful.
HH Pope Benedict XVI receives Prime Minister Gordon Brown in audience in the Vatican, 19 February 2009.
ukinholysee.fco.gov.uk/resources/en/news/2009/02Feb/09021... Servizio Fotografico, l'Osservatore Romano. For distribution please contact photo@ossrom.va
The Old Tampa Free Public Library (also known as the Exceptional Children Education Center) is a historic building in the Tampa Heights neighborhood of Tampa, Florida. Located at 102 E. 7th Avenue, it was one of 10 Florida Carnegie libraries to receive grants awarded by the Carnegie Corporation of New York from 1901 to 1917. It was designed by Tampa architect Fred J. James and constructed from 1915 to 1917. It was added to the National Register of Historic Places in 1991.
Steel magnate and philanthropist Andrew Carnegie provided funding for more than 3,000 Carnegie libraries in the United States, Canada, and Europe. The library was built using a $50,000 grant from Carnegie. The library's first director was Helen V. Stelle.
It was Tampa's main library until 1968. It includes a T-plan, masonry, brown and yellow brick atop a rusticated granite basement, and is topped by a barrel tile roof. The building was rehabilitated in 1999 by the City of Tampa for public offices. It has been occupied by the administrative staff of the Tampa-Hillsborough County Public Library System since November 2016 and also houses the Hillsborough Literacy Council, which is affiliated with the Tampa-Hillsborough County Public Library system.
Library Usage and Floorplan
The library was widely used by patrons across Tampa who had fewer branches to choose from at the time of its use as an active branch. University students would enjoy the ample collection in order to do the research and study required of them. High school students would also research at the branch, and some would enjoy going to the pool hall across the street from the library, which was notorious among patrons as well as librarians for having a diverse and interesting clientele that was not always a welcome presence at the library and would sometimes be a source of mischief. At the "7th Avenue Library," as it was called by some patrons, children would enjoy storytelling, which would happen once or twice in the afternoon according to patron memories,[ and book selection in the children's library on west side of the basement level.
Bernadette Storck, a worker of the library with the cataloging and processing department, details her memories of the library's floorplan and processes: The library had a circulation desk on the first floor, with reference on one side and popular materials on the other. In the downstairs area, the west side housed the children's department, where story time took place and children's material was kept. On the east side of that floor, cataloging and processing took place. This involved hand lettering along spines in order to determine branches and subjects. The bookmobile collection was also housed there, as Tampa's first bookmobile was kept at the Tampa Free Library. Upon patron request, back issues of newspapers and magazines, kept behind smoked glass, would be sent upstairs. A dumbwaiter was used to put materials in and take them upstairs, as the building's current elevator had not been added yet.
Reasons for Closure
Built in 1915, the Tampa Free Library originally stood as Tampa's main public library. However, over the decades, the library was no longer able to adequately meet the needs of the growing population. Concerns over the small size of the library, lack of expansion, and inability to assist the growing population eventually led to a new building being constructed in downtown Tampa. The original building was constructed and designed to serve 50,000 people which was adequate at the time of its construction. However, by the early 1960s, Tampa maintained a population of 274,407 people. In addition, other old, historical libraries in Tampa were also unable to meet the needs of the public due to poor parking, small size, and cramped collections. This led to questions of whether newer, larger libraries should begin replacing the older, historical models. The Tampa Free library endeavored to cater to the population by expanding hours. In April 1960 the Tampa Public Library's expanded its hours, from 9 a.m. to 9 p.m. Monday through Saturday, increasing the library's open hours from 66 to 72 hours per week. This was done with the hope that it would be more convenient for people working downtown to visit the library.
In 1961, the library was no longer seen as an adequate facility for the growing city of Tampa. As evidenced in an article by the Tampa Tribune in 1961, the library designed to serve a community of 52,000 people was rightfully determined to be insufficient for a community of 274,407 people. A former worker of the library who'd been involved in cataloging and processing also recalled insufficient shelving space, stating that the huge collection of books, newspapers, and magazines was "falling off the shelves." Patrons also had to travel quite far to reach the library, as it was being used by patrons who lived in Hyde Park and Palma Ceia.
Eventually the need for space and change led to the creation of a new main library, and on April 21, 1968, The Tampa Public Library (renamed John F. Germany Public Library in 1999) opened on 900 N Ashley Drive. The John F. Germany Public Library still serves as the main library in the Tampa-Hillsborough County Library system.
Uses After Closure
In 1968, the building was converted into a center for academically advanced students, the "Exceptional Children Education Center". This program ended in 1986 when the city stopped busing gifted students out of their local schools. In 1987, the city of Tampa sold the building to the nonprofit Tampa Bay Economic Development Corporation for $1. The corporation would do the necessary renovations and improvements after finding someone to lease the building and repay those costs over time. In 1995, the Tampa Free Library once again garnered notice after the roof had to be patched to stop an influx of water from destroying the interior. It was at this time that Tampa's Architectural Review Commission unanimously voted to recommend the building for local landmark designation. In 1998, the United Way of Hillsborough County considered making the Tampa Free Library building its new headquarters, but reconsidered due to the price tag of renovating the then 83-year-old-building. In 1999 the city agreed to foot the 2.2 million dollar renovation costs by entering a 25-year lease agreement with Tampa Bay Economic Development Corporation, at the end of which, the city would purchase the building back for the $1 they sold it for in 1987. Beginning in 1999, three agencies would share the newly renovated space: The Division of Neighborhood Improvement, the Women & Minority Business Enterprise Program, and the Office of Human Rights and Community Services. In November 2016, the administrative offices for the Tampa-Hillsborough County Public Library were relocated to the Tampa Free Library from the fourth floor of the John. F. Germany Library in downtown Tampa.
NRHP - 91000618
(Wikipedia)
Lake Jindabyne receives the flow from the Snowy River as well as its tributaries, the Thredbo River and Eucumbene River.
The Jindabyne pumping station pumps the water from the rivers into the Snowy-Murray tunnel where it flows west through Murray 1 and Murray 2 Power Stations before entering the Swampy Plains River and then the Murray River.
The flow of water into Lake Jindabyne is particularly strong during the spring months of October and November.
Elm's 2024 Advent Calendar is underway, here's a little gift preview for you ♥
From now 'til December 24th, group members will receive a new gift daily! Wear your group tags & find the day's gift on the tree.
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3. Find the day's gift and click!
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*Working Towards a Better World
Diversity: the art of thinking independently together.
Malcolm Forbes
When power leads man toward arrogance, poetry reminds him of his limitations. When power narrows the area of man's concern, poetry reminds him of the richness and diversity of existence. When power corrupts, poetry cleanses.
John F. Kennedy
Real cultural diversity results from the interchange of ideas, products, and influences, not from the insular development of a single national style.
Tyler Cowen
Today when I think about diversity, I actually think about the word 'inclusion.' And I think this is a time of great inclusion. It's not men, it's not women alone. Whether it's geographic, it's approach, it's your style, it's your way of learning, the way you want to contribute, it's your age - it is really broad.
Ginni Rometty
We need to give each other the space to grow, to be ourselves, to exercise our diversity. We need to give each other space so that we may both give and receive such beautiful things as ideas, openness, dignity, joy, healing, and inclusion.
Max de Pree
What I'm trying to do is get a change in the mindset so people move from a level of mere tolerance to total acceptance and eventually to celebrate diversity. If you feel comfortable with one another, it doesn't matter whether we live in which neighbourhood but we can interact with one another freely. It's a mindset.
Najib Razak
Diversity on the bench is critical. As practitioners, you need judges who 'get it!' We need judges who understand what discrimination feels like. We need judges who understand what inequality feels like. We need judges who understand the subtleties of unfair treatment and who are willing to call it out when they see it!
Debbie Wasserman Schultz
We need to reject any politics that targets people because of race or religion. This isn't a matter of political correctness. It's a matter of understanding what makes us strong. The world respects us not just for our arsenal; it respects us for our diversity and our openness and the way we respect every faith.
Barack Obama
Right now, when we're hearing so much disturbing and hateful rhetoric, it is so important to remember that our diversity has been - and will always be - our greatest source of strength and pride here in the United States.
Michelle Obama
Thank you for your kind visit. Have a wonderful and beautiful day! ❤️ ❤️ ❤️
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It's what adults in America are teaching their children. As Dad and I travel and boondock across America, I receive the same type of harassment. This is from state to state, community to community. Look at this beautiful scenery around me. As Dad edits this photo; a guy pulls up, parks his ATV right in front of our motorhome. He then walks around the front of our camp. His sole purpose is to get me worked up and act aggressive. Here we are boondocking (in our new camp), in the middle of nowhere, no one around for miles, and this simpleton shows up to harass me. This; while Dad is editing this photo.
We get the same treatment when we go into town. This is from town to town, from Walmart to Walmart. The same exact acts, of harassment and hate. Adults using their children, their pets, their communities; to mob, harass, hate and divide. There was recently a video of a woman in New York, coaxing a dog into city traffic. She was supposedly doing this, because the owner didn’t have the dog on a leash. THIS is the mentality of those involved in Gang Stalking, Community Mobbing, in America.
Dad documents it, records it, has been for years. It seems no one really cares. Here in America, we have selective Law Enforcement.
I have Hundreds, maybe Thousands. I call the FBI to inform them of Domestic Terrorism (I have definitive proof), and they hang up on me. I was told to contact Local Law Enforcement; if you’ve read through my post, you know how that goes. They all have excuses; its just a big circle of Plausible Deniability. I want to repeat this before I go into the description: I inform the FBI of Domestic Terrorism and I’m abruptly hung up on me. And, we wonder how Jan 6th could have happened; when the FBI was fully aware of the Threat. Now, do you know what I mean, about Selective Policing in America.
The picture you see, is one of the many people that Stalk, Bait and Harass; my Service Dog and I.
We moved camp today. While I was packing up at the last camp; we received a Convoy of Hate before we pulled out. One man went as far as putting on a Red Jump Suit, stands up on his motorcycle as he passed. This was because Koda was up front, looking out the window, as I loaded the car on it’s dolly.
Now, here at our new camp, many, many miles from our last camp; we are here a few minutes and Karen comes walking from a Fire Lane, to watch. It is the same woman in this picture, but she didn’t have the dog, or backpack. She came up to a fork, that could be seen from our camp. I was setting up the solar panels, Koda was tied to the front side of the Motorhome. She stood at the fork, doing something to cause Koda to growl. When I came around front she stopped. I have it on Video.
Hours later, I was playing fetch with Koda, he was having to much fun: the same woman drags this poor old dog, up the Fire Lane. She does this, so it and she could be seen by Koda. This was just an act to get him excited (he loves to play with other dogs). She literally pulled and yelled at the dog she had; the poor thing could not keep up. Take a good look at it. I have pictures of it all. She was in a hurry to spread her hate. These people could care less about a dog, or their own children it seems. They use children often to harass Targets.
This is a prime Example of people involved in Domestic Terrorism. You Can call it Gang Stalking, Community Stalking, Community Policing; it is Actually Domestic Terrorism. These people spread nothing but Fear, Hate, Intimidation, Mobbing and Terror. They even teach children to do so. Once we were set up; it didn’t take long for the same people that Stormed pass our camp, show up here. One man in a Red Jeep, pulled up on a hill a couple hundred yards behind us and Watched us. . It was just another attempt of Intimidation. It didn’t work….
Direct Energy Weapons are used during this Stalking, Mobbing, Baiting and Hating. Not every time, but they are used. I know its a bold statement, but its the TRUTH. Many Government Employees, along with CIA Agents have reported being Attacked by these Weapons (Havana Syndrome). For years our Government turned its back on them. Now the CIA is supposed to be investigating it. We know how that will go. And, the FBI, apparently doesn’t want to hear about it. BUT, they are doing nothing for the Average American Citizen.
I could care less what others think of my statements. I have TWO thing on my side; TRUTH and HISTORY. History does expose the truth, and one day I’ll be vindicated. If someone you know, is a victim of this type of Domestic Terrorism; please give them the benefit of doubt. Don’t turn your back on them; like our Local/Federal Law Enforcement and Government. “Disgusting”, is and understatement.
I’m not against Law Enforcement, I am against Selective Policing and Cover-up….
As I post this on Flickr, an ATV stops with rows of bright lights, in front of our Motorhome.
You still have trouble believing, read this: www.google.com/url?sa=t&rct=j&q=&esrc=s&s...
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Please receive my deep gratitude for sharing
your wonderful photographs
and for stopping by to appreciate mine.
May you all have a very Merry Christmas
and a Prosperous New Year :)
MADRAS WAR CEMETERY was created to receive Second World War graves from many civil and cantonment cemeteries in the south and east of India where their permanent maintenance could not be assured. The cemetery contains 856 Commonwealth burials of the Second World War. The MADRAS 1914-1918 MEMORIAL is situated at the rear of the cemetery. It bears the names of more than 1,000 servicemen who died during the First World War.It is located in Nandambakkam, Chennai. It is currently maintained by the CWGC in partnership with Government of India
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Dungeness Lifeboat Station was the first to receive the RNLI Shannon class lifeboat. The Morrell was named on 31 May 2014 by HRH The Princess Royal. The station has a rich history. In 1940, the Dungeness lifeboat was one of 19 that took part in the evacuation of Allied troops from Dunkirk in northern France. And through the 1950s the station was famous for its Lady Launchers - local women who helped haul the lifeboat down to the sea, and recover her.