View allAll Photos Tagged react
#React, #GoaHead, #NoStop, #Belive, #KeepWalking, #Respect, #UrbanPhotography, #StreetPhoto, #SPLovers, #Canon, #Photo, #Photography, #ConceptualPhotography, #Brazil, #BraveBrazilianPeople, #HRSouza,
Reacting camera on Rublevo station of water cleaning. Build in 1907, now it's out of use.
More about this you may find here: steal86.livejournal.com/222525.html
Taken with Canon EOS 5D Mark III, Sigma 12-24/4.5-5.6 EX HSM and two Canon 550EX flashes. The flashes was in my hands and I fired them as many times as possible during 30 sec. exposure. I tries to accent the light on the rusted water pipes and tubes and also made increasement to the forms of the walls and stairs.
LEGAL DISCLAIMER: I Do Not Condone Any Acts Of Vandalism Nor Do I Participate In Such Criminal Activity. I Am Simply An Observant and Take Photos Of This Graffiti You Have Come Across. ALSO I Will Not Condone Any Usage Of My Photos To Support Any Legal Matter Involving These Acts Of Vandalism Therefore YOU ARE NOT WELCOME TO VIEW OR TAKE THIS MATERIAL For ANY Purpose...
Young killing machines! how did peace keeping soldiers from Australia, England, USA etc react to these gun toting kids? shoot first ask questions later? anyone carrying a gun is a threat that has to be eliminated: it’s not the gun that kills, it’s the child who pulls the trigger; if it means killing the child to save their lives then they had to do whatever it took to save themselves and from a distance they wouldn’t have known whether the enemy was male, female or child
i had fun doing that haha,
it wasnt even for a picture.
But oh well, i decided to take one anyway.
Photographer: Alexandre
Model: Alexandre
Taken with: Canon powershot S2 IS
While I'm without a scanner (my existing isn't ready to work with VISTA) I'm going to be doing quick Illustrator sketches of individual letters to fill out the sketch blog portion of my site (instead of the actual black book stuff I've been doing) Check out the progress at my blog. These are all supposed to be quick (< 30 minutes) and fun, so some will be better than others. I just hope they're interesting.
Austrian Sculpture Park Premstätten near Graz, Austria
When sculpture and nature come together, they react to each other: an interrelationship develops that tells a story over time and constantly changes. The garden as man-made and yet constantly growing nature corresponds in the Austrian Sculpture Park in particular to the weather-exposed sculptures that blend in with the landscape or react to it. The vocabulary of contemporary sculpture ranges from abstract sculpture to everyday objects, from anthropomorphic figurations to everyday objects. The dialogue between location and sculpture is intended to make this vocabulary visible, i.e. to make statements about art, but also about society, its conflicts and dreams, and to create spaces for encounters.
Mario Terzic's ever-growing ark of living trees is the epitome of conflict and harmony between nature and sculpture. Oswald Oberhuber's sculpture on the wall points out that, since Minimal Art, every sculpture can not only stand on the floor, but can also hang on the wall, so that sculpture is also in dialogue with the picture. The dialogue inherent in art, e.g. B. between image and space, can also be expanded through a dialogue between forms of art and nature, as shown by the juxtaposition of the sculptures by Fritz Hartlauer and Jörg Schlick, which deal with rules of form, algorithms and growth. The sculptures by Christa Sommerer and Michael Kienzer also belong to this category. Works by so-called old masters can be found on a stepped landscape facing the sky, which acts as a pantheon. This power of place also supports the importance of Heimo Zobernig's tower at the entrance to the Austrian Sculpture Park or Susana Solano's "Wheel" sculpture. The same applies to Werner Reiterer's sculpture, which inflates and collapses in a hollow, Hans Kupelwieser's cushion placed between hedges, or Peter Weibel's work, which makes it possible to experience the globe as a suitcase.
Moving machines such as cars (Erwin Wurm), ships (Michael Schuster), sails (Martin Walde), airplanes (Nancy Rubins) or trains (Hans Hollein) tell of the fate of the apparatuses, of failure and standstill, social and technical dreams and transform the landscape in a sea or an airport. Correspondingly, Heinz Gappmayr's references to "things that are not yet visible" and "no longer visible" depending on the position of the viewer, Yoko Ono's cross to be nailed, the dancing trees by Timm Ulrichs and the water sculpture by Jeppe Hein increase the relationship between the visitor and artwork. The Austrian Sculpture Park is used as a platform to open up a horizon of dialogue with contemporary sculpture and to be able to better understand its language.
Elisabeth Fiedler, Peter Weibel
My little niece has a surprising reaction to the very sight of my cousin. If she sees him make eye contact, even from across the room, she bursts into tears. SO funny.
Quality of life: from safe food to data protection
SPAGHETTI ALL’UOVO, AGLIO, OLIO E PEPERONCINO
di Carlo Cracco
Per la pasta all’uovo:
kg 1sale grosso affumicato
gr 250zucchero
n 12tuorli d’uovo
Per l’aglio affumicato:
n 1 ½ testa d’aglio
lt 2latte
sale
peperoncino
olio extravergine
prezzemolo fritto
Impastare il sale con lo zucchero , mettere i tuorli d’uovo a marinare per circa 4/5 ore, dopodiché sciacquare sotto l’acqua corrente.
Prendere i 12 tuorli marinati e metterli tra 2 fogli di carta da forno e con l’aiuto di un matterello stenderli in modo uniforme formando uno strato sottile.
Togliere dalla carta e passare la sfoglia nella trafila per spaghetti.
Far bollire l’aglio con il latte e ridurre della metà.
Passare il tutto a maglia fine e tenere da parte.
In una padella, mettere un goccio d’olio, aggiungere gli spaghetti e poco peperoncino.
Saltare per un paio di minuti e servire in una fondina con alla base la crema d’aglio.
Finire con il prezzemolo fritto e un goccio di olio crudo.
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What does quality of life mean for you? Safe food? Accessible medical care? Breathable air and clean environment? Strong consumers’ rights? Or knowing that your data and privacy are safe? European Parliament holds improving of the quality of life in the EU high on its agenda. Read more here and follow 4th ReACT conference on quality of life on 23 January in Rome live!
Streaming ReACT Rome, 23 January 19:00
www.europarl.it/view/it/react.html
ReACT Rome: web site in IT
This photo is free to use under Creative Commons license (CC) and must be credited: "© European Union 2014 - European Parliament" (Attribution-NonCommercial-NoDerivs Creative Commons license). For HR files please contact: webcom-flickr(AT)europarl.europa.eu
Quality of life: from safe food to data protection
What does quality of life mean for you? Safe food? Accessible medical care? Breathable air and clean environment? Strong consumers’ rights? Or knowing that your data and privacy are safe? European Parliament holds improving of the quality of life in the EU high on its agenda. Read more here and follow 4th ReACT conference on quality of life on 23 January in Rome live!
In the past few years, European parliament worked on wide range of rules to improve the quality of life in Europe: ensuring safe and accessible medicines and medical treatments, strengthening passenger rights, enabling consumers to buy clearly and correctly labelled food, cutting CO2 emissions and preventing other environmental pollution, but also making sure that privacy of European citizens is protected and their data safe. Read more in our Top Story.
Three of those topics: environment, health and food and the “European way” to protect them are to be debated during fourth ReACT conference “Cutting Quality of life: past, present and future” that takes place on 23 January in Rome. Chef Carlo Cracco, climatologist Riccardo Valentini and Professor Michele Mirabella present their points of view and debate them with the audience. Conference is moderated by geologist Mario Tozzi. Follow live and comment #Reactroma via links on the right.
ReAct Roma is the fourth in a series of five interactive conferences on subjects vital to the EU, ahead of the European elections in May 2014. They take place in different European cities where opinion leaders will share their ideas about today's issues. Previous events were dedicated to jobs and employment (15/10 Paris), EU in world (14/11 Warszawa), EU and finances (5/12 Frankfurt). The fifth event will be about EU and economy and will take place on 20/2 in Madrid.
Streaming ReACT Rome, 23 January 19:00
www.europarl.it/view/it/react.html
ReACT Rome: web site in IT
This photo is free to use under Creative Commons license (CC) and must be credited: "© European Union 2014 - European Parliament" (Attribution-NonCommercial-NoDerivs Creative Commons license). For HR files please contact: webcom-flickr(AT)europarl.europa.eu
Lovebytes - Digital Spring.
UNQUIET : Art and music events at Sheffield's Central Library
Sat 24 March 11am-4pm
Sheffield Central Library, Surrey Street, Sheffield.
Sheffield Central Library provided the venue and inspiration for a spree of artistic interventions, impromptu performances and creative workshops:
Sheffield Library's documentation from Unquiet (requires Flash):
Reactable
The Reactable is a revolutionary new electronic musical instrument, designed to create and perform the music of today and tomorrow. It combines state of the art technologies with a simple and intuitive design, which enables musicians to experiment with sound, change its structure, control its parameters and be creative in a direct and refreshing way - unlike anything you have ever known before.
Juxtavoices
Juxtavoices is a large 'antichoir' under the direction of composer Martin Archer and writer Alan Halsey. The group includes many familiar faces from Sheffield's leftfield music, poetry and visual arts scenes. Although the group performs structured scores, no fixed pitches are ever notated, and the group uses improvisation to shape the detail of the scores as the music progresses. Both trained and untrained voices are included. As well as playing "normal" concerts, the group is to be found in various unexpected public places, and at poetry / text events. For this event, Juxtavoices have created 2 special pieces for performance: one in suitably hushed tones inside the main library, and one utilising the rich acoustic of the adjacent stairwell.
20Hz by Semiconductor
05.00 minutes / HD video installation / 2011
20 Hz observes a geo-magnetic storm occurring in the Earth's upper atmosphere. Working with data collected from the CARISMA radio array and interpreted as audio, we hear tweeting and rumbles caused by incoming solar wind, captured at the frequency of 20 Hertz. Generated directly by the sound, tangible and sculptural forms emerge suggestive of scientific visualisations. As different frequencies interact both visually and aurally, complex patterns emerge to create interference phenomena that probe the limits of our perception.
20Hz is a Semiconductor work by Ruth Jarman and Joe Gerhardt.
Audio Data courtesy of CARISMA, operated by the University of Alberta, funded by the Canadian Space Agency.
Co-commissioned by Arts Santa Monica + Lighthouse for the Invisible Fields Exhibition at Arts Santa Monica, Barcelona. 2011-2012. Supported by the British Council.
Catalyst
This sound installation in the Lending Library presents a series of collaborative works by a number of Sheffield based writers and sound artists.
In 2011 composers from the University of Sheffield Sound Studios (USSS) were asked to produce a work drawing on Brian Eno's concept of 'ambient music' - music that could be subtly diffused into the atrium space at Bank Street. These compositions were played throughout the day and the writers spent an hour free-writing in response to them. These initial responses were then developed into poems by the writers and then were recorded reading their poems. These sound recordings formed the source material for a new series of compositions - in some cases settings of the poems themselves, in others more abstract manipulations of the source material.
Catalyst is a collaboration involving Bank Street Arts' Poet in Residence Angelina Ayers; writers on the MA Writing at Sheffield Hallam University; Bank Street Arts Resident sound artist Ian Baxter and fellow composers working from the USSS.
Animation/Pixilation Workshop
Children's Library session beginning 11am, 12pm, 2pm and 3pm (4 x 45min workshops)
Age 6+ Free. Book in advance / places are limited.
To book a place email - kidsandteens.library@sheffield.gov.uk
or tel. - 0114 273 4734
Come and have a go at animating...Yourself! Pixilation is an exciting form of animation where everyday objects and humans are the made to do extraordinary things such as disappear into walls, change into other people, fly, get eaten by black holes and ice skate on carpets!
In this workshop you'll learn how to make use pixillation to create animated films. You and your parents or carers will also find out how to film animation at home using your home computer, a webcam and free software. No experience or equipment necessary - just bring yourself! The workshop is led by Melvyn Turnan - you can see his films at www.melmation.com
Places are very limited, so please book in advance to avoid disappointment.
Sssh! There's going to be a FREE secret film show for kids at 1PM, somewhere in the Library...
Are spy pigeons and lost mechanical aliens your kind of thing? Do you know a cat who belongs to Simon? (or is it a Simon who belongs to a cat?)...
You can only find out the secret location for this screening when you collect a free golden ticket from our information desk in the Winter Garden. Make sure you get there early, it's first come first served and there are only a few places available for this extra special, hush hush event for those in the know. The films are suitable for any age but children must be accompanied by an adult.
These films are 100% guaranteed to totally amaze you... here's a sneak preview of what you will see...
The Lost Thing by Andrew Ruhemann & Shaun Tan (Passion Pictures, Australia 2011). This film won an Oscar for best short animated film in 2011. A boy finds a strange creature on a beach, and decides to find a home for it in a world where everyone believes there are far more important things to pay attention to.
Pigeon Impossible by Lucas Martell. This amazing bagel bite-sized adventure was 5 years in the making. It's the tale of Walter, a rookie secret agent faced with a problem seldom covered in basic training: what to do when a curious pigeon gets trapped inside your multi-million dollar, government-issued nuclear briefcase?
Love Over Goldfish by Janet Jennings and Jon Harrison. Have you ever seen a movie that is upside-down from beginning to end? Well the star of this film has, he's lived it! He's a goldfish and this is his life story. Love Over Goldfish was filmed in Sheffield, see if you can spot any familiar locations (but don't get a crick in your neck;)
Thanks to all the staff at Sheffield Libraries for hosting this event.
Special thanks to:
Emma Croft, Sarah Hogan, Martin Dutch and Andrew Milroy at Sheffield Libraries, Martin Archer and Juxtavoices, Ian Baxter (Catalyst), Sergi Jordà (reactable), Sheffield University Sound Studios, Passion Pictures, Lucas Martell, Flatpack Festival, Amber and Joab Harrison
Technical wizards: Darren Chouings (Prism), Melvyn Turnan (Melmation), Richard Bolam (RB Digimedia).
Lovebytes 2012 - Digital Spring
A Festival of Art, Science and Technology
22-24 March
Sheffield UK