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I modified the RAW file in Adobe Bridge from the original by lowering the contrast (-24), increasing the vibrance(+8) and lowering the saturation(-2). My goal was to keep the red from clipping, make the grass a little brighter without overexposing the dog's fur.
By making the "Dong fabric",they need indigotin,Chinese liquor and egg white.So the rawmaterial is quiet organic. But in order to make the fabric looks shining,they'll have to keep washing,drying and beating the fabric for half month.
Images from in and around Ian's workshop at North Callange, Pitscottie. RAW MATERIAL - Slided tree trunks being "seasoned".
Punta Arenas, Magallanes, Chile: A cast iron fireplace serves as the glowing heart of a traditional room, reflecting the region's need for warmth against the harsh southern winds. The metallic structure of the hearth is adorned with elegant, swirling wrought-iron scrollwork that frames the flickering flames dancing upon the logs. Below the grate, a massive, unrefined chunk of white mineral rests on the tiled floor, grounding the scene with a tactile, organic element pulled directly from the Patagonian landscape. The contrast between the cold, hard stone and the radiant heat of the fire creates a sense of intimate sanctuary. Warm, ambient light spills outward, catching the textures of the surrounding brickwork and highlighting the soot-stained metal hood above the fire. This composition utilizes a shallow depth of field, keeping the intricate metal patterns of the hearth sharp while allowing the surrounding masonry to recede into a soft, textured periphery. The utilitarian nature of the fireplace, complete with an exposed gas line connection, emphasizes the practical life experienced in the world's southernmost city. Such interiors represent the quintessence of Magallanic architecture, where aesthetic charm is secondary to the essential requirement of enduring the sub-polar climate. This image provides a glimpse into the quiet, domestic life that characterizes traveler stopovers in the gateway to the Antarctic. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Samuel and Audrey.
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Punta Arenas, Magallanes, Chile: Una chimenea de hierro fundido sirve como el corazón radiante de una habitación tradicional, reflejando la necesidad regional de calor frente a los duros vientos del sur. La estructura metálica del hogar está adornada con elegantes trabajos de hierro forjado que enmarcan las llamas parpadeantes que bailan sobre los leños. Debajo de la rejilla, un trozo masivo y sin refinar de mineral blanco descansa sobre el suelo de baldosas, anclando la escena con un elemento táctil y orgánico extraÃdo directamente del paisaje patagónico. El contraste entre la piedra frÃa y dura y el calor radiante del fuego crea una sensación de refugio Ãntimo. La luz ambiental cálida se derrama hacia afuera, capturando las texturas de los ladrillos circundantes y destacando la campana de metal manchada de hollÃn sobre el fuego. Esta composición utiliza una profundidad de campo reducida, manteniendo nÃtidos los intrincados patrones metálicos del hogar mientras permite que la mamposterÃa circundante se desvanezca en una periferia suave y texturizada. La naturaleza utilitaria de la chimenea, con su conexión de lÃnea de gas expuesta, enfatiza la vida práctica experimentada en la ciudad más austral del mundo. Dichos interiores representan la quintaesencia de la arquitectura magallánica, donde el encanto estético es secundario al requisito esencial de soportar el clima subpolar. Esta imagen ofrece un vistazo a la vida doméstica tranquila que caracteriza las paradas de los viajeros en la puerta de entrada a la Antártida. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para Samuel and Audrey.
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Photo by Samuel Jeffery & Audrey Bergner | Samuel and Audrey
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The original photo had slightly overexposed rocks in my opinion, so I increased the contrast and messed around with some colors, especially with the leaves, and added a slightly bluish tint to the rocks.
I changed the view and dropped it -0.5 stop to darken the sky. I also added fill-flash to lighten the wall on the left side.
Images from in and around Ian's workshop at North Callange, Pitscottie. RAW MATERIAL - Slided tree trunks being "seasoned".
I actually had an overexposed picutre?! Bah, I took this picture waiting for my carpool on Route 95 at 7 AM. The sky too bright and Gulf sign were too bright, so I had to change that to focus on the cars. I wonder what would happen if I shot for the sky...
A flock of sheep, one with a blue ear tag, stands in a sunlit grassy field with a fence in the background, showcasing their woolly coats and peaceful demeanor.