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What may have been the most important day in collective, 21st Century U.S. activism. Only time will tell.
What may have been the most important day in collective, 21st Century U.S. activism. Only time will tell.
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ARE WE STUDENTS HERE TO FALL PREY TO THESE .
G-4 HAWKS ?????? .
FRIENDS, The recent gruesome incidences involving the rude and barbarous behavior of G-4 security guards in the campus triggers a debate questioning their duty and putting a sheer blot on their character. Without qui bbling, their bossy rather irritating attitude has forced us to lead our life like a prisoner in our home without dignity. Please tum some recent logbooks of last one year. .
Scene 1: Mahi-Mandvi films show Actor: Mr. Cheema .
A nice movie is going on. Mr. "villain'' Cheema enters and time freezes abruptly. Chief Security Officer (CSO) of JNU is DRUNK. True to hi s spirits. He misbehaves with some students. Climax:: Around 300 students protest including President and Committee members lodging written complains against CSO with approval of the warden. Box office result:: No penalty imposed from Administration side SEEMS Mr. Cheema i's a HERO. He proclaims "MAl S TUDENTS KO INK! AUKATBATA DOONGA ''. .
Scene 2: : Godawari hostel Actor:: Again a G-4 personnel: Time is lonely but he keeps his senses busy in peeping into a Girl's bathroom. Climax: Oh! He is caught. Box office result: He faces only transfer that too somewhere in JNU. .
Scene 3: A 1nob scene at Ganga Dhaba Actors: Local outsiders creating havoc. Night is taking its outsiders. course. Girls of JNU are commented upon bv .
Climax: On routine basis stunt scenes and boxing services are also provided. Box office resu lt: G-4 guards are excellent spectators. Nothing official about it. Their indifference to students· cause shows their tagging with local outsiders. Why do'nt they dare to ask them for their !-Cards? the .
Scene 4: Somewhere in the carnpus Actor: A mood wanting to be high. A G-4 guard-sitting there to sell the narcotics. .
Climax: It is safe to get it from him. Box office Resu It: It is not anybody else but a G-4 guard vitiating the environment. .
In some instances o n d uty guards arc found sleepin g in hostels or watching TV. Phone receiver was sto len inspite of two guards posted in Na rmada hostel. Are they really doing duties or· just adding to their muscles by eatin g in our mess free of cost, that to beat students. Do you really feel being ecured? Most of th e guards a re posted to safeguard authorities a nd their belonging . \-Vhat happened when a girl stud ent was locked by G-4 in Tefl a's toilet? T hat gua rd was beaten up by the student. To add another Oscar to their Film Company, they keep encroaching the student's freedom by quoting that we are not allowed to roam around Paschimabad, PSR Or B&C grounds. Till date, the same Administration, whose conduct with the students found gui lty for even one degree has been harassing, failed to control the extremities of these Guards. The most recent notable event has seen a student manhandled brutally . W hat can you do w hen this army of criminals a£sault you crim ina lly at a deso late place? How can we avoid it? Simple answer~ just sticl.M. We hope that matter will be looked into and whosoever found gui lty should be punished. But the million dollar questions which stills strikes our nerves vehemently is that why Administration is acting in a biased manner ,and giving a protective shield to G-4 by turning a blind eye to their objectionable acts. Is it for the reasons that G-4 is also a part of the Administration? The time has come to think that who authori zed these G-4 bane) owls to humiliate us in our own loving Campus. Give it a thought and lend it to your voice. Thank You .
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Here I was looking at the long stretch of the walkway without shade and questioning my decision to walk over it…
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www.lymanallyn.org/louis-comfort-tiffany-in-new-london/
Louis Comfort Tiffany in New London
www.youtube.com/watch?v=EpMVFDjhPXM&t=6s
This Gilded Age permanent collection gallery includes stained-glass windows, lamps, favrile glass vessels, silver, jewelry, paintings, archival photographs, and other objects, many of which come from Tiffany family descendants. Louis Comfort Tiffany’s parents hailed from Killingly, CT, and although they lived in New York City, the family often visited relatives in Norwich and New London. Louis’s first wife, Mary Goddard, was from Norwich, as was Louis’s brother-in-law Alfred Mitchell, who married his sister Annie. The Mitchells acquired a home in New London overlooking the Thames River, and Louis and his family were frequent visitors there in the mid-to-late 1870s and 1880s.
Tiffany in New London features three stained-glass windows from New London that anchor the gallery, evoking the contemplative memorial and ecclesiastical environment for which they were created. The local patrons who commissioned these and other objects offer insight into a key period in New London’s history, when the region flourished and was a popular seaside resort for the wealthy. The stained-glass windows also illustrate Louis Comfort Tiffany’s many technical innovations in glassmaking, as do examples of Tiffany Studios’ lamps and favrile glass. Tiffany was an artist and designer of incredible breadth who worked in a range of styles and materials. He traveled extensively and was influenced by the art and culture of the Middle East, Asia, and Europe. Related Aesthetic-era and Art Nouveau fine art and decorative arts are included to show their influence and overlap with Tiffany’s innovative designs.
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www.lymanallyn.org/american-perspectives/
The Lyman Allyn Art Museum is home to a collection of more than 18,000 works.
The Museum opened in March 1932 with only 13 objects from the permanent collection on view. Of the original 13 on display, four were of Asian or ancient origin, four were European sculptures – two of which were quite modern – and five were European works on paper dating from the 14th to the 18th centuries. Today, the collection has grown to include more than 18,000 paintings, drawings, prints, sculptures, furniture and decorative arts as a result of active acquisitions by the Museum and generous donations to the Lyman Allyn.
The collection spans a 2,600-year period, ranging from ancient Greek and Roman artifacts to works by living artists, with particular strengths in American and European art from the 18th and 19th centuries. Notable artists in the collection include Thomas Cole, Frederic Edwin Church, Winslow Homer, Andrew Wyeth, John Copley, Winthrop Chandler, Paul Revere, Louis Comfort Tiffany, Sol LeWitt, Eugene Delacroix, Charles LeBrun, J. A. D. Ingres, and Giovanni Battista Tiepolo, among many others.
The 18th Century
New London’s deep water harbor has driven the regional economy since colonial times, connecting southeastern Connecticut to the broader Atlantic world. In the 18th century, local shipping merchants specialized in the West Indies trade, exporting livestock and food to Caribbean plantations in exchange for sugar, molasses, and rum. Economic growth and stability in the second half of the century enabled colonists to acquire a greater range of household goods—textiles, silver, glass, ceramics, furniture, and paintings among them. Some goods were imported, while others were produced in the home or by craftsmen and artists, whose work and skill expanded to meet increasing demand. The Tea Table and the painting of Sarah Deshon (from the same family) tell a local story, showing how the Deshons of 18th century New London cemented their status and wealth from trade with objects that conveyed their social and economic standing.
Connecticut played a key role in the American Revolution, as political tension over taxation and colonial governance led to war with Britain. With the British headquartered in New York City, New London’s harbor was an ideal site from which to initiate naval attacks on British loyalists. New London’s privateering (the use of authorized private ships to attack and loot enemy ships) prompted British troops to retaliate, burning New London in the Battle of Groton Heights on September 6, 1781.
Daniel Huntington’s portrait of Abigail Dolbeare Hinman, 1854–56, recreates an episode from this event, showing Hinman standing with her musket in hand, attempting to shoot Benedict Arnold, who can be seen through the window, sitting on horseback.
The 19th Century
As the young nation sought to define itself in the first half of the 19th century, artists created objects and paintings to unite Americans around common ideals of liberty, justice, and hope for the future. Some objects were overtly patriotic, while others were less direct. Hudson River School landscapes, for example, expressed pride in the nation’s natural resources, with scenes from the woods, rivers, and mountains of the northeast standing in for all of America, suggesting the promise of land, the spread of civilization, and the unique, almost spiritual quality of the landscape.
Artists also traveled to Europe to study art and see the sights, painting mountains and classical ruins, as Thomas Cole did in his the majestic view of Mount Etna, drawing visual connections between the ideals of the newly minted American Republic and those of classical antiquity.
Steam power, the railroad, the telegraph, and improved roads and canals ushered in the age of industrialization, facilitating the mass production and transportation of goods. Whereas many objects had been crafted by hand in the previous century, the 19th century saw the rise of goods made with machines. Connecticut mills and factories produced munitions, tinworks, clocks, furniture, and textiles, among other things. Early factories were fueled by whale oil, an important industrial lubricant and lamp fuel supplied by whaling, the most significant part of New London’s economy for several decades.
Isaac Sheffield, who painted portraits of many local whaling captains, portrayed five-year-old James Francis Smith shortly after his return from a long whaling voyage in 1837 with his father, New London whaling captain Franklin Smith. They had gone to Desolation Island in the South Seas, and his portrait shows him wearing a penguin skin coat, with the Chelsea, the ship his father had captained, in the background.
The United States grew dramatically over the course of the 19th century, expanding westward and growing in population with waves of immigration. Regional differences and tension over slavery and states’ rights erupted in the U.S. Civil War (1861–65). In New London County, a number of textile mills were built to supply the Union troops. After the war, New England’s mills became an industrial powerhouse, employing and sustaining entire towns.
The 20th Century
In a period of tremendous growth and change, artists looked forward and back, charting new terrain with abstraction, while revisiting their artistic roots through innovative approaches to traditional genres such as landscape, still life, and portraiture.
The early 20th century was a time of rapid expansion and industrialization fueled in part by waves of immigration. A decade of exuberance followed World War I before the stock market crash of 1929 initiated the Great Depression of the 1930s. Abstraction and European modernism filtered into American art, while a realistic, regional style simultaneously held sway, resulting in a mix of subjects and styles.
Many artists were drawn to the energy and bustle of the modern city, awash in crowds and transformed by industry, skyscrapers and the automobile. The city could be intense, noisy, and oppressive, however, and some artists retreated during the summer to Connecticut art colonies to paint peaceful landscapes and scenes of leisure. Guy Wiggins drew inspiration from both the city and the country, painting impressionistic views of New York in winter, as well as scenes such as Church on the Hill, ca. 1910–12, showing country life in Old Lyme, Connecticut.
Beatrice Cuming’s painting, Chubb, shows a submarine being built in Groton, Connecticut during World War II. Cuming’s canvas affirms New London’s long connection to the sea and celebrates industry at a time when the nation was consumed with the war effort.
Post-War Art
In the prosperity and growth of the post-World War II era, a multiplicity of artistic trends and styles arose, dominated by abstraction. New York emerged as the center of the international art world. The 1960s and ‘70s witnessed cultural upheaval as people of color and women sought equal rights and many protested the U.S. involvement in the Vietnam War. The prevalence of advertising and mass media led artists to explore new themes, performance, and technology, questioning the definitions of art and the idea of originality.
Since the 1980s, the postmodern art world has been in flux, and issues of gender, race, politics, and cultural identity have been at the fore in our globalized and technology-driven world. In A.R.T. (in the new world order), 1994, African-American artist Willie Cole uses text on a blackboard to create an acrostic poem of sorts, using various word associations and erasure to define and comment on art and culture.
Patient, but questioning 'when can we walk?" and "is dinner soon?" This sweet bi-color-eyed canine continues to amaze me with the adaptation to her new home. Though she does keep us on a routine, she allows for some flexibility, especially on the weekends - must be that sixth sense! :) Kind of like that 'with-it-ness' that you observe with people in well-matched roles - always a great kudo! Naples, FL
Where The Journey Begins
© 2026 Kurosawa Michiyo
Stonehenge has a long, partly mythical history associated with solstice celebrations, and many experts still do not fully explain how or why it was built. Among these gatherings, the summer solstice remains one of the most well-known celebrations at the site.
Testimony
This journey begins with exploration and evangelism.
In 2012, before social media widely helped share cultural and heritage practices, some individuals criticised the summer solstice celebration at Stonehenge as being “just for hippies” and “weirdos.” They described it as inappropriate, particularly due to accounts of people running around in the nude, followed by arrests carried out by on-site police. My response to those who discouraged travellers from visiting Stonehenge during the summer solstice was, ‘I do not believe being or not being a hippy justifies not exploring and travelling to different sites.’ I remember friends telling me they were concerned that being labelled a “hippie” would create a negative impression and discourage people from stepping outside rigid social expectations.
I believe our current generation started to practice the notion of internationalism, questioning traditional and stereotypical ideas that exclude, isolate, or filter out other perspectives out of fear of the labelling effect, criticism, stepping beyond discomfort, being or thinking differently and challenging the fixation of “outside the box” about what the cultural and social norms interpret in our lives.
There were only a couple of hundred people who visited the sites. They brought a subcultural instrument to appreciate nature. These individuals were open-minded and showed a warm welcome to their beliefs, contradicting the criticism of them being weird and not following the robotic social patterns of ordinariness. I witnessed individuals painting their bodies with glowing paints on their nude bodies and circulating the site before the police had to remove them. There was space to walk around to explore the stones and stand on the stone as one wished to see the sunrise between people. It was a small festival that the ‘ordinary’ would not want to attend.
One would choose to stay in the restricted zone area of the site away from the stone till it was opened for the ticketed visit surrounding the site only. I was able to assist the volunteers and staff to clean up the trash after the festival alongside the visitors. The entire visit was beautiful and peaceful.
Returning to Stonehenge for the second time in 2026, I witnessed the positive effect of social media that brought Stonehenge to different audiences and broke down stereotypes, which encouraged people from diverse backgrounds to explore the beauty of historical sites and heritage practices across the world. At Stonehenge, the summer solstice celebration connects with a wide range of spiritual traditions. People dress in diverse ways, and some bring instruments to play subcultural music. The event also attracts individuals from different backgrounds and spiritual beliefs, united—at least in part—by their wonder at the meaning of what Stonehenge represents to the ancestors who built it. There were so many people at the site, completely packed, competing for a spot just to witness the beauty of a summery sunrise.
There was intensified security after years of disorder/ criminal damage, as well as the dramatically incrase of visitors, forcing the escalation of enforcement of security and safety. We were also forced to leave the sites by guards without the opportunity to stay longer than usual to assist in cleaning up the site.
Before becoming a follower of Jesus Christ in 2018, I also sought positivity through various spiritual practices. I felt that something essential was missing within me, and I tried practices intended to “cleanse” negativity—such as incense, white sage, and palo santo. Many who use these rituals believe in confronting darkness and evil with a positive intention: to bring light, joy, and peace. They view these practices as distinct from harmful “cursing,” or efforts to bring misfortune upon others.
I was part of that search. I continued to look for ways to remove negativity and rebuke darkness. I used tarot cards, and I believed certain symbols indicated demonic influences—something I believed could not be used safely without inviting spiritual danger. I was still questioning God as I explored these ideas more deeply. I sought out angel cards to better understand Heaven and what angels might mean, and I practised with white sage incense and crystals. I remember feeling a warmth associated with those angel cards, and it led me to ask: if angels are real, then the Creator behind them must also be real.
So I ordered an English Standard Version Holy Bible from Amazon. When it arrived, I opened it to a random page—and I felt an immediate warmth at the centre of my heart. My fear, worries, and anxiety lifted at once. I had not fully understood what the Bible said in detail, but what I “knew in my heart” was that this book felt real, powerful, and unmistakably different from anything else I had tried. Even opening it seemed to rebuke darkness instantly, without me needing to study a single passage.
That same night, I dreamed a completely white dream. I saw a crowd of people—so bright that I could only make out the shapes of their bodies. They stood around another human-shaped figure, also intensely bright, with only the outline of His form visible. He was preaching to the crowd. Then, suddenly, his very bright face turned to his right, and although I couldn’t see clearly, I knew he was looking at me. When I woke, I understood that I had seen God, and had been describing them, ‘the very bright people’. I did not yet know anything about who Jesus Christ was, but I knew I had seen heaven. I did not know anything about the book called the Holy Bible, but I knew to my heart that as long as this book is with me, I was safe and I wouldn’t have to worry about anything anymore. I relied on the book and brought it everywhere with me agaisnt darkness.
Later, I compared the methods I had used to “rebuke negativity.” In my personal experience, white sage might remove negative energy while it burns, but the negativity returns once the incense stops. Palo santo seemed to restore spiritual abundance temporarily. I never fully understood the purpose of crystals, but I appreciated their beauty and connected them with nature and creation. The cards are too limited, with only a few explanations when Jesus Christ shows me both the past, the present, and future events altogether beyond a few cards, but of all-knowing at the scope of the world and beyond. Compared to the Holy Bible, these methods did not bring the same lasting sense of peace, freedom, love and the complete shield from darkness and deceptions. With Jesus and the Holy Bible, the rebuke of all darkness and restoration of the fruit of the Spirit is completed. He is the only way for a complete and eternal abundance compared to the temporary methods.
I threw away the cards and stored the incense to embrace the Holy Bible and Jesus Christ daily. I can pray to a God who orders and moves His angel servants. Why do I need to understand His servants when human beings hold more authority in Jesus’ name than His servants do? The most powerful personal experience of walking with Jesus is witnessing every dark force run and flee instantly, without hesitation, under the authority of Jesus Christ, and even seeing the control of weather movement in His name for His children to enjoy His creation in this world. I would use the remaining incense and the wood to lighten up the indoor smell without the necessity to rely on them for negative energy removal.
The name of Jesus Christ is my white sage and palo santo—yet smoke-free; my nature and crystals, my oracle cards, my recorder of past events and revealer of what is to come; the most powerful rebuker of dark forces; my Love, Nurturer, Friend, Listener, Father, Teacher, Carer, Shelter, Protector, Provider, Advsier, and the Everything of everything. Why would I need anything else when I have Jesus Christ?
What I found most striking was this: keeping the Bible open felt like it calmed fear and restored my heart. When I did eventually read and pray, I felt God was forming a protective shield or a solid dorm—shielding against darkness and negativity—especially when I prayed for spiritual and environmental protection. Over time, I came to believe that the Holy Bible is more powerful than any other ritual tool for confronting fear and darkness. And I came to understand that the name of Jesus Christ carries a unique authority for us—bringing love, peace, and abundance in a way that far exceeds the power of spiritual rituals such as white sage and palo santo.
My ego blocked me for a while from reading and understanding God’s words through personal interpretation. Yet God continued to show me visions, even when I did not know the Scriptures. About three years after I bought the Bible, I prayed to Him for wisdom to prevent deception. Then I was finally able to read and understand Scriptures. I learned that ‘the very bright people’ I had seen in my dream the night I bought the Bible are called “lampstands” in the Bible—and that the people of God themselves are the light source.
Revelation 22:5 “There will be no more night. They will not need the light of a lamp or the light of the sun, for the Lord God will give them light. And they will reign for ever and ever.”
Matthew 7:7–8 “Ask and it will be given to you; seek and you will find; knock and the door will be opened to you. For everyone who asks receives; the one who seeks finds; and to the one who knocks, the door will be opened.”
The Bible did not expand my understanding of who Jesus Christ is in my life, but the confirmation of His existence, which I had already been revealed about Heaven and the Creator through visions and miracles before the Holy Bible, a guide for the spiritually blind, mute, and the deaf. I regard the Bible as a daily guide, helping me stay grounded and ensuring I am not lost. I already believed in my heart that the Creator and His Love are real, without needing the Bible to “prove” it in the first place. Hence, I have a firm foundation to know the Bible is real and He is the truth without lies, not through the written words, but His revealing of Himself that matches everything the scriptures say about God in the Holy Bible that I learned later.
The purpose of the Holy Bible is to convey to us the necessity of receiving Jesus Christ for salvation and describe a bit about what He does and His power to His little children, whom we are all ignorant about His existence, blinded by every distraction from the fallen. He did not need a small written book to prove His magnificent existence. He can simply show up to prove how powerful He is, with the power that is enough to turn the whole world upside down, if He wants to. In fact, He did not need us at all. He revealed Himself and gave us the Holy Bible because He gave His Son, Jesus Christ, so that we would not fall into the same fate He destined for Satan and all the fallen angels, so that we would continue to walk according to how He chose to create us in the first place. We can be so insignificant in His creation, but because He is a Loving God and a merciful God, He sends His Son and continues to interfere with human life just to rescue all of us from falling astray. Hence, the Bible is a little teaching book aiming to rescue all of us and free us from slavery rather than the boast of who He is, or the Holy Bible is too understated and undermines our Creator, but the Holy Bible to His existence is merely a cute and small booklet to guide His little ones.
Psalm 38: 13-15 I am like the deaf, who cannot hear, like the mute, who cannot speak; I have become like one who does not hear, whose mouth can offer no reply. Lord, I wait for you; you will answer, Lord my God.
Matthew 18:12, “What do you think? If a man owns a hundred sheep, and one of them wanders away, will he not leave the ninety-nine on the hills and go to look for the one that wandered off?”
Our Creator created this world with different elements and us to hope that we will appreciate and enjoy the world that He admires and adores. Hence, it is important to enjoy every part of this world that God created for us to enjoy, including the warmth of the sun. Nonetheless, the deceivers produce endless distractions for many to overlook the most essential longing of all: love. The purpose of gathering at Stonehenge was to seek positivity and love. They were seeking love and attempting to find it through many different avenues. If anyone ever challenged me for being “hypocritical”, as a Christian standing alongside people who practise different spiritual traditions, I understand why that question may arise. However, I was (and I remain) a seeker in the same way they are. Jesus accepted me as I was, so I see no reason not to offer joy, welcome, and acceptance to others who are pursuing the same kind of search.
They are brothers and sisters in Christ through my eyes. I do not want to exclude, isolate, or discriminate against them. If some describe these practices as “hippy” traditions to burn sage or palo santo with oracle cards, wouldn’t the “most hippy element " be having the most powerful Holy Bible to witness the rebuke of darkness instantly? I believe Jesus calls people toward the light, not toward separation.
Ephesians 6:12 “For we do not wrestle against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this age, against spiritual hosts of wickedness in the heavenly places.”
I have also heard accounts at the Stonehenge gathering that some misrepresented Christianity in the historical contexts to oppress many, together with their cultural practices, rather than to set them free from slavery. These stories deeply saddened me. I believe the message of the Bible is to free His people from every form of slavery. It grieves me when people exploit Christianity, distort Jesus, or twist the purpose of love to justify bondage. I believe my duty as a follower of Jesus Christ is to understand others, stand alongside them, and spread the Good News of the name of Jesus Christ, not to impose beliefs or control people’s hearts, but to invite people toward love. Ultimately, it is Jesus’s perosnal and intimate relationship with them that brings genuine transformation.
In addition, I urge the public not to be misled and deceived by forces of darkness that exploit the language of inclusion and diversity to embrace extremism and enact oppression and slavery. There is a singular type of ideology that one cannot find in the photographs and the videographs of the Stonehenge festival, which has been publicly calling for inclusion while refusing to voluntorily participate in the diverse festivals with others, but to demand acceptance from all to centralise themselves. This active inconsistency can reveal a deeper exploitation, but mock other groups of faiths while using our past to launch personal attacks agaisnt us and our faiths, as well as grasp obvious kindness and Love for one another for weaponisation to uplift extreme ideology. For instance, in 2025, that particular spiritual extremist who worships satan but did not attend the Stonehenge festival looked at me with disgust to claim I used oracle cards ( over a decade ago). satan is the accuser who refuses to forgive, but keeps us captive in our past to shame our faith in Christ through all forms of deception they themselves added in this world to enslave us before putting us all astray.
Revelation 12:10, “Then I heard a loud voice in heaven say: ‘Now have come the salvation and the power and the kingdom of our God, and the authority of his Messiah. For the accuser of our brothers and sisters, who accuses them before our God day and night, has been hurled down.”
2 Corinthians 2:11 “so that no advantage would be taken of us by Satan, for we are not ignorant of his schemes.”
Galatians 6:7, “Do not be deceived: God cannot be mocked. A man reaps what he sows.”
11 March 2009
6:19 pm
I have somehow slipped into this state where I keep on questioning what I want and don’t want, although I somehow suspect that a part of me has already made choices and now I am just afraid to face them.
It’s something I’ve been wanting to arrive at for years now, that stage of self-discovery where I’m surprised to find that I am not who I thought I was, or at least, who I’ve pegged myself to be while I was growing up.
So far, my biggest revelation has been that I’m okay. That’s it. I’m okay! It took me twenty two years to get this.
It’s a mixture of fear and disappointment, to know that I’m actually doing fine, despite the depression, despite the shitty things in my life, despite plans not happening, and people leaving me, and not knowing exactly what happens now. I’m okay. I’m actually surviving my one hell of a life!
I still feel new and uncertain whenever I think about it. Sometimes I get really scared. I’m okay. What the hell do I do with my life now?
I’m actually...living. Not just going through the motions. Not breathing, just a little, and calling it a life - as Mary Oliver put it. I know I’m bad at metaphors, but that’s how I am now. I am actually okay. There are tinges, here and there. But I’m fine.
So what now? I don’t know. But I’m smiling. I think, for the first time in a long time, my heart is finally trying to heal itself.
What may have been the most important day in collective, 21st Century U.S. activism. Only time will tell.
What may have been the most important day in collective, 21st Century U.S. activism. Only time will tell.
Lately I feel like I'm questioning everything I've accepted to be true.
Things about myself.
Bother superficial and substantial.
I'm hoping this is just leading to wonderful things and not some sort of depression.
Destiny? Free will? Both?
As Forrest Gump said, "I don't know if we each have a destiny, or if we're all just floatin' around accidental-like on a breeze. But I, I think maybe it's both. "
Abdullah Barghouti, a senior Hamas terrorist bomb maker currently serving 67 life-sentences in an Israeli prison, was brought to a Jerusalem court this week for questioning over his role in the Hebrew University massacre of 2002. The bombing killed 9 people, mostly American citizens.
People are always questioning Guan Liang’s paintings: they look just like children’s work, why are they so valuable? Even some great writers applauded Guan Liang’s paintings, and some famous painters exchanged their works with him. The answer comes from the question itself. Guan Liang’s painting is valuable because it’s just like children’s work, with the innocent heart of an art addict.
What may have been the most important day in collective, 21st Century U.S. activism. Only time will tell.
She kept questioning if she could eat that. as she dissected it ..it was really cute. Travis would joke after she had it in her mouth that it may make her sick...ha ha. They cracked me up.
What may have been the most important day in collective, 21st Century U.S. activism. Only time will tell.
Posted by Tom Payne (Jesus) - RT @jaketapper: For those stunned by the impropriety of openly questioning a president’s mental health, #TheresATweetForIt t.co/fejorbAcJM #TWD #TheWalkingDead #TomPayne #Jesus January 07, 2018 at 03:00PM
Source: walkingdead.affiliatebrowser.com/rt-jaketapper-for-those-...