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Abdullah Barghouti, a senior Hamas terrorist bomb maker currently serving 67 life-sentences in an Israeli prison, was brought to a Jerusalem court this week for questioning over his role in the Hebrew University massacre of 2002. The bombing killed 9 people, mostly American citizens.
People are always questioning Guan Liang’s paintings: they look just like children’s work, why are they so valuable? Even some great writers applauded Guan Liang’s paintings, and some famous painters exchanged their works with him. The answer comes from the question itself. Guan Liang’s painting is valuable because it’s just like children’s work, with the innocent heart of an art addict.
What may have been the most important day in collective, 21st Century U.S. activism. Only time will tell.
She kept questioning if she could eat that. as she dissected it ..it was really cute. Travis would joke after she had it in her mouth that it may make her sick...ha ha. They cracked me up.
What may have been the most important day in collective, 21st Century U.S. activism. Only time will tell.
What may have been the most important day in collective, 21st Century U.S. activism. Only time will tell.
Posted by Tom Payne (Jesus) - RT @jaketapper: For those stunned by the impropriety of openly questioning a president’s mental health, #TheresATweetForIt t.co/fejorbAcJM #TWD #TheWalkingDead #TomPayne #Jesus January 07, 2018 at 03:00PM
Source: walkingdead.affiliatebrowser.com/rt-jaketapper-for-those-...
For this project I focused on the early stages of childhood where a child’s outlook on life is unbiased and simplistic. I wanted to convey this through staged photography focused around a simple narrative of a ‘date night’ or evening dinner between two people. The unidentified figures could be newly met but the dynamic that is built and the stress that grows during the night indicates a more domestic and familiar relationship.
Editing:
This relationship is also supported by the warm colours that I chose to use. The split between red and green suggests contrasting individuals; however, in some shots, the opposing hues separate the scene, representing a physical and emotional distance between these two people. On the other hand, sometimes these colours can be seen blending together, forming a warm tone to the image as the two people connect. Displaying the photos on a black page, I laid them out in a two by three formation, allowing the black borders to sink into the background. I took a step back and slowly watched as a new image formed, like a bigger window holding various memories within each pane of glass.
Cinematography:
I wanted to explore unpredictable and unusual perspectives to provoke feelings as opposed to capturing the scene as a whole. These snippets and fragments of the evening are pulled together to show the diversity of the two people’s dynamics. Some perspectives I experimented with included external viewpoints, looking inwards through the windows suggests an onlooker’s eye line in an almost ‘spying’ notion similar to Edward Hopper. Observing the situation from an external position allows the viewer to see unfamiliar people represent a relatable situation. Relating back to looking at the world through the raw eyes of a child, I explored angles through doorways and upstairs windows, hinting at the viewer being another person in the house, a child, someone who knows these people (perhaps their parents) but is distant from this foreign situation. As some of the adults’ features are obscured or covered, there is an emotional distance between them and the viewer. Another angle I experimented with is positioning the people behind a wine glass, allowing the droplets and glass to morph and stretch the subjects. This altered perspective could hint at alcohol playing a role in this relationship or simply representing the age gap between the child and the adults.
Directing:
In order to make the photos feel relatable for everyone, I kept clothing and props simple and generic, allowing viewers to focus on the story. To convey a stressful dynamic, I had the two subjects talk using their body language, utilising their hands and faces as canvases to tell a narrative of struggles and stress.
Sound:
I created a repetitive loop of sound to enhance the atmosphere of my photography and immerse viewers in the scene. Cutlery and civilised eating sounds can be heard in one ear, and distant, muffled arguing can be heard in the other. These juxtaposing sounds are merged together with an eerie white noise, creating a disjunct swell of events, like the mind of an overwhelmed child.
This little jug got me a bit of a questioning of my good lady when I bought it. We were in a charity shop in Newcastle and she thought it was a tad odd that I just walked straight to the back of the shop picked this up and bought it. I was pretty certain that it is an Alan Brough piece. I am still 99% certain I just need to get it checked. Brough had his own pottery (Deacon pottery) making pieces for Harrods amongst others before going to work with Bernard Leach in St.Ives. After working for leach he set up again on his own in Newlyn. It's not mega valuable, if I were to sell it I would maybe get a pint or five out of it. Not the prettiest vase just nice to have and touch.
People are always questioning Guan Liang’s paintings: they look just like children’s work, why are they so valuable? Even some great writers applauded Guan Liang’s paintings, and some famous painters exchanged their works with him. The answer comes from the question itself. Guan Liang’s painting is valuable because it’s just like children’s work, with the innocent heart of an art addict.
If they could speak to us, what would they ask?
Spotty, the dominant female tigress of Tala zone in Bandhavgarh Tiger Reserve, India. She was out on a long, and what must be an arduous patrolling beat, on this fine winter morning in November
spotty_walk3_5296
Virginia National Guard Soldiers assigned the Virginia Beach-based 1173rd Transportation Company, 529th Combat Sustainment Support Battalion, 329th Regional Support Group conduct training on the Asymmetric Threat Lane July. 15, 2021, at Fort Pickett, Virginia. The lane is designed to train Soldiers to recognize indicators for improvised explosive devices, how to react to an IED, direct and indirect fire, conduct key leader engagements and tactical questioning, and the proper techniques for requesting explosive ordnance disposal support and medical evacuation. (U.S. National Guard photo by Cotton Puryear)
What may have been the most important day in collective, 21st Century U.S. activism. Only time will tell.
Marjorie Eagan questioning Michael Smerconish with John Batchelor to his left. Busts of Frederick Douglas and John Adams in the background. Photo by Garrett R. Harding.
Questioning the opportunities of finding online big amounts of personal data, that for some people is a very bad PR
when Rhett first came home, he would often stare at the house. Considering this was a big move for our horses, being away from their usual stable area, I can see why the house seemed amazing to him. haha
I keep finding Freesias in random spots around the garden and questioning how they got their... and it's not close to each other. It's like at all corners of our garden. Every time I find one, would would take a photo and send it to my coworker who loves Freesias. #freesias #volunteer #flower #flowers #wheredidyoucomefrom #garden April 06, 2021 at 10:57PM
Questioning the implications of Artificial Intelligence
‘Do You Trust This Computer?’ is a documentary that explores the significance of A.I. for humanity. According to several leading scientists, artificial intelligence is probably the greatest threat to our existence. The documentary casts a grim look at the future with the message that if we do not intervene now, humanity will not survive.
The question is, how should we intervene? What are we still missing in the discussion about the future of artificial intelligence? Scare tactics often distort the debate and leave out many nuances in the discussion of artificial intelligence. MU rather shapes a more nuanced public discussion. After the screening, an expert panel will reflect on what they have seen and what their thoughts are.
This screening and panel discussion takes place in the context of the exhibitions by Zach Blas & Heather Dewey-Hagborg.
Moderator: Patricia de Vries
Panel: Joaquin Vanschoren, Merel Noorman, Rosa Wevers.
Photos: Hanneke Wetzer
La captation acoustique des Burning Peacocks est en ligne. A regarder et à partager sans modération. Un grand merci à toute l'équipe !
quai19production.fr/?portfolio=burning-peacocks-questioni...
"One day a young rebellious, known in the village by questioning everything, lived creating problems. Tired to hear recommendations on how it should be, appeared and asked me:
-I knew that the Lord is a wise. Since then answer me what is the meaning of life?
-One stone.
The young man was surprised with the response
Stone-like that? -Asked the young man.
Stone-what that means for you? -I asked
-Nothing.
-Sure, the grass you're treading, pra that serves?
-Leave the ground more fluffy? I don't know, but why all this?
-And the locusts, what are they for?
-Serve to spoil the planting our garden.
-Then, my son, the answer to your first question can only be within you.
-How so?
-The same way that the stone does not mean anything to you, you don't mean nothing to the dweller of the village nearby. Like the grasshopper spoils his vegetable garden, the world may find that you only serves to spoil it. Only you can give a meaning to their lives. Or else stay there stationary, that not one stone, where they see fit.
The young middle awkwardly thanked him and went away thoughtful. "
It is in those hours that I really descobro that reading is still the best medicine ...
Anguish is passing.
People are always questioning Guan Liang’s paintings: they look just like children’s work, why are they so valuable? Even some great writers applauded Guan Liang’s paintings, and some famous painters exchanged their works with him. The answer comes from the question itself. Guan Liang’s painting is valuable because it’s just like children’s work, with the innocent heart of an art addict.
Ink and inkwash on paper
Jim Bodman:
"And he would go through the boiler room, where we produced all the energy for the plant. "
I loved this short story that I heard on the radio program: This American Life from July 2003. The title of the episode is
"Call in Colonel Mustard For Questioning." It reminds me of a character I have created, except this guy is the real thing, so I felt I had to draw this story. I once thought sending it to TAL as a completed pamphlet but alas it has sat in my file drawer so here it is. Text is transcripts from TAL's website.