Michael Wriston / Instagram / Tumblr / Flickr

2016-12-18

Nikon F2

Nikon Ai 50mm f/1.4 lens

Ilford Delta 400 (800-push) 35mm film

Adox Rodinal (1+25) developer

20ºC - 18.5min

Tokyo, Japan

Olympus OM-2N

G.Zuiko 28mm F3.5

F8 1/60

Fomapan 400 @1600 +2 pushed

Follow me on 500px | Instagram | Twitter

FP4+ @ 400

Developed in D76 1+1 @ 20C 18 min (Came out a little over developed)

Spotmatic F, SMC Takumar 1:1.4/50

DSLR Scanned

by Dawn King (translated by Luca Viganò)

Directed by Jacopo Bicocchi

Actors: Andrea Di Casa, Gisella Szaniszlò, Bruno Ricci, Noemi Esposito

Teatro Stabile di Genova, 15-25 June 2016

Complete set: www.federicopitto.it/foxfinder

Nikon FE-2

Nikkor 50mm f1.4

Ilford HP5+ 1600 iso

Ilford ID-11 stock

HP5 pushed to 1600, Microphen 1:1 11mins @20c

Large

2012-02-19

model: Loren

make up and hair by: Brian Stockton

wardrobe and location: My Secret Drawer

2828 Battleground Ave Ste E

Greensboro, NC

Nikon F3

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 11min

Directed by Valerio Binasco

Teatro Stabile di Genova (Italy)

18 October - 6 November 2016

Nikon FE-2

Nikkor 135mm f2.8

Tri-X 400 @ 1600 iso

D-76 1:1

Belomo Agat 18K Tmax400 pushed one step in 1995

2015-10-30

Nikon F2

Nikon Ai 50mm f/1.4 lens

Ilford HP5 400 (800-push) 35mm film

Kodak HC-110 (B) developer

20ºC - 8min

Ilford HP5+ pushed to EI 3200 (3 stops) in Ilfotec DD-X for 20 minutes at 20 degrees C

at hq. the girl in the center had a tattoo of her mama on her left sholder, and a tattoo of a creepy looking old guy on her right sholder.

East Falls Bridge

Camera: Canon A-1

Stock: Fuji Superia X-tra 400

Process: +2 Stops

2015-05-30

Nikon F90X

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Adox Adanol (1+50) developer

20ºC - 12min

2015-05-30

Nikon F90X

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Adox Adanol (1+50) developer

20ºC - 12min

Look for me elsewhere:

www.lomography.com/homes/clownshoes

www.flickr.com/photos/bigclownshoes/

blainevernicek.tumblr.com/

Testing:

Ultrafine Xtreme 400@1600

in 1h30m 1:100 rodinal stand

Shot with Konica Autoreflex T3

50mm f1.7 konica hexanon

Kodak Tri-X 400 at 1600 in T-Max 1+4

2017-06-20

Nikon F90X

Nikon Ais 85mm f/1.4 lens

Ilford Delta 400 (800-push) 35mm film

Ilford Microphen (stock) developer

20ºC - 8.5min

Roanhead, Cumbria, 2010:08:25. Vivitar Ultra wide and slim with Vivitar 22mm F/11 lens 1/125s at F/11, with +1 close-up lens. Vista 400 (redscaled) at ISO400 in XTOL stock, 16min at 20C, Followed by fix-bleach-CD4redevelop-bleach-fix. Curves and spotting, the Gimp.

2014-12-07

Nikon F3

Nikon Ai 50mm f/1.4 lens

Ilford Delta 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 15.5min

2014-09-12

Fujica ST-801

Fujinon EBC 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 11min

2015-07-25

model: Kaci Burgos

hair by: Sheree McGuirt

wardrobe by: Nicole Gaspar with Forgotten Muse

Nikon F90X

Nikon Ai 50mm f/1.4 lens

Ilford Delta 400 (800-push) 35mm film

Adox Adonal (1+25) developer

20ºC - 18.5min

2012-11-14

model: Melissa Stanley

styling by: Mel

location and opportunity provided by: Lizzie Hornshuh

Nikon F2

Nikon Ais 85mm f/1.4 lens

Ilford Delta 400 (800-push) 35mm film

Kodak HC-110 (B) developer

20ºC - 10min

2014-03-14

Nikon F2

Nikon Ai 50mm f/1.4 lens

-red lens filter

Kodak Tri-X 400 (800-push) 35mm film

Adox Adonal (1+50) developer

20ºC - 16.5min

Having some fun testing out Ilford Delta 3200 in a fading light situation. As always, kittens make excellent subject matter. ^__^

As seen in The 52 Project, Week 33: Kittens!

www.matmarrash.com/blog/2011/3/30/the-52-project-week-33-...

Hasselblad 500C w/ 80mm f/2.8

1/250th @ f/3.2

Ilford Delta 3200 @ 3200

Processed in XTOL 1:1

2014-12-07

Nikon F3

Nikon Ai 50mm f/1.4 lens

Ilford Delta 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 15.5min

ilford hp5 exposed at EI 3200, developed in microphen stock solution

Nikon FE, HP5+, LC29.

2015-03-27

model/stylist: Cass DeRosbi

location provided by: Greg McPherson

Nikon F90X

Nikon Ai'd 28mm f/2 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 10min

2016-03-18

Nikon F90X

Nikon Ai 50mm f/1.4 lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1:1) developer

20ºC - 10min

with my sis

Canon AE-1 + (new) FD 35-70mm f4. Fuji Neopan 400 pushed to 1600.

2010-11-18

Nikon F2

Nikon Non-Ai 50mm f/1.4 lens

-blue lens filter

-green lens filter

Arista Premium 400 (800-push) 35mm film

Agfa Rodinal (1+50) developer

20ºC - 16.5min

2013-12-21

Canon F-1

Canon FL 55mm f/1.2 lens

-deep red filter

Ilfrod Delta 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 15.5min

2014-03-14

Nikon F2

Nikon Ai 50mm f/1.4 lens

-red lens filter

Kodak Tri-X 400 (800-push) 35mm film

Adox Adonal (1+50) developer

20ºC - 16.5min

2013-10-19

models: Madelyn Grimes and Morgan Grimes

hair by: Morgan Grimes

makeup by: Madelyn Grimes

wardrobe by: Nicole Harvell with Forgotten Muse

106 College Rd

Greensboro, NC

Nikon F2

Nikon Ai 50mm f/1.4 lens

Ilford Delta 400 (800-push) 35mm film

Kodak Xtol (1:1) developer

20 - 15.5min

Pentax K2. JCH Streetpan 400 pushed to 1600.

2014-12-02

Nikon F3

Nikon Ais 85mm f/1.4 lens

Ilford Delta 400 (800-push) 35mm film

Kodak Xtol (1+1) developer

20ºC - 15.5min

Canon T70

Fomapan 200@400

Caffenol C-L with more soda

80 min

Using an FD to M42 adapter and some Mir-I and Helios-44 lenses

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Shot on Kodak ULTRA MAX at EI 1600.

Color negative film in 35mm format.

Push processed two stops.

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Read on at: emulsive.org/photography/35mm-format/just-a-lick-shot-on-...

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Filed under: #35mmformat, #Photography, #2018May, #35MmFormatFilm, #ColorNegativeFilm, #EI1600, #EI400, #EMULSIVEDailyPhoto, #ISO1600, #ISO400, #Kodak, #KodakULTRAMAX400, #PushProcessing, #PushingFilm

#shootfilmbenice #filmphotography #believeinfilm

Minolta SR-T102

Fuji Sensia 400 @800

C41 100F 5min

Another in my "NYC at night" series. For this one I attempted to push E6 film one stop, then cross process it in C41 pushing 2 stops. I bracketed a few of the shots at 200, 400, 800, and 1600, documented elsewhere ( www.indofunkstudios.com/2016/06/28/pushing-and-cross-proc... ). Although I concluded that I don't like underexposing E6 film, I still like this particular shot.