View allAll Photos Tagged pushedtwostops,

CHM400 Pushed two stops. Yashica Electro 35 GL.

november 2020

 

leica m2 | ms optical perar 4/28 | tri-x pushed 2

Somewhere around Fitzroy. CHM400 pushed two stops, Nikon FA.

A sense of holy awe

 

After the morning worship service, a few Sundays ago at Rochester Christian Reformed Church. This would have been better tilted up just a bit. I'm used to the Ondu 6x6 which is wide angle both horizontally and vertically. The field width lines are laser-inscribed on the top and side of the camera; I need to remember to use the vertical guides.

 

I scanned this first roll at 2400 dpi, my usual for medium format. The native format Gimp xcf from the scan is 174 mb. The final jpg is 30 mb. Big.

 

See the link for more info on the camera.

 

ondupinhole.com/products/6x12-multiformat

 

Ondu 6x12 Pinhole Camera

Kentmere Pan 400 exposed at 1600, developed in D76 1:1 22 min

Epson Perfection V500 Photo scanner

 

#ilfordfilm, #kentmere400, #kentmerepan400, #pushedtwostops,

#ondu6x12 #ondu_pinhole, #pinholecamera, #pinhole, #woodencamera, #blackandwhite, #shootfilmstaypoor, #ishootfilm,

#rochesterchristianreformedchurch,

January 2024, Konica Pan 100. This expired in 2005 or 2008. I bought it in Andong, South Korea. It was sitting in a shop window, the owner didn't want to sell it to me as they were concerned I would not be happy with the results.

I pushed it two stops and I was very happy with it.

Ricoh 35 ZF. home dev, dslr scan.

{film} Another one from our shoot two weeks ago.

 

I found another temporary job yesterday and I'm going to be working 40 hour weeks while also continuing to work on my photography. I've got shoots that I might have to reschedule but it's a cool job and I need the money.

h&n

 

Agfa Box 44 from 1930s

 

expired Kodak Portra 160, pushed two stops

 

Inspired by the movie 'Wings of desire' and its remake 'City of angels', I wanted to do this project for a long time. I even started it some time ago as self-portraits wearing long, leather, black jacket:

www.flickr.com/photos/toguko/4741327405/

But this time, I thought I would do something different. I think the use of the traditional, red, Chinese dress was more for the visual reasons in the beginning. Then I started to think what I wanted to show in this project. And the word 'nostalgia' came to my mind in a natural way - the use of an old camera, expired films, dress from another era, showing longing for the past. But when I developed the films, I was disappointed with the results. I was hoping they would look like old photographs. The colours came out more vivid than when using normal kodak portra 160 (perhaps because mine was expired and pushed two stops when developed). I felt that this is not what I wanted and also that it is not really my style. I guess I had some expectations about the whole thing.

And then I thought that I did the best I could, given the tools I have at the moment (I had to sell all my equipment for personal reasons and only kept my grandfather's camera for sentimental reasons and was left with few boxes of kodak portra 160 that I didn't sell) and that the final results were actually not up to me. I felt that this was a great lesson of humility, letting go, diminishing my ego and expectations, trying to deal with my 'control freak' and perfectionist side. So my new idea for the name of this project is 'humility', for the reasons above but also because of the small figure in the vastness of the landscapes (universe) as I am trying to show how small and insignificant we all are.

The other thing I thought about is what does the model feel/experience. What is her perspective? I feel not many people think about that. So I asked her. She said that in the beginning, the posing didn't feel natural to her, she felt akward standing there looking at all these landscapes in front of her. But in later shots, she started to relax, closed her eyes and meditated.

Changed the name of the project to 'h&n' (for humility&nostalgia but also here&now).

I wonder what you think.

 

Typhoon Blues Book

Walking through Chungmuro. CHM100 pushed two stops. Ricoh 35 ZF.

On the tram to see Carl Cox and Eric Powell at Mobile Disco a few weeks ago. Took a guess on the focus with my Ricoh 35 ZF and pretty happy with this result. Fomapan 100 pushed two stops. Ricoh 35 ZF.

June 2020, High Street, Northcote. Rollei IR 400, pushed two stops. Ricoh 35 ZF.

Feb 2020, Sorachi River, Furano, Japan. Lomo 800 pushed two stops, Pentax 645N.

Blairgowrie back beach, December 2021. As a kid I spent a lot of time in the dunes here, while visiting my friends who lived in the area. The dune area seemed so large and barren back then. Kodak Tmax 100 pushed two stops, Pentax 645N.

Oct 2020, Kentmere 100 pushed two stops. Yashica Electro 35 GL.

Sunset in Edinburgh Gardens a few days ago. Rollei Infrared 400 pushed two stops. Ricoh 35 ZF ST.

Agatha in lights

 

Last frame on the roll. Exposure time was over half and hour, meaning that I completely forgot about the camera while getting engrossed in a book. (Terry Pratchett does that.)

 

My sister got this miniature orange tree about six decades ago and named her Agatha. She (Agatha) lived at my folks' house for many years. When they moved to assisted living in 2009, she came to live with us. In warm weather she lives in the front yard.

 

Ondu 6x6 Pinhole Camera

Kentmere Pan 400 exposed at 1600, developed in D76 1:1 22 min

Epson Perfection V500 Photo scanner

 

#ilfordfilm, #kentmere400, #kentmerepan400, #pushedtwostops,

#ondu6x6 #ondu_pinhole, #pinholecamera, #pinhole, #woodencamera, #blackandwhite, #shootfilmstaypoor, #ishootfilm, #agatha, #christmaslights, #window, #reflections,

Smiths Beach, Phillip Island. Kentmere 400 pushed two stops. Ricoh 35 ZF.

I just created a page on Facebook. Will you like me? :D

September 2020, The Pinnacle Pub. Kentmere 100, pushed two stops; Yashica Electro 35 GL.

September 2019, Agfa APX 400, Ricoh 35 ZF.

CHM100 pushed two stops, Yashica Electro 35 GL.

December 2017, Singapore. Rollei RPX 25 pushed two stops. Some kind of Nikon.

March, 2023, Rollei ATP32, Nikon FA. Pushed two stops, V800 scan.

may 2021

 

rollei 35 | tri-x pushed two stops

December 2019, Kodak Colorplus 200 pushed two stops. Yashica Electro 35 GL.

Caged in

 

Trying to go out would have destroyed the storm door, so I photographed the back yard snow through the window and screen, which is perfectly in focus, just like everything else in the frame. Pinhole cameras are strange beasts.

 

Ondu 6x6 Pinhole Camera

Kentmere Pan 400 exposed at 1600, developed in D76 1:1 22 min

Epson Perfection V500 Photo scanner

 

#ilfordfilm, #kentmere400, #kentmerepan400, #pushedtwostops,

#ondu6x6 #ondu_pinhole, #pinholecamera, #pinhole, #woodencamera, #blackandwhite, #shootfilmstaypoor, #ishootfilm, #windowscreen,

Rollei IR 400, pushed two stops. Ricoh 35 ZF. Northcote.

h&n

 

Agfa Box 44 from 1930s

 

expired Kodak Portra 160, pushed two stops

 

Inspired by the movie 'Wings of desire' and its remake 'City of angels', I wanted to do this project for a long time. I even started it some time ago as self-portraits wearing long, leather, black jacket:

www.flickr.com/photos/toguko/4741327405/

But this time, I thought I would do something different. I think the use of the traditional, red, Chinese dress was more for the visual reasons in the beginning. Then I started to think what I wanted to show in this project. And the word 'nostalgia' came to my mind in a natural way - the use of an old camera, expired films, dress from another era, showing longing for the past. But when I developed the films, I was disappointed with the results. I was hoping they would look like old photographs. The colours came out more vivid than when using normal kodak portra 160 (perhaps because mine was expired and pushed two stops when developed). I felt that this is not what I wanted and also that it is not really my style. I guess I had some expectations about the whole thing.

And then I thought that I did the best I could, given the tools I have at the moment (I had to sell all my equipment for personal reasons and only kept my grandfather's camera for sentimental reasons and was left with few boxes of kodak portra 160 that I didn't sell) and that the final results were actually not up to me. I felt that this was a great lesson of humility, letting go, diminishing my ego and expectations, trying to deal with my 'control freak' and perfectionist side. So my new idea for the name of this project is 'humility', for the reasons above but also because of the small figure in the vastness of the landscapes (universe) as I am trying to show how small and insignificant we all are.

The other thing I thought about is what does the model feel/experience. What is her perspective? I feel not many people think about that. So I asked her. She said that in the beginning, the posing didn't feel natural to her, she felt awkward standing there looking at all these landscapes in front of her. But in later shots, she started to relax, closed her eyes and meditated.

Changed the name of the project to 'h&n' (for humility&nostalgia but also here&now).

 

Typhoon Blues Book

Covid walks, Kentmere 100 pushed two stops. Yashica Electro 35 GL.

Kentmere 100 pushed two stops. Yashica Electro 35 GL.

Kentmere 100, pushed two stops. Yashica Electro 35 GL.

h&n

 

Agfa Box 44 from 1930s

 

expired Kodak Portra 160, pushed two stops

 

Inspired by the movie 'Wings of desire' and its remake 'City of angels', I wanted to do this project for a long time. I even started it some time ago as self-portraits wearing long, leather, black jacket:

www.flickr.com/photos/toguko/4741327405/

But this time, I thought I would do something different. I think the use of the traditional, red, Chinese dress was more for the visual reasons in the beginning. Then I started to think what I wanted to show in this project. And the word 'nostalgia' came to my mind in a natural way - the use of an old camera, expired films, dress from another era, showing longing for the past. But when I developed the films, I was disappointed with the results. I was hoping they would look like old photographs. The colours came out more vivid than when using normal kodak portra 160 (perhaps because mine was expired and pushed two stops when developed). I felt that this is not what I wanted and also that it is not really my style. I guess I had some expectations about the whole thing.

And then I thought that I did the best I could, given the tools I have at the moment (I had to sell all my equipment for personal reasons and only kept my grandfather's camera for sentimental reasons and was left with few boxes of kodak portra 160 that I didn't sell) and that the final results were actually not up to me. I felt that this was a great lesson of humility, letting go, diminishing my ego and expectations, trying to deal with my 'control freak' and perfectionist side. So my new idea for the name of this project is 'humility', for the reasons above but also because of the small figure in the vastness of the landscapes (universe) as I am trying to show how small and insignificant we all are.

There are more coming but I am curious what you think.

 

Typhoon Blues Book

September 2019, Agfa APX 400 pushed two stops. Ricoh 35 ZF. Somewhere near Southbank.

Film Kodak ProImage 100 (pushed 2 stops) - SOOC - Nikon Fm2 - 50mm 1.4f

 

You guys are invited to meet my new Tumblr . "ANALOG MOMENTS - My analog outpourings and great analogic shots from the people around the world."

 

Wellcome. Hope you enjoy.

-

See more on Behance

 

PS: And this book is HIGHLY RECOMMENDED. (Vivian Maier)

'B' is for Beginning, and also for bow. And, of course, beer.

 

Last Friday I finally finished the roll of Ilford HP5 I have had in the Olympus OM-2 since the end of March or so. I got three shots before the camera decided it was colder than it wanted to operate in. (It really would do well with a CLAR.)

 

This is the first shot on the roll. I was going to post it as "Emily wore a bow", but then Mark Thomas decreed that the @deviantArt WeeklyFotoChallenge topic for this week was the letter 'B'. So here you have it, Sir Letterman.

 

Olympus OM-2

Ilford HP5+ exposed at 1600, developed in D76 1:0 for 13 minutes (versus the usual 1:1 at ll minutes)

Epson Perfection V500 Photo scanner

 

#ilfordhp5plus, #ilfordphoto, #olympus_om2 #om2, #blackandwhite, #shootfilmstaypoor, #ishootfilm,

#pushedtwostops,

#brewery, #beer, #dublincornersfarmbrewery, #drums; #musicians, #ragtagrabble,

#weeeklyfotochallenge,

Hagia Sofia

 

Istanbul, Turkey

 

Ilford HP5

 

Leica M3

2019 December, Kodak Ultramax, Yashica Electro 35 GL. Somewhere off Brunswick Street.

Somewhere in South Korea, could have been Seoul but I can't remember. CHM100 pushed two stops. Ricoh 35 ZF.

Some kind of Nikon, Fuji Natura 1600. October 2018. Taken at the Rooftop Bar in Curtin House, Melbourne.

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