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John Bankston (NAP #55, #109), Rena Branten Gallery. Photo By: Andrew Katz

This looks more like a painting than the exterior of a building! Ilove the rich colours of the outside of Peckham Pulse, the local leisure centre.

Never sure that my comprehension is up to par, I've hedged my bets on World Pulse Day, and taken the opportunity to confirm that mine is still present.

 

Check, heartbeat detected! Alright, pace isn't registering because I'm on the floor, the distance is how far I've wandered about finding bits and pieces and the timer has registered the minutes I've wasted setting up this shot.

 

It's customary to take note of the ancillary equipment used on a shoot:

 

• a manual 50mm SMC Takumar M42 lens wide-open at f1.4, mounted through a KIPON M42-EOS adapter

 

• Canon RS-60E3 shutter release

 

• Supplementary light from a Petzl Tikka XP with in-built diffuser

 

• Garmin HRM-Pro wireless strap provided the HR signal and the 80D was mounted on a Sirui tripod

 

That's why it took nearly 25mins to take one silly photograph!!

   

A playful playground with digital urban landscape at Armenian Church ground during Singapore Night Festival 2018.

A huddle of First Leeds Volvo Wright Geminis get ready for the off. The Leeds City Markets Building forms the backdrop.

nighttime photography is changing… sodium lights going away, and the led lighting on vehicles sure don't necessarily leave clean trails…

Light Night Nottingham 2023

Another from inside the Pulse Room at the Recorders exhibition / installation.

 

"A sensor records the pulse of the public and converts it into light flashes shown by incandescent light bulbs. At any given time the room shows the heartbeat of the 100 most recent participants." ~ Raphael Lozano-Hemmer.

 

Manchester, UK.

 

28 October, 2010.

 

My Recorders set.

Its been a long time since i have been here to this sex shop mm looking for some sexy Toys

Rafael Lozano-Hemmer's Pulse Opening November 1st at the Hirshhorn Museum

Eastgate, Leeds

Sigma 17-50 f/2.8 EX DC OS HSM

Steel Pulse

Steel Pulse is a roots reggae musical band. They originally formed at Handsworth Wood Boys School, in Birmingham, England, composed of David Hinds (lead vocals, guitar), Basil Gabbidon (born Basil Glendon Gabbidon, 29 October 1955, Buff Bay, Jamaica - lead guitar, vocals), and Ronald McQueen (bass). Hinds, as songwriter, has always been the engine behind Steel Pulse, from their early days establishing themselves in the Birmingham club scene onwards.Originally produced by Pete King

Formed in 1975, their debut release, Kibudu, Mansetta And Abuku arrived on the small independent label Dip, and linked the plight of urban black youth with the image of a greater African homeland. They followed it with Nyah Love for Anchor. Surprisingly, they were initially refused live dates in Caribbean venues in the Midlands because of their Rastafarian beliefs. Aligning themselves closely with the Rock Against Racism organisation and featuring in its first music festival in the spring of 1978, they chose to tour with sympathetic elements of the punk movement, including the Stranglers, XTC etc.: "Punks had a way of enjoying themselves - throw hordes at you, beer, spit at you, that kind of thing". Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records.

Their first release for Island was the Ku Klux Klan 45, a considered tilt at the evils of racism, and one often accompanied by a visual parody of the sect on stage. By this time their ranks had swelled to include Selwyn 'Bumbo' Brown (keyboards), Steve 'Grizzly' Nisbett (drums), Alphonso Martin (vocals, percussion) and Mykaell Riley (vocals). Handsworth Revolution was an accomplished long playing debut and one of the major landmarks in the evolution of British Reggae (Executive Producer Pete King). However, despite critical and moderate commercial success over three albums, the relationship with Island Records had soured by the advent of Caught You (released in the US as Reggae Fever).

Tom Terrell, who would later serve as their manager, was instrumental in masterminding the U.S. premiere of Steel Pulse on the night of Bob Marley's funeral, which was broadcast live around the world from the 9:30 Club, 930 F Street, N.W., Washington, D.C. on May 21, 1981.

They switched to Elektra Records, and unveiled their most consistent collection of songs since their debut with True Democracy, distinguished by the Garvey-eulogising 'Rally Round' cut. A further definitive set arrived in Earth Crisis. Unfortunately, Elektra chose to take a leaf out of Island's book in trying to coerce Steel Pulse into a more mainstream vein, asking them to emulate the pop-reggae stance of Eddy Grant. Babylon The Bandit was consequently weakened, but did contain the anthemic "Not King James Version", which was a powerful indictment on the omission of black people and history from certain versions of the Bible.

Their next move was of Hinds of Steel Pulse to MCA for State Of Emergency, which retained some of the synthesized dance elements of its predecessor. Though it was a significantly happier compromise, it still paled before any of their earlier albums. Centennial was recorded live at the Elysee Montmartre in Paris, and dedicated to the hundred year anniversary of the birth of Haile Selassie. It was the first recording since the defection of Alphonso Martin, leaving the trio of Hinds, Nisbett and Selwyn. While they still faced stern criticism at the hands of British Reggae fans, in the United States their reputation was growing, becoming the first ever reggae band to appear on the Tonight television show. Their profile was raised further when, in 1992, Hinds challenged the New York City Taxi & Limousine Commission in the Supreme Court, asserting that their cab drivers discriminated against black people in general and Rastafarians in particular.

The Steel Pulse message of hope, education and activism has struck a chord with music lovers worldwide. Their international success has resulted in a Grammy award for their 1986 classic Babylon The Bandit, and nominations for subsequent albums Victims (1991) and Rastafari Centennial (1992). In 1989, the group contributed I Can't Stand it to the soundtrack of Spike Lee's film Do The Right Thing.

In 1994, the group headlined some of the world's biggest reggae festivals including Reggae Sunsplash USA, Jamaican Sunsplash, Japan Splash and Northern California annual Reggae on the River Festival. In 1986, Steel Pulse contributed an ethereal version of Franklin's Tower on Pow Wow Records' Fire on the Mountain: Reggae Celebrates the Grateful Dead compilation. They recently covered The Police's Can't Stand Losing You for a reggae compilation of Police tunes that will appear on the Ark 21 label. The band is particularly proud of "Rastanthology," a 17-song collection of Steel Pulse classics (the 1996 compilation was released on the band's own Wise Man Doctrine label).

"We're not here to start a physical revolution, we're just here to open everybody's eyes and let them check themselves and continue in a very educational mode to change things on that tip", Hinds explains. "We're losing ourselves and I think it's very important for us to realize that. Too many of our youths have been lost to drugs, or by the gun, or not having the education needed to persevere and move in an upward direction. I think RAGE & FURY will contribute to their enlightenment."

In 2007, The band released their music video for 'Door Of No Return', a track taken from their latest studio album "African Holocaust", which explores themes of the Trans-Atlantic Slave Trade. Shot on location in Senegal and New York City by Driftwood Pictures Ltd.

Steel Pulse played Friday night on the Jazz World Stage at the 2009 Glastonbury Festival.

Steel Pulse are collaborating with Driftwood Pictures to create a definitive feature length documentary on the band's thirty year history.

The band is currently working on a new album due out in 2010 and has released the single Barack Obama Song.

Original member Basil Gabbidon released the album Reggae Rockz in 2008.

Discography Studio albums

•Handsworth Revolution (1978)

•Tribute to the Martyrs (1979)

•Caught You (1980)

•True Democracy (1982)

•Earth Crisis (1984)

•Babylon the Bandit (1986) Grammy Award Winner - Best Reggae Band

•State of Emergency (1988)

•Victims (1991)

•Vex (1994)

•Rage and Fury (1997)

•African Holocaust (2004)

 

reform Europe. stay. keep democracy. resist nationalism and fascism. rebuild social structures. rebuild social justice. don't follow hazardous and dangerous leaders. remember 1914. remember 1929. remember 1933. remember 1938/49. and remember the terrific result of all: 1945. and remember: Europe was started as a project of peace. and should remain one.

 

Pulse of Europe is a new movement of european citizens of all backgrounds and origins, it started in Germany some weeks ago. Just join!

 

Caricature by austrian Gerhard Haderer for Stern Magazine

Don Voisine, McKenzie Fine Art. Photo By: Andrew Katz

at the doctor's office

Interacting with Rafael Lozano-Hemmer's exhibition installation, "Pulse Spiral" at Pei Ling Chan Gallery in Savannah during SCAD's deFINE ART 2011

 

Photo by Dennis Burnett

Film shooters @ Analog's Pulse Weekend

Cleveland, Ohio 6/2012

 

Photo by Michael Raso

Polaroid Sonar SX-70 One Step

Impossible PX70 by NIGO instant film

 

Check out The Film Photography Podcast

An Internet Radio Show & On-Line Resource for Film Shooters Worldwide

filmphotographyproject.com/podcast

Steel Pulse

Steel Pulse is a roots reggae musical band. They originally formed at Handsworth Wood Boys School, in Birmingham, England, composed of David Hinds (lead vocals, guitar), Basil Gabbidon (born Basil Glendon Gabbidon, 29 October 1955, Buff Bay, Jamaica - lead guitar, vocals), and Ronald McQueen (bass). Hinds, as songwriter, has always been the engine behind Steel Pulse, from their early days establishing themselves in the Birmingham club scene onwards.Originally produced by Pete King

Formed in 1975, their debut release, Kibudu, Mansetta And Abuku arrived on the small independent label Dip, and linked the plight of urban black youth with the image of a greater African homeland. They followed it with Nyah Love for Anchor. Surprisingly, they were initially refused live dates in Caribbean venues in the Midlands because of their Rastafarian beliefs. Aligning themselves closely with the Rock Against Racism organisation and featuring in its first music festival in the spring of 1978, they chose to tour with sympathetic elements of the punk movement, including the Stranglers, XTC etc.: "Punks had a way of enjoying themselves - throw hordes at you, beer, spit at you, that kind of thing". Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records.

Their first release for Island was the Ku Klux Klan 45, a considered tilt at the evils of racism, and one often accompanied by a visual parody of the sect on stage. By this time their ranks had swelled to include Selwyn 'Bumbo' Brown (keyboards), Steve 'Grizzly' Nisbett (drums), Alphonso Martin (vocals, percussion) and Mykaell Riley (vocals). Handsworth Revolution was an accomplished long playing debut and one of the major landmarks in the evolution of British Reggae (Executive Producer Pete King). However, despite critical and moderate commercial success over three albums, the relationship with Island Records had soured by the advent of Caught You (released in the US as Reggae Fever).

Tom Terrell, who would later serve as their manager, was instrumental in masterminding the U.S. premiere of Steel Pulse on the night of Bob Marley's funeral, which was broadcast live around the world from the 9:30 Club, 930 F Street, N.W., Washington, D.C. on May 21, 1981.

They switched to Elektra Records, and unveiled their most consistent collection of songs since their debut with True Democracy, distinguished by the Garvey-eulogising 'Rally Round' cut. A further definitive set arrived in Earth Crisis. Unfortunately, Elektra chose to take a leaf out of Island's book in trying to coerce Steel Pulse into a more mainstream vein, asking them to emulate the pop-reggae stance of Eddy Grant. Babylon The Bandit was consequently weakened, but did contain the anthemic "Not King James Version", which was a powerful indictment on the omission of black people and history from certain versions of the Bible.

Their next move was of Hinds of Steel Pulse to MCA for State Of Emergency, which retained some of the synthesized dance elements of its predecessor. Though it was a significantly happier compromise, it still paled before any of their earlier albums. Centennial was recorded live at the Elysee Montmartre in Paris, and dedicated to the hundred year anniversary of the birth of Haile Selassie. It was the first recording since the defection of Alphonso Martin, leaving the trio of Hinds, Nisbett and Selwyn. While they still faced stern criticism at the hands of British Reggae fans, in the United States their reputation was growing, becoming the first ever reggae band to appear on the Tonight television show. Their profile was raised further when, in 1992, Hinds challenged the New York City Taxi & Limousine Commission in the Supreme Court, asserting that their cab drivers discriminated against black people in general and Rastafarians in particular.

The Steel Pulse message of hope, education and activism has struck a chord with music lovers worldwide. Their international success has resulted in a Grammy award for their 1986 classic Babylon The Bandit, and nominations for subsequent albums Victims (1991) and Rastafari Centennial (1992). In 1989, the group contributed I Can't Stand it to the soundtrack of Spike Lee's film Do The Right Thing.

In 1994, the group headlined some of the world's biggest reggae festivals including Reggae Sunsplash USA, Jamaican Sunsplash, Japan Splash and Northern California annual Reggae on the River Festival. In 1986, Steel Pulse contributed an ethereal version of Franklin's Tower on Pow Wow Records' Fire on the Mountain: Reggae Celebrates the Grateful Dead compilation. They recently covered The Police's Can't Stand Losing You for a reggae compilation of Police tunes that will appear on the Ark 21 label. The band is particularly proud of "Rastanthology," a 17-song collection of Steel Pulse classics (the 1996 compilation was released on the band's own Wise Man Doctrine label).

"We're not here to start a physical revolution, we're just here to open everybody's eyes and let them check themselves and continue in a very educational mode to change things on that tip", Hinds explains. "We're losing ourselves and I think it's very important for us to realize that. Too many of our youths have been lost to drugs, or by the gun, or not having the education needed to persevere and move in an upward direction. I think RAGE & FURY will contribute to their enlightenment."

In 2007, The band released their music video for 'Door Of No Return', a track taken from their latest studio album "African Holocaust", which explores themes of the Trans-Atlantic Slave Trade. Shot on location in Senegal and New York City by Driftwood Pictures Ltd.

Steel Pulse played Friday night on the Jazz World Stage at the 2009 Glastonbury Festival.

Steel Pulse are collaborating with Driftwood Pictures to create a definitive feature length documentary on the band's thirty year history.

The band is currently working on a new album due out in 2010 and has released the single Barack Obama Song.

Original member Basil Gabbidon released the album Reggae Rockz in 2008.

Discography Studio albums

•Handsworth Revolution (1978)

•Tribute to the Martyrs (1979)

•Caught You (1980)

•True Democracy (1982)

•Earth Crisis (1984)

•Babylon the Bandit (1986) Grammy Award Winner - Best Reggae Band

•State of Emergency (1988)

•Victims (1991)

•Vex (1994)

•Rage and Fury (1997)

•African Holocaust (2004)

 

This was just a standard record shot taken in Seacroft bus station in Leeds, if only to capture the now redundant Pulse branding that has now been abandoned by First Leeds.

 

Volvo B9TL 37725 YJ09OBW was part of the Hunslet Park allocation.

Steel Pulse

Steel Pulse is a roots reggae musical band. They originally formed at Handsworth Wood Boys School, in Birmingham, England, composed of David Hinds (lead vocals, guitar), Basil Gabbidon (born Basil Glendon Gabbidon, 29 October 1955, Buff Bay, Jamaica - lead guitar, vocals), and Ronald McQueen (bass). Hinds, as songwriter, has always been the engine behind Steel Pulse, from their early days establishing themselves in the Birmingham club scene onwards.Originally produced by Pete King

Formed in 1975, their debut release, Kibudu, Mansetta And Abuku arrived on the small independent label Dip, and linked the plight of urban black youth with the image of a greater African homeland. They followed it with Nyah Love for Anchor. Surprisingly, they were initially refused live dates in Caribbean venues in the Midlands because of their Rastafarian beliefs. Aligning themselves closely with the Rock Against Racism organisation and featuring in its first music festival in the spring of 1978, they chose to tour with sympathetic elements of the punk movement, including the Stranglers, XTC etc.: "Punks had a way of enjoying themselves - throw hordes at you, beer, spit at you, that kind of thing". Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records.

Their first release for Island was the Ku Klux Klan 45, a considered tilt at the evils of racism, and one often accompanied by a visual parody of the sect on stage. By this time their ranks had swelled to include Selwyn 'Bumbo' Brown (keyboards), Steve 'Grizzly' Nisbett (drums), Alphonso Martin (vocals, percussion) and Mykaell Riley (vocals). Handsworth Revolution was an accomplished long playing debut and one of the major landmarks in the evolution of British Reggae (Executive Producer Pete King). However, despite critical and moderate commercial success over three albums, the relationship with Island Records had soured by the advent of Caught You (released in the US as Reggae Fever).

Tom Terrell, who would later serve as their manager, was instrumental in masterminding the U.S. premiere of Steel Pulse on the night of Bob Marley's funeral, which was broadcast live around the world from the 9:30 Club, 930 F Street, N.W., Washington, D.C. on May 21, 1981.

They switched to Elektra Records, and unveiled their most consistent collection of songs since their debut with True Democracy, distinguished by the Garvey-eulogising 'Rally Round' cut. A further definitive set arrived in Earth Crisis. Unfortunately, Elektra chose to take a leaf out of Island's book in trying to coerce Steel Pulse into a more mainstream vein, asking them to emulate the pop-reggae stance of Eddy Grant. Babylon The Bandit was consequently weakened, but did contain the anthemic "Not King James Version", which was a powerful indictment on the omission of black people and history from certain versions of the Bible.

Their next move was of Hinds of Steel Pulse to MCA for State Of Emergency, which retained some of the synthesized dance elements of its predecessor. Though it was a significantly happier compromise, it still paled before any of their earlier albums. Centennial was recorded live at the Elysee Montmartre in Paris, and dedicated to the hundred year anniversary of the birth of Haile Selassie. It was the first recording since the defection of Alphonso Martin, leaving the trio of Hinds, Nisbett and Selwyn. While they still faced stern criticism at the hands of British Reggae fans, in the United States their reputation was growing, becoming the first ever reggae band to appear on the Tonight television show. Their profile was raised further when, in 1992, Hinds challenged the New York City Taxi & Limousine Commission in the Supreme Court, asserting that their cab drivers discriminated against black people in general and Rastafarians in particular.

The Steel Pulse message of hope, education and activism has struck a chord with music lovers worldwide. Their international success has resulted in a Grammy award for their 1986 classic Babylon The Bandit, and nominations for subsequent albums Victims (1991) and Rastafari Centennial (1992). In 1989, the group contributed I Can't Stand it to the soundtrack of Spike Lee's film Do The Right Thing.

In 1994, the group headlined some of the world's biggest reggae festivals including Reggae Sunsplash USA, Jamaican Sunsplash, Japan Splash and Northern California annual Reggae on the River Festival. In 1986, Steel Pulse contributed an ethereal version of Franklin's Tower on Pow Wow Records' Fire on the Mountain: Reggae Celebrates the Grateful Dead compilation. They recently covered The Police's Can't Stand Losing You for a reggae compilation of Police tunes that will appear on the Ark 21 label. The band is particularly proud of "Rastanthology," a 17-song collection of Steel Pulse classics (the 1996 compilation was released on the band's own Wise Man Doctrine label).

"We're not here to start a physical revolution, we're just here to open everybody's eyes and let them check themselves and continue in a very educational mode to change things on that tip", Hinds explains. "We're losing ourselves and I think it's very important for us to realize that. Too many of our youths have been lost to drugs, or by the gun, or not having the education needed to persevere and move in an upward direction. I think RAGE & FURY will contribute to their enlightenment."

In 2007, The band released their music video for 'Door Of No Return', a track taken from their latest studio album "African Holocaust", which explores themes of the Trans-Atlantic Slave Trade. Shot on location in Senegal and New York City by Driftwood Pictures Ltd.

Steel Pulse played Friday night on the Jazz World Stage at the 2009 Glastonbury Festival.

Steel Pulse are collaborating with Driftwood Pictures to create a definitive feature length documentary on the band's thirty year history.

The band is currently working on a new album due out in 2010 and has released the single Barack Obama Song.

Original member Basil Gabbidon released the album Reggae Rockz in 2008.

Discography Studio albums

•Handsworth Revolution (1978)

•Tribute to the Martyrs (1979)

•Caught You (1980)

•True Democracy (1982)

•Earth Crisis (1984)

•Babylon the Bandit (1986) Grammy Award Winner - Best Reggae Band

•State of Emergency (1988)

•Victims (1991)

•Vex (1994)

•Rage and Fury (1997)

•African Holocaust (2004)

Nulon Nationals 2016 Round 3

Steel Pulse

Steel Pulse is a roots reggae musical band. They originally formed at Handsworth Wood Boys School, in Birmingham, England, composed of David Hinds (lead vocals, guitar), Basil Gabbidon (born Basil Glendon Gabbidon, 29 October 1955, Buff Bay, Jamaica - lead guitar, vocals), and Ronald McQueen (bass). Hinds, as songwriter, has always been the engine behind Steel Pulse, from their early days establishing themselves in the Birmingham club scene onwards.Originally produced by Pete King

Formed in 1975, their debut release, Kibudu, Mansetta And Abuku arrived on the small independent label Dip, and linked the plight of urban black youth with the image of a greater African homeland. They followed it with Nyah Love for Anchor. Surprisingly, they were initially refused live dates in Caribbean venues in the Midlands because of their Rastafarian beliefs. Aligning themselves closely with the Rock Against Racism organisation and featuring in its first music festival in the spring of 1978, they chose to tour with sympathetic elements of the punk movement, including the Stranglers, XTC etc.: "Punks had a way of enjoying themselves - throw hordes at you, beer, spit at you, that kind of thing". Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records.

Their first release for Island was the Ku Klux Klan 45, a considered tilt at the evils of racism, and one often accompanied by a visual parody of the sect on stage. By this time their ranks had swelled to include Selwyn 'Bumbo' Brown (keyboards), Steve 'Grizzly' Nisbett (drums), Alphonso Martin (vocals, percussion) and Mykaell Riley (vocals). Handsworth Revolution was an accomplished long playing debut and one of the major landmarks in the evolution of British Reggae (Executive Producer Pete King). However, despite critical and moderate commercial success over three albums, the relationship with Island Records had soured by the advent of Caught You (released in the US as Reggae Fever).

Tom Terrell, who would later serve as their manager, was instrumental in masterminding the U.S. premiere of Steel Pulse on the night of Bob Marley's funeral, which was broadcast live around the world from the 9:30 Club, 930 F Street, N.W., Washington, D.C. on May 21, 1981.

They switched to Elektra Records, and unveiled their most consistent collection of songs since their debut with True Democracy, distinguished by the Garvey-eulogising 'Rally Round' cut. A further definitive set arrived in Earth Crisis. Unfortunately, Elektra chose to take a leaf out of Island's book in trying to coerce Steel Pulse into a more mainstream vein, asking them to emulate the pop-reggae stance of Eddy Grant. Babylon The Bandit was consequently weakened, but did contain the anthemic "Not King James Version", which was a powerful indictment on the omission of black people and history from certain versions of the Bible.

Their next move was of Hinds of Steel Pulse to MCA for State Of Emergency, which retained some of the synthesized dance elements of its predecessor. Though it was a significantly happier compromise, it still paled before any of their earlier albums. Centennial was recorded live at the Elysee Montmartre in Paris, and dedicated to the hundred year anniversary of the birth of Haile Selassie. It was the first recording since the defection of Alphonso Martin, leaving the trio of Hinds, Nisbett and Selwyn. While they still faced stern criticism at the hands of British Reggae fans, in the United States their reputation was growing, becoming the first ever reggae band to appear on the Tonight television show. Their profile was raised further when, in 1992, Hinds challenged the New York City Taxi & Limousine Commission in the Supreme Court, asserting that their cab drivers discriminated against black people in general and Rastafarians in particular.

The Steel Pulse message of hope, education and activism has struck a chord with music lovers worldwide. Their international success has resulted in a Grammy award for their 1986 classic Babylon The Bandit, and nominations for subsequent albums Victims (1991) and Rastafari Centennial (1992). In 1989, the group contributed I Can't Stand it to the soundtrack of Spike Lee's film Do The Right Thing.

In 1994, the group headlined some of the world's biggest reggae festivals including Reggae Sunsplash USA, Jamaican Sunsplash, Japan Splash and Northern California annual Reggae on the River Festival. In 1986, Steel Pulse contributed an ethereal version of Franklin's Tower on Pow Wow Records' Fire on the Mountain: Reggae Celebrates the Grateful Dead compilation. They recently covered The Police's Can't Stand Losing You for a reggae compilation of Police tunes that will appear on the Ark 21 label. The band is particularly proud of "Rastanthology," a 17-song collection of Steel Pulse classics (the 1996 compilation was released on the band's own Wise Man Doctrine label).

"We're not here to start a physical revolution, we're just here to open everybody's eyes and let them check themselves and continue in a very educational mode to change things on that tip", Hinds explains. "We're losing ourselves and I think it's very important for us to realize that. Too many of our youths have been lost to drugs, or by the gun, or not having the education needed to persevere and move in an upward direction. I think RAGE & FURY will contribute to their enlightenment."

In 2007, The band released their music video for 'Door Of No Return', a track taken from their latest studio album "African Holocaust", which explores themes of the Trans-Atlantic Slave Trade. Shot on location in Senegal and New York City by Driftwood Pictures Ltd.

Steel Pulse played Friday night on the Jazz World Stage at the 2009 Glastonbury Festival.

Steel Pulse are collaborating with Driftwood Pictures to create a definitive feature length documentary on the band's thirty year history.

The band is currently working on a new album due out in 2010 and has released the single Barack Obama Song.

Original member Basil Gabbidon released the album Reggae Rockz in 2008.

Discography Studio albums

•Handsworth Revolution (1978)

•Tribute to the Martyrs (1979)

•Caught You (1980)

•True Democracy (1982)

•Earth Crisis (1984)

•Babylon the Bandit (1986) Grammy Award Winner - Best Reggae Band

•State of Emergency (1988)

•Victims (1991)

•Vex (1994)

•Rage and Fury (1997)

•African Holocaust (2004)

Steel Pulse

Steel Pulse is a roots reggae musical band. They originally formed at Handsworth Wood Boys School, in Birmingham, England, composed of David Hinds (lead vocals, guitar), Basil Gabbidon (born Basil Glendon Gabbidon, 29 October 1955, Buff Bay, Jamaica - lead guitar, vocals), and Ronald McQueen (bass). Hinds, as songwriter, has always been the engine behind Steel Pulse, from their early days establishing themselves in the Birmingham club scene onwards.Originally produced by Pete King

Formed in 1975, their debut release, Kibudu, Mansetta And Abuku arrived on the small independent label Dip, and linked the plight of urban black youth with the image of a greater African homeland. They followed it with Nyah Love for Anchor. Surprisingly, they were initially refused live dates in Caribbean venues in the Midlands because of their Rastafarian beliefs. Aligning themselves closely with the Rock Against Racism organisation and featuring in its first music festival in the spring of 1978, they chose to tour with sympathetic elements of the punk movement, including the Stranglers, XTC etc.: "Punks had a way of enjoying themselves - throw hordes at you, beer, spit at you, that kind of thing". Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records.

Their first release for Island was the Ku Klux Klan 45, a considered tilt at the evils of racism, and one often accompanied by a visual parody of the sect on stage. By this time their ranks had swelled to include Selwyn 'Bumbo' Brown (keyboards), Steve 'Grizzly' Nisbett (drums), Alphonso Martin (vocals, percussion) and Mykaell Riley (vocals). Handsworth Revolution was an accomplished long playing debut and one of the major landmarks in the evolution of British Reggae (Executive Producer Pete King). However, despite critical and moderate commercial success over three albums, the relationship with Island Records had soured by the advent of Caught You (released in the US as Reggae Fever).

Tom Terrell, who would later serve as their manager, was instrumental in masterminding the U.S. premiere of Steel Pulse on the night of Bob Marley's funeral, which was broadcast live around the world from the 9:30 Club, 930 F Street, N.W., Washington, D.C. on May 21, 1981.

They switched to Elektra Records, and unveiled their most consistent collection of songs since their debut with True Democracy, distinguished by the Garvey-eulogising 'Rally Round' cut. A further definitive set arrived in Earth Crisis. Unfortunately, Elektra chose to take a leaf out of Island's book in trying to coerce Steel Pulse into a more mainstream vein, asking them to emulate the pop-reggae stance of Eddy Grant. Babylon The Bandit was consequently weakened, but did contain the anthemic "Not King James Version", which was a powerful indictment on the omission of black people and history from certain versions of the Bible.

Their next move was of Hinds of Steel Pulse to MCA for State Of Emergency, which retained some of the synthesized dance elements of its predecessor. Though it was a significantly happier compromise, it still paled before any of their earlier albums. Centennial was recorded live at the Elysee Montmartre in Paris, and dedicated to the hundred year anniversary of the birth of Haile Selassie. It was the first recording since the defection of Alphonso Martin, leaving the trio of Hinds, Nisbett and Selwyn. While they still faced stern criticism at the hands of British Reggae fans, in the United States their reputation was growing, becoming the first ever reggae band to appear on the Tonight television show. Their profile was raised further when, in 1992, Hinds challenged the New York City Taxi & Limousine Commission in the Supreme Court, asserting that their cab drivers discriminated against black people in general and Rastafarians in particular.

The Steel Pulse message of hope, education and activism has struck a chord with music lovers worldwide. Their international success has resulted in a Grammy award for their 1986 classic Babylon The Bandit, and nominations for subsequent albums Victims (1991) and Rastafari Centennial (1992). In 1989, the group contributed I Can't Stand it to the soundtrack of Spike Lee's film Do The Right Thing.

In 1994, the group headlined some of the world's biggest reggae festivals including Reggae Sunsplash USA, Jamaican Sunsplash, Japan Splash and Northern California annual Reggae on the River Festival. In 1986, Steel Pulse contributed an ethereal version of Franklin's Tower on Pow Wow Records' Fire on the Mountain: Reggae Celebrates the Grateful Dead compilation. They recently covered The Police's Can't Stand Losing You for a reggae compilation of Police tunes that will appear on the Ark 21 label. The band is particularly proud of "Rastanthology," a 17-song collection of Steel Pulse classics (the 1996 compilation was released on the band's own Wise Man Doctrine label).

"We're not here to start a physical revolution, we're just here to open everybody's eyes and let them check themselves and continue in a very educational mode to change things on that tip", Hinds explains. "We're losing ourselves and I think it's very important for us to realize that. Too many of our youths have been lost to drugs, or by the gun, or not having the education needed to persevere and move in an upward direction. I think RAGE & FURY will contribute to their enlightenment."

In 2007, The band released their music video for 'Door Of No Return', a track taken from their latest studio album "African Holocaust", which explores themes of the Trans-Atlantic Slave Trade. Shot on location in Senegal and New York City by Driftwood Pictures Ltd.

Steel Pulse played Friday night on the Jazz World Stage at the 2009 Glastonbury Festival.

Steel Pulse are collaborating with Driftwood Pictures to create a definitive feature length documentary on the band's thirty year history.

The band is currently working on a new album due out in 2010 and has released the single Barack Obama Song.

Original member Basil Gabbidon released the album Reggae Rockz in 2008.

Discography Studio albums

•Handsworth Revolution (1978)

•Tribute to the Martyrs (1979)

•Caught You (1980)

•True Democracy (1982)

•Earth Crisis (1984)

•Babylon the Bandit (1986) Grammy Award Winner - Best Reggae Band

•State of Emergency (1988)

•Victims (1991)

•Vex (1994)

•Rage and Fury (1997)

•African Holocaust (2004)

 

Superbe Stem. pink anodized, milled out. 3ttt Criterium bars with Benotto Cellophane wrap

Steel Pulse

Steel Pulse is a roots reggae musical band. They originally formed at Handsworth Wood Boys School, in Birmingham, England, composed of David Hinds (lead vocals, guitar), Basil Gabbidon (born Basil Glendon Gabbidon, 29 October 1955, Buff Bay, Jamaica - lead guitar, vocals), and Ronald McQueen (bass). Hinds, as songwriter, has always been the engine behind Steel Pulse, from their early days establishing themselves in the Birmingham club scene onwards.Originally produced by Pete King

Formed in 1975, their debut release, Kibudu, Mansetta And Abuku arrived on the small independent label Dip, and linked the plight of urban black youth with the image of a greater African homeland. They followed it with Nyah Love for Anchor. Surprisingly, they were initially refused live dates in Caribbean venues in the Midlands because of their Rastafarian beliefs. Aligning themselves closely with the Rock Against Racism organisation and featuring in its first music festival in the spring of 1978, they chose to tour with sympathetic elements of the punk movement, including the Stranglers, XTC etc.: "Punks had a way of enjoying themselves - throw hordes at you, beer, spit at you, that kind of thing". Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records.

Their first release for Island was the Ku Klux Klan 45, a considered tilt at the evils of racism, and one often accompanied by a visual parody of the sect on stage. By this time their ranks had swelled to include Selwyn 'Bumbo' Brown (keyboards), Steve 'Grizzly' Nisbett (drums), Alphonso Martin (vocals, percussion) and Mykaell Riley (vocals). Handsworth Revolution was an accomplished long playing debut and one of the major landmarks in the evolution of British Reggae (Executive Producer Pete King). However, despite critical and moderate commercial success over three albums, the relationship with Island Records had soured by the advent of Caught You (released in the US as Reggae Fever).

Tom Terrell, who would later serve as their manager, was instrumental in masterminding the U.S. premiere of Steel Pulse on the night of Bob Marley's funeral, which was broadcast live around the world from the 9:30 Club, 930 F Street, N.W., Washington, D.C. on May 21, 1981.

They switched to Elektra Records, and unveiled their most consistent collection of songs since their debut with True Democracy, distinguished by the Garvey-eulogising 'Rally Round' cut. A further definitive set arrived in Earth Crisis. Unfortunately, Elektra chose to take a leaf out of Island's book in trying to coerce Steel Pulse into a more mainstream vein, asking them to emulate the pop-reggae stance of Eddy Grant. Babylon The Bandit was consequently weakened, but did contain the anthemic "Not King James Version", which was a powerful indictment on the omission of black people and history from certain versions of the Bible.

Their next move was of Hinds of Steel Pulse to MCA for State Of Emergency, which retained some of the synthesized dance elements of its predecessor. Though it was a significantly happier compromise, it still paled before any of their earlier albums. Centennial was recorded live at the Elysee Montmartre in Paris, and dedicated to the hundred year anniversary of the birth of Haile Selassie. It was the first recording since the defection of Alphonso Martin, leaving the trio of Hinds, Nisbett and Selwyn. While they still faced stern criticism at the hands of British Reggae fans, in the United States their reputation was growing, becoming the first ever reggae band to appear on the Tonight television show. Their profile was raised further when, in 1992, Hinds challenged the New York City Taxi & Limousine Commission in the Supreme Court, asserting that their cab drivers discriminated against black people in general and Rastafarians in particular.

The Steel Pulse message of hope, education and activism has struck a chord with music lovers worldwide. Their international success has resulted in a Grammy award for their 1986 classic Babylon The Bandit, and nominations for subsequent albums Victims (1991) and Rastafari Centennial (1992). In 1989, the group contributed I Can't Stand it to the soundtrack of Spike Lee's film Do The Right Thing.

In 1994, the group headlined some of the world's biggest reggae festivals including Reggae Sunsplash USA, Jamaican Sunsplash, Japan Splash and Northern California annual Reggae on the River Festival. In 1986, Steel Pulse contributed an ethereal version of Franklin's Tower on Pow Wow Records' Fire on the Mountain: Reggae Celebrates the Grateful Dead compilation. They recently covered The Police's Can't Stand Losing You for a reggae compilation of Police tunes that will appear on the Ark 21 label. The band is particularly proud of "Rastanthology," a 17-song collection of Steel Pulse classics (the 1996 compilation was released on the band's own Wise Man Doctrine label).

"We're not here to start a physical revolution, we're just here to open everybody's eyes and let them check themselves and continue in a very educational mode to change things on that tip", Hinds explains. "We're losing ourselves and I think it's very important for us to realize that. Too many of our youths have been lost to drugs, or by the gun, or not having the education needed to persevere and move in an upward direction. I think RAGE & FURY will contribute to their enlightenment."

In 2007, The band released their music video for 'Door Of No Return', a track taken from their latest studio album "African Holocaust", which explores themes of the Trans-Atlantic Slave Trade. Shot on location in Senegal and New York City by Driftwood Pictures Ltd.

Steel Pulse played Friday night on the Jazz World Stage at the 2009 Glastonbury Festival.

Steel Pulse are collaborating with Driftwood Pictures to create a definitive feature length documentary on the band's thirty year history.

The band is currently working on a new album due out in 2010 and has released the single Barack Obama Song.

Original member Basil Gabbidon released the album Reggae Rockz in 2008.

Discography Studio albums

•Handsworth Revolution (1978)

•Tribute to the Martyrs (1979)

•Caught You (1980)

•True Democracy (1982)

•Earth Crisis (1984)

•Babylon the Bandit (1986) Grammy Award Winner - Best Reggae Band

•State of Emergency (1988)

•Victims (1991)

•Vex (1994)

•Rage and Fury (1997)

•African Holocaust (2004)

 

Pulse Vigil 06/29/2016

Lake Eola, Downtown Orlando, FL.

Steel Pulse

Steel Pulse is a roots reggae musical band. They originally formed at Handsworth Wood Boys School, in Birmingham, England, composed of David Hinds (lead vocals, guitar), Basil Gabbidon (born Basil Glendon Gabbidon, 29 October 1955, Buff Bay, Jamaica - lead guitar, vocals), and Ronald McQueen (bass). Hinds, as songwriter, has always been the engine behind Steel Pulse, from their early days establishing themselves in the Birmingham club scene onwards.Originally produced by Pete King

Formed in 1975, their debut release, Kibudu, Mansetta And Abuku arrived on the small independent label Dip, and linked the plight of urban black youth with the image of a greater African homeland. They followed it with Nyah Love for Anchor. Surprisingly, they were initially refused live dates in Caribbean venues in the Midlands because of their Rastafarian beliefs. Aligning themselves closely with the Rock Against Racism organisation and featuring in its first music festival in the spring of 1978, they chose to tour with sympathetic elements of the punk movement, including the Stranglers, XTC etc.: "Punks had a way of enjoying themselves - throw hordes at you, beer, spit at you, that kind of thing". Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records.

Their first release for Island was the Ku Klux Klan 45, a considered tilt at the evils of racism, and one often accompanied by a visual parody of the sect on stage. By this time their ranks had swelled to include Selwyn 'Bumbo' Brown (keyboards), Steve 'Grizzly' Nisbett (drums), Alphonso Martin (vocals, percussion) and Mykaell Riley (vocals). Handsworth Revolution was an accomplished long playing debut and one of the major landmarks in the evolution of British Reggae (Executive Producer Pete King). However, despite critical and moderate commercial success over three albums, the relationship with Island Records had soured by the advent of Caught You (released in the US as Reggae Fever).

Tom Terrell, who would later serve as their manager, was instrumental in masterminding the U.S. premiere of Steel Pulse on the night of Bob Marley's funeral, which was broadcast live around the world from the 9:30 Club, 930 F Street, N.W., Washington, D.C. on May 21, 1981.

They switched to Elektra Records, and unveiled their most consistent collection of songs since their debut with True Democracy, distinguished by the Garvey-eulogising 'Rally Round' cut. A further definitive set arrived in Earth Crisis. Unfortunately, Elektra chose to take a leaf out of Island's book in trying to coerce Steel Pulse into a more mainstream vein, asking them to emulate the pop-reggae stance of Eddy Grant. Babylon The Bandit was consequently weakened, but did contain the anthemic "Not King James Version", which was a powerful indictment on the omission of black people and history from certain versions of the Bible.

Their next move was of Hinds of Steel Pulse to MCA for State Of Emergency, which retained some of the synthesized dance elements of its predecessor. Though it was a significantly happier compromise, it still paled before any of their earlier albums. Centennial was recorded live at the Elysee Montmartre in Paris, and dedicated to the hundred year anniversary of the birth of Haile Selassie. It was the first recording since the defection of Alphonso Martin, leaving the trio of Hinds, Nisbett and Selwyn. While they still faced stern criticism at the hands of British Reggae fans, in the United States their reputation was growing, becoming the first ever reggae band to appear on the Tonight television show. Their profile was raised further when, in 1992, Hinds challenged the New York City Taxi & Limousine Commission in the Supreme Court, asserting that their cab drivers discriminated against black people in general and Rastafarians in particular.

The Steel Pulse message of hope, education and activism has struck a chord with music lovers worldwide. Their international success has resulted in a Grammy award for their 1986 classic Babylon The Bandit, and nominations for subsequent albums Victims (1991) and Rastafari Centennial (1992). In 1989, the group contributed I Can't Stand it to the soundtrack of Spike Lee's film Do The Right Thing.

In 1994, the group headlined some of the world's biggest reggae festivals including Reggae Sunsplash USA, Jamaican Sunsplash, Japan Splash and Northern California annual Reggae on the River Festival. In 1986, Steel Pulse contributed an ethereal version of Franklin's Tower on Pow Wow Records' Fire on the Mountain: Reggae Celebrates the Grateful Dead compilation. They recently covered The Police's Can't Stand Losing You for a reggae compilation of Police tunes that will appear on the Ark 21 label. The band is particularly proud of "Rastanthology," a 17-song collection of Steel Pulse classics (the 1996 compilation was released on the band's own Wise Man Doctrine label).

"We're not here to start a physical revolution, we're just here to open everybody's eyes and let them check themselves and continue in a very educational mode to change things on that tip", Hinds explains. "We're losing ourselves and I think it's very important for us to realize that. Too many of our youths have been lost to drugs, or by the gun, or not having the education needed to persevere and move in an upward direction. I think RAGE & FURY will contribute to their enlightenment."

In 2007, The band released their music video for 'Door Of No Return', a track taken from their latest studio album "African Holocaust", which explores themes of the Trans-Atlantic Slave Trade. Shot on location in Senegal and New York City by Driftwood Pictures Ltd.

Steel Pulse played Friday night on the Jazz World Stage at the 2009 Glastonbury Festival.

Steel Pulse are collaborating with Driftwood Pictures to create a definitive feature length documentary on the band's thirty year history.

The band is currently working on a new album due out in 2010 and has released the single Barack Obama Song.

Original member Basil Gabbidon released the album Reggae Rockz in 2008.

Discography Studio albums

•Handsworth Revolution (1978)

•Tribute to the Martyrs (1979)

•Caught You (1980)

•True Democracy (1982)

•Earth Crisis (1984)

•Babylon the Bandit (1986) Grammy Award Winner - Best Reggae Band

•State of Emergency (1988)

•Victims (1991)

•Vex (1994)

•Rage and Fury (1997)

•African Holocaust (2004)

 

still stands in 2022 about to be demolished

Recently, after being shipped a package of sprews, short-shots, undermoldings and "scraps," I have been showcasing the beautiful weaponry with figures, setups, and layouts. This brown pulse rifle, is a brown, with maybe a hint of gunmetal swirl. I thought it appropriate to equip the figures I have chosen, seeing as they are more of the "baddies" of the century.

 

Alright, enough of the speach-talk. As it is always appreciated, thank you for your views, comments and favorites. It's always awesome to see people enjoying my figures.

Have any questions? Post them here, or shoot me an FM!

--Jake

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