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Manual of the Warrior of the Light
A warrior of the Light does not spend his days trying to play the role that others have chosen for him
A Warrior of the Light knows what he wants, and he has no need to waste time on explanations
A Warrior of the Light never resorts to trickery, even if he knows how to distract his opponent
A Warrior of the Light does not waste his time listening to provocations
A Warrior of the Light does not seek approval through explanation or justification, but through alignment between his actions and his truth
A Warrior of Light never fights with somebody who does not deserve the honour of combat
IMPORTANT STATEMENT
THE LIMITS
To those looking to scrape, copy, or “borrow” my soul, read carefully:
ZERO TOLERANCE: Any use of my works in portfolios, commercial displays, or training data will be met with rigorous legal action.
NO SHARES: Do not share my work to platforms without my permission. Especially to Pinterest.
NO AI TRAINING: My images are strictly prohibited from being used for diffusion models or AI generators.
VISIBILITY IS NOT A LICENCE: Sharing my soul with the public does not grant you ownership. Using my images to feed an AI or build your portfolio is not “sharing” — it is theft.
ANTI-COPYIST STANCE: Technical mastery does not grant you the right to the soul of another’s work. To copy a composition simply because it is “beautiful” is to fail the fundamental test of artistry: having something original to say.
Time for down the memory lane !
I've been around as an active member of flickr for almost a year, having started my first upload on 25 June,2009. During this period I've framed and uploaded many exotic insects and flowers. Of these, the most memorable encounter was with the above Praying Mantis whose pose reminded one more of a boxer than anything to do with a prayer. It was ready to fight and fly on slightest provocation. It was so magnificent that I would like to reload and share with you all.
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Thanks for your visit. Have a lovely Friday and Saturday .
photo rights reserved by Ben
A striking spot in Popova Šapka, high in the Šar Mountains above Tetovo. Dominating the landscape is a large cross standing beside the Church of St. Naum of Ohrid — a visible reference to the Christian heritage of this place. At the same time, on the opposite side of the village, the mosque can be seen with its slender minaret. This coexistence of religious symbols highlights the unique character of Popova Šapka: a place where different traditions stand side by side, shaped by the people who live here and those who pass through. The cross was deliberately placed at a point that lies even higher than the mosque, intended by local representatives as a visible expression of faith and the church’s presence in the landscape — not as a direct provocation, but as part of the religious and cultural identity of the community. The Macedonian flag is also present in the frame — a subtle yet clear reminder that all of this comes together within one country. North Macedonia is a land of many faiths, where Orthodox Christianity, Islam, and other traditions have been part of everyday life for centuries. In October, a sense of calm and openness prevails: no skis on the slopes, only soft mountain light, crisp air, and a feeling of stillness. Autumn colors embrace the village, giving the scene a warm, almost timeless atmosphere.
Popova Šapka, high in the Šar Mountains above Tetovo — where a large cross beside the Church of St. Naum of Ohrid and the mosque’s minaret face each other, reflecting North Macedonia’s long tradition of living faiths within a shared mountain landscape.
Een markant punt in Popova Šapka, hoog in de Šar-bergen boven Tetovo. In het landschap domineert een groot kruis dat bij de Church of St. Naum of Ohrid staat — een zichtbare verwijzing naar het christelijke erfgoed van deze plek. Tegelijk zie je aan de andere kant van het dorp de moskee met haar slanke minaret. Juist deze samenkomst van religieuze symbolen onderstreept het bijzondere karakter van Popova Šapka: hier staan verschillende tradities zij aan zij, gedragen door de mensen die hier wonen en komen. Het kruis werd bewust geplaatst op een plek die zelfs hoger ligt dan de moskee, wat volgens lokale betrokkenen bedoeld is als zichtbaar teken van geloof en aanwezigheid van de kerk in het landschap — niet als directe provocatie, maar als onderdeel van de religieuze en culturele identiteit van deze gemeenschap. Ook de Macedonische vlag is aanwezig in het beeld — een subtiele maar duidelijke herinnering dat dit alles samenkomt binnen één land. Noord-Macedonië is een land van vele geloven, waar orthodox christendom, islam en andere tradities al eeuwen deel uitmaken van het dagelijks leven. In oktober heerst er nog rust en weidsheid: geen ski’s op de pistes, alleen het zachte licht van het bergseizoen, de frisse lucht en een gevoel van stilte. De herfstkleuren omarmen het dorp en geven de scène een warme, bijna tijdloze sfeer.
Certaines présences imposent le respect.
D'autres préfèrent jouer avec lui.
Dans ce portrait en noir et blanc, Catwoman apparaît fidèle à sa nature : insaisissable, élégante et dangereusement charmante. Le fouet repose entre ses mains comme une promesse de chaos parfaitement maîtrisé, tandis qu'un sourire malicieux vient troubler la frontière entre provocation et amusement.
La lumière sculpte les courbes du costume, mais c'est le regard qui captive. Un regard qui semble connaître un secret que personne d'autre ne possède.
Ni héroïne, ni véritable antagoniste, Catwoman évolue dans cet espace ambigu où les règles deviennent des suggestions et où la liberté compte davantage que les conventions.
Un personnage qui ne cherche jamais à dominer la scène.
Et qui pourtant finit toujours par la voler.
EN Some presences command respect.
Others prefer to play with it.
In this black-and-white portrait, Catwoman appears true to her nature: elusive, elegant, and dangerously charming. The whip rests lightly in her hands like a promise of perfectly controlled chaos, while a mischievous smile blurs the line between provocation and playfulness.
The light shapes the contours of the costume, yet it is her gaze that truly captivates. A gaze that seems to know a secret no one else does.
Neither hero nor true villain, Catwoman lives in that fascinating space where rules become suggestions and freedom matters more than convention.
A character who never tries to steal the spotlight.
And somehow always does.
I "Don't" adore you because.... of your obsessive need to reenact every World War on my arms and legs, without warning or provocation. Thus always causing scarred tissue and much loss of blood!
NOR because of.... The continual turf wars between you and the local Cat-Gang members, who walk by the house. Which activates your internal security alarms. Causing you to wake up the family (and neighbors) with your Death Calls Warnings at 3am in the morning.
Not even because of.... Your obsessive compulsive dissorder and pure hatred of all things on shelves, tables and walls! Thus explaining the mysteries on how things inexplicably leap to their doom and imminent destruction!
And FINALLY I don't adore you because of.... Your senseless warmongering and hateful rage against so many innocent victims!
Let's now take a moment to remember all those we've lost this last year... RIP my Cargo pants (riped by Toby), My favorite cardigan and 2 sweaters (also mauld by Toby), My FLICKR hardcover photobook (gift to mom...bitten to death), A livingroom cushion, 3 long sleeves shirts (victims of world war reenactments), 2 hand painted paintings of mine (damaged from fatal leaps off walls caused my Toby), A bag of spaghetti and 1 frozen streak!
I "DO" adore you because... Every morning I wake up and find a different toy, teddy or new found treasure found from the night before. Nicely placed at the foot of my bedroom door as a gift from you.
I ADORE you because... When I ask you if you were a Good-Boy. You look-up at me and softly assure me with a gentil meow. And proceed to affectionally head-bump my legs to reassure me.
And because.... Everytime I leave you, you run to the window and watch and wait for me to come home. And when I do... Your the first to greet me at the door, with a cuddle and a frantic scratching on my feet, as to say... "You will always be mine"!
And finally... I LOVE you because at night without a whisper of a wind. Or an once of a sound... You slither under the blankets and snuggle up to my body for warmth. And lovingly purr yourself to sleep in complete contentment!
Your my little buddy Toby and I love and adore you!! (even when your a pain in my back-side!! Silly cat :-)
Thank-you to anyone who managed to read all this, I realise it's a little long. I wrote this simply because tomorrow's his birthday and I was feeling sentimental. I'll post his official b-day picture tomorrow...till then)
Excerpt from douglasbentham.com/the-hardingham-sculptures/:
The Hardingham series is comprised of six monumental steel sculptures executed in 1990 at the Hardingham Sculpture Workshop at Norfolk, U.K. These sculptures were Bentham’s direct response to the stimulus provided by fourteen days confronted with British steel, hot days tempered by cooling rains, other sculptors’ provocations and his own competitive spirit. Hardingham Memory was created some time after his return to his prairie studio, and is dedicated to his friend and fellow sculptor, John Foster.
The Robin is a year round resident in the UK, but a small minority of female Robins migrate to southern Europe during winter, a few as far as Spain. Both the male and female feature similar plumage, both with the distinctive red breast. The male bird is extremely territorial and will aggressively defend his territory, attacking any similar sized birds that try to muscle in on their patch.
The adult European robin is 12cm long and weighs between 15 to 22 g with a wingspan of 20–22 cm . The male and female bear similar plumage; an orange breast and face lined by a bluish grey on the sides of the neck and chest. The upperparts are brownish, or olive-tinged in British birds, and the belly whitish, while the legs and feet are brown. The bill and eyes are black. Juveniles are a spotted brown and white in colouration, with patches of orange gradually appearing. Male robins are noted for their highly aggressive territorial behaviour. They will fiercely attack other males and competitors that stray into their territories and have been observed attacking other small birds without apparent provocation. There are instances of robins attacking their own reflection. Territorial disputes sometimes lead to fatalities, accounting for up to 10% of adult robin deaths in some areas
"BIG KISSES FROM THE FLOWERY COAST"
Series of photographs proposed by Riverboom as part of the "Planches Contact" Festival, 2020 edition.
A wink in a spirit of benevolent provocation, the project of this series of photographs was born at the end of the first containment of the COVID 19 crisis, when all contact was dangerous.
Outdoor exhibition, Deauville - Promenade des Planches.
(Continuation. Please see the previous images and the story of Dunja In Timelessness series if you feel like that).
Recently I’ve answered on one comment, which was rather special for me. Truth be told, I get plenty of special for me comments. And pretty often indecently delaying with an answer (I’m so sorry, my friends!). Those comments are just living those own lives inside of me, till an answer will born. Precisely this comment helped to born to this photo (do you remember this Syd Barrett’s random precision, as Roger Waters describe it?). So, thanks a lot again, Tim Munsey, for the help with the birth!
That’s why I decided just to quote my comment with this photo, as a new page out of my art-diary. Here it is (and all our conversation is here: “I'm especially grateful to your comment, Tim, because the hero of this series, Dunja, didn't like this photo. And I'm as a too sensitive artist for a while went cold to it as well. Now I'm warming again. Though at first, I just loved it, because there is something new for me, sort of arthouse photography, some far from mainstream, challenge and provocation. Maybe some hommage - to Cortazar with his El perseguidor and Rayuela, maybe even 62 Modelo para armar, and some other artists. And I'm very fond of challenging and provocation - the viewer as well as myself. As a way to freedom”.
(to be continued…)
malachite (Siproeta stelenes) - Cordillera Escallera, Peru
This stunningly beautiful butterfly has picked this leaf to spend the night on. Frustratingly difficult to photograph during the day as these butterflies fly away at the slightest provocation it is much more simple to closely approach one at night as it sleeps, like most species of butterfly this one is diurnal and only active during daylight hours. This is a common species of Central and South America, it gets its name from malachite, the mineral, which has a similar green color to its wings. This individual is looking a bit torn up and has seen better days.
An outfit that embodies pure elegance and mystery. The sleek black dress, bold and sculpted, plays with strategic cutouts that highlight femininity with refined provocation. The long satin gloves add a touch of drama and class, while the wide-brimmed hat completes the look with old-Hollywood allure. A sophisticated, magnetic ensemble infused with modern seduction.
Delia outfit by AXE is composed by dress, gloves, shoes and bag.
It is available for Kupra, LaraX, Legacy, Legacy Perky, Maitreya, PetiteX, Reborn, Reborn Waifu.
On sale from today to Saturday at $70 each.
maps.secondlife.com/secondlife/Celaeno/84/193/27
Outfit details on my blog:
www.suggestions-by-tilly-opaline.com/blog/2797827_axe-del...
When I made this picture the West Gate Tunnel had yet to open,
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One of many ongoing approaches, where I move through the world as a harvester of images stumbling, strolling, lurching, equal parts accidental, and intentional. My concerns circumnavigate around questions that resist easy answers: time as texture, presence as performance, possibility as glitch. I trace the contours of decay and growth, hope and entropy, searching for the quiet collisions where meaning might emerge. Each image is less a document than a provocation an invitation to reconsider what we 'see', and what we ignore.
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Blog | Tumblr | Website | pixelfed.au | Instagram | Photography links | my Ko-fi shop | Off Ya Trolley! | s2z digital garden | vero | Dpreview albums | my work archived on trove at the National Library of Australia. | reddit
The European robin (Erithacus rubecula), known simply as the robin or robin redbreast in the British Isles, is a small insectivorous passerine bird, specifically a chat, that was formerly classified as a member of the thrush family (Turdidae) but is now considered to be an Old World flycatcher. About 12.5–14.0 cm (5.0–5.5 inches) in length, the male and female are similar in colouration, with an orange breast and face lined with grey, brown upperparts and a whitish belly. It is found across Europe, east to Western Siberia and south to North Africa; it is sedentary in most of its range except the far north.
The robin is diurnal, although has been reported to be active hunting insects on moonlit nights or near artificial light at night. Well known to British and Irish gardeners, it is relatively unafraid of people and drawn to human activities involving the digging of soil, in order to look out for earthworms and other food freshly turned up. Indeed, the robin is considered to be a gardener's friend and for various folklore reasons the robin would never be harmed. In continental Europe on the other hand, robins were hunted and killed as with most other small birds, and are more wary. Robins also approach large wild animals, such as wild boar and other animals which disturb the ground, to look for any food that might be brought to the surface. In autumn and winter, robins will supplement their usual diet of terrestrial invertebrates, such as spiders, worms and insects, with berries and fruit. They will also eat seed mixtures placed on bird-tables.
Male robins are noted for their highly aggressive territorial behaviour. They will fiercely attack other males and competitors that stray into their territories and have been observed attacking other small birds without apparent provocation. Such attacks sometimes lead to fatalities, accounting for up to 10% of adult robin deaths in some areas.
Because of high mortality in the first year of life, a robin has an average life expectancy of 1.1 years; however, once past its first year it can expect to live longer and one robin has been recorded as reaching 19 years of age. A spell of very low temperatures in winter may also result in significant mortality.
For more information, please visit en.wikipedia.org/wiki/European_robin
26th of August 2006 11:01:25. I'm sure this fence has some stories to tell.
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One of many ongoing approaches, where I move through the world as a harvester of images stumbling, strolling, lurching, equal parts accidental, and intentional. My concerns circumnavigate around questions that resist easy answers: time as texture, presence as performance, possibility as glitch. I trace the contours of decay and growth, hope and entropy, searching for the quiet collisions where meaning might emerge. Each image is less a document than a provocation an invitation to reconsider what we 'see', and what we ignore.
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Blog | Tumblr | Website | pixelfed.au | Instagram | Photography links | my Ko-fi shop | Off Ya Trolley! | s2z digital garden | vero | Dpreview albums | my work archived on trove at the National Library of Australia. | reddit
This image represents the defensive reflex of abusive power: the attempt to transform the witness into the culprit. When a system is fractured, the easiest way to preserve the illusion of integrity is to silence the one who points out the cracks.
The scene is a visual proverb on the culture of blame. While my finger identifies a deep, undeniable fracture in the wall of our reality, other fingers are pointed back at me. They do not look at the damage; they look at the one showing it. They prefer to attack the messenger because fixing the crack would require a conscience they do not possess.
In this dynamic, the act of pointing a finger is a mask for cowardice. They attempt to dominate the narrative by focusing on me, hoping that the noise of their judgment will distract from the silence of the collapsing structure behind them. But truth does not need consensus to exist; it only needs to be seen.I use artificial intelligence as an artistic instrument, shaped deliberately to serve my expressive needs. It is not a replacement for the pure arts—poetry, music, painting, sculpture, photography, cinema—which remain for me primary and irreplaceable languages. Here, AI is simply a tool, bent to my intention, used to translate these visual proverbs into images that embody my artistic vision and my resistance.
The Robin is a year round resident in the UK, but a small minority of female Robins migrate to southern Europe during winter, a few as far as Spain. Both the male and female feature similar plumage, both with the distinctive red breast. The male bird is extremely territorial and will aggressively defend his territory, attacking any similar sized birds that try to muscle in on their patch.
The adult European robin is 12cm long and weighs between 15 to 22 g with a wingspan of 20–22 cm . The male and female bear similar plumage; an orange breast and face lined by a bluish grey on the sides of the neck and chest. The upperparts are brownish, or olive-tinged in British birds, and the belly whitish, while the legs and feet are brown. The bill and eyes are black. Juveniles are a spotted brown and white in colouration, with patches of orange gradually appearing. Male robins are noted for their highly aggressive territorial behaviour. They will fiercely attack other males and competitors that stray into their territories and have been observed attacking other small birds without apparent provocation. There are instances of robins attacking their own reflection. Territorial disputes sometimes lead to fatalities, accounting for up to 10% of adult robin deaths in some areas
Fitzroy's lanes never cease to deliver, when I flaneur through them.
This is the cover image from my self published book, "What's the ugliest part of your body". You can purchase it via the MPC website or from the NGV Art Book Fair.
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One of many ongoing approaches, where I move through the world as a harvester of images stumbling, strolling, lurching, equal parts accidental, and intentional. My concerns circumnavigate around questions that resist easy answers: time as texture, presence as performance, possibility as glitch. I trace the contours of decay and growth, hope and entropy, searching for the quiet collisions where meaning might emerge. Each image is less a document than a provocation an invitation to reconsider what we 'see', and what we ignore.
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Blog | Tumblr | Website | pixelfed.au | Instagram | Photography links | my Ko-fi shop | Off Ya Trolley! | s2z digital garden | vero | Dpreview albums | my work archived on trove at the National Library of Australia. | reddit
Irksome Remarks.
Lingue precoci giacca sultanica musa modernista genio diverso che rende congratulazioni spaventose versi incisi fatti incomprimibili,
commentaire furieux doigt d'élite provocation des démons chair erratique os turbulents esprits imprudents mesquineries œuvres flammes menaçantes poésie barbare,
свистящие сонеты сильные языки выражающие ощущения потоки сюрпризы суеверия наложенные ограничения важное употребление алкоголя,
tempos distantes nervos inspirações literais trioletas abandono linhas julgamentos completos obscurecem desenhos rimando dísticos motivos alquímicos,
legmagasabb viccek mély fogak lelkes mesék ürülék huzat huzamos túrák hegyek rosszindulatú munkák összefonódó foltok groteszk esték,
悲しげな唸り声発汗恐ろしい悪魔目に見えないハエ争うことのできない証言極端な季節は、国際主義の読者の神秘的な攻撃を強力な方法で嘲笑します神秘的な暴行.
Steve.D.Hammond.
💀 DURA 💀 MAN CAVE 💀 LAPOINTE BASTCHILD 💀 KUNST 💀 SIGNATURE 💀 LELUTKA 💀 VEILANCE 💀 THE SUMMONING EVENT 💀
💀 COLAB SOL ROSTOV 💀
More POMO architecture.
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One of many ongoing approaches, where I move through the world as a harvester of images stumbling, strolling, lurching, equal parts accidental, and intentional. My concerns circumnavigate around questions that resist easy answers: time as texture, presence as performance, possibility as glitch. I trace the contours of decay and growth, hope and entropy, searching for the quiet collisions where meaning might emerge. Each image is less a document than a provocation an invitation to reconsider what we 'see', and what we ignore.
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Blog | Tumblr | Website | pixelfed.au | Instagram | Photography links | my Ko-fi shop | Off Ya Trolley! | s2z digital garden | vero | Dpreview albums | my work archived on trove at the National Library of Australia. | reddit
I have a series of locations I revisit on and off. This is one of them.
Roughly the same site, in 2025, now behind a fence so off limits. The construction has now extended to the old quarry site, and may even be buildings, perhaps factories, or warehouses.
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One of my many ongoing approaches is to move through the world as a harvester of images. I stumble, stroll, and lurch, equal parts accident and intent. Each frame is a fragment, a glitch, or a whisper from the margins. My decades-deep, archive serves as both a compass and a crucible: a living constellation of negatives and proof sheets that drive and generate further inquiry. It’s where entropy meets annotation, where decay and growth are catalogued not as opposites but as co-conspirators.
I circle questions that resist resolution: time as texture, presence as performance, and possibility as rupture. I search for quiet collisions, between gesture and ruin, between what’s seen and what’s overlooked, where meaning might flicker into being. I attempt to create each image not as a document and but more a provocation, an invitation to reframe perception and interrogate the ideological choreography of attention.
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Blog | Tumblr | Website | pixelfed.au | Instagram | Photography links | my Ko-fi shop | Off Ya Trolley! | s2z digital garden | vero | Dpreview albums | my work archived on trove at the National Library of Australia. | reddit
Reality can be perceived as positive because it is positive. We are not talking about “baptizing” reality starting from a religious preconception, a “pious” vision, but about recognizing it in its ultimate nature. Reality is ontologically positive. Why? Reality is positive because it exists. Everything that exists is there because the Mystery permitted it to happen (everything, in fact, has an origin in a mysterious Something; nothing makes itself); it provokes and sets the person in motion, it represents an invitation to change, an occasion to take a step toward one’s own destiny. Every circumstance is the path and the instrument of our journey—it is a sign. Insomuch as it is there, reality is a provocation, and therefore the occasion for the reawakening of the “I” from its inertia.
--Disarming Beauty ESSAYS ON FAITH, TRUTH, AND FREEDOM, JULIÁN CARRÓN Foreword by Javier Prades
The Robin is a year round resident in the UK, but a small minority of female Robins migrate to southern Europe during winter, a few as far as Spain. Both the male and female feature similar plumage, both with the distinctive red breast. The male bird is extremely territorial and will aggressively defend his territory, attacking any similar sized birds that try to muscle in on their patch.
The adult European robin is 12cm long and weighs between 15 to 22 g with a wingspan of 20–22 cm . The male and female bear similar plumage; an orange breast and face lined by a bluish grey on the sides of the neck and chest. The upperparts are brownish, or olive-tinged in British birds, and the belly whitish, while the legs and feet are brown. The bill and eyes are black. Juveniles are a spotted brown and white in colouration, with patches of orange gradually appearing. Male robins are noted for their highly aggressive territorial behaviour. They will fiercely attack other males and competitors that stray into their territories and have been observed attacking other small birds without apparent provocation. There are instances of robins attacking their own reflection. Territorial disputes sometimes lead to fatalities, accounting for up to 10% of adult robin deaths in some areas
What a sweet song this bird has. Always looks so cute and mild mannered
But Did you know that Male Robins are noted for their highly aggressive territorial behavior. They will attack other males that stray into their territories, and have been observed attacking other small birds without apparent provocation. Such attacks sometimes lead to fatalities, accounting for up to 10% of adult Robin deaths in some areas.[
Finished in 1812 this was the third city hall that the city had. The first was built by the Dutch when the city was still known as New Amsterdam and that was demolished in 1690. The second was built by the British in 1700 and was renamed and repurposed as Federal Hall. The city offered a prize of $350 to the architect(s) for to submit the wining design plans won by Joseph-François Mangin and John McComb Jr. In 1954 the city replaced much of the exterior stonework with better quality materials and in 2008 the building got a major restoration that cost 150 million. The building was subjected a violent riot in 1857 when the between the recently dissolved New York Municipal Police and the newly formed Metropolitan Police on June 16, 1857. Municipal police fought with Metropolitan officers who were attempting to arrest New York City Mayor Fernando Wood. In 1970 during the Vietnam War it was the scene of the infamous "Hard hat riot." when hundreds on construction workers violently and without provocation attacked a group of antiwar protestors. In 2003 a city council member James E Davis was murdered by a political rival and was shot dead by police at the scene. The building is now a national historical landmark and a New York City historical landmark. Ever since the destruction of the World Trade Center access to building has been quite restricted and I took this picture through a gap in fencing surrounding the area. I did strike up a conversation with two police officers neither who could have been a day over 30 how back in 1969 me and brother stood on the steps not more than forty feet away watched Neil Armstrong, Buzz Aldrin and Mike Collins got the key from the city from Mayor John Lindsay as they were honored for the Apollo 11 moon landing and being regarded as a witness to history.
Today, EU Special Forces failed to disarm what was believed to be a dirty bomb in the center of London. Detonated near Buckingham palace, authorities are scrambing to contain the situation. Current projections released by the Ministry of Defense state that they are expecting nearly 2,000,000 casualties. Minister Fallon has been quoted as saying that "Those responsible will be brought to justice." Meanwhile EU forces around the globe have been ordered to full alert and to expect an attack without the slightest provocation. This is Jamie Austin with BBCOne signing off.
Nature claims back what was once an engineering feat. A solitary figure consults charts, while in the obligatory High Viz clothing.
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One of many ongoing approaches, where I move through the world as a harvester of images stumbling, strolling, lurching, equal parts accidental, and intentional. My concerns circumnavigate around questions that resist easy answers: time as texture, presence as performance, possibility as glitch. I trace the contours of decay and growth, hope and entropy, searching for the quiet collisions where meaning might emerge. Each image is less a document than a provocation an invitation to reconsider what we 'see', and what we ignore; and why.
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Blog | Tumblr | Website | pixelfed.au | Instagram | Photography links | my Ko-fi shop | Off Ya Trolley! | s2z digital garden | vero | 180º @ 17:00 | Dpreview albums | reddit | red bubble | newgrain
marketplace.secondlife.com/p/DeLa-Mesh-Hair-Meline-Demo/2...
Style Card
UC_NaughtyNights_Top
[Provocation] Bella bra
- wraith - Cargo Pants
[AlternatiVe] Alyssa Necklace
[AlternatiVe] Earring Diamond Gold "Charm"-L
SIGMA Sparkle earrings
------ ------ ------ ------
DeLa* main store
slurl.com/secondlife/DeLa/114/112/24
=DeLa*= at Marketplace
marketplace.secondlife.com/stores/13625
DeLa* flickr
Even after residing in Sunshine for 15 years we get the odd surprise. This vehicle crashed into a bridge over Korroroit Creek, that had no paved or bitumen road leading to it.
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One of many ongoing approaches, where I move through the world as a harvester of images stumbling, strolling, lurching, equal parts accidental, and intentional. My concerns circumnavigate around questions that resist easy answers: time as texture, presence as performance, possibility as glitch. I trace the contours of decay and growth, hope and entropy, searching for the quiet collisions where meaning might emerge. Each image is less a document than a provocation an invitation to reconsider what we 'see', and what we ignore; and why.
_____________________________________
Blog | Tumblr | Website | pixelfed.au | Instagram | Photography links | my Ko-fi shop | Off Ya Trolley! | s2z digital garden | vero | 180º @ 17:00 | Dpreview albums | reddit | red bubble | newgrain
Red Vespa & Subversive Windows — Rue Haute, Brussels
🇬🇧 Brussels, Rue Haute, sun-drenched sidewalk.
A red Vespa streaks the curb like a brushstroke, backed by a storefront that dares and disrupts.
“The Sexual Life of Tintin”, frozen faces, twisted icons… Here, the city reveals its layered meanings — part street art, part pop satire, all framed by spontaneous street theatre.
Everyday life turns into a gallery, and every passerby becomes part of the show.
🇫🇷 Bruxelles, Rue Haute, en plein soleil.
Une Vespa rouge comme un trait de peinture sur le trottoir, et derrière elle, une vitrine qui provoque, interroge, détourne.
“La vie sexuelle de Tintin”, des visages figés, des icônes recontextualisées… Ici, la ville expose ses couches de sens, entre art de rue, satire pop et passants curieux.
Le quotidien se fait galerie — et chacun devient spectateur d’une mise en scène urbaine involontaire.
The Robin is a year round resident in the UK, but a small minority of female Robins migrate to southern Europe during winter, a few as far as Spain. Both the male and female feature similar plumage, both with the distinctive red breast. The male bird is extremely territorial and will aggressively defend his territory, attacking any similar sized birds that try to muscle in on their patch.
The adult European robin is 12cm long and weighs between 15 to 22 g with a wingspan of 20–22 cm . The male and female bear similar plumage; an orange breast and face lined by a bluish grey on the sides of the neck and chest. The upperparts are brownish, or olive-tinged in British birds, and the belly whitish, while the legs and feet are brown. The bill and eyes are black. Juveniles are a spotted brown and white in colouration, with patches of orange gradually appearing. Male robins are noted for their highly aggressive territorial behaviour. They will fiercely attack other males and competitors that stray into their territories and have been observed attacking other small birds without apparent provocation. There are instances of robins attacking their own reflection. Territorial disputes sometimes lead to fatalities, accounting for up to 10% of adult robin deaths in some areas
I slip into Soff the way candlelight slips across bare skin — slow, intentional, impossible to ignore. 💋
This is not simply lingerie… this is choreography. A performance of curves, confidence, and quiet provocation.
The Soff top drapes my silhouette with a delicate tension between softness and structure. Its knotted front gathers the fabric inward, sculpting my waist while drawing the eye exactly where I want it — downward, lingering, curious. The ribbed texture hugs close like a whispered secret, tracing every contour with couture precision. The panties answer in perfect harmony, sitting low on my hips, framed with lace that brushes my thighs like vintage boudoir gloves. Together, they create a silhouette that doesn’t shout — it beckons. 🔥
When I choose Soff, I dress with intention. I dress to seduce my man with posture, with movement, with the quiet power of suggestion. And then… I dress for him slowly. 💫
Layer by layer, I let the fabric find my skin with deliberate grace, turning every motion into anticipation. I allow his eyes to follow the ritual — the settling of lace, the gentle pull of the knot, the final smoothing of silk — knowing that seduction does not begin when clothing falls away… it begins when it is chosen with purpose.
✨ Behind the mirror lives my secret weapon — the HUD.
With a single touch, I shift the mood:
💎 PBR Mode bathes the fabric in living light, creating soft shadow depth and natural sheen that responds beautifully to candle glow and sunset tones. The ribbed knit gains dimensional realism, appearing irresistibly touchable.
✨ Blinn Mode delivers classic glamour — smooth highlights and rich saturation, perfect for studio lighting and sultry interiors.
Material controls allow me to glide between matte lounge softness and silk-kissed shimmer — depending on how bold the evening feels.
🎨 My color wardrobe unfolds like temptation itself:
rose red for desire ❤️
wine burgundy for drama 🍷
blush pink for softness 🌸
classic black for power
ivory cream for innocence undone
nude beige, smoky mocha, deep charcoal — each shade designed to flatter skin tones and glow beneath cinematic light.
Soff embraces my body flawlessly, tailored for modern icons of beauty:
✨ Reborn
✨ Reborn Squish
✨ Petite
✨ LaraX
✨ Legacy
✨ Perky
✨ Bombshell
✨ Waifu
✨ Nhuma
This silhouette carries the legacy of women who understood seduction as art - Rita Hayworth’s satin confidence, Sophia Loren’s unapologetic curves, Marilyn Monroe’s soft rebellion against modesty. They didn’t expose - they suggested. They didn’t chase attention — they commanded it.
Tonight, I follow their lead.
I dress slowly.
I move deliberately.
And I let Soff do the rest. 💗
💞 Premiering now at LEVEL Event
Discover other provocative designs at the Oh! Fashion mainstore:
maps.secondlife.com/secondlife/Oh%20Fashion
💞 Find more sensual creations at the (Oh!) marketplace
Because as fashion once whispered behind velvet curtains:
“Style is seduction made visible.” ✨
During the 2025 Ballarat International Photo Biennial. I stumbled on this gallery wall. Is it ironic I'm making an empty gallery wall art; or is that, attempting to make art?
Use your arrow keys on your keyboard to navigate to the next picture.
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One of many ongoing approaches, where I move through the world as a harvester of images stumbling, strolling, lurching, equal parts accidental, and intentional. My concerns circumnavigate around questions that resist easy answers: time as texture, presence as performance, possibility as glitch. I trace the contours of decay and growth, hope and entropy, searching for the quiet collisions where meaning might emerge. Each image is less a document than a provocation an invitation to reconsider what we 'see', and what we ignore.
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Victim blaming is any response that explicitly states or implies that the victim is to blame for the abuse they have experienced: victim blaming often revolves around actions that a victim could have taken, or not taken, to avoid experiencing abuse. My observations made it clear that victim blaming also makes part of the blackmail system, using chemical products. Psychology is also an important tool in the submission apparatus:
Severe personality problems find *camouflage.* No one thinks "I'm a sadist" or "I'm a malignant narcissist."
They find a belief system/social group that validates their most hateful, destructive impulses & construes them as virtues.
The most toxic and hateful people in the world are 100% convinced they fight for what is true and right.
For colleagues looking for more theoretical explanation, the psychological processes are splitting, projection & projective identification. Splitting means not recognizing one's own capacity for hate, cruelty, and destructiveness. The person is blind to the bad in themselves.
Instead, they project the badness onto some designated other. And this other person, via the defense of projection, is now seen as the repository of all that is bad and evil and necessary to destroy. That's the projection.
The person now feels fully justified in unleashing
their viciousness and hate on the other person, who is now seen (via projection) as someone monstrous who must be destroyed. If the person who is projected on responds to the provocation with anger, this is now seen as further confirmation of how hateful and destructive they are (this is what is called is "projective identification.") The end result is that the person can deny their own sadism, cruelty, and hate—while simultaneously acting it out without restraint. And feel themselves to be 100% on the side of truth and right as they do it.(Prof Jonathan Shedler)
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70 x 100 cm, acrylic on canvas
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Jan Theuninck is a Belgian painter
www.boekgrrls.nl/BgDiversen/Onderwerpen/gedichten_over_sc...
www.forumeerstewereldoorlog.be/wiki/index.php/Yperite-Jan...
www.graphiste-webdesigner.fr/blog/2013/04/la-peinture-bel...
www.eutrio.be/nl/expo-west-meet-east