View allAll Photos Tagged provocation
Group 2_
Julio Salinas, Diego Colinas, Noemi Hirata, Fernando Navarro, German Parma,
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Slogans in Nice Typefaces Won't Save the Human Races poster
Oddly Head, UK
2017
This typographic provocation appeared on UK city streets in late 2017 via flyingleaps, an artists' street project founded by Adrian Burnham, whose particular interest is visual activism in urban environments. It was created by British artist and graphic designer Tim Fishlock, working under his alter ego Oddly Head. The bold graphic slogan was a response to what he calls 'an epoch of demagoguery and debacle' and was popular across social media.
[Design Museum]
Part of Hope to Nope: Graphics and Politics 2008-18
US presidents bookend Hope to Nope: Graphics and Politics 2008-18, which highlights through displays of banners, badges, quilts, placards, animations, filmed footage, T-shirts and hats, among other items, how graphic design has been used to engage with social, political and environmental upheavals worldwide during the past decade...
...The thread running through it all, however, is the rapid development during the past 10 years of information sharing and social-media platforms. They may employ highly simplified graphic icons as their brand identities but there’s nothing unsophisticated about the extraordinary international reach and potential influence
[Art Fund_]
Inside the Design Museum
Group 2_
Julio Salinas, Diego Colinas, Noemi Hirata, Fernando Navarro, German Parma,
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
China and Russia URGE US and North Korea to END provocation in plea to stop World War 3
www.biphoo.com/bipnews/world-news/china-and-russia-urge-u...
www.biphoo.com/bipnews/wp-content/uploads/2017/12/China-a...
#China, #ChinaAndRussiaURGEUSAndNorthKoreaToENDProvocationInPleaToStopWorldWar3, #DonaldTrump, #KimJongUn, #NorthKorea, #Russia, #WorldWar3
China and Russia URGE US and North Korea to END provocation in plea to stop World War 3
CHINA and Russia have both called on Donald Trump and Kim Jong-un to end the cycle of provocation after North Korea said they “shall not hide” if World War 3 breaks out.
The North Korean Foreign Ministry wro...
Angry protests, police policy and provocation
The number of participants of revolutionary May 1st demo was on the evening in different counts between 12 000 and 15 000. Clearly noticeable in times of crisis, and consequently was more brazen social wealth redistribution the anger of the participants.
Incompletely documented cases include at least 136 injured demonstration participants. Of these, more than 50 people in hospital in part because of severe head injuries treated. ...
erstermai.nostate.net/
Ort: Berlin Köpenick, Kreuzberg
Honestly, without any provocation, these three came up with the "Please Sir, can I have some moh?" pose. I don't know why they did, but I love 'em for it!
Group 2_
Julio Salinas, Diego Colinas, Noemi Hirata, Fernando Navarro, German Parma,
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]