View allAll Photos Tagged provocation
MELANCHOLY AND PROVOCATION
The Egon Schiele-Project
23 September 2011 - 30 January 2012
On the occasion of its tenth anniversary, the Leopold Museum will dedicate its 2011 autumn exhibition to the oeuvre of Egon Schiele. (one of my favourite painters)
www.leopoldmuseum.org/en/exhibitions/current/17/melanchol...
and this Architectural staging to celebrate it as well
dont miss this `-´
Couverture du magazine HARA-KIRI. Journal satyrique se réclamant bête et méchant et usant sans modération de la provocation.
View of "Provocations: The Architecture and Design of Heatherwick Studio" at the Cooper-Hewitt (June 24, 2015 - January 3, 2016).
View of "Provocations: The Architecture and Design of Heatherwick Studio" at the Cooper-Hewitt (June 24, 2015 - January 3, 2016).
Vintage French postcard. Card 9. Charles Bernheim photo. edit., Nimes. Act IV. The Provocation.
The stage play Sémiramis (1904) by Joséphin Peladan was first performed 24 July 1904, at the Amphitheatre antique in Nimes, South of France. The title role of the Assyrian queen Semiramis was for Segond-Weber (Comédie Française), while Albert Lambert fils played the Egyptian prince Keth-Aour, her love interest, and Dorival as Zakkir-Iddin, Semiramis' army leader. Additionally, Albert Darmont played the magician Ourkam, M. Liser Naram Sin and Lucie Brille one of the choreuses. The story takes place in Assyrian Ninive. Despite her mature age, the mighty warrior queen Semiramis falls in love with a young Egyptian prince. The men at her court detest the relationship and in the end the lover is killed in a duel. Semiramis criticizes the intolerant conspirators and flies away in a cloud of doves
Christopher "m00t" Poole at TED2010, Session 5, "Provocation," Thursday, February 11, 2010, in Long Beach, California. Credit: TED / James Duncan Davidson
Group 1_
Cynthia Castillo, Moises Talavera, Amir Hanna, Guillermo Perez, Osvaldo Andrade
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Couverture du magazine HARA-KIRI. Journal satyrique se réclamant bête et méchant et usant sans modération de la provocation.
All the artists, entrepreneurs, and activists who are asking the questions and making the provocations that we believe will shape the future of culture. At the 2016 YBCA 100 Summit, Nov 5, 2016. The YBCA 100 is an annual compilation of the creative minds, makers, and pioneers that inspire our work at Yerba Buena Center for the Arts. Each year, our staff convenes to debate: “Who do we believe is asking the questions and making the provocations that will shape the future of American culture?” The result of this inquiry is a diverse list of artists, entrepreneurs, activists, and creative citizens from around the world that have one thing in common: They are all generating culture that moves people. See more at ybca.org/100. Event photography by Drew Altizer Photography
photo : A1one (copyright)
Public Provocations IV.
expo collective / group show
June 2012 – October 2012
Vernissage: 09.06.2012 / 19:00 h
A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.
Artists in exhibition :
A1one / IR
Bezt / PL
Czarnobyl / PL
Dave the Chimp / GB
EME / ES
Honet / FR
Jef Aérosol / FR
Klaas Van der Linden / BE
Maoma / NL
Marco Zamora / US
SatOne / D
Tasso / D
The London Police / NL
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Пікет мітингувальників для захисту від провокацій
Picket of protesters to defend against provocation
Sun Sentinel February 29, 1996 by Melissa Ruggieri
WKAT, WNWS, WINZ, WZTA, WIOD, Glen Hill, Dave Caprita, Mike Disney, Bob Green, Steve Kane, Al Rantel, Steve Nicholl
Part 1 of 2
At the slightest provocation or suggestion, I will instantly transport to Saint Alps bubble tea (and delicious noodles) restaurant on Bedford Avenue in BK.
View of "Provocations: The Architecture and Design of Heatherwick Studio" at the Cooper-Hewitt (June 24, 2015 - January 3, 2016).
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
View of "Provocations: The Architecture and Design of Heatherwick Studio" at the Cooper-Hewitt (June 24, 2015 - January 3, 2016).
View of "Provocations: The Architecture and Design of Heatherwick Studio" at the Cooper-Hewitt (June 24, 2015 - January 3, 2016).
[Taken in Paris (France) - 08Apr08]
The pupils were demonstrating to protest against the fact that there is going to be less and less teachers employed.
From the beginning on, some groups of people with not much to do with the demonstration messed around, mostly throwing things at the police, which did apply a new strategy (coming from Germany) consisting in turning their backs to the crowd while everything is going fine, to avoid provocation.
After a couple of hours, the demonstration stopped, and the real confrontation between cops and young rioters began. A lot of them were arrested.
Know that all the photos of that day showing police action are not directly linked to the pupils who were demonstrating.
See all the photos of this demonstration, chronologically put, in this set : 08Apr08 - Pupil's Demonstration [Event]
See all the random portraits in this set : Portraits [Random]
Sun Sentinel February 29, 1996 by Melissa Ruggieri
WKAT, WNWS, WINZ, WZTA, WIOD, Glen Hill, Dave Caprita, Mike Disney, Bob Green, Steve Kane, Al Rantel, Steve Nicholl
Part 2 of 2
Kevin Bales at TED2010, Session 5, "Provocation," Thursday, February 11, 2010, in Long Beach, California. Credit: TED / James Duncan Davidson
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Manao is an innovative provocation to the Canarian music idea. This band makes a vibrating trip through the folk sound from the islands with a strong jazz sap. The identity of the different and deeply-rooted rhythm (tanganillos, aires de lima, polkas) is projected with a young ambition which has as a result the post-modernity of the tradition. All this with accurate arrangements and combined with personal compositions with a marked character that finds its main point on the opening of their improvisations. This international quintet settled in Holland comprises the Canarian musicians Jose Ángel Vera Bello (liderman, saxos and flute) and Pedro Díaz (Spanish guitar and timple), the Italian Francesco de Rubeis (drums), the dutch Daniel Van Huffelen (bass) and the Portugués Rui Silva (electric guitar).
Listen: www.youtube.com/watch?fb_source=message&gl=US&v=T...
***Julie Scott and Roeland Drost (cancelled because of illness)
Singer-songwriter with a voice that is intimate, fragile with the capability to excite. Julie is a former member (singer/songwriter/guitarist) of can_of_be, Mizpah (Lowlands, Paradiso, SXSW Texas) and she was vocalist in jazz ensemble Dash!
Tonight she plays together with Roeland Drost, also former member of can_of_be.
Listen: www.myspace.com/juliescottsongs