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All the artists, entrepreneurs, and activists whose provocations are shaping the next 50 years, at the inaugural YBCA 100 conference, Oct 10, 2015.
The YBCA 100 is an annual compilation of the creative minds, makers, and pioneers that inspire our work at Yerba Buena Center for the Arts. Each year, our staff convenes to debate: “Who do we believe is asking the questions and making the provocations that will shape the future of American culture?” The result of this inquiry is a diverse list of artists, entrepreneurs, activists, and creative citizens from around the world that have one thing in common: They are all generating culture that moves people. See more at ybca100.org/
Event photography by Tommy Lau, tommylau.net/
MELANCHOLY AND PROVOCATION
The Egon Schiele-Project
23 September 2011 - 30 January 2012
On the occasion of its tenth anniversary, the Leopold Museum will dedicate its 2011 autumn exhibition to the oeuvre of Egon Schiele. (one of my favourite painters)
www.leopoldmuseum.org/en/exhibitions/current/17/melanchol...
and this Architectural staging to celebrate it as well
dont miss this `-´
Couverture du magazine HARA-KIRI. Journal satyrique se réclamant bête et méchant et usant sans modération de la provocation.
Group 3_
Alejandro Candela, Georgina Muñoz, Carlos Paz, Berenice Jimenez, Laura Antelo, Gabriel Manriquez
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Escalinata Ryerson
Ensenada, Baja California
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
View of "Provocations: The Architecture and Design of Heatherwick Studio" at the Cooper-Hewitt (June 24, 2015 - January 3, 2016).
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
View of "Provocations: The Architecture and Design of Heatherwick Studio" at the Cooper-Hewitt (June 24, 2015 - January 3, 2016).
Vintage French postcard. Card 9. Charles Bernheim photo. edit., Nimes. Act IV. The Provocation.
The stage play Sémiramis (1904) by Joséphin Peladan was first performed 24 July 1904, at the Amphitheatre antique in Nimes, South of France. The title role of the Assyrian queen Semiramis was for Segond-Weber (Comédie Française), while Albert Lambert fils played the Egyptian prince Keth-Aour, her love interest, and Dorival as Zakkir-Iddin, Semiramis' army leader. Additionally, Albert Darmont played the magician Ourkam, M. Liser Naram Sin and Lucie Brille one of the choreuses. The story takes place in Assyrian Ninive. Despite her mature age, the mighty warrior queen Semiramis falls in love with a young Egyptian prince. The men at her court detest the relationship and in the end the lover is killed in a duel. Semiramis criticizes the intolerant conspirators and flies away in a cloud of doves
Group 1_
Cynthia Castillo, Moises Talavera, Amir Hanna, Guillermo Perez, Osvaldo Andrade
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
Networked Fabrication for Urban Provocation [ Advanced Course in Architecture / Design ] - Universidad Iberoamericana - Amorphica / LaN / Architectums - Diana Quintero Saul Lecture
Catalizing Morphogenetic Processes in Evolutionary Systems
[ University of Technology Sydney
University of Applied Arts Vienna]
Thursday FEB.16.2012
Ultramarino Oyster Bar
Ruiz #57, Zona Centro, 22800
Ensenada, BC
Free Admission
Couverture du magazine HARA-KIRI. Journal satyrique se réclamant bête et méchant et usant sans modération de la provocation.
All the artists, entrepreneurs, and activists who are asking the questions and making the provocations that we believe will shape the future of culture. At the 2016 YBCA 100 Summit, Nov 5, 2016. The YBCA 100 is an annual compilation of the creative minds, makers, and pioneers that inspire our work at Yerba Buena Center for the Arts. Each year, our staff convenes to debate: “Who do we believe is asking the questions and making the provocations that will shape the future of American culture?” The result of this inquiry is a diverse list of artists, entrepreneurs, activists, and creative citizens from around the world that have one thing in common: They are all generating culture that moves people. See more at ybca.org/100. Event photography by Drew Altizer Photography
Group 1_
Cynthia Castillo, Moises Talavera, Amir Hanna, Guillermo Perez, Osvaldo Andrade
Networked Fabrication for Urban Provocations.
Shifting Paradigms from Mass Production to Mass Customization
Computational architecture and design course
Conventional construction methods all depart from the basic premises of mass production: standardization, modulation and a production line. What these systems developed during the last two centuries fail to take into account are the evolutionary leaps and bounds the manufacturing industry has taken over the last decades. With the introduction of CNC technologies and rapid prototyping machines have altered the paradigms of fabrication forever. It is due to these new tools that it is now possible to create (n) amount of completely unique and different pieces with the same amount of energy and material that is required to create (n) identical pieces. The possibilities for implementation of new forms, textures, materials and languages are infinite due to the versatility that these new tools offer a growing network of architects, designers, fabricators that are integrating them into their professional practices to generate unique and precise objects that respond to countless data and real-life conditions.
Instructors:
Monika Wittig [ LaN, IaaC ]
Shane Salisbury [ LaN, IaaC ]
Filippo Moroni [ SOLIDO, Politecnico di Milano ]
MS Josh Updyke [ Advanced Manufacturing Institute, KSU, Protei ]
Aaron Gutiérrez Cortes [ Amorphica ]
photo : A1one (copyright)
Public Provocations IV.
expo collective / group show
June 2012 – October 2012
Vernissage: 09.06.2012 / 19:00 h
A vibrant and unique exhibition that can be experienced from June till October 2012 in the Carhartt Gallery.
Artists in exhibition :
A1one / IR
Bezt / PL
Czarnobyl / PL
Dave the Chimp / GB
EME / ES
Honet / FR
Jef Aérosol / FR
Klaas Van der Linden / BE
Maoma / NL
Marco Zamora / US
SatOne / D
Tasso / D
The London Police / NL
Пікет мітингувальників для захисту від провокацій
Picket of protesters to defend against provocation
Sun Sentinel February 29, 1996 by Melissa Ruggieri
WKAT, WNWS, WINZ, WZTA, WIOD, Glen Hill, Dave Caprita, Mike Disney, Bob Green, Steve Kane, Al Rantel, Steve Nicholl
Part 1 of 2
At the slightest provocation or suggestion, I will instantly transport to Saint Alps bubble tea (and delicious noodles) restaurant on Bedford Avenue in BK.
View of "Provocations: The Architecture and Design of Heatherwick Studio" at the Cooper-Hewitt (June 24, 2015 - January 3, 2016).
View of "Provocations: The Architecture and Design of Heatherwick Studio" at the Cooper-Hewitt (June 24, 2015 - January 3, 2016).
Call me Snake offers an optimistic provocation – ‘imagine what could be here’ by Judy Millar. On a walk into the city October 3, 2015 Christchurch New Zealand.
The work is comprised of vibrant graphics of Millar’s looped paintings, which are adhered to five intersecting flat planes, and draws inspiration from the forms found in pop-up books. The colourful piece will add a dramatic and rhythmic counterpoint to the city’s current urban landscape — a mix of flattened sites, construction zones and defiant buildings that have stood through the quakes. The work employs theatricality, playfulness and visual trickery, whereby the viewer is unsure about the work’s flatness or three-dimensionality; and it has been designed to offer a different perspective from each angle. The bright colours interrupt the grey of the work’s surrounds, and as buildings pop up around it,
SCAPE 8, New Intimacies curated by Rob Garrett was a contemporary art event which mixed new artworks with existing legacy pieces, an education programme, and a public programme of events. The SCAPE 8 artworks were located around central Christchurch and linked via a public art walkway. All aspects of SCAPE 8 were free-to-view.
The title for the 2015 Biennial – New Intimacies – came from the idea that visually striking and emotionally engaging public art works can create new connections between people and places. Under the main theme of New Intimacies there are three other themes that artists responded to: Sight-Lines, Inner Depths and Shared Strengths.
For more Info: www.scapepublicart.org.nz/scape-8-judy-millar
View of "Provocations: The Architecture and Design of Heatherwick Studio" at the Cooper-Hewitt (June 24, 2015 - January 3, 2016).
Sun Sentinel February 29, 1996 by Melissa Ruggieri
WKAT, WNWS, WINZ, WZTA, WIOD, Glen Hill, Dave Caprita, Mike Disney, Bob Green, Steve Kane, Al Rantel, Steve Nicholl
Part 2 of 2