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These loops are 100% original ROYALTY FREE. They have been professionally recorded, edited, and ACIDized. Our loops are prepared specifically for Ableton Liveâ„¢, Apple Soundtrackâ„¢, Garageband, Reasonâ„¢, Sony ACIDâ„¢, Sonarâ„¢, Plasmaâ„¢, Cubaseâ„¢, Protools, and a multitude of other software apps/samplers that can import both .wav and .rx2 formats.
October (?) 2007
"deaf music" project in which they each recorded separate tracks without listening to each other
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I did a second set of pictures of David while he played at Downtown Disney a few weeks back. This time I used Aperture 2.0 as the base editor and flipped the image to B/W. I used CS3 to apply a curves adjustment to bring up the whites and really give me intense blacks. Protools was used to do the ghost frame
Taken 3-10-2010 At Chabot College, Hayward CA....
2- Neumann TLM 170's (Overheads)
Shure SM57 (Snare)
AKG D112 (Kick)
Really wanted to use more mics, but got away with two Neumann mics just for overheads...
On this third day of regimented creative time, I’m blessed with a flood of ideas, whilst cursed with the limitations of my hands and brain in translating them into recorded demos using acoustic guitar and keys - I don’t feel truly at home on any instrument except lap steel. As I sit here for hours in front of ProTools, lamely clubbing away at my acoustic guitar like a somewhat talented 2nd grader, I can nary comprehend how I managed to record the half-decent demos for the last album, ‘Wire Waltz.’ Mercifully, while I laboured to demo one song (’Runway’) another almost fully-formed new song suddenly dropped down out of the ether (working title ‘Trouble.’ I want Jay-Z on it. Seriously.) Anyrate. Back to the salt mines for a bit before an evening of phone interviews for Australian press.
(Sent from mobile phone. Ongoing daily travelogue is here: www.thelasttownchorus.wordpress.com)
7 drum mics, a DI'd Bass Guitar, 2 layers of DI'd guitar, 4 layers of miked guitar (3 Mics + DI), no vocals yet.