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Taken 3-10-2010 At Chabot College, Hayward CA....
2- Neumann TLM 170's (Overheads)
Shure SM57 (Snare)
AKG D112 (Kick)
Really wanted to use more mics, but got away with two Neumann mics just for overheads...
On this third day of regimented creative time, I’m blessed with a flood of ideas, whilst cursed with the limitations of my hands and brain in translating them into recorded demos using acoustic guitar and keys - I don’t feel truly at home on any instrument except lap steel. As I sit here for hours in front of ProTools, lamely clubbing away at my acoustic guitar like a somewhat talented 2nd grader, I can nary comprehend how I managed to record the half-decent demos for the last album, ‘Wire Waltz.’ Mercifully, while I laboured to demo one song (’Runway’) another almost fully-formed new song suddenly dropped down out of the ether (working title ‘Trouble.’ I want Jay-Z on it. Seriously.) Anyrate. Back to the salt mines for a bit before an evening of phone interviews for Australian press.
(Sent from mobile phone. Ongoing daily travelogue is here: www.thelasttownchorus.wordpress.com)
7 drum mics, a DI'd Bass Guitar, 2 layers of DI'd guitar, 4 layers of miked guitar (3 Mics + DI), no vocals yet.
Sistema ProTools HD2 en venta
Eleven Rack en Venta
Power SoundTech PL-200
Guitarra 7 cuerdas Dean RC7x
October (?) 2007
"deaf music" project in which they each recorded separate tracks without listening to each other
Breakpoints written correctly by trimming automation
(zoomed in to sample level - ramp is one sample long)
The breakpoint is correctly written INSIDE the tail of the region, so it moves with the region.
El lunes 31 de enero se impartió en el espacio CAMON de Murcia el taller Sonorización básica y grabación en estudio. Según Alberto Belando, técnico de sonido responsable de impartir el taller, el ProTool es un estándar en todos los estudios del mundo.