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Kosher Tefillin&Tallit
Set includes tefillin, acrylic tallit size 50, siddur (prayerbook) and kippa for the bar mitzvah.
The tefillin boxes are of thin leather, superior regular quality. They are long- lasting, reinforced with thick leather (not guaranteed if mishandled).
Tefillin portions kosher, inspected and proofread, both manual and computerized.
Includes a computer printout and photocopy of the portions for subsequent inspection and as a memento.
Choice top leather straps- 14 cm. (5- 1/ 2 inch) width.
Upgrade available for related products in a variety of qualities and styles to suit your taste, such as tallit, tefillin bag, etc. www.soferstam.co.il/product.aspx?prodid=57&lang=en
Alice B. Toklas 1877–1967
Pavel Tchelitchew (1898–1957)
Gouache on paper, c. 1926–28
Born San Francisco, California
Within hours of arriving in Paris in 1907, Alice B. Toklas met Gertrude Stein and embarked on a lifelong romance. Despite her outward reticence, Toklas was the powerhouse behind Stein’s success. She served as her partner’s editor, proofreader, typist, muse, and gatekeeper. She also provided the food, flowers, and decor that impressed guests and boosted Stein’s prestige.
Toklas’s creative energy and unobtrusiveness are evident in this portrait by the expatriate Russian artist Pavel Tchelitchew. With downcast eyes and no visible mouth, she silently focuses on her needlework.
Toklas became famous worldwide after Stein published "The Autobiography of Alice B. Toklas" (1933). The book was a humorous account of their life together. Later, Toklas achieved her own literary success with "The Alice B. Toklas Cook Book" (1954). The memoir, which included stories about life and food in France, became a cult favorite, especially for its infamous recipe for “Haschich Fudge.”
April 26, 2024 - February 23, 2025
www.smithsonianmag.com/smithsonian-institution/these-amer...
npg.si.edu/podcasts/brilliant-exiles
During the early twentieth century, Paris was the destination of choice for talented and independent American women who were determined to move beyond the limitations that restricted them at home. As foreigners in a cosmopolitan city, they escaped the societal expectations and constraints of both the United States and France. Many used their newfound liberty as an opportunity for self-reinvention and discovery.
In Paris, American women explored a variety of options for making their mark on contemporary culture. They carried out transformative work in wide-ranging fields including art, literature, dance, publishing, music, and fashion. An impressive number not only participated in important modernist initiatives but led them.
By crossing the Atlantic to pursue their personal and professional aspirations, these “brilliant exiles” took a leap into the future. They experienced liberties, opportunities, and tolerances that were yet to be achieved in the United States. How much has changed since then? Have the freedoms and possibilities they sought become realities?
npg.si.edu/exhibition/brilliant-exiles
"IN 1900, PARIS DAZZLED. The Exposition universelle was held from April to November that year, and 50 million visitors flocked to see Modernism celebrated in such wondrous exhibits as an escalator of moving steps and “talking pictures.” A “Palace of Electricity” bloomed in a pavilion decorated with thousands of lightbulbs, colored lamps, and multicolored electric flames. The exposition was cheered as “a fairytale spectacle.”
American dancer Loïe Fuller had her own pavilion. She was a star of the Folies Bergère, and brought her innovative performance to the exposition: She used yards of swirling silk and attached bamboo sticks to her sleeves to transform herself into such wonders of nature as a silken butterfly or a bursting flower. Isadora Duncan, then just starting out, came to the exposition expressly to see Fuller, and launched her own career by performing in Fuller’s troupe.
The 1900 Exposition universelle secured Paris as a center for Modernism, and a new exhibition describes how that city became a beacon for American women seeking to break from constrained traditions in the United States in the early twentieth century. Brilliant Exiles at the National Portrait Gallery spotlights fifty-seven of these expatriate women who were involved in art, writing, dance, fashion, music, and theater. As curator Robyn Asleson writes in the catalogue, Paris was a “particularly attractive destination for women who were impatient to move beyond the societal expectations and constraints that limited them in the United States”—restrictions on gender, sexuality, and race. They believed that Paris would help them forge new identities as Modern Women............"
www.thebulwark.com/p/brilliant-exiles-national-portrait-g...
"The artistic American women who moved to Paris in the first four decades of the 20th century traveled there to change their lives. In the process, they changed much more than that. Their story is sumptuously illustrated by the National Portrait Gallery’s sweeping exhibition “Brilliant Exiles: American Women in Paris, 1900-1939.”
One well-known saga of Americans in Paris in those years is exactly what curator Robyn Asleson intends to counterbalance. In her catalogue essay, she writes that “focusing on the accomplishments and experiences of women brings into view a very different picture from that conveyed by the male-centered Lost Generation legend.”
Some of the subjects of this exhibition, it’s true, are known for their links to famous men. Bookseller Sylvia Beach published James Joyce’s “Ulysses” when no one else would, and author Gertrude Stein is represented in the show by a notable portrait painted by Pablo Picasso.
Yet Beach and Stein helped construct a world largely independent from men. As lesbians, along with more than a few of their fellow American expatriates, they were able to live women-centered lives in Paris that would have been improbable, if not impossible, in the United States. This freedom was facilitated by a privilege many of them shared: inherited wealth......."
www.washingtonpost.com/dc-md-va/2024/06/19/brilliant-exil...
"Perhaps no place and time has captured the American imagination more than Paris in the first decades of the 20th century. Certainly for one group of remarkable women who moved across the Atlantic before World War II, Paris offered a life-changing allure. Robyn Asleson’s “Brilliant Exiles: American Women in Paris 1900-1939” highlights the lives and work of 57 of these women, including artists, writers, publishers, entertainers, designers, collectors and salonistes. The book is being published to coincide with an exhibit running at the Smithsonian’s National Portrait Gallery through February 2025......"
www.wsj.com/arts-culture/books/brilliant-exiles-review-a-...
www.c-span.org/video/?536085-1/brilliant-exiles-exhibit-a...
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Paket ini ada untuk anda yang berjiwa progresif dan bersifat tranformatif. Anda yang punya karya untuk dibukukan dan semangat untuk mensosialiasikan karya anda ke komunitas, teman, atau masyarakat, paket ini cocok sesuai jiwa anda. Kami sediakan fasilitas lengkap buat anda, mulai dari pra cetak (editing, desain cover, layout, proofreading), konsultasi dan asistensi, mendapat fasilitas ebook tata cara menulis dan kesempatan untuk membedah buku anda di komunitas yang kami sediakan, resensi di media online dan lainnya.
Selian itu kami akan mengerjakan buku anda dengan cermat dan prima, sehingga karya bisa menjadi karya yang sangat layak untuk dikonsumsi oleh pembaca. Disamping itu kesempatan untuk menjadi buku mayor label juga terbuka lebar bersama kami. Kami tidak memberikan janji tapi silahkan anda membuktikan dengan paket ini.
If you’re going to spend the day proofreading (it is called a proof copy, after all), why not do it at a picnic table in Pokagon State Park?
It worked out great for me. But for the dog, well … we had a walking path on one side, and more picnic areas on the other side—it was way too distracting for Bae. He didn’t get any work done at all.
I only found four mistakes, and there’s a little work to do on the back cover—not too shabby.
Do you know, what is the difference between editing, proofreading , and copy editing?
Read the answer: bit.ly/1seDNx6
The envelope hit mailboxes this week ... offering the "Best Value of Willow Glenn" ... but definitely not the best proofreader and dictionary in Willow Glen
Kosher Tefillin&Tallit
Set includes tefillin, acrylic tallit size 50, siddur (prayerbook) and kippa for the bar mitzvah.
The tefillin boxes are of thin leather, superior regular quality. They are long- lasting, reinforced with thick leather (not guaranteed if mishandled).
Tefillin portions kosher, inspected and proofread, both manual and computerized.
Includes a computer printout and photocopy of the portions for subsequent inspection and as a memento.
Choice top leather straps- 14 cm. (5- 1/ 2 inch) width.
Upgrade available for related products in a variety of qualities and styles to suit your taste, such as tallit, tefillin bag, etc. www.soferstam.co.il/product.aspx?prodid=57&lang=en
Party host and Adland: Searching for the Meaning of Life on a Branded Planet author James Othmer signs a copy of his book for MetLife proofreader Diane Roberts.
And, as with all Korean official businessy type things, there was of course a giant banner. Don't blame me for the "Seoul" being misspelled. I did not proofread it.
Apparently there are no proofreaders in Colorado.
I understand that if you are well grounded, conduct yourself well, and don't put up any resistance, you can get a real charge out of botany. At least it has that potential.
Well, today started off rough. i had about 4 and a half hours of sleep. i didn't do as much as i wanted last night writing my paper. my thesis is not as strong as i want so proofreading is going to be a challenge tonight. my back is killing me. i need to do something about that. all in all, the sun is out. it is not super cold... and i have a pint of ice cream awaiting me after work. ah. the life.
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Lots of research is done in the canopy of the forest.
Too bad they didn't ask an English speaker to proofread the sign.
The language translators are experts in both, source and target language. They translate the word or a phrase in a culturally and linguistically correct way so that the target audience easily understands it. Austria has unique diplomatic and collateral relations with many countries. For the smoother functioning of these international relations, the country has continued demand for professional translation services. We provide Language Translation, Document Translation, Business Translation, Voiceover Services, Subtitling Services, Transcription Services, Website Localization, University Transcript, Copywriting Services, Book Translation, Proofreading Services and Multilingual DTP In Austria.
How AI is changing the Landscape of Typography
Creativity and innovation are no longer exclusively the province of humans, but the result of collaboration, a game of interpretation in the dialog between humans and machines. This is the world in which we live today, where artificial intelligence is rapidly evolving and new scenarios are opened.
AI technology is transforming the realms of art, design, communication, and marketing. However, when it comes to typography, in this age of co-creation, it has not yet taken center stage in this evolutionary process, but it is ripe for experimentation.
Gianpaolo Tucci's research led him to recognize aesthetic imperfections as a source of uniqueness in each individual representation. The world is entering a new era of typographical artifacts, where typography moves beyond the strict confines of function to embrace new values of expression.
This is not a book on typography, but the expression of a point of view, a practical guide, and an investigation on how the integration and ethical use of artificial intelligence will play a fundamental role in modeling this future. This book witnesses the birth of a co-creation era, urging a rethinking to craft a more human-centric future where AI magnifies human creativity, rather than replacing it. Take a breath, and as if we were unaware laboratory animals, Tucci invites to jump into this journey made of confused, blurred, anatomical, radical, colorful, and sometimes overturned visions.
AI and typography—a dialogue between humans & nature!
Aesthetics Imperfections
How AI is changing the Landscape of Typography
Author: Gianpaolo Tucci
Publisher: Slanted Publishers
Release: December 2023
Volume: 288 pages
Format: 20 × 28 cm
Creative Direction: Lars Harmsen, Gianpaolo Tucci
Art Direction: Juliane Nöst
Design: Gianpaolo Tucci, Juliane Nöst, Lars Harmsen
Publishing Direction: Lars Harmsen, Julia Kahl
Production Management: Julia Kahl
Proofreading: Katherine Margaret Flach
Printing: Offset, Stober Medien
Paper: ina®star 2s, 300 g/sm (Cover), Gardapat Kiara, 100 g/sm, Condat Perigord, 135 g/sm (Inside)
Workmanship: Softcover with foil-lamination, thread stitching, full-color
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