View allAll Photos Tagged proofofconcept
The first mosaic, made from the current small selection of Long Line photo pool tiles.
It's starting to look like it should.
Following on from ScotNick1's generous commenting on the previous image, here is a comparison screenshot out of LDD of both a straight-sided interpretation and then the new angled version of my BR Mk1 coach design. Despite some reservations, I think the angled one looks a lot better.
I'd be interested to know if the LEGO train-building community has any further opinions?!
Intrigued (and I confess, a little frustrated) by Matt Csenge's stunning coal hopper, and mindful of developing my previous build into a bigger wagon, I tried reverse-engineering Matt's construction. I've still little idea how he managed it :-(, but here is a screenshot of my solution. To be fair, his 'coal' looks fixed in place, whereas I was quite keen to have loose and empty-able (new word?) coal/aggregate, whilst maintaining as clean and narrow a top edge as possible. I've colour-coded the parts for ease of build-dissemination.
Clearly, this idea will only really work for 6-stud-high panels, and a minimum of 6 panels wide. The ribs and panels may move a bit, but I think the surrounding structures should hold them in place. [EDIT - tidying up the ends may prove a challenge too.]
Any comments or further ideas welcome!!
[EDIT - see next image for update <<====]
I put a Minolta Rokkor 50/1.7 on the front of the Olympia Scamera as a proof of concept of using that lens with the built-in shutter. The film is expired and pre-burnt so don't judge that part.
Camera: Olympia Scamera
Lens: Minolta Rokkor 50/1.7
Film: Super Expired and Burnt Kodak Vericolor 3 160
Developer: Unicolor C-41
Scanner: Epson V600
Photoshop: Curves, Healing Brush (spotting)
Cropping: None
Oooh, I love me a mech.
Here's a quick-n-dirty Proof-of-Concept construction showing my initial ideas to drive remotely the turntable (WiP from a few days ago). That in itself is easy enough, but I figured there might be 'emergency' conditions when one would prefer to spin the turntable by hand quickly, in which case the worm drive would prevent that. So the other part of this mech disconnects the worm drive enmeshment with the 40T cog.
Operation:
• In Position A, the black handle at the back turns the worm gear and thus the 40T cog turns (upon which would be mounted the turntable).
• In Position B, the red-handled shaft is pulled out thus pulling the blue beam, rotating the grey crank and pulling on the lime-green bush. This will pull the worm gear off the 40T cog (possible on account of the uni joint), enabling the turntable to be spun round relatively quickly using 'The Hand of God' (cue trumpets and angelic choir music).
The two uni joints further north enable the axle drive to come up a plate's thickness, since otherwise the worm gear would rub on the studs.
['Prize' for the most innuendos spotted.]
It's rather a proof-of-concept than a good photograph.
The magnification is about 16:
* MP-E 65mm -> 5:1
* EOS 80D crop factor (1.6) -> 8:1
* SIGMA APO Teleconverter 2x EX DG -> 16:1
Maybe my calculation is wrong. ;-)
BTW: This hair is white. 😕
This was a test i did as a "Proof of Concept" for a photoshoot with All Left Out. I ended up going in a different direction with the post-work but decided to post this anyway. I often do these POC's when i'm shooting a "concept" idea to see how it may come out and to show the client/band etc.
My friend Tim is generally always my guinea pig. Hehe.
The "ice" on his face is sodium polyacrylate with water added.
I also used blue eyeshadow(?) and talcum/baby powder on his face.
See the final version here:
Longtime viewers may remember the tragic story of Rosko, still the best toy camera results I've ever gotten.
Somewhere or other I picked up a lens-shutter assembly for an Argus FA. (Did someone get it from the Argus repair parts at Huron Camera?) I had the brainwave it might be interesting to attach it to the lensless Rosko body, where the image diagonal would be about 40% greater than what that lens is "supposed to" cover. Here's a first test shot.
These are put together in a very quick hacky way just to test the concept. At the moment it will only focus at (almost) infinity; or with closeup attachment lenses at 1–3 feet. I'm pondering a more permanent solution.
I put a Minolta Rokkor 50/1.7 on the front of the Olympia Scamera as a proof of concept of using that lens with the built-in shutter. The film is expired and pre-burnt so don't judge that part.
Camera: Olympia Scamera
Lens: Minolta Rokkor 50/1.7
Film: Super Expired and Burnt Kodak Vericolor 3 160
Developer: Unicolor C-41
Scanner: Epson V600
Photoshop: Curves, Healing Brush (spotting)
Cropping: None
Our lava-flow needs a proper supply! Remembering Nannan and Tyler's Oasis and their rendition of the water surface, I needed something that moves more vertically. So I was hoping that the PaB Wall at the Munich store will get some trans-orange parts again. I was lucky last Saturday, when taking part in the R2D2-Speed Building Event. Took home "some" handful of them and build my little prototype! That can to quite some movement!
I want to give this idea another try when I can spend more time on it. I like the idea of drilling holes for the light to get through.
#polymerclay #luminary #firsttry #proofofconcept #polymerclayartist #silkscreen #moikosilkscreens #premo #sculpey #containersandvessels #the100dayproject #tbbt100 #tbbtvessels
The silkscreen design is by @moiko_gosia. Thanks Gosia!
I was experimenting with designing a scissor lift which will be used to elevate the swing carousel mechanism.
Here is the video on the proof of concept. www.youtube.com/watch?v=KZXKmdHJfDk
Facebook Page www.facebook.com/AwesomeLegoDad/
Q: how many lights/strobes have I used?
the same question is also (in finnish) here in my blog: www.villetulkki.net/?p=159
A: just one. I blended 7 exposures in the same picture at ps. Backdrop with grid&gel, other 6 with diffusing umbrella all over the lens(front, left frontside, left backside.... etc.).
Photoshop screencap: www.flickr.com/photos/vilpertt/3446257239/
My recent photos with this lens: www.flickr.com/search/?q=70-210&w=10077758%40N04&...
Faux Vintage Poster
Proof of Concept Image
(War Memorial, Monument Hill, Albury, NSW, Australia)
© Dirk HR Spennemann 2008
All Rights Reserved
Ok, so a quick (maybe 10 minutes?) set up for a quick idea. I'll have to work on getting a good position for the reflection (to minimize the distortion), so I guess I'll just consider this a proof of concept...
Strobist: 1 Vivitar 285HV directly to my right (camera left), bare, 1/4 power.
Shot in collaboration with my lovely girlfriend on our date night :-).
My coworker Andy is experimenting with buying non-functional electronics and seeing if he can fix 'em. He came across an iPod Shuffle ($7.00) and managed to fix it. We were marvelling at Apple's industrial and mechanical design and I thought about doing an X-Ray shot.
3 shots, blended in photoshop, using layer masks. We shot these on an acrylic surface to get the reflection.
Actually, we didn't have an acrylic plate, so we grabbed the black Rockband controller from the living room and flipped it upside down onto some drinking cups for the shooting surface.
--
Strobist: 580EX M1/4 thru Apollo mini-softbox via PW+2. cam right high
Canon 5D Mk II
EF 100mm f//2.8 USM Macro
ISO: 50 f/16 1/160sec
---
Art Director: Rachel Blackman
Concept: Terence Tam
Photoshop: Terence + Rachel
Visit us online at: www.twingeeksphoto.com/
This is just a proof of concept. I don't know if the metal will get too hot. But it's pretty and so smooth. I'm starting to enjoy sanding. Well, not so much the sanding but the result. Oh, and not all sanding has to be to a super high shine. This is just with 220. Since it's white, you can't see the scratches and if anything, they give some nifty surface texture. .
#polymerclay #polymerclayvessel #homedecor #moderndesign #contemporarydesign #contemporaryincense #incenseburner #moderndesign #white #cleanlines #vessel #polyclay #premo #proofofconcept #experiment #containersandvessels #the100dayproject #tbbt100 #tbbtvessels
an odd one for me for tonight, I made a full page paper cutting and when I was trying to light it to take a photo the shadow on the kitchen wall caught my attention so I made a video of it....it's a try...it doesn't work completely and it got cut short when I uploaded it...but as Scott would say it's is a proof of concept :)
the beautiful music is "A Sail, by Lisa Hannigan" (used without permission (sorry Lisa) but it was playing while I was cutting and fit the mood, if you haven't already heard her would really recommend you check her out! lisahannigan.ie/music/)
314.366.2012
140924-M-GX711-714
SUBIC BAY, Philippines — U.S. Marines participating in T-AKE 14-2 transport Humvees using components of an Improved Ribbon Bridge pushed by Bridge Erection Boats while executing ship-to-shore transport operations Sept. 24 in logistical support of Amphibious Landing Exercise 2015 in Subic Bay, Philippines. The operation proved the concept that IRB components can be used in conjunction with BEBs on the open ocean as a ship-to-shore connector for transporting supplies and equipment to Marines on shore. PHIBLEX is an annual bilateral training exercise conducted by the Armed Forces of the Philippines alongside U.S. Marine and Navy forces. The Marines are combat engineers with 9th Engineer Support Battalion, 3rd Marine Logistics Group, III Marine Expeditionary Force, currently assigned to Combat Logistics Detachment 379, Headquarters Regiment, 3rd MLG, III MEF. T-AKE 14-2 is a maritime pre-positioned force, multi-country theater security cooperation event that deployed from Okinawa aboard the USNS Sacagawea to participate in training exercises throughout the Asia-Pacific area of operations. (U.S. Marine Corps photo by Cpl. Drew Tech/Released)
Hum well, just a proof of concept. Choose the original size, and you will see a few details.
`pom` -> The Moon is Full
This is pretty much just a proof of concept test to make sure my camera won't fall off the side of the car while using my gorillapod DSLR. It's a bit stronger than my Little Sony DSC-V1 really needs, but better safe, than with a fragged D200 I always say.
Luckily Flickr's constraints have kept me from violating any copyright as I think 30 seconds of a song are within fair use, for now at least, 90 seconds though... I hope portishead is cool, and has lawyers that have real jobs. Next time, I'm switching it off of spot metering though... that was unhelpful....
So, Sony DSC-V1, Joby Gorillapod DSLR, and my driving skills all combined to make a somewhat odd, and nominally bland video of a drive toward home. Hope it's moderately amusing, or at least keeps people bemused for a few seconds =D
This is a high speed medium bomber that I am building. This here is just a proof of concept on how I plan for it to look. I got a hybrid wing action going on, two seperate bomb bays side by side and 4 times as long as that of my fighter-bomber. It is currently loaded down with 432 2 ton yield microbombs that weigh in at 500ibs and use an explosive with an 8:1 power:mass ratio.
aspen, colorado
1979
dancing fountain, proof of concept
backyard of the dewolf home
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
First test after I happed to found a bottle of sulphuric acid in a random box of chemicals from vanbar I was given. Score. Wish I looked closely instead of spending weeks lamenting about a lack of sulphuric acid.
Anyway, there were two dark small circles on the film from 2 drops of rodinal placed on it, then washed off.
The circle mark is the bleaching area, I generated chlorine gas in a erlenmeyer flask and place the film over it to let chlorine gas pass against the surface.
Bleached pretty quick, so that part of the film is silver chloride (chlorine displaces bromine in salts, as it's the more reactive halogen).
Now I can get onto gas bleaching some Kodak Gold 100 (10 years expired, actually terribly grainy and shitty overexposed and pulled!) that I left in the sun to reduce to a finer grain silver, that I can bleach back with bromine fumes.
Should be fine grain, slow and sharp, and high contrast.
With no silver iodide on the film (bromine will displace it), I suspect it will develop very fast in regular C-41 process, may need a special low contrast dev, or C-41 at room temp.
Should be able to gas bleach (in the dark) dodgy old expired film with iodine fumes to restore speed, or gain speed on top of box speed depending on the emulsion type, we'll see.
Test of three types of animation on two hundred colored/stroked circles with varying transparencies and radii. This is a stress test of the animation for the circles (using three types per circle simultaneously).
While this is just a test for my code, it looks pretty...
aspen, colorado
1979
dancing fountain, proof of concept
backyard of the dewolf home
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
all images tagged with "packaging," and all of their tags (minus "packaging")
layout by yEd - organic/smart layout & organic edge router
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and three years later... taggraph.com/37996589754@N01/packaging