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Standing on the street promoting the local pizza restaurant in a costume is one way to drum up business
"Kindly promote ghostly interests during this season."
An unused Gibson Halloween postcard, circa 1910s. The jumpy black cats in the border provide a nice contrast to the wide-eyed ghosts shuffling down the road.
For another ghostly Halloween card, see Beware Your Fate Is in Your Own Hands! Halloween Greetings.
Promoting the acceptance of breastfeeding in public.
Breast is best !.
No Neanderthal comments required.
LR1881
With the intention of promoting his hometown, young Luxembourg artist Alain Welter has created several monumental frescoes in Kahler (or Koler in Luxembourgish).
To earn his illustrator's diploma, Alain launched the "Make Koler Kooler" art project in 2017 as part of his final thesis. He prepared documentation to obtain grants and the approval of the municipality and local residents. "They were reluctant at first. However, after seeing the first creations with their own eyes, I gained their trust," Alain tells us. Working with other local artists, the graffiti artist transformed the facades of houses and barns into vibrantly colored works of art. Designed according to the wishes and specific needs of the residents of each building, the murals tell the story of Kahler.
The challenge was to add a personal touch to the graffiti while preserving the essence of the village. The artistic representations had to be appropriate to the surrounding landscape and reflect the characteristics of the place. For this reason, each mural is linked to the specificities of the inhabitants of the house in question. On the side facade of his parents' house, Alain painted a hipster-style frog. "I wanted to highlight the mouth of the cycle path that runs right next to the house. At the time, my father was an avid cyclist. So I decided to humorously illustrate a frog riding a bike with a heron. Today, the amphibian has become a main character in my works."
www.flickr.com/photos/145400672@N02/54663756113/in/photos...
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Avec l’intention de valoriser son lieu natal, le jeune artiste luxembourgeois Alain Welter a réalisé plusieurs fresques monumentales à Kahler (ou bien Koler en luxembourgeois).
Afin d’acquérir le diplôme d’illustrateur, Alain a lancé en 2017 le projet artistique « Make Koler Kooler » dans le cadre de son mémoire de fin d’études. Il a préparé une documentation pour obtenir des subventions ainsi que l’accord de la commune et des riverains. « Ces derniers étaient réticents au début. Cependant, après avoir vu de leurs yeux les premières créations, j’ai gagné leur confiance », nous confie Alain. En collaboration avec d’autres artistes locaux, le graffeur a transformé les façades des maisons et des granges en œuvres d’art aux couleurs éclatantes. Conçues suivant les désirs et les particularités des habitants de chaque immeuble, les murales racontent l’histoire de Kahler.
Le défi a consisté à intégrer une touche personnelle aux graffitis, tout en préservant l’essence du village. Les représentations artistiques devaient être appropriées au paysage environnant et refléter les caractéristiques du lieu. Pour cette raison, chaque fresque est liée aux spécificités des habitants de la maison concernée. Sur la façade latérale de la maison de ses parents, Alain a peint une grenouille en style hipster. « Je voulais mettre en valeur l’embouchure de la piste cyclable qui se trouve juste à côté de la maison. À l’époque, mon père était d’ailleurs un cycliste passionné. J’ai donc décidé d’illustrer de façon humoristique une grenouille se promenant à vélo en compagnie d’un héron. Aujourd’hui, l’amphibien est devenu un personnage principal de mes œuvres. »
Source: janette.lu/viree-insolite-au-luxembourg-a-la-decouverte-d...
To promote equality, unity, peace, and love, artist Daniel Anderson created the XO Play sculpture. The XO Play is a sculpture of multi-racial children engaged in the game of jacks. This is reminiscent of our childhood’s innocent and harmonious co-existence with friends and effortless ability to make new friends. XO Play will be installed in the Oculus at World Trade next to the 911 Memorial. By choosing New York City for its debut, the XO World Project aims to propel a message of hope, resilience, and inclusion.
1997 Mitsubishi Space Wagon GLXi.
Last MoT test expired in May 2018 (SORN).
Seen here promoting a roofing and guttering company.
Promoting his fresh and hand cut in NL known as "patat" and in US as "French fries"
Rotterdam
Nederland
14 okt 2011
French postcard by Editions 'Humour à la Carte", Paris, no. ST-5. Photo: Alfred Hitchcock promoting Family Plot (Alfred Hitchcock, 1976). Sent by mail in 1986.
British director Alfred Hitchcock (1899-1980) was known as 'The Master of Suspense'. He is one of the most influential and extensively studied filmmakers in the history of cinema. He had his first major success with The Lodger (1926), a silent thriller loosely based on Jack the Ripper. Hitchcock came to international attention with The Man Who Knew Too Much (1934), The 39 Steps (1935), and, most notably, The Lady Vanishes (1938). His first Hollywood film was the multi-Oscar-winning psychological thriller Rebecca (1940). Many classics followed including Spellbound (1945), Notorious (1946), Rear Window (1954), North by Northwest (1959) and The Birds (1963). In a career spanning six decades, he directed over 50 feature films which garnered a total of 46 Oscar nominations and 6 wins.
Alfred Joseph Hitchcock was born in Leytonstone, on the outskirts of east London, in 1899. He was the son of Emma Jane Whelan and East End greengrocer William Hitchcock. His parents were both of half English and half Irish ancestry. He had two older siblings, William and Eileen Hitchcock. Raised as a strict Catholic and attending Saint Ignatius College, a school run by Jesuits, Hitch had very much of a regular upbringing. In 1914, his father died. To support himself and his mother—his older siblings had left home by then—Hitchcock took a job in 1915 as an estimator for the Henley Telegraph and Cable Company. His interest in films began at around this time, frequently visiting the cinema and reading US trade journals. In a trade paper, he read that Famous Players-Lasky, the production arm of Paramount Pictures, was opening a studio in London. They were planning to film The Sorrows of Satan by Marie Corelli, so Hitch produced some drawings for the title cards and sent his work to the studio. They hired him, and in 1919 he began working for Islington Studios as a title-card designer. Hitchcock soon gained experience as a co-writer, art director, and production manager on at least 18 silent films. After Hugh Croise, the director for Always Tell Your Wife (1923) fell ill, Hitchcock and star and producer Seymour Hicks finished the film together. When Paramount pulled out of London in 1922, Hitchcock was hired as an assistant director by a new firm run in the same location by Michael Balcon, later known as Gainsborough Pictures. He began to collaborate with the editor and "script girl" Alma Reville, his future wife. He worked as an assistant to director Graham Cutts on several films, including The Blackguard (1924), which was produced at the Babelsberg Studios in Potsdam. There Hitchcock watched part of the making of F. W. Murnau's film Der letzte Mann/The Last Laugh (1924). He was impressed with Murnau's work and later used many of his techniques for the set design in his own productions. In the summer of 1925, Balcon asked Hitchcock to direct The Pleasure Garden (1925), starring Virginia Valli, a co-production of Gainsborough and the German firm Emelka. Reville, by then Hitchcock's fiancée, was assistant director-editor. In 1927, Hitchcock made his first trademark film, the thriller The Lodger: A Story of the London Fog (1927) starring Ivor Novello. The Lodger is about the hunt for a serial killer who, wearing a black cloak and carrying a black bag, is murdering young blonde women in London, and only on Tuesdays. The Lodger was a commercial and critical success in the UK. In the same year, Hitchcock married Alma Reville. They had one child, Patricia Hitchcock (1928). Reville became her husband's closest collaborator and wrote or co-wrote on many of his films. Hitchcock made the transition to sound film with his tenth film, Blackmail (1929), the first British 'talkie'. Blackmail began the Hitchcock tradition of using famous landmarks as a backdrop for suspense sequences, with the climax taking place on the dome of the British Museum. He used early sound recording as a special element of the film, stressing the word "knife" in a conversation with the woman (Anny Ondra) suspected of murder. It was followed by Murder! (1930). In 1933 Hitchcock was once again working for Michael Balcon at Gaumont-British on The Man Who Knew Too Much (1934). It was a success. His second, The 39 Steps (1935), with Robert Donat, made him a star in the USA. It also established the quintessential English 'Hitchcock blonde' (Madeleine Carroll) as the template for his succession of ice-cold, elegant leading ladies. His next major success was The Lady Vanishes (1938), with Margaret Lockwood and Michael Redgrave. The film saw Hitchcock receive the 1938 New York Film Critics Circle Award for Best Director.[
David O. Selznick signed Hitchcock to a seven-year contract beginning in March 1939, and the Hitchcocks moved to Hollywood. He directed an adaptation of Daphne du Maurier's Rebecca (1940), starring Joan Fontaine and Laurence Olivier. Rebecca won the Oscar for Best Picture, although Hitchcock himself was only nominated as Best Director. Hitchcock's second American film was the thriller Foreign Correspondent (1940), set in Europe, and produced by Walter Wanger. It was nominated for Best Picture that year Suspicion (1941) was the first of four projects on which Cary Grant worked with Hitchcock, and it is one of the rare occasions that Grant was cast in a sinister role. In one scene Hitchcock placed a light inside a glass of milk, perhaps poisoned, that Grant is bringing to his wife, played by Joan Fontaine. The light makes sure that the audience's attention is on the glass. Fontaine won the Best Actress Oscar for her performance. Shadow of a Doubt (1943) was Hitchcock's personal favourite. Charlotte "Charlie" Newton (Teresa Wright) suspects her beloved uncle Charlie Oakley (Joseph Cotten) of being a serial killer. Hitchcock was again nominated for the Oscar for Best Director for Lifeboat (1944) and Spellbound (1945), but he never won the award. Spellbound (1945), starring Ingrid Bergman and Gregory Peck, explores psychoanalysis and features a dream sequence designed by Salvador Dalí. Notorious (1946) stars Ingrid Bergman and Cary Grant, both Hitchcock regulars, and features a plot about Nazis, uranium, and South America. After a brief lull of commercial success in the late 1940s, Hitchcock returned to form with Strangers on a Train (1951), based on the novel by Patricia Highsmith. In the film, two men casually meet, one of whom speculates on a foolproof method to murder. He suggests that two people, each wishing to do away with someone, should each perform the other's murder. Farley Granger played the innocent victim of the scheme, while boy-next-door" Robert Walker played the villain. I Confess (1953) was set in Quebec with Montgomery Clift as a Catholic priest. It was followed by three colour films starring Grace Kelly: the 3-D film Dial M for Murder (1954), Rear Window (1954), and To Catch a Thief (1955). From 1955 to 1965, Hitchcock was the host of the television series Alfred Hitchcock Presents. With his droll delivery, gallows humour and iconic image, the series made Hitchcock a celebrity. in his films, Hitchcock often used the "mistaken identity" theme, such as in The Wrong Man (1956), and North by Northwest (1959). In Vertigo (1958), James Stewart plays Scottie, a former police investigator suffering from acrophobia. He develops an obsession with a woman he has been hired to shadow (Kim Novak). His obsession leads to tragedy, and this time Hitchcock does not opt for a happy ending. Vertigo is one of his most personal and revealing films, dealing with the Pygmalion-like obsessions of a man who crafts a woman into the woman he desires. Psycho (1960) was Hitchcock's great shock masterpiece, mostly for its haunting performances by Janet Leigh and Anthony Perkins and its shower scene, and The Birds (1963) became the unintended forerunner to an onslaught of films about nature-gone-mad, and booth films were phenomenally popular. Film companies began to refer to his films as 'Alfred Hitchcock's': Alfred Hitchcock's Psycho (1960), Alfred Hitchcock's Frenzy (1972), and Alfred Hitchcock's Family Plot (1976). During the making of Frenzy (1972), Hitchcock's wife Alma suffered a paralysing stroke which made her unable to walk very well. In 1979, Hitchcock was knighted, making him Sir Alfred Hitchcock. A year later, in 1980, he died peacefully in his sleep due to renal failure. Hitchcock was survived by his wife and daughter. After the funeral, his body was cremated. His remains were scattered over the Pacific Ocean.
Sources: Bruce Eder (AllMovie), Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
SOUTH CHINA SEA (Jan. 23, 2021) U.S. Navy Airman John Ramoslayton, from Carolina, Puerto Rico, assigned to the “Golden Warriors” of Strike Fighter Squadron (VFA) 87, directs Rear Adm. Doug Verissimo, commander, Carrier Strike Group Nine, to conduct pre-flight checks on an F/A-18E Super Hornet, assigned to VFA 87, aboard the aircraft carrier USS Theodore Roosevelt (CVN 71). The Theodore Roosevelt Carrier Strike Group is on a scheduled deployment to the U.S. 7th Fleet area of operations. As the U.S. Navy's largest forward deployed fleet, with its approximate 50-70 ships and submarines, 140 aircraft, and 20,000 Sailors in the area of operations at any given time, 7th Fleet conducts forward-deployed naval operations in support of U.S. national interests throughout a free and open Indo-Pacific area of operations to foster maritime security, promote stability, and prevent conflict alongside 35 other maritime nations and partners. (U.S. Navy photo by Mass Communication Specialist 2nd Class Casey Scoular)
Originally the line was promoted by the Keith & Dufftown Railway Company and most of it was opened in 1862. It later became part of the Great North of Scotland Railway. It carried both freight mainly associated with local distilleries and passengers enabling journeys through to Elgin and westwards up the Spey valley to Aviemore. In 1923 it became part of London & North Eastern Railway (LNER).
But improved roads, and increased car ownership led to a reduction in usage over the years and in May 1968 regular passenger services ceased. Freight services had ceased also by the early 1980s. Fortunately after that the track was not lifted and the line was still used by the occasional excursion such as the ‘Northern Belle’, an enterprising evening extension of ‘Nightrider’ services from Kings Cross. It was even graced by the passage of an Inter-City 125!
Those services ended in 1991 and two years later saw the formation of the Keith and Dufftown Railway Association whose aim was to restore the line between the two towns as a heritage railway. In 2001, just 10 years after BR bowed out, the KDRA began running its first passenger services over the full route.
Promoting the recently launched ticket connecting Metrobus services in Crawley and Horley to the Airline for onward travel to Heathrow and Oxford, Metrobus's Wright Kite Hydroliner 6052 LV23EDJ rests alongside Oxford Bus Company's Mercedes-Benz Tourismo 26 BF23CHX at Gatwick Coach Park. An easyJet flight lands behind the pair.
Brandon Holmes, Dasia Scott, Shaniya Johnson, Flo Kargbo and Miranda Allison construct their team's boat out of duct tape, card board, plastic and balloons during Social Marketing Team's "Promote a Boat" activity at Fall training 2014.
The booklet issued by British Railways and the wholly owned subsidiary company The Pullman Car Company to promote the introduction fo the new diesel express trains known as "The Blue Pullman". It is undated but the Western Region sets and services described here entered service on 12 September 1960, a few weeks after the corresponding LMR sets started on the Manchester - London (St Pancras) "Midland Pulman" services. At this stage two services were operated - From Wolverhampton (Low Level) through Birmingham Snow Hill to London Paddington - the old GWR route that would see closure through the Black Country a few years alter - and from Paddington to Bristol Temple Meads. The South Wales services were introduced in 1961.
The use of these specially constructed diesel multiple units had been considered fromt he mid-1950s as part of the acquisition of the still privately owned Pullman concern in 1954, the realisation that the Pullman stock was aging and that there was a need to include the trains in the growing 'Modernisation' programme. The units were constructed by Metro-Cammell and there were teething troubles, mostly around ride quality, as well as staffing issues. That aside the new trains, in their striking Naking Blue livery, set a new tone for high speed express services that would help inform the next decade and the introduction of the highly successful 'Inter-City" concept.
The trains ran until 1973 and all were withdrawn and scrapped. The booklet is very detailed - even down to the designs and names of the finishes - the photo of the First Class car showing the 'Scheme 2" "Devon Weave" random red rectangles on a black background. The design was highly considered and of a high standard along with an effective 'rebranding' of the Pullman name - a consistent application of the new 'coat of arms' seen on the brochure cover being rolled out across all aspects of the service.
With the creation of new faster roads the old towns and settlements on Route 66 were bypassed by the new interstates. As a result towns like Williams in Arizona have had to reinvent themselves or drift into a slow decay with ultimate death. Williams has made a great job of its recovery. Some may see it as being tacky, but it has what now looks like a thriving high street with plenty of tourists attracted to the town. Locals too, use the bars and eateries so employment must have been sustained through these activities.
For anyone with an appreciation of the decades from the 1950's through to the 1970's there is plenty of interest on offer. This Oldsmobile Ninety Eight appears to be well used as an advertisement for this gift store.
Promoting their show "Grecian Idolatry" which I wanted to see but it was only on for a few days in week 3 and just too late in the evening
Promoting “The Magic of Christmas in Nottingham” in an all over black advertising livery is Nottingham City Transport 908 (YT61 GOU) working Route 17 standing outside Royal Centre, Nottingham, 15th November 2018. YT61 GOU is a Scania N230UD chassis fitted with an Optare H51/35F body, part of a batch of thirty two vehicles delivered in 2011
Everyman should help promote our tourists distinations spread out all over the shorelines and inland scenic places in most of the Philippines' 7,100 islands. We have underwater Gardens, Whale sanctuaries and mountain peaks for both local and foreign tourists coming over to our country.
We need to provide, however, assistance to the LGU in reminding visitors re safe travel measures, extend a bayanihan awareness and volunterism in keeping routes and trails particularly leading to Mountain peaks and natural garden parks clean and free of vandalism and garbage
-wilfredosrb/butuancity
Mindanao Tourist Destinations Local/Travel Website and Angelique Ross Kaamiño/TravelEscapade TRAVEL/Leisure Cebu/CdO/Butuanon
FEATURED LINK- BEST COLLECTIONS and ALBUMS
Malalison Island is also known as Mararison Island. One of the three island barangays of Culasi, Antique
PHOTO INFO-STORY: -wilfredosrb
Mindanao Tourist Destinations created an event.
June 28, 2012 ·
Let us help promote Mindanao Tourism
July 31, 2012
PHOTO TRAVEL-STORY: - wilfredo
Promoting the recently launched ticket connecting Metrobus services in Crawley and Horley to the Airline for onward travel to Heathrow and Oxford, Metrobus's Wright Kite Hydroliner 6052 LV23EDJ rests alongside Oxford Bus Company's Mercedes-Benz Tourismo 26 BF23CHX at Gatwick Coach Park. An easyJet flight lands behind the pair.
Promoted to passenger train duties Class 86 254 in ''RES Royal Mail'' livery together with a rake of ''Virgin'' coaches approaches Styce Lane, Slindon with a London Euston to Liverpool Lime Street working
ORIGINAL SLIDE TAKEN WITH CANON T90 CAMERA
Promoting men's health awareness, moustache adorned NR66 along with 2 Dash-9 sister units skirt around the rear of Dudley Park station and past the 6.5km peg on a beautiful winters afternoon.
Promoted a gig by Amy Rigby in Biddulph, then after the load out I drove to Manchester Airport where I grabbed a couple of hours sleep in my car before a 3am check in for a 6.10am flight to Copenhagen.
World Government currency. The Euro, single, multinational currency, prototype of world currency.
"And that no man might buy or sell, save he that had the mark, or the name of the beast, or the number of his name."
Revelation 13:17King James Version (KJV)
The European Union is the fledgling, world government.
'The New World Order' - a book by A. Ralph Epperson. Exposes the globalist plot for world domination.
Globalist agenda - World government.
The return to Babel.
thewildvoice.org/wp-content/uploads/2014/06/the-wild-voic...
The European Union - the return to Babel
The irrefutable evidence in plain sight.
Also see:
AND:
EUbabel. The shocking occult symbolism of the European Union.
peuplesobservateursblog.wordpress.com/2017/09/23/togo-all...
Empty seat number 666
www.jesus-is-savior.com/End of the World/seat_666.htm
‘Imagine there’s no Heaven, it’s easy if you try
No Hell below us, above us only sky”
John Lennon.
‘Imagine’ a nightmare, world dictatorship.
From the UK Labour Party’s 1964 election manifesto:
Labour’s admits its ambition for a one world government.
B. New Prospects for Peace
The second great opportunity for British statesmanship arose as a result of the changes in the communist world that followed Stalin's death - changes which are gradually transforming the relations between the Soviet Union, Eastern Europe and China and rapidly changing the whole nature of East-West relationships. In 1945, it was the hope of the whole world that east-west co-operation would prove close enough to permit the United Nations to be transformed step by step into a world government.
When these hopes were blighted by Stalin's brutal intransigence, it was Labour's Foreign Secretary, Ernest Bevin, who took the lead in facing the harsh realities of the cold war, and in creating the Nato alliance as the basis of Europe's military security. But even during the grimmest periods of the Berlin airlift and the Korean War, Labour always regarded the cold war strategies as a second best, forced on us by Russia's obstinacy and remained faithful to its long-term belief in the establishment of east-west co-operation as the basis for a strengthened United Nations developing towards world government.
European Union project, undemocratic, expansionist empire. Prototype and fledgling, World Government.
Brexit - The anti-globalist struggle against the NWO globalists.
Aaron Banks:
Asked if he would back the Leave side in a rerun of the 2016 referendum, Mr Banks said: “The corruption I have seen in British politics, the sewer that exists and the disgraceful behaviour of the Government over what they are doing with Brexit and how they are selling out, means that if I had my time again I think we would have been better to probably remain and not unleash these demons.”
Maybe Mr Banks didn't realise that he hit the nail squarely on the head when he described the incredibly fierce opposition to Brexit as the unleashing of "demons". The globalist agenda is truly demonic. It is no surprise that the globalists, and their puppets in the media and liberal establishment, are so desperate to stop Brexit interfering with their diabolical plans for world domination.
See: ‘Brexit, The Movie’ - available on YouTube.
The EU, mystery Babylon. www.biblelight.net/tower-painting-parliament.jpg
The EU parliament in Strasbourg is modelled on the Tower of Babel.
thewildvoice.org/mystery-babylon-european-union/#comment-...
The symbolism of the EU in plain sight, is the desire of its advocates to return to the spirit of Babel.
The Council of Europe's poster produced to promote the European Union and the EU Parliament building in Strasbourg grandmageri422.files.wordpress.com/2015/07/europe-many-to... is filled with occult symbolism: a tower of Babel, 11 inverted stars (pentagrams),, the 12th pentagram is behind the top (head) of the tower. This is a Satanic parody of the 12 stars surrounding the head of the Woman (Church/Mary) in the book of Revelation. The inverted pentagram is an occult symbol designed to represent the head of Baphomet (Satan or the Goat of Mendes), illuminati pyramids are also evident in the background (since when have Egyptian pyramids been part of Europe? Square, blockheaded (indoctrinated) people (useful idiots) are featured, building a tower designed for their own enslavement and suppression, with a round-headed baby, who is too young to have been indoctrinated.
The poison in our midst - progressive politics.
www.flickr.com/photos/truth-in-science/47971464278
The dangerous, climate change scam:
A high level of Co2 is essential for our survival. The exact opposite of what we a led to believe by the popular, eco- fanatic narrative which is designed to convince people of the necessity for globalist control.
See the truth here:
The reason the elite hate Trump so much is because he is opposed to the one world agenda globalists.
www.zerohedge.com/news/2017-02-10/reason-elite-hate-trump...
Agenda 2030, agenda 2012, HR6666, WHO, Common Purpose, WEF, Davos, Google Camp, World Economic Forum, ‘fiat’ money, SWIFT, World Governance Council, G7, Society for Worldwide Interbank Financial Telecommunications, Bank of International Settlements, Institute of International Affairs, New World Order, Globalism, European Union, EU Commission, ECJ, European Empire, evil empire, global conspiracy, United Nations, League of Nations, NAFTA, global currency, Freemasonry, Edward Mandal House, Thule Society, Kabbala, UNICEF, Kaaba, fractional reserve banking, Bill Gates, Company Interbank Financial Telecommunication, internationalism, IMF, World Bank, ECB, European Central Bank, usury, Ruling Elite, Liberal fascism, Euro, EU cartel, EU empire, EU single currency, federalism, EUSSR, global elite, Federal Reserve, Paul Warburg, globalists, world government, WGS, World Government Summit, liberalism, Situational ethics, moral relativism, cultural imperialism, Bribery, Corruption, blackmail, slander, assassination, Moral relativism, Propaganda, project fear, fake news, Liberty, National Council for Civil Liberties, selective democracy, Illuminati, False religion, Maitreya, false ecumenism, World Council of Churches, Cultural Marxism, Censorship, Ted Turner, Timothy Wirth, Hilary Clinton, Club of Rome, Freemasonry, Treaty of Rome, Maastricht Treaty, Lisbon Treaty, climate change scam, global warming, EU federalism, liberal establishment, Multiculturalism, EU Army, Palmera Arch, Temple of Baal, Nazis, National Socialism, Red Flag, hammer and sickle, communism, useful idiots, globalist puppets, quislings, internationalism, Internationale, anti-Brexit, anti-Putin, FBI, people’s vote, EU army, Islamisation, Multinationals, multinational conglomerates, nationalisation, Fake News, Bellingcat, Bureaucracy, Climategate, chemtrails, Deep State, Council on Foreign Relations, CFR, Trilateral Commission, GM seed, GM food, quantitive easing, Bilderbergers, Eco-fanaticism, Greenpeace, eco warriors, Chatham House, Bohemian Grove, New Age, Illiberal Undemocrats, EU, Open Society, Open Britain, George Soros, Nancy Pelosi, Clinton foundation, John Podesta, John Dewey, Socialism, HumanistsUK, Young Humanists, National Secular Society, British Humanist Association, neo Darwinism, Darwinism, evolution scam, CNN, New York Times, NBC news, PBS, MSNBC, BBC, liberal media, Drug legalisation, Money manipulation, IG Farben, quantitative easing, punitive taxation, Green taxes, progressives, Transgenderism, Social engineering, Communism, arch capitalism, Social Darwinism, Marxism, neo Darwinism, Erasmus Darwin, Charles Darwin, Charles Lyell, Bertrand Russell, James Hutton, David Hume, National Socialism (Nazism), Racism, international socialism, Gay mafia, gay adoption, rainbow alliance, UFOLOGY, global warming, Yakov Sverdlovsk, Red Terror, new age, paganism, Pachamama, Satanism, age of reason, atheist naturalism, Rothschilds, Rockefellers, Jacob Schiff, Adam Weishaupt, Alistair Crowley. Albert Pike, Theosophy, Antichrist, Abortion, Population control, Karl Marx, Stalin, Mao, Pol Pot, Hitler, Lenin, Trotsky, Engels, Euthanasia, Eugenics, Atheism, Soviet Union, USSR, People’s Democratic Republics, ‘People’s Vote’, Secularism, Andrew Copson, False science, Scientism, Lawrence Krauss, Richard Dawkins, Christopher Hitchens, Bill Nye, Gary Kasparov, Pussy Riot, radical left, atheist naturalism, pagan naturalism, A C Grayling, militant atheism, secular humanism, atheist pseudoscience, Cloning, Surrogacy, Fabianism, eugenics, population control, Central Banking, Fiat Currencies, banking cartels, LGBTQ agenda, Political correctness, liberal establishment, propaganda, progressive evolution, Hollywood, State control, Labour Party, Democratic Party, Green Party, Liberal Democrats, Fabian society, Secular Society, Antifa, BHA, FFRF, RDFRS, ACLU, gay priests, gay Bishops, gay pride, child abuse, gay fascism, sodomites, Stonewall, indoctrination, LGTB, LGBT, left wing feminism, lesbianism, homosexual agenda, Redefined marriage, Gender fanaticism, gay marriage, political correctness, hedonism, false equality, gender reassignment, surrogacy, Gay adoption, perverted sex education, Embryo experimentation, sperm banks, IVF, cloning, useful idiots, globalist puppets, UN, snowflakes, quislings, internationalism, liberal media, pornography, quislings, fifth column, Trojan horses, Sankt Galen Mafia, infiltrators, modernism, amnesty international, UNICEF, CIA, cyber surveillance, CCTV, Neo Darwinism, cultural Marxism, social Darwinism, atheist naturalism, paganism, Charles Darwin, Charles Lyell, Christianophobia, Secular Humanism, Militant atheism, abortion, Margaret Sanger, Moloch, Planned Parenthood, pro choice, BPAS, Marie Stopes International, Ku Klux Klan, Southern Poverty Law Centre, progressives, Christophobia, Newspeak, Satanism, Hate speech, political correctness, women’s march, False Ecumenism, election rigging, mass migration, Green taxes, climate change scam, global warming scam, carbon credits scam, debt enslavement, international bankers, Arch capitalism, Kuhn Loeb, Goldman Sachs, John D Rockefeller, Lehman Brothers, J P Morgan, Max Warburg, Order of the Skull and Bones, Extortionate taxation, class war, gender war, ageism, divide and rule, centralisation, climate change scam, mass migrations, cultural imperialism, Marie Stopes, Cultural war. human trafficking. Liberal Democrats, liberal media, Socialist Workers Party, Morning Star, Emmanuel Macron, Planned Parenthood, Marie Stopes International, BPAS, British Pregnancy Advisory Service, Satanism, Wicca, Witchcraft, Luciferian. Lunar Society, secret societies, Annie Besant, Helena Blavatsky. Alice Bailey, Marxist Social Democratic Federation. Alliance for Global Justice, Malthusian League. House of Sulzberger-Ochs, House of Meyer-Graham, Mike Bloomberg, Pierre Omidyar, Sheldon Adelson, Brzezinski, Benjamin Creme, George Kennan, James Baker, Carroll Quigley, Strobe Talbott, Lev Dobriansky, PNAC, William Kristol, Donald Rumsfeld, Dick Cheney, Paul Walfowitz, Robert Kagan, Professor Joseph Nye, Lester Mondale, John Lennon, American atheists, British Humanist Association, Outright Action International, National Secular Society. Abolition of nation states, NWO. World dictatorship, Tower of Babel, European Parliament. European Commission.
The war against anti-globalist Putin, and the globalist demonising of Russia.
www.flickr.com/photos/truth-in-science/43042520105
Ending the crime of abortion is crucial in curbing the power, of Satan.
www.flickr.com/photos/truth-in-science/43172544140
Why satanism is now on the center stage in the culture war.
www.crisismagazine.com/2019/why-satanism-is-now-on-the-ce...
Ending the crime of abortion is crucial in curbing the power, of Satan.
www.flickr.com/photos/truth-in-science/43172544140
IF and THEN, the atheist dilemma
www.flickr.com/photos/truth-in-science/46553358861
Who trusts the MSM? Their lies are not just fake news, they deliberately set out to slander those who don’t agree with the liberal left, globalist elite. Their lies are positively evil. Everyone should watch this video and they will never trust the media again: banned.video/watch?id=5f00ca7c672706002f4026a9
Pride and Prejudice: on Raphael Perez's Artwork
Raphael Perez, born in 1965, studied art at the College of Visual Arts in Beer Sheva, and from 1995 has been living and working in his studio in Tel Aviv. Today Perez plays an important role in actively promoting the LGBT (lesbian, gay, bisexual and transsexual) art and culture in Tel Aviv, and the internet portal he set up helps artists from the community reach large audiences in Israel and abroad. Hundreds of his artworks are part of private collections in Israel and abroad, and his artworks were shown in several group exhibitions: in Tel Aviv Museum of Art, "Zman Le'Omanut" art gallery, Camera Obscura, The Open House in Jerusalem, Ophir Gallery, The Haifa Forum and other private businesses and galleries.
In 2003-4 his paintings and studio appeared in a full-length movie, three student films and two graduation films.
Raphael Perez is the first Israeli artist to express his lifestyle as a Gay. His life and the life of the LGBT community are connected and unfold over hundreds of artwork pieces. His art creation is rare and extraordinary by every Israeli and international artistic standard. His sources of inspiration are first and foremost life events intertwined in Jewish and Israeli locality as well as influences and quotes from art history (David Hockney, Matisse). This uniqueness has crossed international borders and has succeeded in moving the LGBT and art communities around the world.
This is the first time we meet an Israeli artist who expresses all of his emotions in a previously unknown strength. The subjects of the paintings are the everyday life of couples in everyday places and situations, along with the aspiration to a homosexual relationship and family, equality and public recognition. Perez's works bring forward to the cultural space and to the public discourse the truth about living as LGBT and about relationships, with all of their aspects – casual relationships and sex, the yearning for love, the everyday life and the mundane activities that exist in every romantic relationship – whether by describing two men in an intimate scene in the bathroom, the bedroom or the toilet, a male couple raising a baby or the homosexual version of the Garden of Eden, family dinners, relationship ups and downs, the complexity in sharing a life as well as mundane, everyday life competing with the aspiration to self realization – through Perez's life.
Perez's first artworks are personal diaries, which he creates at 14 years of age. He makes sure to hide these diaries, as in them he keeps a personal journal describing his life events in the most genuine way. In these journals he draws thousands of drawings and sketches, next to which he alternately writes and erases his so-called "problematic texts", texts describing his struggle with his sexual orientation. His diaries are filled with obsessive cataloging of details, daily actions, friends and work, as well as repeating themes, such as thoughts, exhibits he has seen, movies, television, books and review of his work.
When he is done writing, Perez draws on his diaries. Each layer is done from beginning to end all along the journal. In fact, the work on the diaries never ends.
This struggle never ends, and when the emotion is passed on to paper, and it ends its role and becomes meaningless in a way, the visual-graphic side becomes dominant, due to the need to hide the written text, according to Perez. In books and diaries this stands out even more – when he chooses to draw in a style influenced by children's drawings, the characters are cheerful, happy, naïve and do not portray any sexuality, and when he tries drawing as an adult the sketches became more depressed and somber. During these years Perez works with preschool children, teaching them drawing and movement games. Perez says that during this period he completely abandoned the search for a relationship, either with a woman or a man, and working with children has given him existential meaning. This creation continues over 10 years, and Perez creates about 60 books-personal journals in various sizes (notepads, old notebooks, atlases and even old art books).
In his early paintings (1998-1999) the transition from relationships with women to relationships with men can be seen, from restraint to emotional outburst in color, lines and composition. Some characters display strong emotional expression. The women are usually drawn in restraint and passiveness, while a happy and loving emotional outburst is expressed in the colors and style of the male paintings.
"I fantasized that in a relationship with a woman I could fly in the sky, love, fly. However, I felt I was hiding something; I was choked up, hidden behind a mask, as if there was an internal scream wanting to come out. I was frustrated, I felt threatened…"
His first romance with a man in 1999 has drawn out a series of naïve paintings dealing with love and the excitement of performing everyday actions together in the intimate domestic environment.
"The excitement from each everyday experience of doing things together and the togetherness was great, so I painted every possible thing I liked doing with him."
From the moment the self-oppression and repression stopped, Perez started the process of healing, which was expressed in a burst of artworks, enormous in their size, amount, content and vivid colors – red, pink and white.
In 2000 Perez starts painting the huge artworks describing the hangouts of the LGBT community (The Lake, The Pool) and the Tel Avivian balcony paintings describing the masculine world, which, according to him, becomes existent thanks to the painting. Perez has dedicated this year to many series of drawings and paintings of the experience of love, in which he describes his first love for his new partner, and during these months he paints from morning to night. These paintings are the fruit of a long dialogue with David Hockney, and the similarity can be seen both in subjects and in different gestures.
In 2001 Perez creates a series of artworks, "Portraits from The Community". Perez describes in large, photorealistic paintings over 20 portraits of active and well-known members of the LGBT community. The emphasis is on the achievements that reflect the community's strong standing in Tel Aviv.
As a Tel-Avivian painter, in the past two years Perez has been painting urban landscapes of central locations in his city. Perez wanders around the city and chooses familiar architectural and geographical landmarks, commerce and recreation, and historical sites, and paints them from a homosexual point of view, decorated with the rainbow flag, which provide a sense of belonging to the place. His artworks are characterized by a cheerful joie de vivre and colors, and they also describe encounters and meetings. The touristic nature of his paintings makes them a declaration of Tel Aviv's image as a place where cultural freedom prevails.
Perez's Tel Aviv is a city where young families and couples live and fill the streets, the parks, the beach, the houses and the balconies – all the city's spaces. The characters in his paintings are similar, which helps reinforcing the belonging to the LGBT community in Tel Aviv. The collective theme in Perez's artwork interacts with the work of the Israeli artist Yohanan Simon, who dealt with the social aspects of the Kibbutz. Simon, who lived and worked in a Kibbutz, expressed the human model of the Kibbutznik (member of a Kibbutz) and the uniqueness of the Kibbutz members as part of a group where all are equal. Simon's works, and now Perez's, have contributed to the Israeli society what is has been looking for endlessly, which is a sense of identity and belonging.
Perez maps his territory and marks his boundaries, and does not forget the historical sites. Unlike other Tel Avivian artists, Perez wishes to present the lives of the residents of the city and the great love in their hearts. By choosing the historical sites in Tel Aviv, he also pays tribute to the artist Nachum Gutman, who loved the city and lived in it his whole life. In his childhood Gutman experienced historical moments (lighting the first oil lamp, first concert, first pavement), and as an adult he recreated the uniqueness of those events while keeping the city's magic.
Like Gutman, Perez has also turned the city into an object of love, and it has started adorning itself in rich colors and supplying the energy of a city that wishes to be "the city that never sleeps", combining old and new. Perez meticulously describes the uniqueness and style of the Bauhaus houses and balconies along the modern glass and steel buildings, all from unusual angles in a rectangular format that wishes to imitate the panorama of a diverse city in its centennial celebrations.
Daniel Cahana-Levensohn, curator.
Interview with the painter Raphael Perez about his family artist book
An interview with the painter Raphael Perez about an artist's book he created about his family, the Peretz family from 6 Nissan St. Kiryat Yuval Jerusalem
Question: Raphael Perez, tell me about the family artist book you created
Answer: I created close to 40 artist books, notebooks, diaries, sketch books and huge books. I dedicated one of the books to my dear family, a book in which I took a childhood photograph of my family, my parents and brothers and sisters.. I pasted the photographs inside a book (the photograph is 10 percent of the total painting) and I drew with acrylic paints, markers and ink on the book and the photograph, so that the image of the photograph was an inspiration to me Build the story that includes page by page..
Question: Tell me when you were born, where, and a little about your family
Answer: I was born on March 4, 1965 in the Kiryat Yuval neighborhood in Jerusalem
I have a twin brother named Miki Peretz and we are seven brothers and sisters, five boys and two girls
Question: Tell us a little about your parents
Answer: My parents were new immigrants from Morocco, both immigrated young.
My mother's name before the wedding was Alice - Aliza ben Yair and my father's name was Shimon Peretz,
My mother was born in the Atlas Mountains and was orphaned at a young age and was later adopted by my father's family at the age of 10, so that my mother and father spent childhood and adolescence together....
They had a beautiful and happy relationship but sometimes when they argued my mother would say "even when she was a child she was like that..." This means that their acquaintance and relationship dates back to childhood..
Question: What did your parents Shimon and Aliza Peretz work for?
Answer: My father, Shimon Perez, born in 1928 - worked in a building in his youth and then for thirty years worked as a receptionist at Hadassah Ein Kerem Hospital in Jerusalem... My father's great love was actually art, he loved to draw as a hobby, write, read, solve crossword puzzles and research Regarding the issue of medicinal plants, as a breadwinner he could not fulfill his dream of becoming an artist, in order to support and feed seven children. But we are the next generation, his children are engaged in the world of creativity and education, a field in which both of my parents were engaged during their lives. My father died at the age of 69
My mother, Alice Aliza Perez, born in 1934, worked as an assistant to a kindergarten teacher, and later took care of a baby at home. She is a woman of wholehearted giving and caring for children and people, a warm, generous and humble woman.. and took care of us in our childhood for every emotional and physical deficiency.. My mother is right For the year 2023, the 89-year-old is partly happy and happy despite the difficulties of age.. May you have a long life..
My mother really loved gardening and nature and both of them together created a magnificent garden, my parents have a relatively large garden so they could grow many types of special and rare medicinal plants and my father even wrote a catalog (unpublished) of medicinal plants and we even had botany students come to us who were interested in the field... today they They also grow ornamental plants, and fruit trees...
Question: A book about the brothers and sisters
Answer: My elder brother David Perez repented in his mid-twenties.. He was a very sharp, opinionated, curious and very charismatic guy who brought many people back to repentance, and also helped people with problems through the yeshiva and the synagogue to return to the normal path of life, he died young at the age of 56
Hana Peretz: My lovely sister, raised eight children, worked in the field of education, a kindergarten teacher, and child care.
She has a very large extended family of grandchildren, great-grandchildren and great-great-grandchildren...
My brother Avi (Abraham) Peretz studied in Israel at the University of Philosophy and Judaism, he married a wonderful woman named Mira Drumi, a nurse by profession, and together they had three wonderful children, when they moved to the United States in their mid-twenties, where my brother Avi Peretz completed his master's degree in education, worked in the field Education and for the last twenty years is A conservative rabbi
The fourth brother is Asher Peretz - a great man of the world, very fond of traveling and has been to magical places all over the world, engaged in the creation of jewelry with two children.
I am Rafi Peretz english raphael perez the fifth and after fifteen minutes my twin brother was born
My mother still gets confused and can't remember who was born first :-)
My twin brother Miki micky - Michael Peretz, a beloved brother (everyone is beloved), a talented industrial designer, he has three children, his wife Revital Peretz Ben, who is a well-known art curator, active and responsible for the art field in Tel Aviv, they are a dynamic and talented couple, full of talents and action
The lovely little sister Shlomit Peretz - has been involved in the Bezeq telephone company for almost three decades, and is there in management positions, raising her lovely and beloved child.
The art book I dedicated to my family is colorful, rich in details, shows a very intense childhood, happy, cheerful, colorful, ... We were taught to be diligent and to be happy in our part and to see the glass half full in life, to have emotional intelligence and to put the relationship and love at the center with self-fulfillment in work that will interest you us and you will give us satisfaction.
Each of us is different in our life decisions and my family is actually a mosaic of the State of Israel that includes both religious and secular people from the entire political spectrum who understand that the secret to unity is mutual respect for each other... when my mother these days is also the family glue in everyone's gatherings on Shabbat and holidays..
The personification of the flower couple paintings by the Israeli painter Raphael Perez
Raphael Perez, also known as Rafi Peretz, is an Israeli painter who
explores his personal and sexual identity through his flower paintings. He created a series of flower paintings from 1995 to 1998, when he was in his early thirties and still in relationships with women, despite feeling gay. His flower paintings reflect his emotional turmoil and his struggle with his sexual orientation. He painted two flowers, one blooming and one wilting, to represent the contrast and conflict between his heterosexual relationships and his true self. He also painted single flowers or two flowers in their prime, to express his longing for a harmonious relationship that matches his nature. He chose sunflowers, white lilies, and red lilies as symbols of expression, purity, and joy, respectively. He painted from real flowers, using different styles and light to create drama and mood. Perez’s paintings of the flower couples are minimalist and focused on the theme of the complex relationship. He omitted any background or context, leaving only the canvas and the drawing of the flower couples. In some of the paintings, he added a very airy abstract surface with thin oil paints that give an atmosphere of watercolors. He also made drawings of flowers in ink, markers and gouache on paper. Later on, he created large acrylic paintings of flowers and still life. Perez’s flower paintings are not mere illustrations or decorations. They are autobiographical and psychological expressions of his inner state and his struggle with his sexuality. He wanted to reveal his loneliness, distress and concealment through these paintings, and to connect with people who are in a similar situation. He deliberately chose only two flowers and no more to intensify the engagement in the charged and complex relationship. Perez also painted and drew couples of men and women with charged psychological states, as well as states of desire for connection and realization of a heterosexual relationship that did not succeed. He used hyperrealism and expressive styles to convey his frozen and calculated state, as well as his mental stress. He used harsh lighting to create contrast and drama, with one side very bright and the other side darker. Perez was influenced by some of the famous artists who painted flowers, such as Van Gogh, who also used sunflowers as a symbol of expression. He also used white lilies and red lilies to convey freshness, cleanliness, purity, color, joy, movement, eruption, and splendor. Perez also painted some single flowers or two flowers in their prime, to show his aspiration for a future where he will have a harmonious relationship. Today, he is 58 years old and in a happy relationship for 10 years with his partner Assaf Henigsberg. He is surrounded by female friends and soulmates and not conflicted with heterosexual relationships as he used to be. He occasionally paints flowers in pots to symbolize home, stability, and peace. Sometimes I paint flowers in pots, which represent home, stability, and solid ground for me. I don’t paint just a couple of flowers, but pots full of flowers that overflow with life. This means that we also have a supportive network of family, friends, and peers around us. We live in a rich, supportive, and protective world. These paintings are a personification of my psychological state, when I had no words to express my feelings to myself. The painting began In 35 years of my creation (starting in 1998), you can read more about how my art and style evolved over time. Perez’s flower paintings are a unique and extraordinary artistic creation that reveals his personal journey and his sexual identity. His work is honest, expressive, and emotional, as well as beautiful and vibrant.
The characteristics of the naive painting of the painter Raphael Perez
A full interview with the Israeli painter Raphael Perez (Hebrew name: Rafi Peretz) about the ideas behind the naive painting, resume, personal biography and curriculum vitae Question: Raphael Perez Tell us about your work process as a naive painter? Answer: I choose the most iconic and famous buildings in every city and town that are architecturally interesting and have a special shape and place the iconic buildings on boulevards full of trees, bushes, vegetation, flowers. Question: How do you give depth in your naive paintings? Answer: To give depth to the painting, I build the painting with layers of vegetation, after those low famous buildings, followed by a tall avenue of trees, and behind them towers and skyscrapers, in the sky I sometimes put innocent signs of balloons, kites. A recurring motif in some of my paintings is the figure of the painter who is in the center of the boulevard and paints the entire scene unfolding in front of him, also there are two kindergarten teachers who are walking with the kindergarten children with the state flags that I paint, and loving couples hugging and kissing and family paintings of mother, father and child walking in harmony on the boulevard. Question: Raphael Perez, what characterizes your naive painting? Answer: Most naive paintings have the same characteristics (Definition as it appears in Wikipedia) • Tells a simple story to absorb from everyday life, usually with humans. • The representation of the painter's idealization to reality - the mapping of reality. • Failure to maintain perspective - especially details even in distant details. • Extensive use of repeating patterns - many details. • Warm and bright colors. • Sometimes the emphasis is on outlines. • Most of the characters are flat, lack volume • No interest in texture, expression, correct proportions • No interest in anatomy. • There is not much use of light and shade, the colors create a three-dimensional effect. I find these definitions to be valid for all my naive paintings Question: Raphael Perez, why do you choose the city of Tel Aviv? Answer: I was born in Jerusalem, the capital city which I love very much and also paint, I love the special Bauhaus buildings in Tel Aviv, the ornamental buildings that were built a century ago in the 1920s and 1930s, the beautiful boulevards, towers and modern skyscrapers give you the feeling of the hustle and bustle of a large metropolis and there are quite a few low and tall buildings that are architecturally fascinating in their form the special one Also, the move to Tel Aviv, which is the capital of culture, freedom, and secularism, allowed me to live my life as I chose, to live in a relationship with a man, Jerusalem, which is a traditional city, it is more complicated to live a homosexual life, also, the art world takes place mainly in the city of Tel Aviv, and it is possible that from a professional point of view, this allows I can support myself better in Tel Aviv than in any other city in Israel. Question: Raphael Perez, are the paintings of the city of Tel Aviv different from the paintings of the city of Jerusalem? Answer: Most of the paintings of Jerusalem have an emphasis on the color yellow, gold, the color of the old city walls, the subjects I painted in Jerusalem are mainly a type of idealization of a peaceful life between Jews and Arabs and paintings that deal with the Jewish religious world, a number of paintings depict all shades of the currents of Judaism today In contrast, the Tel Aviv paintings are more colorful, with skyscrapers, the sea, balloons and more secular motifs Question: Raphael Perez, tell me about which buildings and their architects you usually choose in your drawings of cities Answer: My favorite buildings are those that have a special shape that anyone can recognize and are the symbols of the city and you will give several examples: In the city of Tel Aviv, my favorite buildings are: the opera building with its unusual geometric shape, the Yisrotel tower with its special head, the Hail Bo Shalom tower that for years was the symbol of the tallest building in Tel Aviv, the Levin house that looks like a Japanese pagoda, the burgundy-colored Nordeau hotel with the special dome at the end of the building, A pair of Alon towers with the special structure of the sea, Bauhaus buildings typical of Tel Aviv with the special balconies and the special staircase, the Yaakov Agam fountain in Dizengoff square appears in a large part of the paintings, many towers that are in the stock exchange complex, the Aviv towers and other tall buildings on Ayalon, in some of the paintings I took plans An outline of future buildings that need to be built in the city and I drew them even before they were built in reality, In the paintings of Jerusalem, I mainly chose the area of the Old City and East Jerusalem, a painting of the walls of the Old City, the Western Wall, the Church of the Holy Sepulcher, the El Akchea Mosque, the Tower of David, most of the famous churches in the city, the right hand of Moses, in most of the paintings the Jew is wearing a blue shirt with a red male cord I was in the youth movement and the Arab with a galabia, and in the paintings of the religious public then, Jews with black suits and white shirts, tallitas, kippahs, special hats, synagogues and more I also created three paintings of the city of Haifa and one painting of Safed In the Haifa paintings I drew the university, the Technion, the famous Egged Tower, the Sail Tower, well-known hotels, of course the Baha'i Gardens and the Baha'i Temple, Haifa Port and the boats and other famous buildings in the city Question: Raphael Perez, have you created series of other cities from around the world? Answer: I created series of New York City with all the iconic and famous buildings such as: the Guggenheim Museum, the famous skyscrapers - the Chrysler Building, the Empire State Building, Lincoln Center, the famous synagogue in the city, the Statue of Liberty, the flags of the United States and other famous buildings Two paintings of London and all its famous sites, Big Ben, famous monuments, the Ferris wheel, Queen Elizabeth and her family, the double bus, the famous public telephone, palaces, famous churches, well-known monuments I created 4 naive paintings of cities in China, a painting of Shanghai, two paintings of the city of Suzhou and a painting of the World Park in the city of Beijing... I chose the famous skyline of Shanghai with all the famous towers, the famous promenade, temples and old buildings, two Paintings of the city of Suzhou with the famous canals, bridges, special gardens, towers and skyscrapers of the city Question: Raphael Perez What is the general idea that accompanies your paintings Answer: To create a good, beautiful, naive, innocent world in which we will see the innovation of the modern city through the skyscrapers in front of small and low buildings that bring the history and past of each country, all with an abundance of vegetation, boulevards, trees Resume, biography, CV of the painter Rafi Peretz and his family Question: When was Raphael Perez born in hebrew his name rafi peretz? Answer: Raphael Perez in Hebrew his name Rafi Peretz was born on March 4, 1965 Question: Where was Raphael Perez born? Answer: Raphael Perez was born in Jerusalem, Israel Question: What is the full name of Raphael Perez? Answer: His full name is Raphael Perez Question: Which art institution did Raphael Perez graduate from? Answer: Raphael Perez graduated from the Visual Arts Center in Be'er Sheva Question: When did Raphael Perez start painting? Answer: Raphael Perez started painting in 1989 Question: When did you start making a living selling art? Answer: Raphael Perez started making a living selling art in 1999 Question: Where does Raphael Perez live and work? Answer: Since 1995, Raphael Perez has been living and working from his studio in Tel Aviv Question: In which military framework did Raphael Perez serve in the IDF? Answer: Raphael Perez served in the artillery corps Question: Raphael Perez, what jobs did he work after his military service? Answer: Raphael Perez worked for 15 years in education in therapeutic settings for children and taught arts and movement Question: How many brothers and sisters does Raphael Perez, the Israeli painter, have? Answer: There are seven children in total, with the painter 5 sons and two daughters, that means the painter Raphael Perez has 4 more brothers and two sisters Question: What do the brothers and sisters of the painter Raphael Perez do? Answer: The elder brother David Peretz Perez was involved in the field of religious studies, the sister Hana Peretz Perez is involved in the field of education, a kindergarten teacher and child care, the brother Avi Peretz Perez who is in the United States today is a conservative rabbi but in the past was involved in education and therapy, the brother Asher Peretz Perez is involved in the fields of creativity and jewelry The twin brother Mickey Peretz Perez is a well-known industrial designer and seller. The younger sister Shlomit Peretz Perez works in a managerial position at Bezeq. Question: Tell me about the parents of the painter Raphael PerezAnswer: The painter Raphael Perez's parents are Shimon Perez Peretz and Eliza Alice Ben Yair, they were married in 1950 in Jerusalem, both were born in Morocco and immigrated to Israel in 1949, Shimon Peretz worked in a building in his youth and later as a receptionist at the Hadassah Ein Kerem Hospital, Eliza Alice Peretz dealt in child care Kindergarten, working in kindergartens and of course taking care of and raising her seven children
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רפי פרץ צייר אמן ישראלי עכשווי מודרני אמנים ישראלים אומנים
ישראליים עכשוויים מודרניים האמנים הישראלים העכשוויים המודרניים האומנים הישראליים העכשוויים המודרניים יוצר הומו הומוסקסואל קווירי הומוסקסואליות באמנות הישראלית מגדר אומנות ומגדר אמנות ישראלית עכשווית מודרנית האמנות הישראלית העכשווית המודרנית
erotic gay art painting artist raphael perez pintura homossexual da arte de gomoseksual badiiy rasm гомосексуальний художній живопис pittura di arte omosessuale lukisan seni homoseksual listmálun samkynhneigðra péintéireacht ealaíne homaighnéasach pikturë arti homoseksual homoseksuaalne kunstimaal хомосексуална художествена живопис homoseksualno likovno slikarstvo жывапіс гомасэксуальнага мастацтва সমকামী আর্ট পেইন্টিং homoseksuel kunstmaleri homoszexuális művészeti festmény рассоми санъати гомосексуалӣ gomoseksual sungat suratkeşligi homoseksuālas mākslas glezniecība homoseksualaus meno tapyba homoseksuell kunstmaleri homoseksualno likovno slikarstvo
queer artworks paintings homoerotic painter lgbt artwork glbt artworks homo erotica man nude male naked men image images picture pictures homosexual homosexualiy artists painters artist body realism realistic famous
مثلي الجنس الفن الغريبة الأعمال الفنية معرض معرض رجل عارية لوحة رجال عراة صورة الجسم الإسرائيلي فنان رسام مثلى الفنانين الرسامين لوحات واقعية مثلي الجنس الشهير صورة كبيرة
arte homosexual queer obras de arte galería exposición hombre desnudo pintura hombres desnudos retrato cuerpo artista israelí pintor artistas gay pintores pinturas realistas homoerótico famoso imagen grande
гомосексуальное искусство квир произведения искусства галерея выставка мужчина ню живопись голые мужчины портрет тело израильский художник художник геи художники художники реалистичные картины гомоэротика знаменитый большое изображение
ομοφυλοφιλική τέχνη queer artworks γκαλερί έκθεση άντρας γυμνή ζωγραφική γυμνοί άντρες πορτραίτο ισραήλ καλλιτέχνης ζωγράφος γκέι καλλιτέχνες ζωγράφοι ρεαλιστικοί πίνακες ομοιορωτική διάσημη μεγάλη εικόνα
homosexuelle kunst queer kunstwerke galerie ausstellung mann nackt malerei nackte männer porträtkörper israelischer künstler maler schwule künstler maler realistische gemälde homoerotisch berühmtes großes bild
homoseksuele kunst queer kunstwerken galerie tentoonstelling man naakt schilderij naakte mannen portret lichaam Israëlische kunstenaar schilder homo kunstenaars schilders realistische schilderijen homo-erotisch beroemd groot beeld
art homosexuel queer oeuvres d'art galerie exposition homme peinture nue hommes nus portrait corps artiste israélien peintre artistes gais peintres peintures réalistes homoérotique célèbre grande image
homoseksualna sztuka queer dzieła galeria wystawa mężczyzna nago malarstwo nagi mężczyzna portret ciało izraelski artysta malarz homoseksualiści malarze realistyczni obrazy homoerotyk sławny duży obraz
Eşcinsel sanat queer sanat eseri galeri sergi adam çıplak boyama çıplak erkekler portre vücut İsrail sanatçı ressam eşcinsel sanatçılar ressamlar gerçekçi resim sergisi homoerotik ünlü büyük resim
समलैंगिक कला क्वीर कलाकृतियों गैलरी प्रदर्शनी आदमी नग्न पेंटिंग नग्न पुरुषों चित्र शरीर इजरायल कलाकार चित्रकार समलैंगिक कलाकारों चित्रकारों यथार्थवादी चित्रों समलैंगिक प्रसिद्ध बड़ी छवि
homoseksuell konst queer konstverk galleri utställning man nakenmålning nakna män porträtt kropp israelisk konstnär målare gay konstnärer målare realistiska målningar homoerotisk berömd stor bild
Everyman should help promote our tourists distinations spread out all over the shorelines and inland scenic places in most of the Philippines' 7,100 islands. We have underwater Gardens, Whale sanctuaries and mountain peaks for both local and foreign tourists coming over to our country.
We need to provide, however, assistance to the LGU in reminding visitors re safe travel measures, extend a bayanihan awarness and volunterism in keeping routes and trails particularly leading to Mountain peaks and natural garden parks clean and free of garbage
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PHOTO TRAVEL-STORY: - wilfredo
Just another sunset at Avila Beach. Seven exposures with my Promote Remote Control.
Check out my 500pix site: Konaflyer
The Nash-Healey is a two-seat sports car that was produced for the American market between 1951 and 1954. Marketed by Nash-Kelvinator Corporation with the Nash Ambassador drivetrain and a European chassis and body, it served as a halo (or image) vehicle, or flagship car, for the automaker to promote the sales of the other Nash models. It was "America's first post-war sports car",[2] and the first introduced in the U.S. by a major automaker since the Great Depression.[3] The Nash-Healey was the product of the partnership between Nash-Kelvinator Corporation and British automaker Donald Healey. Later on, the car was restyled by Pinin Farina and subassembly begun in Italy.Donald Healey and Nash-Kelvinator CEO George W. Mason met on the Queen Elizabeth, an ocean liner going from the United States to Great Britain. Healey was returning to England after his attempt to purchase engines from Cadillac, but General Motors declined his idea. His idea was to expand production of the Healey Silverstone that race car driver Briggs Cunningham had customized with Cadillac’s new 1949 overhead-valve V8 engine.[4] Mason and Healey met over dinner and a production plan ensued during the remainder of the voyage. The two became friends because they were both interested in photography. Mason had a stereo (3-D) camera that intrigued Healey.
1951
1951 Nash-Healey
Nash Motors supplied the Donald Healey Motor Company with the powertrain components: the Ambassador’s inline six-cylinder OHV 234.8 cu in (3.85 L) engine and three-speed manual transmission with Borg-Warner overdrive, plus torque tube and differential. Healey fitted a lighter, higher-compression aluminum cylinder head (in place of the cast-iron stock item) with twin 1.75-inch (44 mm) SU carburetors that were popular on British sports cars at the time. This increased power from the stock 112 hp (84 kW; 114 PS) version to 125 hp (93 kW; 127 PS). Compared to other contemporary British sports cars, the Nash-Healey's engine was long, heavy, and bulky.[5] However, Donald Healey's original plan was to use an even heavier 331 cu in (5.4 L) Cadillac V8 engine and the car was designed with an engine bay that allowed a few later owners to convert their cars to V8 power.[6]
The chassis was a widened and reinforced Healey Silverstone[7] box-section ladder-type steel frame. Independent front suspension, also Healey Silverstone, was by coil springs, trailing link, and a sway bar. The rear suspension featured Nash's rear end and coil springs replaced the Silverstone’s leaf springs, while the beam axle was located by Panhard rod.
Healey designed the aluminum body, but it was outsourced. Panelcraft Sheet Metal of Birmingham fabricated the body.[8] It incorporated a Nash grille, bumpers, and other trim.[9] Healey was responsible for the car's final assembly.
The car had drum brakes all round. Wheels were steel, dressed up with full-diameter chrome hubcaps and 4-ply 6.40 x 15-inch whitewall tires. The interior featured luxurious leather upholstery, foam rubber cushions, adjustable steering wheel, and a cigarette lighter. Completed vehicles were shipped to the United States for sale through the Nash dealership network.
A prototype was exhibited at the Paris Motor Show in September 1950. The production model debuted at the February 1951 Chicago Auto Show and Donald Healey gave the first example to Petula Clark.[8] The only colors available were "Champagne Ivory" and "Sunset Maroon", and the suggested retail price (MSRP) of US$3,767 F.O.B. New York City proved uncompetitive.[10]
Restyle
1952 Nash-Healey roadster
Nash-Healey roadster
1952
For 1952, Nash commissioned Italian designer Pinin Farina to revise Healey's original body design. One objective was to make the sports car more similar to the rest of Nash's models. The front received a Nash-style gille incorporating inboard headlights. The sides now featured a distinct fender character lines ending with small tailfins in the rear. A curved windshield replaced the previous two-piece flat windshield. The restyled car appeared at that year's Chicago Auto Show.[11]
Carrozzeria Pininfarina in Turin built the bodies which, save for aluminum hood, trunk lid and dashboard, were now all steel.[12] The aluminum panels, plus careful engineering, reduced curb weight.[13] The Nash engine was now the 252 cu in (4.1 L) with American-made twin Carters producing 140 hp (104 kW; 142 PS).
Shipping costs were considerable: From Kenosha, Wisconsin the Nash engines and drivelines went to England for installation in the Healey-fabricated frames. Healey then sent the rolling chassis to Italy, where Pininfarina's craftsmen fashioned the bodywork and assembled the finished product. Finally Farina exported the cars to America. The result was a $5,908 sticker price in 1953, while the new Chevrolet Corvette was $3,513.[14]
1953
The 1953 model year saw the introduction of a new closed coupé[15] alongside the roadster (now termed a "convertible"). Capitalizing on the 3rd place finish at Le Mans by a lightweight racing Nash-Healey purpose-built for the race (see below), the new model was called the "Le Mans" coupé.[16] Nash had already named the powerplant the "Le-Mans Dual Jetfire Ambassador Six" in 1952, in reference to the previous racing exploits of the lightweight competition cars.[13]
Some describe the new design as "magnificent".[17] Some "people didn't take to the inboard headlights".[18] This headlight mounting was described as "Safety-Vu" concentrating illumination, and their low position increased safety under foggy situations. The 1953 "Le Mans" model was awarded first prize in March of that year in the Italian International Concours d'Elegance held at Tresa, Italy.[19]
1954 Nash-Healey "Le Mans" coupé
The Nash Ambassador inline-six engine with twin Carters
Leveraging the popularity of golf to promote their cars, Nash Motors and Nash dealers sponsored what the automaker described as "more than 20 major golf tournaments across the country" in 1953, and golfer Sam Snead was shown with his Nash-Healey roadster on the cover of the June 1953 issue of Nash News.[20][21]
A roadster owned by Dick Powell was driven by George Reeves, as Clark Kent, in four TV episodes of the Adventures of Superman.[22][23]
1954
Nash Motors became a division of American Motors Corporation (AMC) that was formed as a result of a merger with Hudson Motor Car Company in January 1954. Nash was faced with limited resources for marketing, promotion, and further development of this niche market car in comparison to its volume models.[24] By this time AMC knew that a similar luxurious two-seat Ford Thunderbird with V8 power was being planned. In light of the low sales for the preceding years, Nash delayed introduction of the 1954 models until 3 June and discontinued the convertible, leaving just a slightly reworked "Le Mans" coupé, distinguished by a three-piece rear window instead of the previous one-piece glass.
Healey was focusing on its new Austin-Healey 100, "and the Nash-Healey had to be abandoned."[25] Although the international shipping charges were a significant cost factor, Nash cut the POE (port of entry) price by more than $1,200 to $5,128. Production ceased in August. A few leftover 1954s were sold as 1955 models.[26]
Racing
Panamericana pace car
A Nash-Healey served as the course car for the 1951 Carrera Panamericana, described as one of the most dangerous automobile race of any type in the world. Driven by Chuck Stevenson, the Nash-Healey ran ahead of the racers to ensure the way was clear on "the world's greatest road race".[27]
Endurance racers
To create a racing pedigree for the marque Donald Healey built four lightweight Nash-Healeys for endurance racing[28] Like the road cars, they had Nash Ambassador engines and drivelines. However, fitting higher-compression aluminum cylinder heads, special manifolds, and twin SU carburetors increased their power to 200 hp (149 kW; 203 PS). The cars had spartan, lightweight aluminum racing bodies. Three open versions were built, and one coupe. These cars competed in four consecutive Le Mans races and one Mille Miglia.
1950 Le Mans
Tony Rolt and Duncan Hamilton debuted the prototype at Le Mans in 1950. It was the first-ever Le Mans entry to have an overdrive transmission. Not only was the car one of the 29 finishers from the field of 66,[29] but also finished in fourth place. This outstanding achievement sealed Healey’s contract with Nash for a limited production run of the road cars.[30] Roger Menadue, head of Healey’s experimental department, played a significant role in the success: He filed slots in the backplates of the brakes and extended the adjusting mechanism to a small exterior lever. Thus in a matter of seconds he could adjust the brakes during pit stops without jacking the car up—an innovation that was said to save as much as half an hour at each stop.[31]
1951 Le Mans
In the 1951 Le Mans race Rolt and Hamilton (who would win two years later in a Jaguar C-Type) took fourth in class and sixth overall behind a Jaguar, two Talbot-Lagos and two Aston Martins. They finished immediately ahead of two Ferraris and another Aston Martin.[32]
1952 Le Mans
Scale model of the lightweight Nash-Healey that placed third in the 1952 Le Mans 24-hour race
1952 Le Mans racer (model)
In the 1952 Le Mans race, when only 17 of the 58 starters finished, the entry driven by Leslie Johnson—a driver with the flair of Nuvolari, said Louis Chiron—and motoring journalist Tommy Wisdom[33] took third overall behind two factory-entered Mercedes-Benz 300SLs; also first in class, ahead of Chinetti's Ferrari, and second in the Rudge-Whitworth Cup for the best performance over two consecutive years. In addition they won the Motor Gold Challenge Cup. The drivers said the car was more nimble through the corners than its more exotic competitors. It delivered 13 mpg-US (18 L/100 km; 16 mpg-imp) and the engine needed no oil or water during the entire 24 hours.[34] The car had been built from scratch in a fortnight, Menadue and his assistant Jock Reid fabricating the body in less than a week, by eye, without any drawings. Healey said: “That’s an ugly bugger, isn’t it, Roger?”[31]
1952 Mille Miglia
The same year, Johnson raced the car in the Mille Miglia, the thousand-mile Italian road race that would be banned as too dangerous five years later. Daily Telegraph motoring correspondent Bill McKenzie rode as passenger.[35] They finished a creditable seventh overall to Bracco's winning works team Ferrari, the works Mercedes-Benz 300SLs of Kling and Caracciola, and three works Lancias;[36] they also took fourth in class. The coupe driven by Donald Healey and his son Geoffrey crashed out.[34]
1953 Le Mans
For the 1953 Le Mans race the factory partnered Johnson with Bert Hadley in one of two cars with redesigned bodies. Johnson started from 27th place. Although he and Hadley advanced steadily up the race order they were 11th at the finish, 39 laps behind the winning Jaguar, despite an average speed of 92.45 miles per hour (148.78 km/h)—higher than the previous year’s run to third place.[16] However, they beat both of Donald Healey's new Austin-Healey 100s. The second Nash-Healey of Veyron and Giraud-Cabantous retired after nine laps.
This concluded the factory's race program with the lightweight competition cars. The 1952 Le Mans/Mille Miglia car passed into private ownership and raced in America.[37]
Legacy
In 1956, American Motors introduced its first V8, a 250 cubic inch, overhead valve engine with a forged crankshaft, which put out an impressive 190 BHP when equipped with the base 2 barrel carburetor. In 1957, AMC bored (to 4.0 inches from 3.5 inches) its new V8 to 327 cubic inches and used it in the last year of AMC's luxury offerings, the Nash Ambassador, and Hudson Hornet. However, when installed in the Rambler Rebel, the 327 was given mechanical valve lifters and rated at 255 HP with a 4 barrel carburetor and 288 with the Bendix Electric fuel injection system. A 288 HP 327 equipped Rambler Rebel was entered in the Pure Oil Daytona competition. The 327 cubic inch Rambler Rebel was quicker than the Chrysler 300B, the Dodge D500, the Desoto Adventurer, and all other full size American cars in 1957. The only car quicker was the 4 speed manual, small block, 283 cubic inch fuel injected Corvette.
The 327 would have been quite an addition to the Nash Healey, but that was not to be. Instead, in 1962, American Motors adopted a new advertising slogan, "Why don't we enter high-performance Rambler V-8s in racing? Because the only race Rambler cares about is the human race!"[38][39] The automaker focused on its successful compact Rambler American line, mid size Rambler and luxury intermediate size Ambassador. The Ambassador when equipped with a 270 HP 327 cubic inch V8 was a powerful luxury intermediate sized offering.
AMC would not have a true sporty car until the 1965 Rambler Marlin fastback. By 1968, AMC put out the 4 seater, Javelin, and the 2 seat AMX. The Penske Javelins dominated the Trans Am series, defeating the Mustang, Camaro, Challenger and Barracuda.
Taken this weekend at Matthiessen State Park. I got pretty wet getting to this location, but it was worth it to see both waterfalls going. The waterfall on the right doesn't run unless there is a lot of water, which of course there was! This spot is a little off the beaten path but seems to becoming more popular.
TRyburn.Zenfolio.com
Hot Spearmint Rhino girl promoting the brand at the Autosport International show, NEC, Birmingham UK.
Nikon D-300, Nikkor 18-200mm f3.5/5.6 ED, Speedlite SB-800.
18mm, f3.5, 1/60 sec.
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Promoting "MGM Macau Casino & Hotel" this TriCat in striking yellow is a real bright eyecatcher on a dull day like today. 'Universal MK 2009' is here seeing on her way to Macau where is would arrive approx. 60 minutes after departing Hong Kong.
To see the TriCat in its orginial livery check out the link:
Title: Float promoting Gosford rail electrification, view of Gosford side
Dated: 22/01/1960
Digital ID: NRS21573_2_PR003383_c
Series: NRS 21573 Glass plate and acetate negatives with ‘PR’ [Public Relations] prefix [State Rail]
Rights: No known copyright restrictions www.records.nsw.gov.au/about-us/rights-and-permissions
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Scanned from the cover of the first brochure (March 1976), which was produced to promote my "Illustrative" photography. This photo was a double exposure (on color film) of a young woman doing reflective contemplation. First exposure was of her looking through her bedroom window. Second exposure was taken on the beach of Great Salt Lake at sunset. I had 2,000 of these 10" x 10", 8-page, B/W brochures (couldn't afford color) printed for $450. Most images were converted from color slides via b/w inter-negatives. I did my own design and camera-ready layout (without the aid of a computer :)
As I've mentioned before, I made the point of calling myself an "illustrative" photographer -- one who didn't just "take" photos (a technician), but one who created photographs that could solve the client's problem. Each page of the brochure grouped together different types of photography, i.e. "people", "environmental landscapes", and etc.
Here are two more pages from the inside of this brochure.
Royce's Photo History (a tutorial): This image is part of a new series I call, "Royce's Way-Back Photos". It's a 40-year review of my professional photography career. I hope you'll come along for the ride. I'll try to share at least one "way-back" image every other day (intermixed with my more current photos). Each image is a milestone in my career and most have an associated lesson or tip that may enrich your life as it has mine. This series will soon become a SET. You'll also be able to find this collection via the tag "royceswaybackphotos".