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Yesterday I started a project 365. I feel like I can really use some kind of a challenge and inspiration. And what a challenge it is! A year long comittment, oh my. I know it's not going to be easy all the time, but I haven't been this excited about anything in a long time, so I want to give it a good try!
I put together a decent collection of inspirative and essential photography books, gathered my gear and made a blog about it. Now, the rest should be a piece of cake:).
In all seriousness, fingers crossed and good luck to all of the people out there who decided to start (or keep on doing) this project as well. It's going to be one rewarding year!
Pour sa sixième session, le LASCO PROJECT invite 6 artistes français et internationaux à défricher de nouveaux espaces du Palais de Tokyo : Philippe Baudelocque, Stelios Faitakis, JR et les OSGEMEOS, Olivier Kosta-Théfaine.
Philippe Baudelocque, - + / = +
Au Palais de Tokyo, Philippe Baudelocque entend « composer l’espace au jour le jour, comme un blog, sur plusieurs mois. » Son intervention défriche un escalier monumental - entre une élévation spatiale et une chute dans les abysses -, plongeant le public en immersion dans ses tracés atomiques. Entre les lignes et les dégradés de ces paysages instables, le macro rencontre le micro, le physique devient mental, le vertical défie l’horizontal, la force cohabite avec le vulnérable et le sauvage a des allures domestiques…
Philippe Baudelocque (né en 1974 à Yerres, France, où il vit) trace à la craie blanche sur fond noir son bestiaire cosmique, ses univers infinis, ses empreintes de mains, ses OVNI, ses magmas emmêlés… : autant de travaux composés de symboles mystérieux et désacralisés. Ses fresques fragiles et éphémères sont composées de cellules, d’étoiles filantes, de croisement de lignes chamaniques et autres motifs - ses « codex » - qu’il dessine à l’avance dans un carnet.
Stelios Faitakis, Elegy Of May. Part I: The Deepness Of Things. Part II: The Round Table
Stelios Faitakis présente deux peintures murales sur le thème de l’insoumission, tissant des liens entre les événements de Mai 68 influencés par la pensée situationniste, et les luttes actuelles. Comme l’artiste le précise : « Les deux surfaces de mon projet au Palais de Tokyo présentent une relation intéressante entre elles, l’une étant cachée sous l’autre. C’était parfait pour une composition en deux parties (…), toutes deux en lien étroit avec des images bien connues de l’iconographie byzantine, de la crucifixion et de la Cène, mais détournées. »
Sur fonds dorés ou argentés, les peintures d’Histoire de Stelios Faitakis (né en 1976, vit à Athènes) décomposent l’architecture, les symboles géométriques, la typographie et remixent les références et les techniques. Ses icônes désacralisées mettent en scène des auréoles enflammées, des résistants palestiniens, des émeutes, les excès du capitalisme ou plus récemment les traversées mortuaires des migrants.
JR et OSGEMEOS, Manutention - ŒUVRE INACCESSIBLE AU PUBLIC
Installée dans un espace inaccessible au public, l’œuvre de JR et les OSGEMEOS est visible grâce à un écran vidéo situé dans le Foyer Jean-Renoir (niv. 1).
Pour leur première collaboration dans une institution, JR et les OSGEMEOS investissent un tunnel souterrain secret du Palais de Tokyo. Travaillant sur la mémoire de ces murs – pendant l’Occupation, les sous-sols du Palais de Tokyo ont été réquisitionnés pour stocker des milliers de pianos spoliés –, les artistes ont collé des photographies, élaboré des peintures à partir d’images d’archives, brûlé les plafonds et composé des sculptures en bougies.
Les peintures de Otavio et Gustavo Pandolfo (nés à Sao Paulo en 1974, où ils vivent), connus sous le nom de OSGEMEOS, mixent les codes du graffiti avec ceux du hip-hop, du folklore brésilien, de la politique, des cirques alternatifs, ou encore de la mythologie. Depuis 2002, ils peignent une série de « Géants » jaunes, dans l’espace public, pour rétrécir visuellement nos villes. JR (né en 1983, il vit entre Paris et New York) effectue un travail de photographies XXL, en noir et blanc, qu’il colle dans l’espace public pour révéler les invisibles du monde entier, des banlieues françaises à la Turquie, de Times Square au Louvre, en passant par les ghettos du Kenya ou les favelas du Brésil.
Olivier Kosta-Théfaine, Soffitto
Olivier Kosta-Théfaine s’empare de trois coupoles sur lesquelles il compose au briquet un ciel calciné - la technique vient des halls HLM où des jeunes, pour brûler le temps, s’essayent aux écritures en feu sur les plafonds - remixant les fresques classiques des Palais Italiens avec la tradition du vandalisme quotidien des cités. Olivier Kosta-Théfaine dissèque la ville par ses périphéries, ses mauvaises réputations et ses légendes urbaines. Il peint les détails abstraits d’une rue, observe les mauvaises herbes ou crée des écharpes de supporters de foot en hommage aux banlieues, ciblant la tension qu’il y a entre l’envie de fuir sa zone tout en la défendant corps et âme.
Was the heat getting to me in the Eden Project's biomes, or did I actually see this weird character?
The heat during this year's visit was really quite oppressive and that was BEFORE we entered the biomes!
This was part of 'The Rites of Dionysus', Tim Shaw's arresting Bacchanalian artwork in the Mediterranean Biome.
NAME: Project 351
Owner: Anthony and Richard Fischkelta/Grand Street Warehouse, Moonachie, N.J.
Model: 2009 Kenworth W900L, 351-in. WB
Engine: 700-hp Cummins ISX
Transmission: Eaton-Fuller 18
Exterior mods: Custom cab/sleeper panels; 12Ga visor; fiberglass deckplate and fiberglass rear fenders; custom axle covers and tank covers in the rear; one-piece steps designed with 4 State Trucks; HID headlights; custom grille; 20-inch bumpe; air-ride w/ 12Ga Customs suspension drop kit; custom window shades; eight-inch exhaust; custom hidden hood latches
Interior mods: Stainless floor, ceiling and cab sides; painted dash; custom inserts supplied by 4 State Trucks
Customizer/Installer: Fischkelta, friends and Profab of Mannheim, Pa.
The Eden Project is a visitor attraction in Cornwall, England. Inside the two biomes are plants that are collected from many diverse climates and environments. The project is located in a reclaimed Kaolinite pit, located 2 km (1.2 mi) from the town of St Blazey and 5 km (3 mi) from the larger town of St Austell, Cornwall.
The complex is dominated by two huge enclosures consisting of adjoining omes that house thousands of plant species, and each enclosure emulates a natural biome. The biomes consist of hundreds of hexagonal and pentagonal, inflated, plastic cells supported by steel frames. The largest of the two biomes simulates a Rainforest environment and the second, a Mediterranean environment. The attraction also has an outside botanical garden which is home to many plants and wildlife native to Cornwall and the UK in general; it also has many plants that provide an important and interesting backstory, for example, those with a prehistoric heritage.
" from my picture book in progress"-
An unclassified image of the Aurora craft. This black budget military craft is said to have antigravitic technology as well as Moon flight capabilities.
This is included in UFO Evidence as it could easily be confused with off-world origin craft.
Dwight Eisenhower's granddaughter recently discussed Ike's final address to the nation in which he warned, openly, sternly, of the 'military industrial complex'. She plainly stated that Ike edited his words because of his good feelings for his congressional progress late in his presidency. He had initially termed this conspiracy of technology as the 'Congressional Military Industrial Complex' .
Providing more valuable insight from Dr Michael Wolf via Dr. Richard Boylan:
Wolf also reported, "President Clinton has had a briefing on the Aurora [SR-33A] space plane ," which operates out of Area 51. The Aurora "runs on liquid methane, and has antigravity on board," [information identical to what retired Air Force Colonel Donald Ware also passed on to this writer from a three-star general.] Wolf says that the Aurora goes the Stealth planes one better. "It carries an electro-magnetic-pulse weapons system on board, which can knock out tracking radar." He also disclosed, "It can go to the Moon!" And added a tantalizing further hint, "The U.S. has 'something' on Mars [besides the Rover]."
sources: Janes Defense Weekly / DrBoylan.com / Larry King Live / Archive.org
لاتدعي الله وأنت يائس من الخير
ادعه وخلك "مـيـقـن" بالإجابة
يـارب يـارب القضا والمقادير
نسألك من هدي النبي والصحابة
* أول مسجد في الإسلام : قباء
A quik tour of the bridge project on I-84 in Troutdale. The project includes increasing height, new sidewalk and a bike lane.
The Nikonos Project and Hawaii Darkroom Workshop. Two days of shooting, developing, and printing.
A mix of prints and scans.
Today was certainly a laugh getting to work. We do get mist and fog from time to time, but it's rarely dense enough to put on the foglights on a 30mph road.
Today it was! Things were quite thick, and climbing the hill towards Woolton it turned into a real pea-souper.
This is a pretty poor effort, but it gives some sort of impression of how thick the air was.
I hope tomorrow isn't bad, but driving through the park this evening the fog was already starting to look even more naughty than it was this morning!
Jae and I went to Porirua for the Christmas Carols. But they had inexplicably been postponed til tomorrow. There was some live music but nothing special, not many people around and no atmosphere. We decided to have a coffee but there are no cafes here. We ended up with a coffee in KFC and then a look at the one shop window that looked Christmassy,
Saturday, 3rd December 2016
Senior Thesis Project for Graphic Design at Pratt Institute.
www.facebook.com/letting.go.project
Submit by November 15!
This project will end here, for now. Life got in the way, and I might have bitten more than I could chew, so that´s that. Can´t do it all, and I understand that sadly, photography can not be my priority at this time.
I will still take photos, and I will still upload them. Not as often and not in the "365 days" format.
Si hablas español aquí puedes leer más sobre ello: unalmafeliz.wordpress.com/2014/04/12/100365-el-finalpor-a...
Pollen seems to be available throughout the year here, but during our short winter season there is a dearth in the nectar flow. For the last several years I've been working on a project to provide a nectar substitute with the least amount of work for the beekeeper. This is one of the prototypes. A pet gravity water station modified to to feed the bees while preventing them from drowning. With this version the bees can transport two and a half gallons of sugar water back to their hives in about two hours.
To complete my obsession, I took a gLee picture. Today should be a national holiday. (*note the taped up glasses to complete the geek effect). Anyways, I looked at this "self-portrait" and realized how much I miss my chin. Dumb braces... * epiphany* so that's why I love gLee so much.
*eats pint of ice cream*
and no "personal tag" in this one since it's not really an original photo idea.
i decorated the cover first, rtaher than last as had been the original plan. since i had a title bestowed upon me anyway, it seemed like a good idea. Saving the world usually has something to do with trees, or summaan or nuffaan...yeh, but no, but yeh...
A quick and dirty selection of pages from my first book design project. We were tasked with laying out part of The Kamasutra, consisting of the first book and three commentaries (including commentary on commentary).
A spread from Chapter 3. It was one of the easy ones because we didn't have commentary.