Canon AE-1 Program
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tune: www.youtube.com/watch?v=mHaXDWqpHy8
The woman watching tv at the right is from deposit photos.
textures and color washes are mine.
Avatar: BeSpoke Designs - Monster Nemesis
Outfit: E.K. - JOEL Jumpsuit Orange
Pose: Lavarock Poses - Male Bento Pose Set 5
Los fariseos de los últimos días (Programa de variedades)
El cristiano Zhang Yi ha conocido el testimonio de que el Señor ha regresado, pero mientras investiga el camino verdadero, su pastor y su anciano tratan en varias ocasiones de impedírselo y evitarlo, diciéndole: “Quienes afirman que el Señor ha venido encarnado difunden una herejía y falsas enseñanzas. ¡No les hagas caso, no leas sus palabras ni tengas contacto con ellos!”. Esto confunde a Zhang Yi, pues el Señor Jesús dijo claramente: "Pero a medianoche se oyó un clamor: '¡Aquí está el novio! Salid a recibirlo'" (Mateo 25：6). "Mis ovejas oyen mi voz […]" (Juan 10：27). Según las palabras del Señor, las personas han de ser vírgenes prudentes y buscar y escuchar activamente la voz del Señor para poder recibirlo, pero su pastor y su anciano intentan de todo con tal de impedir y frenar que los creyentes oigan la voz de Dios. ¿Por qué les da miedo que los creyentes investiguen el camino verdadero? Tras debatir con su pastor y su anciano, al final Zhang Yi descubre quiénes son los fariseos de los últimos días y quién es el verdadero obstáculo que impide que los creyentes reciban al Señor.
Recomendación: He aquí yo estoy a la puerta y llamo
Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com
Program:Manual
Lens:150-600mm f/5-6.3 G VR
F:8.0
Speed:1/1000
ISO:280
Focal Length:280 mm
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:On
EV:+1/3
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:133.35 m
Dof:130.54 m (94.71 - 225.25)
HyperFocal:326.16 m
El título es apropiado porque en una “concentración” de tulipanes se han “colado” como decoración estas petunias.
Desde 2025, la entrada de la primavera se celebra en Zaragoza con una actividad de carácter festivo y solidario “Hola Primavera” inspirada en el tradicional “Tulip Day” de Nueva York y Ámsterdam. Este sábado 21 de Marzo, en la Plaza del Pilar se pusieron a la venta, en un mercado solidario de tulipanes, macetas con 10 tulipanes cada una. La recaudación se destinará a la Asociación de Familiares de Enfermos de Alzheimer (AFEDAZ).
En esta ocasión se han programado, junto al mercado solidario, varias actuaciones musicales.
I'd have liked to have got a little further back for this capture but with limited space, this is what I got.
Canon AE-1 Program
Canon fd 50mm f/1.8
Fujicolor C200
Program:Manual
Lens:24-70mm f/2.8 G VR
F:11.0
Speed:1/250
ISO:560
Focal Length:34 mm
AF Fine Tune Adj:+16
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:On
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:3.98 m
Dof:inf (1.87 m - inf)
HyperFocal:3.50 m
Program:Manual
Lens:150-600mm f/5-6.3 G VR
F:7.1
Speed:1/1250
ISO:450
Focal Length:280 mm
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:Off
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:133.35 m
Dof:111.14 m (97.90 - 209.05)
HyperFocal:367.51 m
When CMF series 15 and 16 came out with the cyborg figs, I thought combining them together with other parts would make a good Tron program.
Education And More is a Christian, Fair Trade charitable organization providing assistance to artisans and their families through student sponsorship educational opportunities and Fair Trade.
The artisan weavings and handcrafts that are sold by Education And More are made by several artisan groups in the villages around Lake Atitlan, Guatemala.
Education And More is a proud member of the Fair Trade Federation!
Learn more at www.educationandmore.org
The wolf in the zoo is moving about in a narrow cage while doing a
rough breath all day long. He seems to have gotten irritated very much.
動物園の狼は、狭い檻の中を一日中ハッハッハッと荒い息をしながら動き回っている。じっとしていられないのだろう。険しい顔をしていて、とても苛立っているように見える。
狼は人間になつかない（人間が与える餌を食べない）ので飼うのは無理と何かで読んだ事があるが、動物園で飼われているし、木下大サーカスで猛獣使いのショーに出ているのを観た事がある。その猛獣使いは虎やライオン、豹など１０頭位の肉食獣に芸を仕込んでいた。猫科の大型の猛獣は猛獣使いの指示通りに動いているように見えたが、列の後ろの方の狼やハイエナ（ジャッカル？）の類いは何となくうろうろしてるだけのように見えた。
叔父さんから戦争中、ソ連に派兵されていた時、朝起きたら部隊の軍馬が狼に全滅させれていたという話を聞いた事がある。どの馬も喉の辺りを一噛みで絶命させれていたそうだ。
Athens, GA (Clarke County) Copyright 2008 D. Nelson
Georgia wildflowers grow alongside an exit ramp. This is part of the Georgia D.O.T.'s Wildflower Program which began in 1974 when Virginia Hand Callaway started the movement to plant and protect wildflowers on the roadsides. Later, former First Lady Rosalynn Carter met with Lady Bird Johnson to discuss the highly-successful Texas Wildflower Program. Following the trip, the Georgia D.O.T. enthusiastically endorsed the program for implementation here.
Not only are they pretty - and sometimes stunning - to look at, the program also helps to restore and preserve native flora, and because these native flowers are already adapted to soil and climate conditions, they need little to no maintenance.
My new project for the BrickLink Designer Program that could become the next set with your support.
A boy’s dream becomes reality as he and his parents spend their holidays on the farm. Explore a model full of little stories and details of the farm life. The farm comes with a big farmhouse, a barn with a garden, a tree, a van, and many accessories such as a wheelbarrow and a kite.
_______
This is a digital rendering, but I built a 'proof of concept' to make sure it works with real bricks too.
This photo isn’t about power lines so much as it is about tree trimming. You are driving along looking at beautiful trees along the road and you come across this ugly, misshapen u-shaped tree. It has been pruned to allow the power lines to pass though the branches. Tell me who would trim a tree like this? Someone with a dull chainsaw and no sense or knowledge of trees? I know the linemen don’t have time to prune trees unless there is an emergency (with a tree on the line.) In this area the power company hires a contractor to prune the trees. I say, hire someone else! Why wouldn’t you just cut the tree to an even height below the power lines. That one huge limb hanging over the road just looks ridiculous and is probably a danger in high winds. This isn’t even the worst tree. There was just nowhere to pull over to a get a shot of the other ones.
Sorry for the rant, but really...
WEEEOOOOOOO~!!!
Yikes, loud siren!
What's going on now?
"Hi! I'm AP* JR from the Paprihaven PD. You can call me JR."
Hi JR!
This is unusual for a show.
Why are all the exit doors being closed...?
"I'm not part of the show. I'm here investigating the disappearance of a performer."
I'm pretty sure most of the Planks performers quickly disappear.
They have no talent!
And the Planks, being cheap, treats us to their first and only attempt at entertainment.
"I see. This performer goes by the name of Carl Boom.** He performed here yesterday."
Carl Boom??
Oh, that was the Swarms creature.
"So, you saw him?"
We not only saw him, we-
THONK!
AAAOOOOO~~!!
"Did you just hit that person with an anvil!?"
No.
I told you that thing wasn't a turnip!
You didn't say that! You just said it was crunchy!
It tasted funny! I told you!
"What in the blue infinity are you talking about??"
...
Nothing.
Nope. Juuuust chatting.
"Did you EAT Carl Boom??"
Eat?
Oh... that's... erm.. disgusting.
Who would do that?
Well I think we just implied-
THONK!
AAAOOOOOO~!!
"You just hit that man with your anvil!!"
No. That was just Pebble Guy.
"Okay, we have the theater sealed and no one is leaving until we get to the bottom of this."
Quick! Rustle programs to cover our whispering!
...programs rustling...
We need a fall guy!
Yeah, someone to take the blame!
A scapegoat!
A whipping boy!
A stooge!
A sucker!
A mug!
A sacrificial lamb!
Would you all shut up!? I nominate Pebble Guy.
Yeah, I mean he's a guy and he's already fallen.
"What's going on! Stop slapping those programs!"
AP JR, we confess!
It was Pebble Guy that done did the deed!
"What did he do!?"
He ate the turnip!
Carl Boom.
Right, he ate Carl Boom!
"I think I'm going to be sick..."
⋅•⋅⋅•⋅⋅•⋅⊰⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅∙∘☽༓☾∘∙•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅•⋅⋅⋅•⋅⋅⊰⋅•⋅⋅•⋅⋅•⋅⋅•⋅
A year of the shows and performers of the Bijou Planks Theater.
Unidentified friction cycle
* The 'AP', or 'Automated Police' designation is for the automated members of the Paprihaven PD.
** As seen yesterday!
A page from the official program of the Second Atlanta Pop Festival,1970. This program was subject to change and it did. Everyone started late and many played at a different time from what was shown here. The music went until the early hours of each morning. I was a big fan of Jethro Tull but he was a no show. The Allman Brothers did start and end the show but I did not get any pictures of them - they were no so famous in my neck of the woods at that time. Jimi Hendrix did play on the fourth of July with a big fireworks show.
This is a contemporary photo of the original tabloid size program printed on newsprint. The 4 photos of the program in this set reflect the complete program except for some advertisements that I did not photograph.
[1Jul70_35sE31]
"The Canon AE-1 Program builds upon the legacy of its predecessor, the Canon AE-1, which revolutionized the photography industry upon its release in 1976. The AE-1 was among the first SLR cameras to feature a microprocessor, making it more accessible to amateur photographers with its aperture-priority auto-exposure mode. With its user-friendly design and reliability, the AE-1 became one of the best-selling cameras of its time, solidifying Canon's reputation as a leader in the industry.
The AE-1 Program, introduced in 1981, further refined the original AE-1 model by adding program auto-exposure mode, hence the "Program" designation. This new feature allowed the camera to automatically select both aperture and shutter speed, providing even greater convenience for photographers while still offering manual control options.
Together, these cameras represent milestones in the evolution of SLR photography, combining technological innovation with user-friendly design to make high-quality photography accessible to enthusiasts of all levels."
Above written with help from ChatGPT.
Bought mine when 15ish year old, still work like a watch.
Many years ago at the Saarbrücken library I started reading my kid a story from a book of Russian fairy tales. It was quite long (a story of twists and turns it was) so we left the pretty princess emprisonned in an impregnable copper tower to be delivered by her hardy hearted suitor on the next Saturday. Damnation... the book was gone. And the next week it was not back yet. It didn'tshow up the week afterwards either. Then we moved out of Saarbrücken, and to this day, wonder how the story went on. And this is why I insist on owning the books I read. The facade here reminded me of the copper tower, but that still doesn't tell me the end of the story.
Canon AE-1 Program and Canon FD 35-70mm 1:2.8-3.5 S.S.C., Agfa Precisa CT 100 slide film developed at DM and digitalized using the kit lens with extension rings.
Thank you everyone for your visits, faves and comments, they are always appreciated :)
“Freedom! To fill people's mailboxes, eyes, ears and brains with commercial rubbish against their will, television programs that are impossible to watch with a sense of coherence. Freedom!”
―(Aleksandr I. Solzhenitsyn)―
Fast car atop a s l o w (motionless) mailbox.
Program:Aperture-priority AE
Lens:AF-S DX VR Zoom-Nikkor 18-105mm f/3.5-5.6G ED
F:11.0
Speed:1/250
ISO:200
Focal Length:24.0 mm (35 mm equivalent 36.0 mm)
Focus Mode:Manual
Shooting Mode:Single-Frame, [3]
VR:On
Metering Mode:Multi-segment
WB:Sunny
Picture Control:Standard
Focus Distance:5.62 m
Dof:inf (1.79 m - inf)
HyperFocal:2.61 m
Since 2009 the Film Photography Project has been accepting donations of film and traditional film cameras. These cameras are refurbished by the FPP volunteer staff and circulated to school and student programs in the US at no cost to those organizations.
More info:
filmphotographyproject.com/donate/
Pictured: Mat with a donated Graflex Crown Graphic 4x5 camera. This camera will remain in our FPP classroom and will be demonstrated at the 2018 FPP Walking Workshop in Findlay, Ohio in August. More info soon! Sign up for our e-mail newsletter:
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This is really different from the work that i have been producing lately, But it seems like i have one decent conceptual piece every week and half or so . It would be cool if i could create more conceptual photos everyday but i just cant seem to find the time to set everything up.
And i guess the concept behind this photo is all explained in the title.
I really appreciate any constructive feedback/ critiques :)
Program:Manual
Lens:70-300mm f/4-5.6 G VR
F:10.0
Speed:1/800
ISO:72
Focal Length:200 mm
AF Fine Tune Adj:-1
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO, [9]
VR:Off
EV:-2
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:28.18 m
Dof:12.40 m (23.29 - 35.68)
HyperFocal:133.13 m
Excerpt from the Toronto Star of August 30, 2009:
As a teenager growing up south of the Junction, Joshua Barndt would wander around and spray graffiti on abandoned walls.
Last month, the 23-year-old returned to the neighbourhood with paint in hand – this time because the city wanted him there.
From July 7 to Aug. 5, Barndt and artist Jamie Bradbury, 27, led a team of five teenaged artists in painting a 122-metre mural along Dupont St. at Dundas St. W. underneath the new West Toronto Railpath for cyclists and pedestrians.
Art Starts, a non-profit organization that promotes local art, last week launched the mural, named after the Toronto Cyclists Union's motto: "Strength in Numbers."
"For me, it's coming back to old roaming ground and doing something that I'm allowed to do," Barndt said. "This is a neighbourhood ... (where) there's not a lot of access to contemporary artwork, so it's important to bring it down into the streets."
The $18,000 project was funded by the city's Graffiti Transportation Investment Program and the Toronto and Ontario Arts Councils.
As the viewer moves westward, the mural's colourful images present a narrative, first depicting the Junction's history, then themes about cycling in the city, followed by environmental issues, and ending at a utopia where nature coexists with city life.
"We've taken a corner that was undesirable," Bradbury said, "and within a matter of a month, it's completely changed the whole feeling of the area."
2023 appears to be the last year of existance for the De Wadden.
National Museums Merseyside plan to deconstruct this auxiliary vessel by the end of the year.
This will be the second preserved ship to be deconstructed (Why don't they use the word scrapped?) by the Merseyside Maritime Museum a decade or so ago the Weaver Packet WINCHAM was broken up.
The Museum appear to be planning a "contemplation space" which resembles a peculiar mausoleum in the bottom of the Graving Dock as part of a redevelopment of the area!!
Whilst there has been no money forthcoming for the restoration and maintenance of the DE WADDEN and also the WINCHAM millions of pounds have been poured into the Slavery Museum over the past two decades and the Museum of Liverpool was constructed a decade ago even though there was a perfectly adequate museum of Liverpool in William Brown Street.
More photographs of DE WADDEN can be found here: www.jhluxton.com/Shipping/Historic-Ships/De-Wadden/
The following notes are from Historic Ships:
DE WADDEN is a three-masted auxiliary schooner built in the Netherlands in 1917. She was built by Gebr Van Diepen of Waterhuizan, Netherlands, for the Nederlandsche Stoomvaart Maatschappij (Netherlands Steamship Company). This company commissioned DE WADDEN and her two sisters in order to take advantage of the very lucrative trading conditions created by Dutch neutrality in the First World War, and it is vessels like her which provided the foundation for the continuing Dutch strength in the European short-sea trades.
The world-wide shipping slump in the early 1920s forced her sale to Richard Hall of Arklow in the South of Ireland, and it is as an Irish Sea schooner that she is best remembered. From 1922 to 1961, DE WADDEN carried bulk cargoes such as grain, pit-props, china clay, mineral ores, and especially coal from the River Mersey to various Irish ports. Victor Hall, her longest serving Captain, commanded her from 1933 to 1954, and her finest hour was probably during the Second World War when she was one of a small handful of vessels which provided the vital lifeline of supplies to the Irish Republic, after many other ships had been taken up for the British war effort. Her crew consisted of only five men and a boy, and since she could sail, a qualified marine engineer was not required. She carried a motor winch in the forward deckhouse to allow the cargo to be handled without extensive shoreside facilities.
The motor was used almost all the time when she was under sail. This allowed the motor schooner to be built with a flat bottom and shallow draught for maximum cargo capacity together with the ability to enter small harbours. Without the push of the motor, this hull shape does not sail very well. Her original 125 hp 'SteyWal Dutch engine gave her a speed of five knots, but after a major failure was replaced by an 80hp Bolinder engine purchased from the Admiralty. In addition a 50 hp Kelvin engine was fitted on the port quarter to give additional power. These were both removed in January 1942 and replaced with a sic cylinder 150 hp Crossley DR diesel which was only replaced in turn by a 450 hp Caterpillar Diesel in 1980.
This combination of sail and motor remained economical up to the early 1960s when she finally had to retire in favour of a modern motor coaster. She was therefore sold in Dublin to Mr McSweeney who took her to Scotland for a new and varied career. Her tasks ranged from carrying sand to taking out fishing parties, and she even appeared in a number of films, including The Onedin Line for the BBC. She was eventually put up for sale by her last owner, Kenneth Kennedy of Dunoon, and purchased by the Merseyside Maritime Museum in 1984. In 1987 she was drydocked to allow an extensive program of conservation and restoration. In the early 1990s the Museum briefly ran some onboard tours and education sessions, before this was withdrawn to allow further necessary conservation work to take place.
In 2022, options were reviewed for De Wadden's future and in November a declaration of intent to deconstruct was formally published by National Museums Liverpool in conjunction with NHS-UK. For further details visit www.nationalhistoricships.org.uk/news/nhs/declaration-int...
Update, May 2023:
National Museums Liverpool’s Board of Trustees has approved the recording and disposal by deconstruction of DE WADDEN. A team is now reviewing the various options to record the vessel, from photogrammetry, to exploring what elements of DE WADDEN might be suitable to retain as part of the Maritime Museum’s collections or for other potential use. National Museums Liverpool is also committed to the recycling of as much of the vessel’s materials as possible. Deconstruction, which will follow a programme set out by National Historic Ships for the responsible disposal of ships, is due to take place towards the end of 2023. Full statement: www.liverpoolmuseums.org.uk/de-wadden
I’d like to present my entry to the BrickLink Designer Program Series 1 - Bob’s Café and Johnny’s Bakery!
It has a chance to become a limited edition LEGO set, so if you like it, please consider voting for it! - www.bricklink.com/v3/designer-program/series-1/414/Bob's-...
The set idea contains two buildings: the corner building has a café on the ground floor, a LEGO fan's apartment on the first floor, and a nice, cosy roof terrace. The second building has a small bakery on the ground floor and a small apartment on the first floor; but there's also an attic where minifigures can store their old stuff they're not using.
These houses are modular, which means you can connect them using technic pins and you can also easily remove/add multiple floors to them, and they’re compatible with the new LEGO road system. They have a much smaller footprint than classic modular buildings, but the facades and interiors are really detailed, so I hope AFOLs and younger builders will like this set.