Toronto Lovers
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Gratitude for the programmers who write the software and apps that feed our habit.
Created for the Award Tree Group Contest Gratitude
All photos used are my own.
Thank you for taking the time to visit, comment, fave or invite. I really appreciate them all.
All rights reserved. This photo is not authorized for use on your blogs, pin boards, websites or use in any other way. You may NOT download this image without written permission from lemon~art.
(Latin for 'I Will Not serve')
A collection of stories called 'A Perfect Vacuum.'
www.youtube.com/watch?v=AjI2J2SQ528
"It has to do with a programmer who creates a whole collection of artificial virtual personalities in a virtual world, but he doesn't let them know that they're virtual. So they argue among themselves as to whether there exists a creator, and if so whether they owe him any gratitude for their existence.
Pix'd @ Hangars Liquide - maps.secondlife.com/secondlife/Hangars%20Liquides/89/48/2208
Windlight: Rot
Avatar: Genesis Lab Bento / Maitreya
Nadat in 1998 het theater 'Prins van Oranje' werd gesloten, opende in 2003 Theater de Mythe haar deuren in Goes. Het theater biedt een brede programmering op het gebied van toneel, cabaret, muziek en dans. Naast professionele artiesten, is er ook ruimte voor amateurgezelschappen.
After the 'Prins van Oranje' theater was closed in 1998, Theater de Mythe opened its doors in Goes in 2003. The theater offers a wide range of drama, cabaret, music and dance programming. In addition to professional artists, there is also room for amateur companies.
Goes, the Netherlands
Instead of doing our HTML, CSS, Javascript coding at our desk, we decided to finish the project in bed with Lavender doing the coding and Lance debugging. The window and the outside lights provide sufficient illumination into our bedroom at our cabin home in Second Life.
Searching for some inspiration to say something about looking at the world askew, I found that google programmers have the answer. Search for "askew" and be amused by their cleverness.
Aira loves isolate herself in the forest to work on her laptop without distraction. (Fortunately for her, Finland has a good mobile coverage...)
As always, there is a full blog post from last year about Ada Lovelace available at Stuck in Plastic: www.stuckinplastic.com/2019/11/week-48-ada-lovelace/
DHV_3993 TOKINA
I really have the civic name Farmer. But in my youth I needed money. That's why I'm in nuclear power as a programmer and that's why I'm closed 12 hours a day in a dark office. There are 2 computers and 3 monitors. I do not know if it is day or night. That's why I envy the farmers in the fog. He knows it.
I've been in the corporate programming biz since graduating from college with a degree in computer science in 1982. During my ten year tenure at Lever Brothers, I wrote at least 600 interactive and background CICS programs, most of which communicated with VSAM indexed files as well as TS and TD Queues and a 3270 emulator screen. I always found it somewhat strange that such a large corporation didn't use IBM's relational database DB2. Oh well... back to the Newsweek magazine.
Katherine the programmer takes advantage of a quiet moment at Central Perk to finish some of her coding. She has to hurry before the "Friends" cast arrives and finds her sitting on their couch :-)
I took this photo in December 2019.... it's so weird to see the photos that I took right before the pandemic. It's like a time warp.... everything that happened before the pandemic just feels so long ago and in a galaxy far, far away. Like a distant world or something.....
Is anyone going to get the new "Friends" Apartments set? I think it looks awesome but it's very large and I'm running out of space :-)
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Do not download without my permission.
AN ANALYTICAL PERSPECTIVE ON THE "ART" ADVENTURE OF HUMANS AND ARTIFICIAL INTELLIGENCE
The concept of "art" is the field of creativity, the only feature of being human. As the artistic prowess of Artificial intelligence emerges in a fast-moving world, it raises questions we've never encountered before about what it means to be "human". What kind of a period will "art", which is the result of human concepts such as existence, society, communication, subconscious, emotions, imagination, intuition, love, sensitivity, impulse, instinct, dream, originality and of course, creativity, enter into a period with Artificial intelligence (AI)? With its revolutionary technology that will change production, thinking, lifestyles and the future, will artificial intelligence, which is designed to replace people in other fields of activity, be more creative than humans in the field of art and reach the competence to challenge the artist?
According to Hegel, art carries the spirit of the artist, who is transferred to matter and likens matter to himself. Well, since the products created by machines without a soul today are not generated by an artist, can they carry spirit and meaning?
For years, computer technology has already made an impact and contribution to visual arts with image technologies such as vector, bitmap, 3D, CGI as a tool that creates, processes and changes the image. Today, many smart image generators such as Stable Diffusion, DALL-E, Craiyon, Midjourney, Nightcafe Ai, etc. are software systems that can statistically evaluate themselves over large datasets containing millions of images, train themselves, and produce new images that are not included in the original dataset. Not just images, AI is already being used in other branches of the arts to create music, poetry, sculpture, stories, articles and films.
There are many new questions and concepts such as whether the products created by a system that has human skills but is not human are real works of art, whether programmers and machines will be accepted as artists, whether AI products can be included in the broad and general definition of art. Although there are objections, acceptances, doubts, different opinions, it has been met with great interest by the majority.
First of all, it is necessary to talk about the concepts of “Art” and “Artist”. In its most general definition, art is a reflection of the human mind and cultural evolution, an expression of creativity, way of thinking and imagination. The artist, on the other hand, is the one who makes art with the awareness of "being human", humanizes and shapes life, and realizes the phenomenon of art with action. The artist combines facts with aesthetic elements from a different point of view and records them in social memory. Behind his creative works lie deep stories of man, his age and society. He uses his imagination, patience, enthusiasm and self-sacrificing efforts to embed his passions, memories, dreams, imaginary and abstract ideas, symbols, philosophy and his inner world, the dynamics of the era and society he lives in, with aesthetic expressions. The process of creating the artist's art is complex and difficult, while filtering everything he is affected by and incorporating it into his works. He feels both sadness and happiness most deeply, and experiences his anxiety and pleasure at the highest level.
Art originates from life and human beings and belongs to humans. “Art is an object made by man for man. “ (E.H.Gombrich, The Story of Art) This is a very accurate definition and “Art” is based on a human-made phenomenon that takes its source from the human artist and seeks meaning with its historical, social accumulation and imagination; existence occurs in the unity of human, artist, meaning, aesthetic object and aesthetic taste. In this respect, there is a deep bond of existence between man, art and work of art that complements each other.
The artist searches for the meanings behind artistic intentions and desires and vital phenomena. Since AI is not a living, emotional being, it lacks imagination, the reality of its external world, and the qualities of being human. Unfortunately, those who claim in advance that the products of AI are art, underestimate the artist who realizes the thousands-year-old deep source of art and the artistic production process, and find it unnecessary to question the artist's effort and necessity. Decisions made by those who do not know the depth of the creative process, without entering the enthusiastic world of an artist, are in favor of accepting and affirming AI products without questioning them. We see that the capitalist world, which wants to benefit from the stimulating effect of the trade created by AI products, has great expectations to use this situation in its favor and turn it into money.
The production process of AI is formed by the combination of computer, programmer, data, algorithm, output, aesthetic taste of the receptive subject. Since AI does not perform its actions by focusing on aesthetic values, aesthetic harmony and meaning, the output it produces is only a sensory, aesthetic value uncertain, non-essential, formal object. Because it lacks the subjective point of view and the values of the special creation process in the mind of an artist. The software, which does not take its source from the human mind, does not have emotions, and produces from ready-made data, has the potential to produce likeable outputs. It can even produce outputs, albeit rare, that, by chance, can give aesthetic pleasure and cause emotional and artistic excitement in people. Again, it is the receptive subject himself who adds artistic value to such an output with his artistic disposition, education and dreams. Because, while the output is devoid of a communication basis, an expression to be conveyed and has no artistic value, the perception style, psychological orientation and point of view of the receptive subject who establishes the communication raise the output to the value of an object that gives aesthetic pleasure. The receptive subject participates in the process with its level of perception of the object, aesthetic judgment and creativity, and needs the qualities of its own self and visual capacity. With a subjectivist attitude, he takes the artistic value not from the object but from his own psychology, customizes the object with his own emotions and attributes a meaning to the output. What makes the output of AI valuable is not the qualities of the aesthetic object formed by the activity of an artist, but the way of seeing of the receptive subject.
The work of art is a human creation, the creative subject is the artist. The artist produces by adding meaning to his work, and the visible form has a meaning integrity, a unity of form and content. In his work, the artist formally expresses a reality about life in his work. That is, the meaning is not added after making the work, and the meaning exists as a substance in the mind of the artist before the work takes shape. In the work, the expression to be conveyed without communicating with the receptive subject is already present and ready; all this is hidden in the work as a reality and waits to be seen by a competent receptive subject. This is the process of discovery of the work of a spirit that repeats the aesthetic creation formed in the artist's soul. The receptive subject, who judges the output of artificial intelligence, lacks the pleasure and effort of creating, perceiving and recreating the expression level of the artist, that is, the human being. Because understanding and making sense of a work of art requires an effort like the creativity of the artist.
E.H. “We cannot hope to understand a work of art if we do not have the ability to share that sense of liberation and triumph that the artist has over his finished work,” says Gombrich.
We see that while art is realized with the connection of the artist, the work (aesthetics) and the receptive subject (aesthetic interest), the process in the AI product takes place with the connection of data, algorithm, object (sensory) and receptive subject (aesthetic interest).
Human art is the aesthetic relationship between man and objective reality and includes artistic reality. Its source is life, human, society, created by the artist, it focuses on the whole process and is holistic. It is based on the reproduction of the aesthetic values that the artist brings to the object by the receptive subject, the connections and interaction with the aesthetic judgment. It is directly and tightly connected to human practice, society and social life. The work of art is personal, original, and the artist has a compositional knowledge and skill that will require much more than repetitions, different blending and attachment techniques in AI output. In a way that takes its origins from life and focuses on the soul and meaning, art considers beauty as a unity of values. Like artificial intelligence, it focuses not only on the result, but also on the whole process, and this is what we need to distinguish.
Although AI is capable of creativity, this does not mean that it is an artist. Likewise, neither a programmer nor an algorithm is an artist. Because their production is outside of the vital, emotional, spiritual and meaning integrity we have explained above, they produce automatically and with commands. The algorithm does not create the object by considering artistic values, qualities and concerns, that is, the algorithm is not aware that it is dealing with art, so it is not conscious of reality. It scans the database and generates predictive compositions with the ability to fuse, add, subtract, associate and learn.
Artificial intelligence products can only be at the limit of the general definition of art. The creation process is automatic and is not identical with human art with the layers of existence it has; the source, formation and result are realized by a completely different method. Therefore, although it is ostentatious and surprising, it is an incomplete and experimental art (like) approach that is not competent.
Based on the context of reality, the search for meaning, the layers of existence and the social source of life, it would be appropriate to call it "Human Art" because it represents human beings, and "Artificial Intelligence Art" because it is created by codes. Because we cannot see artificial intelligence, which enters art as a separate actor, as if it is making productions of the same value as human beings and art. What makes human art valuable is that it tells its own story and the struggle for existence with the accumulation of thousands of years of creation process.
As AI enters more and more scientific, everyday and artistic and human fields, we have to make the rules, boundaries and definitions of human domain, arrangements, positioning and criticisms that include what human being is, to remain "human". The important thing is to create and place concepts that will preserve the depth, value, originality, creativity and freedom of the human domain. While doing this, we should determine the roles by defining the field that artificial intelligence, that is, the machine can have. For this reason, the categorical distinction was made as "Human Art" and "AI Art" because it was based on codes. To make both the same, to say that both achieve similar goals in different ways, is a disrespectful, unfair approach to art and the artist and should be objected to.
Of course, AI will enable artists to create new and original products through collaborative work as a resource to benefit from. With artificial intelligence in artistic creation, the artist can expand his creativity, get inspired, try new things, and also think of artificial intelligence as a collaboration tool. Even if the artist is involved in the creation process of the products created by this collaboration, even if he has the initiative, the use of AI based on the source codes will bring about discussions.
The approach to artificial intelligence products will also mean the sincerity exam of people. The artist and no one should not escape easily, and try to show stolen ideas or directly as his own work. It should not make an effort to reflect worthless products as if they are valuable.
Deciding whether the output has value and the quality of its connection with the art means reaching the big problem area in art. A wide variety of factors should be taken into account while making an aesthetic interpretation. Knowing who the work belongs to is also a factor that will affect our decision. Interpreting a work that is not clear by whom it was generated may cause exaggeration or vice versa, underestimation and incompleteness. Evaluating an object as artistic and beautiful is relative (apart from reconciliation with assumptions that make aesthetic judgment general and based on common feeling) and is difficult, but this is a mysterious and normal state of art.
Artificial intelligence will be an encouraging and supportive force with its ease not only for artists, but for everyone. In addition, the copyright problem of the entries that make up the database should be solved, and the rights of the artist and everyone else who does not want to be in the database should be respected.
It should never be forgotten that; The importance of painters and painting did not decrease with the invention of photography, the transformation of smart phones into talented cameras did not turn everyone into a photographer, AI cannot turn anyone into miraculous and fantastic artists, nor transfer talents.
While the subject is being discussed, painting is generally focused on because of its popularity. But how do we react when AI produces an image with details and visual quality indistinguishable from a real photograph? Especially when we compare it with documentary photography, the situation will become more complicated. At this stage, the values shaped in our aesthetic, emotional and imaginary world, which we judge the paintings, will not be enough. We will need to ask whether the photograph is based on objective reality, and we will build our judgmental values after the definition of reality. Because, as a document, that photograph is real, it reflects the state of the world while connecting the lived past to the future, it has a place and a story, it is direct, it is a human and social memory and transfers it to other generations. The photograph created by AI has no story, it only depicts unreal scenes with automatic editing, and the composition is created only with the ability to imitate. Such a photograph will not go beyond an image that only arouses technical admiration before the viewer. For this reason, I think that unmanipulated and documentary photography will become more valuable in the future. Because it will never lose its value as a tool that reflects reality and directly reflects events.
Can you consider William Turner's painting "The Slave Ship" separately from the historical, social, reality of the outside world and the dynamics of the artist's inner world? This painting is not just a painting, it is a work that has meanings far beyond the painting. Now let's imagine that a similar picture is generated by artificial intelligence. Even if pictorial values, light and composition are used appropriately, what historical, artistic, cultural, emotional value can it have? In other words, in the background of art, there are stories of life and a context, while artificial art has nothing to tell, it is a storyless phenomenon that is disconnected from the context of reality, as a product of a system under the control of virtual codes, and has no history.
In today's society, communication habits have changed, the world of possibilities has grown, and even magicalized. AI "image generators" give everyone the opportunity to be creative, and thanks to their amazing ability, they make this experience available to millions of people. Even a child who has learned to read and write can accidentally create remarkable products in front of his computer. It does not make anyone who can write keywords to the computer and who does not have artistic personality and creativity an artist and does not include them in art. Millions of people are attracted to this attractive game without age limit and are entertained by its amazing and strange results, as if they have achieved a magical power. It is more accurate to call them "experimental participants". It is a fact that outliers, complex, uncertain, surreal, mystical, imagination-stimulating images attract a lot of attention. Friedrich Schiller and his theory that art is a game come to mind. But in his theory, Schiller meant real art. Besides, art is a much more complex phenomenon than play.
Although the outputs are strange, unencountered, interesting and attractive, as they multiply uncontrollably in the internet environment, they have a high potential to turn into habitual, valueless, artificial, ordinary objects.
It is human beings who will stand against the destructiveness of technology and protect humanity. Being human, despite your shortcomings, is unique. Do we have the human intelligence, virtue, honesty, will, courage and plan to use the future to be a better human being “together” and to create a world based on beauty and equality? While AI becomes human, we never want a role change where people become automatic, ineffective and robotic.
Man interprets and makes sense of life with his art, resists against time, and transfers his relationship with life to the art environment in freedom with his searches and discoveries. Art is formed in reality through "labor" by the artist. All innovations and technological changes should never be allowed to trivialize art and artists. Because Artificial Intelligence lacks the human touch, love, impulses and, in short, a life.
Einstein said, "The criterion of being intelligent is not knowledge but imagination," and reconciling human imagination with intelligence.
akilalparslan.blogspot.com/2023/01/an-analytical-perspect...
The programmer gets an early start at the Parisian Restaurant, with her laptop and a cup of coffee :-)
By the way, tomorrow (September 29) is National Coffee Day! Enjoy an extra cup of coffee tomorrow :-)
* T.P 7/9 :"L.I.N.G.U.A.E" Disponible en 4k :
www.youtube.com/watch?v=3H-hDx1xJLI
#alchemy - #research - #creation
Welcome to all of you in this sixth Opus.
Cellular differentiation could have inspired the famous "Choixpeau" and its unquestionable dictat of impartial, implacable and invariable, or almost invariable, orientation ... .
A few days after the fertilization (the admission therefore) destined to make us become champions of artichoke combat "once we become big", our cells are similar, a kind of crucible in modeling clay, each of which, after their specialization, will keep a trace, like a manufacturer's serial number, throughout the cycles of renewal and evolution.
Before a very precise specification, the so-called naive cells (neutral, raw material TO BE DONE) will present themselves to 3 architects/programmers/cooks who are the three basic incubators of all the cells that will make us BECOME, we are here in the Human, Between the 3rd and 4th day of fertilization the cell division takes off, the embryo begins to migrate towards the uterus, and all this process is carried out perfectly, raising many more literally "existential" questions without the need to think about it or to worry about it; it's beautiful when you think about it. ..
It is the "transcriptional factors" that oversee and decide the "Career" of the cells. These Cellular Generals, present within the stem cells, will promote and encourage their renewal, in short; they will organize the cell to provide it with logistical support (fuel) and close protection. Indeed, external "bodyguard" cells will surround and work to maintain an optimal environment for the development of the "stem cells", a cocoon in short, well named "niche", the whole to refine, encircle with a matrix membrane as a shield (it should be seen as an eggshell), the white being the close guard, the yolk being the most precious... .
At the beginning of the 1980s, we thought that these orientations of cellular career were inscribed in our genetic heritage with, like any baggage, a place in the code line for a random transcription generated by adaptation to one's own environment of evolution in order to correspond to it as well as possible, we know today that it is not so simple, remaining still unable to know how our cells determine themselves by billions of homogeneous, specific and eminently complex ways to constitute us.
We speak here, in science, of "chance" in a field where our Vision, in the broadest sense, still remains blurred, in Medicine, we would have spoken of "anomaly" in Mechanics we would have spoken of "dysfunction" so each profession in the course of its history has developed a lexicon "of specific ignorance" filled with words more amply and learned from each other avoiding us, intelligently, to have this pain inherent in the human species, a tedious task which has become over the course of the MILLENNIUM TRADITION, that of admitting our ignorance. Let's call it "French charm" to stay romantic.
To become pragmatic again we understand here the importance given to research on stem cells and their series of controversies, cloning being one of the most "stormy" examples, and rightly so, these two sectors of research being tacitly linked, deontology and morality are a barrier to abuses, nevertheless like its namesake, the pressure exerted on its structure can cause its rupture, the risk remains, let us learn to swim because one day it may be explained to us that. ... "Hunger justifies the means..." point of surrender.
Let's prefer the voice of hope opened by the concurrent works to understand how and why these "stem cells" are organized, disciplined, hyper-polyvalent, adaptive and self-structured in such an ingenious way on a Macroscopic scale, it's like Magic... This much sought-after universality, the Holy Grail of civilizations, is still buried somewhere.
A.V.P.9
A few words to explain our short term objective:
We know very well that potential Geniuses spend hours every day in the garages of attic cellars, behind future projects contributing to the "best common", scratching plans, screens, tables, equations... etc, of GREAT curious people who scratch their heads on their sides, quite simply, then let us federate, encouraging synergy, the means to free ourselves from the "Master" lecturer and his unquestionable word, academic teaching remains essential as a Base, Once curiosity has become predominant it seems to be decisive to adapt, and on an equal footing, full of humility, throw a problem into the pit of ignorance to discuss it openly, because nature shows us that there are always 2 solutions to 1 problem.
*(Fr) Langue d'origine :
Bienvenue à tous dans ce sixième Opus.
La différentiation cellulaire aurait pu inspirer le célèbre "Choixpeau" et son indiscutable dictat d'orientation impartiale, implacable et invariable, ou presque... .
Quelques jours après la fécondation (l'admission donc) vouée à nous faire devenir des champions du combat à l'artichaut "une fois devenu grand", nos cellules sont similaires, un genre de creuset en pâte à modeler dont chacune après leur spécialisation, va garder une trace, comme un numéro de série fabricant, tout au long des cycles de renouvellement et d'évolutions.
Avant une spécification bien précise, les cellules dites naïves (neutres, matière première A TOUT FAIRE) vont se présenter devant 3 architectes/programmeurs/chefs cuisinier qui sont les trois incubateurs de base de toutes les cellules qui vont nous faire DEVENIR, nous sommes ici chez l'Humain, entre le 3ème et 4ème jour de fécondation la division cellulaire s'envole, l'embryon commence à migrer vers l'utérus, et tout ce processus s'exécute à la perfection, soulevant encore nombre de questionnements littéralement "existentiels" sans que l'on ai besoin d'y penser ni de s'en soucier ; c'est beau quand on y pense...
Ce sont les "facteurs de transcriptions" qui supervisent et décident de la "Carrière" des cellules. Ces Généraux cellulaires, présents au sein des cellules souches vont favoriser et encourager leurs renouvellement, en somme; ils vont organiser la cellule pour lui faire bénéficier d'un soutien logistique (en apport de carburant) et d'une protection rapprochée. En effet, des cellules extérieures "Gardes du corps" vont entourer et travailler au maintien d'un environnement optimal pour le développement des "souches", un cocon en somme, bien nommé "niche", le tout pour fignoler, encercler d'une membrane matricielle en guise de blindage (il faut y voir une coquille d’œuf), le blanc étant la garde rapprochée, le jaune étant le plus précieux... .
Au début des années 1980, nous pensions que ces orientations de carrière cellulaire étaient inscrites dans notre patrimoine génétique avec comme tout bagage une place dans la ligne de code pour une transcription aléatoire générée par l'adaptation à son propre environnement d'évolution afin d'y correspondre au mieux, nous savons aujourd’hui que ce n'est pas aussi simple, demeurant incapables encore de savoir comment nos cellules se déterminent par milliards de façons homogènes, spécifiques et éminemment complexes pour nous constituer.
Nous parlons ici, en science, de "hasard" dans un domaine où notre Vision, au sens large, reste encore floue, en Médecine, nous aurions parlé "anomalie" en Mécanique nous deviserions "dysfonctionnement" ainsi chaque corps de métier au cour de son histoire a élaboré un lexique "de l'ignorance spécifique" garni de mots plus ampoulés et savants les uns des autres nous évitant, intelligemment, d'avoir cette peine inhérente à l’espèce humaine tâche fastidieuse devenue au fil des époques TRADITION MILLÉNAIRE, celle d'admettre nos ignorances..., appelons cela "le charme à la française" pour rester romantique.
Pour redevenir pragmatique nous comprenons ici l’importance accordée à a la recherche sur les cellules souches et leurs cortèges de controverses, le clonage étant l'un des exemples les plus "Houleux" à juste titre, ces deux secteurs de recherche étant tacitement liés, la déontologie et la moralité font barrage aux dérives, néanmoins à l'instar de son homonyme, la pression exercée sur sa structure peut engendrer sa rupture, le risque demeure, apprenons à nager car un jour on risque de nous expliquer que..."La faim justifie les moyens..." point de cession.
Préférons la voix de l’espoir ouverte par les travaux concourants à comprendre comment et pourquoi ces "cellules souches" sont organisées, disciplinées, hyper-polyvalentes, adaptatives et auto-structurées de manière si ingénieuse à une échelle Macroscopique, cela tient de la Magie.. Cette universalité tant recherchée, Saint Graal des civilisations, perdure toujours enfoui quelque part.
A.V.P.9
Quelques mots pour expliquer notre objectif à court terme :
Nous savons pertinemment que des Génies en puissance passent quotidiennement des heures dans des garages des caves des greniers, derrière des projets d'avenir contributifs au "mieux commun" à gratter des plans, des écrans, des tableaux, des équations...etc, de GRANDS curieux qui se grattent la tête de leurs cotés, tout simplement, alors fédérons, encourageant la synergie, les moyens de nous affranchir du "Maître" conférencier et de sa parole indiscutable, l’enseignement académique reste essentiel comme Base, une fois la curiosité devenue prédominante il semble déterminant de nous adapter, et sur un même pied d'égalité, plein d'humilité, jeter une problématique dans la fosse de l'ignorance pour en débattre ouvertement, car la nature nous le démontre perpétuellement, il y a toujours 2 solutions à 1 problème.
*Researchers and environmental analysts, our work focuses mainly on the dynamics of natural fluids and their potential for action as well as the systems of adaptation and evolution of species, the artistic aspect of this project being only a "Bonus".
Soutenez les profondeurs (Support the depths) :
www.leetchi.com/c/soutenez-le-projet-des-profondeurs-avp9
J&Lux A.V.P.9
fun facts:
The Pragmatic Programmer story book popularized the term 'rubber duck debugging'
the terminology is now frequently used today by software engineers and programmers to describe a debugging code methodology.
Copyright © 2015 Tomitheos Photography - All Rights Reserved
Once again we are at a juncture where the programmers have forced many and especially those that use the English version and paid for premium pro accounts to use the "New Flickr Experience"
The programmers and leadership at Yahoo (i.e. CEO Marissa Mayer) failed to pay attention to the flickr users back on December 8, 2013 (flickr Black Day) and simply ignored the many fine photographers that made flickr what it was.
For the flickr programmers and especially the staff that monitor the forum please know you have once again ignored the users and pandered to advertisers. Really bad idea for flicker to change the old format. We don't mind changes that make it better, but this time your programmers got it WRONG!!!
We all enjoyed this site the way the format was without having the square pictures to the left of the info. The info blocks do not provide us with many of the options we used to have should be left as it was without messing with them and the photo format should NOT have been changed.
I would encourage everyone to only post Red for the next 36 hours and especially on 6 April and I would also encourage folks to use the flickr and Yahoo forum to ensure their voices are heard load and clear to the programming and corporate staff that their changes are making a once great web site horrible.
Simply Flickr staff and the Yahoo CEO (Ms. Mayer) pandering to the advertisers and not to the millions of great photographers that made (past tense) Flickr what it was. Flickr will go the way of AOL and MySpace if the flickr leadership doesn't listen to the photographers that provide the CONTENT and basis of what this web site was supposed to be. We will find a better platform if you make the changes stick or don't fix the multitude of bugs quickly!!!!!!!
Maybe it really is time to try 500px. What say you? What say flickr staff? What say you Ms. Marissa Mayer (CEO of Yahoo)!!
Activity was busy at ACME Computer Programming Labs. Cecilia Cellular was trying to fix a bug in her droid, and her work associate, Carl Cuppaccino entered with his morning grog.
Motorcycle Mike also came, wanting to help fix things quickly.
"No, Mike. You can't fix it with a hammer. It's an electrical problem."
20200107 007/366
thigh high socks fitted to both legacy and ebody reborn, as well as maze soft thighs and apricot paws feety peets! fatpack or pick one of 4 colour pallets : pastels, jewels, brights, and basics. all huds are mix and match! both right and left socks and sock tops can be changed independantly!
masc body version coming soon
search phase on the marketplace to find us!
First, Lightbox
They say religion and disparity are "coded" in human nature. By that definition, God must be one hell of a programmer. It must take an algorithm infinitesimally complex to make people stand while a prayer is held, side-by-side, shoulder-to-shoulder,in perfect synergy...who are otherwise known to "cheat" and "deceive" each other at every instance possible.
They also say that "Fear is the ultimate motivator"...and fear of the unknown/unseen/untouchable is perhaps the most ulterior of motifs out there.
Who are they? I don't know. You should probably ask google.
Oh, and Happy Programmer's Day !
Many Thanks to the +6,215,000 visitors of my photographic stream
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© Ioan C. Bacivarov
All the photos on this gallery are protected by the international laws of copyright and they are not for being used on any site, blog or forum, transmitted or manipulated without the explicit written permission of the author. Thank you in advance
Please view my most interesting photos on flickriver stream: www.flickriver.com/photos/ioan_bacivarov/
Many thanks for yours visits and comments.
Lehetne jobb is, de most ennyire futotta. :)
Világítás azért ilyen, mert a lakásban kiégtek a vezetékek és momentán 3 aljzatban van csak powa'. Így a stúdiólámpa nem játszik. :(
Flickr Protest 19-27 April 2014 (Blackout Week) "Read this Flickr Programmers & Yahoo CEO"
Unfortunately this is a rehash of the protest from 6 April and from 8 December as Yahoo seems intent on destroying the web site as we know it without fixing the multitude of bugs plaguing the "new experience".
For my contacts and those that sometimes view, fav or comment on my photos, please know that I will not be posting again until after 27 April and only limited after that unless Yahoo fixes the bugs or reverts back to a fixed older format. Please don't be offended if I fail to comment or favorite your art work during this time frame as I am not ignoring your photos, but simply trying to have my small voice heard by the folks that run this web site. In the mean time please know that I have started populating most of my photos onto 500Pix as they seem to cater to photographers and not simply folks that take snapshots via IPhone's looking for attention on just another social network.
The following is what I posted two weeks ago and it still stands (although slightly modified):
Once again we are at a juncture where the programmers have forced many and especially those that use the English version and paid for premium pro accounts to use the "New Flickr Experience"
The programmers and leadership at Yahoo (i.e. CEO Marissa Mayer) failed to pay attention to the flickr users back on December 8, 2013 (flickr Black Day) along with 6 April 2014 (flickr Red Day) and simply ignored the many fine photographers that made flickr what it was. They have ignored our voices due to corporate greed and nothing less.
For the flickr programmers and especially the staff that monitor the forum please know you have once again ignored the users and pandered to advertisers. Really bad idea for flicker to change the old format. We don't mind changes that make it better, but this time your programmers got it WRONG!!!
We all enjoyed this site the way the format was without having the square pictures to the left of the info. The info blocks do not provide us with many of the options we used to have should be left as it was without messing with them and the photo format should NOT have been changed.
I would encourage everyone to only post Blackout Protest Photos for the next "7" days from 19 April through 27 April 2014 and I would also encourage folks to use the flickr and Yahoo forum to ensure their voices are heard load and clear to the programming and corporate staff that their changes are making a once great web site horrible.
Simply Flickr staff and the Yahoo CEO (Ms. Mayer) pandering to the advertisers and not to the millions of great photographers that made (past tense) Flickr what it was. Flickr will go the way of AOL and MySpace if the flickr leadership doesn't listen to the photographers that provide the CONTENT and basis of what this web site was supposed to be. We will find a better platform if you make the changes stick or don't fix the multitude of bugs quickly!!!!!!!
As I mentioned above, I have started to upload my photos on 500pix as it seems to be a much better place for now. I would encourage many to do the same if they are not happy with the new experience of flickr.
What say you? What say flickr staff? What say you Ms. Marissa Mayer (CEO of Yahoo)?
Mc Clawson - Advisor & second pilot upon Orbital Reproach and Shooter Programmer, Formley captive middleman but with age comes reason, and his pure motivation is to see his days out in the sky. As the oldest crewmen his calculating and wisdom in space is a vital weapon in unknown regions. A great joker and always makes light of his actions, he once crashed a Scouter H2 into a FrieghterGate carrying Uiilinuim and laughed it off, even thou it cost him his leg and cant breath without an air piece!
Hobbies: History especially humankind Scottish earth files, Used to run daily but now plays crutchball with his team called 'The Legged Whiners', also loves to eat Spagneti, a special longworm sandwich high in fibrean and vitaform C2. Red Tags: Killdead on 35 counts and is the only current member to have escaped the Prison of Fallen Angels, the toughest outbreak in Galaxy history, he changed his ID by going HF (hand & face less) he cannot be found as nobody knows the were's the whats. Any prisoner with HF have no trace and that suits current employer CX perfectly.
Halo 4 Principal Engine Programmer Corrinne Yu coding Halo at 343 Industries, Halo Team, Microsoft, with Chloe Scott-Yu on a Sunday
✱ PROGRAMMER / CONTENT CREATOR / SIM OWNER ✱
✱ MARKETPLACE
[https://marketplace.secondlife.com/stores/57608 ♦TREVOR♦]
✱ FLICKR
[https://flic.kr/ps/3W1Pr5 Trevorios Latzo]
[www.facebook.com/trevorios/ Trevorios Latzo]
✱ DISCORD
[discord.gg/JZ5cqNTbU7 TKCL]
✱ TKCL - Land
[maps.secondlife.com/secondlife/ALEGRIA/128/106/590 Teleport]
✱ TKCL - Group
secondlife:///app/group/2d20d5a5-e7b9-27d7-ae5c-d6039c114046/about
My DIY wifi module flasher/programmer. The ftdi (red module) is the usb input. White button is for chip reset. Green jumper selects native ftdi power (if 3.3v, which this module is) or put green jumper on bottom 2 pins for lm1086-3.3 regulator (when the ftdi module is native 5v). Yellow jumper shorts to flash; open to enable user-mode. 3v zener diode on 5v ttl tx line since ESP module is not 5v-tolerant on its inputs.