View allAll Photos Tagged programme.
launch of the CDM Forestry Programme for Agriculture and Livestock Cooperatives with the presence of Brazilian Secretary of State for Agriculture.
Thank you everybody for their hard work this academic year. Let's make the next one even better!!! All your hard work is very much appreciated and congratulations to Cheryl and Cristina for completing the PGCAP!!! All tutors now hold a teaching qualification in HE and all will be FHEA very very soon. ;)
A plaque on the welcome center/shed at the Blue Iguana Recovery Programme in Grand Cayman. Built by the staff of the Fort Worth Zoo.
Page from the theatre programme for a production of 'Oliver Twist', staged by Keighley Playhouse in November / December 1995. This page includes a plot outline, and profiles and portraits of directors F. Walter Twigg and Marjorie Rhodes.
Keighley Playhouse's production of 'Oliver Twist', by Guy Williams, adapted from the classic novel by Charles Dickens, was performed at the Playhouse from Monday 27th November to Saturday 2nd December 1995. This was the third play in the 1995/96 season.
The play is introduced in the programme: "The story of Oliver Twist is perhaps one of the best known works of Charles Dickens having been on the musical scene as 'Oliver!' over many years and currently playing to sell out audiences at the London Palladium. Our play tonight is the original story arranged as a two act play by Guy Williams but the characters, dialogue and plot are all as Dickens intended and faithfully interpreted by our two very experienced directors who are Keighley Playhouse Members of long standing."
The part of Oliver Twist was taken by Bruce Sturrock (as a young man) and Robin Leitch (as a boy). The Artful Dodger was played by Paul Steere, and Fagin was played by Michael Kennedy. Angelo Clarke played Bill Sikes and Melanie Wilcock played Nancy. The extensive cast was rounded out by Robert Lister, Stuart Yoxall, Alison Frazer, Marek Musolf, Geoff Donaldson, Mavis Walsh, David Hardman, Barbara Lowens, Nick Goodwin, Rachael Trenouth, Joe Gibson, Edward Cowen, Barbara Chafer, Maria Brindloe, Wendy Todd, Barbara Lowens, Kate Fielding, Gwenda Marsden, Joanna Barker, Fiona Barker, Anneka Latta, Timothy Steere, Matthew Bowring, Daniel Wadsworth and Chris Yoxall.
The 16-page programme, printed by Kay Jay Print of Cross Hills, is part of the Christine Broadley Collection, donated by Christine in 2024.
1st June 2016 - OECD MCM 2016: Ceremony For the Launch of the OECD Latin America and the Caribbean Regional Programme
OECD, Paris, France.
Photo: OECD/Michael Dean
Page from the theatre programme for a production of 'Playbill', staged by The Theatre Group at Keighley Little Theatre in January 1968. This page includes an advert for the Theatre Group's next production: 'How Are You Johnnie' in February 1968.
The 12-page programme is part of the Christine Broadley Collection, donated by Christine in 2024.
Ensemble with hand-embroidered sequins, Spring/Summer 2005
Ashish Gupta/ASHISH
Cotton, plastic
Ashish Gupta came to London from New Delhi in 1997 to study fashion at Middlesex University and then Central Saint Martins. His work spotlights LGBTQi+ and immigrant rights in sparkling sequins. Ashish's signature embroideries are hand-sewn in the workshop he founded in New Delhi to make his first NEWGEN collection in 2004. This look combines layers of pieces from the collection, in front of a backdrop of material he has kept from that time. He says: 'Coming to London was such an inspiration … To me, it was an oasis of freedom - wear what you want to wear! Kiss who you want to kiss!'.*
From the exhibition
REBEL: 30 Years of London Fashion
(September 2023 – February 2024)
Sponsored by Alexander McQueen.
This landmark exhibition is one of the most wide-ranging surveys of contemporary fashion culture ever staged in the UK, offering an unprecedented look at how careers in fashion are forged, and the multitude of opportunities London’s fashion scene offers young creatives.
The exhibition is a landmark collaboration with the British Fashion Council (BFC) and celebrates the 30th anniversary of the BFC’s NEWGEN programme, an initiative that supports the best emerging fashion design talent and aims to build global, high-end brands of the future.
Guest-curated by BFC Ambassador for Emerging Talent Sarah Mower MBE and co-curated by Design Museum Senior Curator Rebecca Lewin, this exhibition tells the story of hundreds of fearless young designers who have transformed the fashion landscape, and brings together exuberant, rebellious and radical garments.
The show features nearly 100 innovative fashion looks from ground-breaking debut and early collections, many of which have entered pop-culture history — and launched global design careers.
Highlights include the swan dress controversially worn by Björk at the 2001 Oscars, Harry Styles’ Steven Stokey Daley outfit from his video for ‘Golden’, and Sam Smith's inflatable latex suit by HARRI from this year’s BRIT Awards. Collections and work by JW Anderson, Wales Bonner, Erdem, Molly Goddard, Christopher Kane, Simone Rocha, Russell Sage, and many more.
These items are shown alongside films, drawings, memorabilia and never-before-seen archive material from some of the most well-known contemporary UK-based designers.
[*Design Museum]
Taken in the Design Museum
YORK, ENGLAND - JUNE 27: during an i2i Soccer Academy Summer Programme Training Session at Haxby Road on June 27th 2023 in North Yorkshire, United Kingdom. (Photo by Matthew Appleby)
Special programme for the final weekend of Polarities: Psychology and Politics of Being Ecological. Irene Stracuzzi: The Legal Status of Ice and Invisible Borders.
Photo by Hanneke Wetzer
OK, there are 11 pictures I think are good for the programme cover of this year's (2008) Sheffield Folk Festival. This one was taken during last year's (2007) morris dancing. I think the composition makes it best picture for the cover.
Which one id your favourite?