professional photos on Flickr

This is the benefit of finding an old mirror left in the shed and then hanging it in the garden. What you don't know is that I am most definitely standing on a chair.

Professional by Alexander Cahlenstein

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Professional Entertainer by aka Gerald

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Edited book cover, Memoirs of a Geisha by Arthur Golden.

Sydney

Professional Mooda by PRINCE MOODA

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Taken by : Death Whispers

Professional look 08, Part II by carolynsusancgo

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Professionally Painted by Ken Mattison

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Moment captured May 29th, 2019 at Whitnall Park in Hales Corners, Wisconsin. (USA)

Professional by koolandgang

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Mamiya C220 | Explored 09 June 2014

professional opal setting by Susannah

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got this white opal with little white topases ring from my parents for a special event. it's not an everyday ring but I love to wear it to special occations. Love the rainbow-colors of the opal!

Demi Professional by flashfix

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"Reality is merely an illusion, albeit a very persistent one." - Albert Einstein

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Since I had a lot of fun playing with textures in photoshop yesterday, I thought I would keep it up today and see what else I could come up with.

I slightly desaturated this shot to add to the monotonous feeling of an office and then started playing around with textures.

I wish I had a little more light near the top of the frame, but you work with what you have and this is what I had this morning.

I hope everyone has had a good day.

Click "L" for a larger view.

Professional Plaza by Richard Gross

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Professional development by Marcin Bieszczanin

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A true professional never stops honing his craft. After a hard day’s work posing in shop windows, Stefan likes to visit dummy model websites—purely out of professional curiosity, of course.

Strobist info: an SB-900 speedlight with a blue gel to the right and facing the subject and an SB-600 speedlight with a red gel to the left of the subject and facing the wall. The external flashes were triggered by the camera's built-in flash set in CLS commander mode. I blocked light from the built-in flash by using Nikon's SG-31R IR panel.

Editing info: three images stacked in PS for increased depth of field and control over colour blending.

Fuji GS645 Professional by yo_tuco

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Advertised as in 'excellent condition' but if your definition of 'excellent condition' means a working camera then it's not. The shutter is broke.

PROFESSIONAL PORTRAITS SESSION by Sebastiano Milardo Ph www.sebastianomilardo.it

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Fatigato Lawyers

New Delhi by DAVIDE O

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professional wrestling love by 8 Kome

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I am not interested in professional wrestling, but feel funny on this poster.

Professional Courtesy by Anthony Chan

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Professional gloss by Mike Seager Thomas

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(c. 5 year) old Dulux professional gloss white paint being mixed.

Professional Conversation by Ed Walden

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LÉON THE PROFESSIONAL. by vincentkiew

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Professional Photo Services by Rolf R. Dr. Fink

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The Meliton Hotel, Porto Carras, Sithonia, Central Macedonia, Greece

Professional Weaver (1578) by hp light

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Weavers' nests on papyrus plants, Lake George, Uganda.

Professional Grade Rust by D M

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Edited on my iPhone, shot with my Canon

The Watercress Hut by Tony

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The Watercress Hut at RSPB Fowlmere in Cambridgeshire.

Mamiya C3 Professional with Sekkor 80mm f2.8 and Ilford FP4 Plus, f16 at 1/60 sec. Scanned with Epson Perfection V800

Professional Offices by Richard Pilon

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Leica M2

Ilford HP5

Life Celubration by Leo Mayer

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This isn't my usual style of photography. There were three professional photographers taking pictures, and I approached them to capture this quick shot. Since the sun was behind her, I couldn’t see much initially. However, I thought the sunlight shining through her light linen dress would create a beautiful effect.

Professional Make Up by Lon Winchester Photography

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SPAZIO & (BC)

Canon EOS 5D MARK III

TAMRON SP 90mm F/2.8 Di MACRO

Photo: Lon Winchester

Facebook: www.facebook.com/lon.winchester.photography

Instagram: @lon_winchester

Professional photographer by S. Mel photo

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For Peter by Ray Palmer

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Half Dome From Snow Creek, Sunset. Yosemite, California. Peter was a consumate professional, and I was in awe of someone who was making his living working as a photographer, always busy, always travelling. He seemed so self assured, and seemed to bounce from heel to heel ready to start the next project. It was all film then, no digital, no instant feedback. He solved exposure and composition problems like it was the easiest thing, while I, trying to become serious about my photography, struggled to figure out why some things came out good and others so wrong. He was so patient giving me answers, advice, and critique...and there were endless war stories of his job as a commercial photographer. Looking at my work from then, I don't know how, but I guess he saw some promise in me. When an opportunity came for a firm who needed some landscape work, he pushed me out there to be recognized as a photographer. For that I am eternally grateful. We'd instantly start in on equipment and techniques and artists whenever we met up, and I would sometimes bring him some of my prints, hoping to get feedback. He instinctively knew exactly what I had been drawn to in any photograph, and would sweep his hand over that part of an image like a magnet. It was always such a confirmation, so selflessly given. We both loved black and white, and of course we both loved Ansel...what photographers don't eventually beat that conversation to death? He told me more than once of a cherished trip he took to California; his awe, like mine, of Yosemite, and his quest for an original Adams print. I mostly do color work, but from the first time I timidly brought him a monochrome print to give me suggestions, his eyes lit up and his smile said it all. I floated off the floor getting that reaction from him. A couple of years ago, he got sick. I brought a black & white print to him in rehab, and watched his eyes light up, even though his words wouldn't come as easy as before. I did good. When I left, I sat in my car and cried, sad for my friend. A couple of weeks ago I ran into his son. I said I'd go up and bring him another print, because it had been awhile, and I had been remiss in not visiting. But of course I delayed, and I need say no more. There will be no replacing his swagger, his stories, his way of making you feel like you were the most important person for him to talk to. There is no replacing his inspiration. This is for Peter. You didn't know it was coming, and I'm sorry it's late.

Professional Angler by C Hantis

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Sandy Hook, NJ

Thank you very much for your kind comments, favorites and looking

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