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Processed with VSCOcam with c1 preset

Processed with VSCO with e3 preset

Processed with VSCOcam with acg preset

The original picture was taken by Hand made 6x9 camera with Schneider

Super-Angulon 47mm f56 MC, KODAK T-Max400 (400TMY-2)

A contact print with A4 size digital negative and hand coated Kallitype paper.

2.5 minutes exposed under the winter Sun.

Processed with VSCOcam with b5 preset

Here was my process for the Ty Nant water shot:

 

1. One strobe above and in front of the bottle, bounced off my umbrella. This looks terrible! The blue is hardly noticeable, the reflection totally knocks out the label, and the label on the back of the bottle (marked with the *) makes a horrible white mark.

 

2. One light on the right of the bottle, bounced off the umbrella. I also cut out a piece of paper the shape of the bottle to put behind it. This bounces light through the glass, showing the blue. Unfortunately, you can see all the details of the umbrella in the reflection, and that label on the back is still there. also, the flash from my camera that I use to trigger the strobe makes an annoying reflection (marked with the *). I soak off the label, and cover my flash with a piece of cloth. That way it is still bright enough to trigger the strobe, but doesn't show up on the bottle.

 

3. Light below and behind the bottle, bounced off the black (!) backdrop. I removed the white paper behind the bottle for this, since it was unnecessary. I used a long exposure so that the lights from the windows on the sides and in front of the bottle would light up the label. Unfortunately, this makes for ugly reflections on the sides of the bottle.

 

4. One light behind and below bottle, bounced off backdrop. This is beautiful -- I love black-line glass photography, and the blue is gorgeous. Unfortunately for a product shot, the label is way too dark. And I don't have another light to snoot on it from the front. Have to go a different direction.

 

5. Light on the right side again, this time shone directly through a large plastic tub. That disperses the light enough that it makes a nice clean long white highlight. The paper is behind the bottle again, and I dropped the coins behind the bottle. But the paper behind the bottle is wrinkled, and that shows (marked with the *) and it tapers at the top of the neck where the water stops, which you can see. I cut a new piece of paper.

Thanks to lepiaf.geo for his texture Texture, Letters to the family I

and to Ervin Bartis for his texture Wall texture

 

Not my photo but jessiehsu's for processing for the group Post Process Me Challenge Group""

Alimatu Zakaria of Suglo women’s rice processing group in Tamale sieving parboiled paddy.

Louis Stippel / USAID

ry fish processing is an ancient, cost-effective preservation method that removes moisture through sun-drying, salting, or smoking to inhibit microorganism growth and extend shelf life. The process typically involves cleaning, degutting, washing, and sometimes salting fish before laying them on racks, taking several days depending on weather and fish size.

The most common method, where fish are laid on raised bamboo racks (vertical or horizontal) in the sun.

Often combined with drying, this improves preservation and flavor, commonly used for larger fish.

Imparts flavor while drying the fish through heat.

Dehydration/Driers: Controlled environments like cabinet, tunnel, or solar tent dryers are used to ensure higher quality and better hygiene than open-sun drying

Not really sure where I am going with this one, but this is an early frame in a video for snake simuation. Video will be up on Vimeo shortly.

sometimes i wish i could snap my finger then tadaaaa things are in front of me shortly. But nothing just happen. Just like Amerie says, "Sometimes you gotta work hard for it".

  

This performance was made after the opening of my current exhibition at the Lars Bolin gallery in Östersund, after hours with only the gallerist and photographer as participants / spectators.

photos: www.jimmydahlberg.se

"everything is knot a torus"

 

(tho, not all of these qualify as knots, unknots included as well. so, clearly: not everything is knot a torus)

 

en.wikipedia.org/wiki/Torus_knot

Trust The Process rider on Bank Street. Sunday September 24 2023.

listening to ........ the Doors

Made with Processing. (Screenshot of the program)

 

"Celebrating" my first five years of coding. 5 years ago I started programming with Processing. I made the basic (2D-)Version for this one for an assigment at my learning processing class. The 3D version is 4 years old and it is the first sketch I have uploaded to processing. So time for a complete recode, trying to avoid any change in the visual result and keeping the basic structure. And give it a little speed up. And give it a GUI to get a lot of variations in a little amount of time.

 

Code:

openprocessing.org/sketch/149548

 

Contact:

mail: kontakt@diana-lange.de

web: diana-lange.de

facebook: www.facebook.com/DianaLangeDesign

flickr: www.flickr.com/photos/dianalange/collections/

tumblr: dianalange.tumblr.com/

twitter: twitter.com/DianaOnTheRoad

vimeo: vimeo.com/dianalange/videos

 

Original 2D-Version of 2009:

www.flickr.com/photos/dianalange/sets/72157633527111538/

 

Original 3D-Version of 2010:

openprocessing.org/sketch/9765

 

Music Visualization Version (Audio & Beat Reaction #2) of 2011:

vimeo.com/24133373

www.flickr.com/photos/dianalange/sets/72157626714986077/

These are the settings I used to process this image. Adobe Lightroom 4.0.

I took a stroll yesterday about a half mile from where I live and took this on my phone - heavily processed but an image nevertheless.

 

Processed with VSCO with a4 preset

Strange, heavily processed picture of Nobuo. The first processing was turning the original image into a half-tone image (a rather heavy-handed conversion because, why not?) then I ran that result through one of the dreamscape-like filters on-line and this is the result.

Experimented with some cross processing in Aperture.

 

If you want to try it, go here for a good how-to article.

 

Vignette added.

Sample renders for sculpture. What do you think I should cut it from - wood or plastic? Or maybe cardboard?

Subdivision of a quad using a 2D algorithm derived from Catmull Clark and Doo Sabin. For further images and information see:

www.michael-hansmeyer.com

  

2 shots on colour transparency film, scanned, stitched, greyscaled and textured.

 

The light leak was real at least.

 

Is it pointless?

Image transfer on watercolor paper done using Citrasolv cleaner. It's very addictive making these little transfers.

 

Tutorial: www.youtube.com/watch?v=-Nedq-m7KO0

Processed with VSCO with a5 preset

The Business Process Outsourcing (BPO) is a rapidly growing industry and a key sector in the Philippines. Majority of workers are in back office and voice services like call centres.

 

© ILO/R. dela Cruz

 

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US.

 

www.ilo.org/manila

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