View allAll Photos Tagged presentation
Here is the final presentation board for the Boutique Hotel design. It was 30"x80" and contains both the section and plan drawings, an axonometric representation, and a 3D rendering with its position in Waikiki. This design was well received. Phew!
Brian Rees and Spencer Symmons teamed up to win their second Cardiff Open Pairs title, 4 years after their first
Giancarlo Nucci '07 (center) and Erik Bell '08 (right) present a student project completed for Engineering Sciences 146: Computer-Aided Mechanical Engineering Design.
Photo by Douglas Fraser.
Officer Candidarte Adam Hryb shakes Maj. Gen. Jose S. Mayorga's hand while taking his diploma. (Photo by: Laura Lopez/JFTX-PAO).
Here is a great item… show your presentation slides realistically…. 3D mockups for presentation template…. high quality and detailed ….. Satisfaction guarantied…
Get it ... read more... graphicriver.net/item/presentation-template-mockups/50110...
Don and Ann Eberle gave a presentation featuring photos of their frequent visits to the SS Rotterdam. Photos showed her unique features and were accompanied by personal anecdotes of the Eberle's experiences.
Maybe if enough people switch away from English, MAYBE Flickr will take the "hint" that we do NOT like the new presentation style.
Remixes of pieces by Heiner Goebbels / John Oswald / John Zorn on Creative Works Records, Switzerland, 1986.
Listen here: www.youtube.com/watch?v=hWhnj2Rt6nk
A first live encounter between A23H and John Zorn took place in 1985 during a Harald Haerter project in Zürich, Switzerland. This meeting paved the way for their duo, initiated by A23H’s invitation to Zorn for their pure sax duo performances at the Moers Festival in 1986, at the Brotfabrik Frankfurt/Main, and a concert in Würzburg, culminating in the track “Atom Sex Kino” on A23H’s 1987 LP, “Plan Eden”.
Structure and Style of “Plan Eden”:
The first side of “Plan Eden” is dedicated to Harth’s solo tenor saxophone improvisations, shifting from serene, reverb-washed meditations to intense, multiphonic workouts. These explorations anticipate the reductionist and minimalist trends later seen in avant-garde music, underscoring Harth’s forward-thinking approach.
On the second side, the album presents varied duets: Harth’s clarinet dialogues with Lindsay Cooper’s bassoon and sopranino, a high-voltage interaction with John Zorn, a turbulent three-minute “mini opera” featuring Phil Minton’s vocal improvisation, and contributions from Günter Müller on drums before his electronic phase.
Artistic Vision and Packaging:
Like its predecessor, “Anything Goes” (1986)—an LP merging remixes by Heiner Goebbels, John Oswald, and John Zorn—“Plan Eden” embodies Harth’s multidimensional artistry, which extends not only to composition and performance but also to visual design, with self-drawn cover artwork and inserts. Collectors particularly value the distinctive physical presentation and nostalgic appeal of these LP editions.
Impact and Legacy:
Through “Plan Eden”, A23H established an influential model in experimental improvisation and multimedia collaboration, foreshadowing trends that would only later gain broader recognition in the contemporary music scene.