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Students from Presentation College Athenry who were presented with a special parchment by Athlone Institute of Technology in recognition of their having achieved an A in the Business Studies (Higher) exam in the Junior Certificate 2011. Pictured here (L-R) Jennie Harrington Business Studies Teachers' Association of Ireland, Emma Louise reilly, Maria Lundon, President of AIT Prof Ciaráin Ó Catháin, Andrea Burke, Chloe Rooney and Mick Dillon Athlone Credit Union.
Pic: P Devaney
Students give presentations to community members as the culmination of Deep Creek Middle School's "School Without Walls" program.
Stage presentation from Market America's top executives and trainers at this years 2011 International Convention. To learn more about becoming an Unfranchise® Owner, click here.
The label reads,"This whisk was presented to W. K. Vanderbilt at Apia Samoa, September 5th, 1931, by a group of Samoan chiefs who visited the "Alva" and, in a colorful ceremony, adopted him into the tribe with the title of "Logoituma Aumai Teta Ua Tau." It is interesting to note how insidiously white man's culture gradually undermines that of the native, as exemplified by this whisk. The shaft is a rung of a white man's chair, while the whisk itself is horse-hair; a material non-existant, before the introduction of the horse into the islands. Thus is native art and culture dommed to evenutally disappear under white influence. Collected on "Alva" World Cruise of 1931-1932."
The Vanderbilt Museum on Long Island, New York is housed in the mansion once owned by William K. Venderbilt ll (the great-grandson of Cornelius Vanderbilt, founder of the New York Central Railroad and the Staten Island Ferry). "Willie K." was an avid sailor and collector. He travelled around the globe, collecting artifacts and natural history specimens, some from the ocean floor by Willie K. himself, as he loved to dive. The mansion is known as the Eagle's Nest, which was opened to the public as a museum at Willie K.'s bequest in 1922.
Sydney NSW, 30th May 2021.
Photos from the NSW Group 87th Annual Ceremonial Parade
Photographer: Brian Grinter
Spesso, il giovedì, organizziamo un Presentation Lunch, in cui uno di noi presenta agli altri la propria attività professionale.
Medieval stained glass in the north nave aisle of York Minster. Most of the nave windows preserve their original 14th century glass, though some scenes are patched and confused visually by the many repairs that have been required over the centuries. Most windows follow the format of two rows of three scenes set within plainer areas of quarries and rich borders.
York Minster is England's largest medieval cathedral and almost impossible to do justice to. It has an awesome presence that cannot fail to impress.
Uniquely the cathedral was spared the ravages of the Civil War that decimated the medieval art of most English cathedrals and churches, and it thus possesses the largest collection of medieval glass in Britain throughout most of it's vast windows.
Sadly this fortune was not matched by the Minster's vulnerability to fire which has ravaged the building in 3 major outbreaks, the worst in 1829 when a madman set fire to the precious medieval furniture of the choir, which was destroyed along with the organ and the high vaulted ceiling of the eastern half of the church. Only 11 years after this tragedy a careless workman accidentally set fire to the nave roof, which also lost it's vault. Both roofs were rebuilt in replica, but a further fire caused by lightning strike in 1984 destroyed the south transept roof (rebuilt 4 years later).
Most medieval cathedrals were provided with stone vaulted ceilings precisely to avoid the problems suffered here, but York's builders found that building on such an unprecedentedly large scale brought limitations, thus all the Minster's high ceilings had to be built of wood in imitation of stone. An Achilles' Heel, but a beautiful one!
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